Antonio-Banderas Movie Reviews


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VHS movie reviews for "Antonio-Banderas" sorted by average review score:

Labyrinth of Passion
Released in VHS Tape by Cinevista Inc. (27 June, 1990)
MPAA Rating: NR (Not Rated)
Director: Pedro Almodóvar
Average review score:

Madness in Madrid
Almodovar continues to show his mastery of farce. This could rightfully be called Harpo in Madrid. Banderos is here and even though his is not the starring role he demonstrates the acting ability that would make him a star.

Almodovar does not disappoint with the menagerie of characters he has strut across the screen.

I look forward to the DVD.


Shrek 2
Released in Theatrical Release by (21 May, 2004)
MPAA Rating:
Directors: Andrew Adamson, Conrad Vernon, and Kelly Asbury
Starring: Mike Myers, Eddie Murphy, and Cameron Diaz
Average review score:

BETTER THAN OTHERS
WITHOUT MORE WORDS TO EXPLAIN THIS MOVIE YOU WILL BE WHEN BUY IT. INCOMPARABLE AND UNFORGETABLE WORK, FULL OF GOOD ACTORS AND SPECIAL EFFECTS. YOUR BEST CHOICE!!!

It should be 1,000,000,000,000,000,000 stars!!!!!!!!!!!!!!!!
Shrek 2 is the BEST!!!!!!!! I saw a the first 45 minutes or it and it rocked!!! It will come out in May. When it opens, go see it right away.

The Trailer...
...lets expect the best! Although sequels usuallaly can't compete with the first movie, this one will!
In Shrek 2, Fiona and Shrek are going on their honeymoon to a place called "Far, far away" to meet Fiona's parents. On their way, and finally at their destination, the young couple and Donkey are experiencing new, exciting adventurs which will be in no way less funny than in part 1!
The same, great way of humor! More splendidly defined characters and even better graphics and visual effects! And of course we will get to know how the marriage of the two green monster will work out :) I will definitely be in the premiere in may, and I'm sure Shrek 2 will be by far more successful than "Finding Nemo".


Andrew Lloyd Webber - The Royal Albert Hall Celebration
Released in VHS Tape by Universal Studios (03 August, 1999)
MPAA Rating: NR (Not Rated)
Director: David Mallet
Starring: Tina Arena
In 1998 a concert at the Royal Albert Hall celebrated Sir Andrew Lloyd Webber's 50th birthday and featured more than two hours of hits from a body of work spanning almost three decades. In this keepsake of a memorable night, star after star steps on to a massive, Eurovision-style set to revisit golden moments in their long association with Britain's most successful composer of musicals. Elaine Paige in big frocks and an even bigger voice delivers "Don't Cry for Me, Argentina" and "Memory" with her usual power; Michael Ball and Donny Osmond stretch the last vestiges of boyish charm to the very limits but still sound great; and Boyzone gets the youth vote. Then there are Kiri Te Kanawa, Bonnie Tyler, Tina Arena, and, of course, another encore for brother Julian Lloyd Webber and those Variations on the cello. But the stars are Sir Andrew's ex-wife Sarah Brightman in an outstanding selection from The Phantom of the Opera (probably his best work), Antonio Banderas (who really can sing), and Glenn Close, a stupendous, moving Norma Desmond in songs from Sunset Boulevard. All in all, a deserved celebration for someone who has given so many people a great deal of pleasure, and a treat for musicals fans of all ages. --Piers Ford
Average review score:

Incredible Performances!
I originally purchased this video to watch a specific performer. However, I was shocked by the amazing talent this video holds. The only disappointing part was the selection from "Starlight Express." Perhaps that just needs to grow on me, though. I "discovered" the fabulously talented Michael Ball, and have since watched "Gethsemane" countless times. Michael Ball delivered the most spectacular performance I have ever seen during this moving song. Incredible! I only wish that all of Sir Andrew Lloyd Webber's videos could be so wonderful. The "Jesus Christ Superstar" segment of the show was splendid and performed very well by various artists. Also, Donny Osmond's voice is so pure and youthful and has wonderful tone quality. He dazzles the audience while singing happily to the children's choir and later giving 120% in the emotional "Close Every Door." Donny Osmond is such a fantastic performer that *he* never steps out on stage. Instead, from the moment he comes out from the darkness, the audience sees *Joseph*, not Donny. He gives a truly wonderful performance. If you purchase this video, you will be purchasing happiness. I promise that you will watch it over and over again, and hopefully enjoy it as much as I did.

A WONDERFUL CONCERT WITH THE BEST MUSICAL SONGS
The opening song WHISTLE DOWN THE WIND is sung by Tina Arena. The music and the way Tina performs the song is very powerful. She has a great voice but she sings it too aggressively, I better like the way Lottie Mayor sings it, at the end of the concert.

Donny Osmond sings ANY DREAM WILL DO and CLOSE EVERY DOOR together with a children choir. Donny has a great charisma and voice. It sounds fantastic with the children. Julian Lloyd Webber plays cello - the music from VARIATIONS (a symphonic concert from 1977).

Antonio Banderas: HIGH FLYING ADORED. Elaine Paige: DON'T CRY FOR ME ARGENTINA. She sings it as beautiful as 20 years ago, when she had the leading role as Evita.

Dennis O'Neill sings in Latin the song HOSANNA from Requiem. There is a girl in the choir, she looks like Charlotte Church? Sarah Brightman appears like a magic woman, and the dancers fall to the floor. Sarah sings in Latin and the young boy Ben De'ath comes to the stage. They sing PIE JESU together - a very beautiful and moving church mess song. Sarah's voice is incredible beautiful.

Michael Ball: I ONLY WANT TO SAY (GESTHEMANE) from Jesus Christ Superstar. A very vigorous song.

At THE PHANTOM OF THE OPERA, when Sarah Brightman enters the stage I get chills because of her beauty and presence. She is the most wonderful person, with a warm-heartedness charisma. She definitely has the best and most beautiful voice in the world. She and Antonio Banderas sing THE PHANTOM OF THE OPERA together. It's 10 years ago, when Sarah played Christine in the Phantom.
Michael Ball and Sarah sing the beautiful duet ALL I ASK OF YOU. They suit each other well. Michael Ball has a great charisma. THE MUSIC OF THE NIGHT, Sarah sings it as beautiful as ever.

Boyzone: NO MATTER WHAT - the best sound on this DVD.
Michael Ball: VAULTS OF HEAVEN together with a gospel choir - it sounds fantastic.
Glenn Close plays Norma Desmond from Sunset Boulevard and sings WITH ONE LOOK.
Michael Ball sings the great song LOVE CHANGES EVERYTHING and all the artists from the concert appear, singing together. Elaine Paige sings MEMORY from Cats.

Kiri Te Kanawa sings the very beautiful song THE HEART IS SLOW TO LEARN. Kiri has a beautiful soprano voice. It could be great to hear Kiri and Sarah together in a duet. All the artists sing HAPPY BIRTHDAY for Andrew. At the final song, Andrew plays the piano while Lottie Mayor sings the beautiful song WHISTLE DOWN THE WIND.

Andrew Lloyd Webber must be the greatest composer of all time.
This DVD is fantastic, whether your are a fan of Andrew, Sarah Brightman, Michael Ball, Elaine Paige or you just love great musical music. The picture and the sound are excellent on this DVD.

Great Show
This is a great concert dvd with many outstanding performances. I had some people over and turned this on and everyone wanted to know what is was. They wrote it down because they wanted to buy it. This dvd is a keeper and good to show your friends. It's the best one of this kind (e.g. opera, musical) that I have found to date.


Andrew Lloyd Webber: The Royal Albert Hall Celebration
Released in VHS Tape by Usa Films (25 August, 1998)
MPAA Rating: NR (Not Rated)
Director: David Mallet
Starring: Julian Lloyd Webber
In 1998 a concert at the Royal Albert Hall celebrated Sir Andrew Lloyd Webber's 50th birthday and featured more than two hours of hits from a body of work spanning almost three decades. In this keepsake of a memorable night, star after star steps on to a massive, Eurovision-style set to revisit golden moments in their long association with Britain's most successful composer of musicals. Elaine Paige in big frocks and an even bigger voice delivers "Don't Cry for Me, Argentina" and "Memory" with her usual power; Michael Ball and Donny Osmond stretch the last vestiges of boyish charm to the very limits but still sound great; and Boyzone gets the youth vote. Then there are Kiri Te Kanawa, Bonnie Tyler, Tina Arena, and, of course, another encore for brother Julian Lloyd Webber and those Variations on the cello. But the stars are Sir Andrew's ex-wife Sarah Brightman in an outstanding selection from The Phantom of the Opera (probably his best work), Antonio Banderas (who really can sing), and Glenn Close, a stupendous, moving Norma Desmond in songs from Sunset Boulevard. All in all, a deserved celebration for someone who has given so many people a great deal of pleasure, and a treat for musicals fans of all ages. --Piers Ford
Average review score:

Incredible Performances!
I originally purchased this video to watch a specific performer. However, I was shocked by the amazing talent this video holds. The only disappointing part was the selection from "Starlight Express." Perhaps that just needs to grow on me, though. I "discovered" the fabulously talented Michael Ball, and have since watched "Gethsemane" countless times. Michael Ball delivered the most spectacular performance I have ever seen during this moving song. Incredible! I only wish that all of Sir Andrew Lloyd Webber's videos could be so wonderful. The "Jesus Christ Superstar" segment of the show was splendid and performed very well by various artists. Also, Donny Osmond's voice is so pure and youthful and has wonderful tone quality. He dazzles the audience while singing happily to the children's choir and later giving 120% in the emotional "Close Every Door." Donny Osmond is such a fantastic performer that *he* never steps out on stage. Instead, from the moment he comes out from the darkness, the audience sees *Joseph*, not Donny. He gives a truly wonderful performance. If you purchase this video, you will be purchasing happiness. I promise that you will watch it over and over again, and hopefully enjoy it as much as I did.

A WONDERFUL CONCERT WITH THE BEST MUSICAL SONGS
The opening song WHISTLE DOWN THE WIND is sung by Tina Arena. The music and the way Tina performs the song is very powerful. She has a great voice but she sings it too aggressively, I better like the way Lottie Mayor sings it, at the end of the concert.

Donny Osmond sings ANY DREAM WILL DO and CLOSE EVERY DOOR together with a children choir. Donny has a great charisma and voice. It sounds fantastic with the children. Julian Lloyd Webber plays cello - the music from VARIATIONS (a symphonic concert from 1977).

Antonio Banderas: HIGH FLYING ADORED. Elaine Paige: DON'T CRY FOR ME ARGENTINA. She sings it as beautiful as 20 years ago, when she had the leading role as Evita.

Dennis O'Neill sings in Latin the song HOSANNA from Requiem. There is a girl in the choir, she looks like Charlotte Church? Sarah Brightman appears like a magic woman, and the dancers fall to the floor. Sarah sings in Latin and the young boy Ben De'ath comes to the stage. They sing PIE JESU together - a very beautiful and moving church mess song. Sarah's voice is incredible beautiful.

Michael Ball: I ONLY WANT TO SAY (GESTHEMANE) from Jesus Christ Superstar. A very vigorous song.

At THE PHANTOM OF THE OPERA, when Sarah Brightman enters the stage I get chills because of her beauty and presence. She is the most wonderful person, with a warm-heartedness charisma. She definitely has the best and most beautiful voice in the world. She and Antonio Banderas sing THE PHANTOM OF THE OPERA together. It's 10 years ago, when Sarah played Christine in the Phantom.
Michael Ball and Sarah sing the beautiful duet ALL I ASK OF YOU. They suit each other well. Michael Ball has a great charisma. THE MUSIC OF THE NIGHT, Sarah sings it as beautiful as ever.

Boyzone: NO MATTER WHAT - the best sound on this DVD.
Michael Ball: VAULTS OF HEAVEN together with a gospel choir - it sounds fantastic.
Glenn Close plays Norma Desmond from Sunset Boulevard and sings WITH ONE LOOK.
Michael Ball sings the great song LOVE CHANGES EVERYTHING and all the artists from the concert appear, singing together. Elaine Paige sings MEMORY from Cats.

Kiri Te Kanawa sings the very beautiful song THE HEART IS SLOW TO LEARN. Kiri has a beautiful soprano voice. It could be great to hear Kiri and Sarah together in a duet. All the artists sing HAPPY BIRTHDAY for Andrew. At the final song, Andrew plays the piano while Lottie Mayor sings the beautiful song WHISTLE DOWN THE WIND.

Andrew Lloyd Webber must be the greatest composer of all time.
This DVD is fantastic, whether your are a fan of Andrew, Sarah Brightman, Michael Ball, Elaine Paige or you just love great musical music. The picture and the sound are excellent on this DVD.

Great Show
This is a great concert dvd with many outstanding performances. I had some people over and turned this on and everyone wanted to know what is was. They wrote it down because they wanted to buy it. This dvd is a keeper and good to show your friends. It's the best one of this kind (e.g. opera, musical) that I have found to date.


The Mask of Zorro
Released in VHS Tape by Columbia/Tristar Studios (26 March, 2002)
MPAA Rating: PG-13 (Parental Guidance Suggested)
Director: Martin Campbell
Starring: Antonio Banderas, Anthony Hopkins, and Catherine Zeta-Jones
A lusty and rousing adventure, this calls to mind those glorious costume dramas produced so capably by the old Hollywood studio system--hardly surprising, in that its title character, a de facto Robin Hood in Old California, provided starring vehicles for Douglas Fairbanks and Tyrone Power, the '50s TV hit, and dozens of serials and features. Zorro, a pop-fiction creation invented by Johnston McCulley in 1918, is given new blood in this fast-moving and engaging version, which actually works as a sequel to the story line in the Fairbanks-Power saga, The Mark of Zorro. A self-assured Anthony Hopkins is Don Diego de la Vega, a Mexican freedom fighter captured and imprisoned just as Spain concedes California to Santa Ana. Twenty years later, he escapes from prison to face down his mortal enemy, a land grabbing governor played with slimy spitefulness by Stuart Wilson. Too old to save the local peasants on his own, he trains bandito Antonio Banderas to take his place. Much swashbuckling ensues as Banderas woos Catherine Zeta-Jones, becomes a better human being, and saves the disenfranchised rabble. Director Martin Campbell wisely instills a measure of frivolity into the deftly choreographed action sequences, while letting a serious tone creep in when appropriate. This covers much ground under the banner of romantic-action-adventure, and it does so most excellently. --Rochelle O'Gorman
Average review score:

An awesome movie
The Mask of Zorro is a superb action movie. It's a great tail to introduce Zorro to a younger generation. It's the first film to actually have a hispanic play the role. It's the first blockbuster hit for one of the most beautiful woman in the world.

The Mask of Zorro tells the tail of Diego. A man that was Zorro who is imprisoned for 20 years. He gets out of jail and finds a young man Alejandro who is also out for revenge. Diego trains him and teaches him out to fight. It's then that Alejandro and Diego go and get there revenge against the men who hurt them.

Antonio Banderas(Alejandro) is awesome. This is the best movie he has ever done. He plays Zorro to perfection. He puts the Spanish Rico Suave swagger on stage. You fall in love with the character. He does such a great job.

Anthony Hopkins(Diego)is awesome too. It's one of his best roles ever. I like seeing him play a sane good guy. Hopkins is one of the best actors of the last 25 years. Diego is a good character and I don't think anybody buy Hopkins could have pulled him off.

Catherine Zeta Jones is hot in this movie. She is such a beautiful woman. She's one of those flawless ladies that you could stare and admire all day. She plays Elana well and leaves every male jealous of Banderas. If your a guy you can watch the movie for her alone. I have to give personal thanks to the producer Steven Spielberg for discovering her and casting her.

I love the swordplay in the movie. It's great to see a film that doesn't rely on CGI and other special effects. All the swordplay is done well with great choreography. You could watch the movie for that alone.

I love the score that James Horner wrote for the film. He is one of the best in the business. The score accents the movie so well. I love the spansih trumpets. This score really got screwed at the Oscars. The love theme is a beautiful song as well.

I love this film. It's the best swashbuckling film since the 30's and 40's and could be argued as the best ever. Everybody should see this movie. It's a great tail of love and revenge that will leave you entertained and breathless. You'll love it. I've never heard of anybody that didn't.

The Mask of Zorro
In "The Mast of Zorro", Anthony Hopkins plays Don Diego de la Vega, a freedom fighter in California by the name of Zorro. But the day Spain concedes California to Santa Anna, de la Vega is captured and put into prison. Twenty years later, he escapes and finds that his enemy, Don Rafael (Stuart Wilson) has come back to California. De la Vega also finds that Don Rafael had taken his own daughter, Elena (Catherine Zeta-Jones), as his own. De la Vega, with the help of a young man, Alejandro (Antonio Banderas) are determined to try to stop Don Rafael from his evil plans in taking over California.

The movie is fantastic! One, it has actors Anthony Hopkins, Antonio Banderas, and Catherine Zeta-Jones. Who wouldn't love them? Two, the story line is good. It's very understandable and there doesn't seem to be any gaps in the story. Three, the action is just amazing! There's fencing with a little Bruce Lee touch in it. Four, there are no bad scenes or any foul language in it! It's not the kind of movie you'd watch with younger kids but still, it's very good!

A definite five star movie! If you liked this movie, watch also "The Mark of Zorro".

Neat-o
This movie is super fantastic! I thought it was going to be a serious movie but it had a lot of wit in it. This movie has a spectacular cast. Anthony Hopkins is great in every role he plays. This just proves that he doesn't only have the persona as a cannibal. Antonio Banderas was the perfect men to play the part of the new Zorro. Not only was he smashing he portrayed a great hero. Catherin Zita Jones was just beautiful. Yeah, this is chock full of violence, love and humor. It is one of my favorites.


The Mask of Zorro
Released in VHS Tape by Columbia/Tristar Studios (26 March, 2002)
MPAA Rating: PG-13 (Parental Guidance Suggested)
Director: Martin Campbell
Starring: Antonio Banderas, Anthony Hopkins, and Catherine Zeta-Jones
A lusty and rousing adventure, this calls to mind those glorious costume dramas produced so capably by the old Hollywood studio system--hardly surprising, in that its title character, a de facto Robin Hood in Old California, provided starring vehicles for Douglas Fairbanks and Tyrone Power, the '50s TV hit, and dozens of serials and features. Zorro, a pop-fiction creation invented by Johnston McCulley in 1918, is given new blood in this fast-moving and engaging version, which actually works as a sequel to the story line in the Fairbanks-Power saga, The Mark of Zorro. A self-assured Anthony Hopkins is Don Diego de la Vega, a Mexican freedom fighter captured and imprisoned just as Spain concedes California to Santa Ana. Twenty years later, he escapes from prison to face down his mortal enemy, a land grabbing governor played with slimy spitefulness by Stuart Wilson. Too old to save the local peasants on his own, he trains bandito Antonio Banderas to take his place. Much swashbuckling ensues as Banderas woos Catherine Zeta-Jones, becomes a better human being, and saves the disenfranchised rabble. Director Martin Campbell wisely instills a measure of frivolity into the deftly choreographed action sequences, while letting a serious tone creep in when appropriate. This covers much ground under the banner of romantic-action-adventure, and it does so most excellently. --Rochelle O'Gorman
Average review score:

An awesome movie
The Mask of Zorro is a superb action movie. It's a great tail to introduce Zorro to a younger generation. It's the first film to actually have a hispanic play the role. It's the first blockbuster hit for one of the most beautiful woman in the world.

The Mask of Zorro tells the tail of Diego. A man that was Zorro who is imprisoned for 20 years. He gets out of jail and finds a young man Alejandro who is also out for revenge. Diego trains him and teaches him out to fight. It's then that Alejandro and Diego go and get there revenge against the men who hurt them.

Antonio Banderas(Alejandro) is awesome. This is the best movie he has ever done. He plays Zorro to perfection. He puts the Spanish Rico Suave swagger on stage. You fall in love with the character. He does such a great job.

Anthony Hopkins(Diego)is awesome too. It's one of his best roles ever. I like seeing him play a sane good guy. Hopkins is one of the best actors of the last 25 years. Diego is a good character and I don't think anybody buy Hopkins could have pulled him off.

Catherine Zeta Jones is hot in this movie. She is such a beautiful woman. She's one of those flawless ladies that you could stare and admire all day. She plays Elana well and leaves every male jealous of Banderas. If your a guy you can watch the movie for her alone. I have to give personal thanks to the producer Steven Spielberg for discovering her and casting her.

I love the swordplay in the movie. It's great to see a film that doesn't rely on CGI and other special effects. All the swordplay is done well with great choreography. You could watch the movie for that alone.

I love the score that James Horner wrote for the film. He is one of the best in the business. The score accents the movie so well. I love the spansih trumpets. This score really got screwed at the Oscars. The love theme is a beautiful song as well.

I love this film. It's the best swashbuckling film since the 30's and 40's and could be argued as the best ever. Everybody should see this movie. It's a great tail of love and revenge that will leave you entertained and breathless. You'll love it. I've never heard of anybody that didn't.

The Mask of Zorro
In "The Mast of Zorro", Anthony Hopkins plays Don Diego de la Vega, a freedom fighter in California by the name of Zorro. But the day Spain concedes California to Santa Anna, de la Vega is captured and put into prison. Twenty years later, he escapes and finds that his enemy, Don Rafael (Stuart Wilson) has come back to California. De la Vega also finds that Don Rafael had taken his own daughter, Elena (Catherine Zeta-Jones), as his own. De la Vega, with the help of a young man, Alejandro (Antonio Banderas) are determined to try to stop Don Rafael from his evil plans in taking over California.

The movie is fantastic! One, it has actors Anthony Hopkins, Antonio Banderas, and Catherine Zeta-Jones. Who wouldn't love them? Two, the story line is good. It's very understandable and there doesn't seem to be any gaps in the story. Three, the action is just amazing! There's fencing with a little Bruce Lee touch in it. Four, there are no bad scenes or any foul language in it! It's not the kind of movie you'd watch with younger kids but still, it's very good!

A definite five star movie! If you liked this movie, watch also "The Mark of Zorro".

Neat-o
This movie is super fantastic! I thought it was going to be a serious movie but it had a lot of wit in it. This movie has a spectacular cast. Anthony Hopkins is great in every role he plays. This just proves that he doesn't only have the persona as a cannibal. Antonio Banderas was the perfect men to play the part of the new Zorro. Not only was he smashing he portrayed a great hero. Catherin Zita Jones was just beautiful. Yeah, this is chock full of violence, love and humor. It is one of my favorites.


The Mask of Zorro (Widescreen Edition)
Released in VHS Tape by Columbia/Tristar Studios (26 March, 2002)
MPAA Rating: PG-13 (Parental Guidance Suggested)
Director: Martin Campbell
Starring: Antonio Banderas, Anthony Hopkins, and Catherine Zeta-Jones
A lusty and rousing adventure, this calls to mind those glorious costume dramas produced so capably by the old Hollywood studio system--hardly surprising, in that its title character, a de facto Robin Hood in Old California, provided starring vehicles for Douglas Fairbanks and Tyrone Power, the '50s TV hit, and dozens of serials and features. Zorro, a pop-fiction creation invented by Johnston McCulley in 1918, is given new blood in this fast-moving and engaging version, which actually works as a sequel to the story line in the Fairbanks-Power saga, The Mark of Zorro. A self-assured Anthony Hopkins is Don Diego de la Vega, a Mexican freedom fighter captured and imprisoned just as Spain concedes California to Santa Ana. Twenty years later, he escapes from prison to face down his mortal enemy, a land grabbing governor played with slimy spitefulness by Stuart Wilson. Too old to save the local peasants on his own, he trains bandito Antonio Banderas to take his place. Much swashbuckling ensues as Banderas woos Catherine Zeta-Jones, becomes a better human being, and saves the disenfranchised rabble. Director Martin Campbell wisely instills a measure of frivolity into the deftly choreographed action sequences, while letting a serious tone creep in when appropriate. This covers much ground under the banner of romantic-action-adventure, and it does so most excellently. --Rochelle O'Gorman
Average review score:

An awesome movie
The Mask of Zorro is a superb action movie. It's a great tail to introduce Zorro to a younger generation. It's the first film to actually have a hispanic play the role. It's the first blockbuster hit for one of the most beautiful woman in the world.

The Mask of Zorro tells the tail of Diego. A man that was Zorro who is imprisoned for 20 years. He gets out of jail and finds a young man Alejandro who is also out for revenge. Diego trains him and teaches him out to fight. It's then that Alejandro and Diego go and get there revenge against the men who hurt them.

Antonio Banderas(Alejandro) is awesome. This is the best movie he has ever done. He plays Zorro to perfection. He puts the Spanish Rico Suave swagger on stage. You fall in love with the character. He does such a great job.

Anthony Hopkins(Diego)is awesome too. It's one of his best roles ever. I like seeing him play a sane good guy. Hopkins is one of the best actors of the last 25 years. Diego is a good character and I don't think anybody buy Hopkins could have pulled him off.

Catherine Zeta Jones is hot in this movie. She is such a beautiful woman. She's one of those flawless ladies that you could stare and admire all day. She plays Elana well and leaves every male jealous of Banderas. If your a guy you can watch the movie for her alone. I have to give personal thanks to the producer Steven Spielberg for discovering her and casting her.

I love the swordplay in the movie. It's great to see a film that doesn't rely on CGI and other special effects. All the swordplay is done well with great choreography. You could watch the movie for that alone.

I love the score that James Horner wrote for the film. He is one of the best in the business. The score accents the movie so well. I love the spansih trumpets. This score really got screwed at the Oscars. The love theme is a beautiful song as well.

I love this film. It's the best swashbuckling film since the 30's and 40's and could be argued as the best ever. Everybody should see this movie. It's a great tail of love and revenge that will leave you entertained and breathless. You'll love it. I've never heard of anybody that didn't.

The Mask of Zorro
In "The Mast of Zorro", Anthony Hopkins plays Don Diego de la Vega, a freedom fighter in California by the name of Zorro. But the day Spain concedes California to Santa Anna, de la Vega is captured and put into prison. Twenty years later, he escapes and finds that his enemy, Don Rafael (Stuart Wilson) has come back to California. De la Vega also finds that Don Rafael had taken his own daughter, Elena (Catherine Zeta-Jones), as his own. De la Vega, with the help of a young man, Alejandro (Antonio Banderas) are determined to try to stop Don Rafael from his evil plans in taking over California.

The movie is fantastic! One, it has actors Anthony Hopkins, Antonio Banderas, and Catherine Zeta-Jones. Who wouldn't love them? Two, the story line is good. It's very understandable and there doesn't seem to be any gaps in the story. Three, the action is just amazing! There's fencing with a little Bruce Lee touch in it. Four, there are no bad scenes or any foul language in it! It's not the kind of movie you'd watch with younger kids but still, it's very good!

A definite five star movie! If you liked this movie, watch also "The Mark of Zorro".

Neat-o
This movie is super fantastic! I thought it was going to be a serious movie but it had a lot of wit in it. This movie has a spectacular cast. Anthony Hopkins is great in every role he plays. This just proves that he doesn't only have the persona as a cannibal. Antonio Banderas was the perfect men to play the part of the new Zorro. Not only was he smashing he portrayed a great hero. Catherin Zita Jones was just beautiful. Yeah, this is chock full of violence, love and humor. It is one of my favorites.


Interview with the Vampire
Released in VHS Tape by Warner Studios (02 September, 2003)
MPAA Rating: R (Restricted)
Director: Neil Jordan
Starring: Tom Cruise and Brad Pitt
When it was announced that Tom Cruise would play the vampire Lestat in this adaptation of Anne Rice's bestselling novel, even Rice chimed in with a highly publicized objection. The author wisely and justifiably recanted her negative opinion when she saw Cruise's excellent performance, which perceptively addresses the pain and chronic melancholy that plagues anyone cursed with immortal bloodlust. Brad Pitt and Kirsten Dunst are equally good at maintaining the dark and brooding tone of Rice's novel. And in this rare mainstream project for a major studio, director Neil Jordan compensates for a lumbering plot by honoring the literate, Romantic qualities of Rice's screenplay. Considered a disappointment while being embraced by Rice's loyal followers, the movie is too slow to be a satisfying thriller, but it is definitely one of the most lavish, intelligent horror films ever made. --Jeff Shannon
Average review score:

Almost excellent...
Anne Rice's Vampire Chronicles are sensual and voluptuous books, full of heavy gothic prose and powerful images. The movie of her first novel, 'Interview With The Vampire' is none of the above, but still manages to be a decent enough film, although it lacks any resemblance to the mood of Rice's original writing.

The plot follows the adventures of fledgeling Vampire Louis de Pointe du Lac (Brad Pitt), as told to a reporter (Christian Slater), one night in New Orleans. He starts from the beginning of his undead life and brings us right up to the present day, and introduces us to a host of grim characters along the way, the most prolific of which is Lestat, played with horrible boyishness by the hopelessly miscast Tom Cruise.

The movie has many good points. Neil Jordan's style of direction suits the mood of the film very well, and in some places, excels (the Theatre Des Vampires sequence is particularly memorable). Also excellent is Pitt, in his role as Louis. He remains as faithful as he can to Rice's pedantic, melancholic Vampire as the oddly lacklustre script allows. The soundtrack is also deserving of a mention, as its lavishness complements the gothic mood of the film beautifully.

The majority of glowing reviews for 'Interview', however, don't take into account the original novel, and it's here that the film fails. The character of Lestat DeLioncourt is that of a tortured and malevolent boy-monster, and yet Tom Cruise plays it with such high-camp gusto that we wonder if Warner Bros. gave Anne Rice money to retract her Tom Sawyer comments when she saw the initial screen tests. In Cruise's hands, Lestat becomes something like a Leslie-Nielsen style vampire, all fangs and drama and no substance. Similarly, Kirsten Dunst, who has now matured into a good actress, gives an overstated and hammy performance as Claudia, who, in the novel, is wise beyond her years, an unnatural and immortal monstrosity who eventually brings about the destruction of both Lestat and herself. And Antonio Banderas should never have been given the role of the Ayrean 16-year old Armand. He still speaks with a heavy Latino accent and is clearly a hispanic man in whiteface. He's nothing to do with the character of Armand.

That said, 'Interview' is still a very good movie, though it fails to deliver the same punch and atmosphere as the original novel. It's a solid story, with many good points, but for anyone who's read the book, it's a shame that so much potential was cast aside in favour of Hollywood-style Overstatement.

A Haunting, Erotic Treat
I haven't cared very much for Anne Rice's recent books, but her earlier work was outstanding. I loved "Interview" in particular, so I was really looking forward to this movie. There is always a risk in adapting such a vivid and powerful-not to mention beloved-book into a film. Director Neil Jordan and his collaborators have succeeded marvelously, though. This is an exciting, engaging film; remarkably faithful to Rice's original text.

The story opens in present day San Francisco. Louis (Brad Pitt), a 200 year-old vampire, is telling his life story to an interviewer (Christian Slater), who is shocked by his supernatural revelation. "I am flesh and blood," Louis tells him, "but not human."

His story takes us back to late 18th century New Orleans where Louis first encountered the Vampire Lestat (Tom Cruise). Desiring a companion, and in love with his beautiful looks, Lestat gives Louis the "Dark Gift"-that is, he makes him into a vampire. They live together for many years, roaming the streets at night, united by their common quest for blood.

Eventually, though, Lestat fears that Louis is going to leave him. Desperate, he makes a vampire of Claudia (Kirsten Dunst), a beautiful young child, knowing the Louis would never leave the girl. Thus they are bonded together as "one big, happy family." As it turns out, though, they are not so happy after all.

The story takes the vampires to Paris, where they finally encounter some more of their own kind. The coven of vampires is led by the stunningly handsome Armand (Antonio Banderas) who quickly falls in love with Louis. Louis is enamored of him as well, but he will never leave little Claudia, something Armand realizes.

The film ends back in the present in a departure from Rice's book. The new twist is exciting, though, and sets up the story for an inevitable sequel. It hasn't been made yet, but if it ever is, I'm looking forward to it.

The big question, of course, is, how is Tom Cruise as Lestat? In one word: brilliant. This is one of his best performances ever, heightened by the fact that he is playing a role so different from his typical screen persona. Cruise has always been an underrated actor, but hopefully that will start to change after people see him here. He is terrific.

The rest of the performances are also quite good. Brad Pitt does very well as the tortured, guilt-ridden Louis. Antonio Banderas is extraordinary as the seductive, young master of darkness. His is the most convincing portrayal of a vampire, filled with power and charisma.

Neil Jordan's direction is top-notch. Visually, "Vampire" is stunning, helped considerably by Dante Ferretti's superb production design. Anyone who has read the book-and anyone who has not-is sure to enjoy this haunting, erotic treat.

Odd casting for a strange tale
Tom Cruise and Brad Pitt as vampires??? Genius, if there ever was genius! These two, attractive actors who we;ve come to trust say, yeah? You like that? Well, walk with me. Isn't evil more dangerous if it comes wrapped in a pretty package? A package that's hard to resist? of course! Kirsten Dunst delivers a solid performance here as well. I know many Rice fans were angry with the casting, but I really feel it was a smart move. But, then I never read the book.


Interview with the Vampire
Released in VHS Tape by Warner Studios (02 September, 2003)
MPAA Rating: R (Restricted)
Director: Neil Jordan
Starring: Tom Cruise and Brad Pitt
When it was announced that Tom Cruise would play the vampire Lestat in this adaptation of Anne Rice's bestselling novel, even Rice chimed in with a highly publicized objection. The author wisely and justifiably recanted her negative opinion when she saw Cruise's excellent performance, which perceptively addresses the pain and chronic melancholy that plagues anyone cursed with immortal bloodlust. Brad Pitt and Kirsten Dunst are equally good at maintaining the dark and brooding tone of Rice's novel. And in this rare mainstream project for a major studio, director Neil Jordan compensates for a lumbering plot by honoring the literate, Romantic qualities of Rice's screenplay. Considered a disappointment while being embraced by Rice's loyal followers, the movie is too slow to be a satisfying thriller, but it is definitely one of the most lavish, intelligent horror films ever made. --Jeff Shannon
Average review score:

Almost excellent...
Anne Rice's Vampire Chronicles are sensual and voluptuous books, full of heavy gothic prose and powerful images. The movie of her first novel, 'Interview With The Vampire' is none of the above, but still manages to be a decent enough film, although it lacks any resemblance to the mood of Rice's original writing.

The plot follows the adventures of fledgeling Vampire Louis de Pointe du Lac (Brad Pitt), as told to a reporter (Christian Slater), one night in New Orleans. He starts from the beginning of his undead life and brings us right up to the present day, and introduces us to a host of grim characters along the way, the most prolific of which is Lestat, played with horrible boyishness by the hopelessly miscast Tom Cruise.

The movie has many good points. Neil Jordan's style of direction suits the mood of the film very well, and in some places, excels (the Theatre Des Vampires sequence is particularly memorable). Also excellent is Pitt, in his role as Louis. He remains as faithful as he can to Rice's pedantic, melancholic Vampire as the oddly lacklustre script allows. The soundtrack is also deserving of a mention, as its lavishness complements the gothic mood of the film beautifully.

The majority of glowing reviews for 'Interview', however, don't take into account the original novel, and it's here that the film fails. The character of Lestat DeLioncourt is that of a tortured and malevolent boy-monster, and yet Tom Cruise plays it with such high-camp gusto that we wonder if Warner Bros. gave Anne Rice money to retract her Tom Sawyer comments when she saw the initial screen tests. In Cruise's hands, Lestat becomes something like a Leslie-Nielsen style vampire, all fangs and drama and no substance. Similarly, Kirsten Dunst, who has now matured into a good actress, gives an overstated and hammy performance as Claudia, who, in the novel, is wise beyond her years, an unnatural and immortal monstrosity who eventually brings about the destruction of both Lestat and herself. And Antonio Banderas should never have been given the role of the Ayrean 16-year old Armand. He still speaks with a heavy Latino accent and is clearly a hispanic man in whiteface. He's nothing to do with the character of Armand.

That said, 'Interview' is still a very good movie, though it fails to deliver the same punch and atmosphere as the original novel. It's a solid story, with many good points, but for anyone who's read the book, it's a shame that so much potential was cast aside in favour of Hollywood-style Overstatement.

A Haunting, Erotic Treat
I haven't cared very much for Anne Rice's recent books, but her earlier work was outstanding. I loved "Interview" in particular, so I was really looking forward to this movie. There is always a risk in adapting such a vivid and powerful-not to mention beloved-book into a film. Director Neil Jordan and his collaborators have succeeded marvelously, though. This is an exciting, engaging film; remarkably faithful to Rice's original text.

The story opens in present day San Francisco. Louis (Brad Pitt), a 200 year-old vampire, is telling his life story to an interviewer (Christian Slater), who is shocked by his supernatural revelation. "I am flesh and blood," Louis tells him, "but not human."

His story takes us back to late 18th century New Orleans where Louis first encountered the Vampire Lestat (Tom Cruise). Desiring a companion, and in love with his beautiful looks, Lestat gives Louis the "Dark Gift"-that is, he makes him into a vampire. They live together for many years, roaming the streets at night, united by their common quest for blood.

Eventually, though, Lestat fears that Louis is going to leave him. Desperate, he makes a vampire of Claudia (Kirsten Dunst), a beautiful young child, knowing the Louis would never leave the girl. Thus they are bonded together as "one big, happy family." As it turns out, though, they are not so happy after all.

The story takes the vampires to Paris, where they finally encounter some more of their own kind. The coven of vampires is led by the stunningly handsome Armand (Antonio Banderas) who quickly falls in love with Louis. Louis is enamored of him as well, but he will never leave little Claudia, something Armand realizes.

The film ends back in the present in a departure from Rice's book. The new twist is exciting, though, and sets up the story for an inevitable sequel. It hasn't been made yet, but if it ever is, I'm looking forward to it.

The big question, of course, is, how is Tom Cruise as Lestat? In one word: brilliant. This is one of his best performances ever, heightened by the fact that he is playing a role so different from his typical screen persona. Cruise has always been an underrated actor, but hopefully that will start to change after people see him here. He is terrific.

The rest of the performances are also quite good. Brad Pitt does very well as the tortured, guilt-ridden Louis. Antonio Banderas is extraordinary as the seductive, young master of darkness. His is the most convincing portrayal of a vampire, filled with power and charisma.

Neil Jordan's direction is top-notch. Visually, "Vampire" is stunning, helped considerably by Dante Ferretti's superb production design. Anyone who has read the book-and anyone who has not-is sure to enjoy this haunting, erotic treat.

Odd casting for a strange tale
Tom Cruise and Brad Pitt as vampires??? Genius, if there ever was genius! These two, attractive actors who we;ve come to trust say, yeah? You like that? Well, walk with me. Isn't evil more dangerous if it comes wrapped in a pretty package? A package that's hard to resist? of course! Kirsten Dunst delivers a solid performance here as well. I know many Rice fans were angry with the casting, but I really feel it was a smart move. But, then I never read the book.


Interview with the Vampire
Released in VHS Tape by Warner Studios (05 August, 1997)
MPAA Rating: R (Restricted)
Director: Neil Jordan
Starring: Tom Cruise and Brad Pitt
When it was announced that Tom Cruise would play the vampire Lestat in this adaptation of Anne Rice's bestselling novel, even Rice chimed in with a highly publicized objection. The author wisely and justifiably recanted her negative opinion when she saw Cruise's excellent performance, which perceptively addresses the pain and chronic melancholy that plagues anyone cursed with immortal bloodlust. Brad Pitt and Kirsten Dunst are equally good at maintaining the dark and brooding tone of Rice's novel. And in this rare mainstream project for a major studio, director Neil Jordan compensates for a lumbering plot by honoring the literate, Romantic qualities of Rice's screenplay. Considered a disappointment while being embraced by Rice's loyal followers, the movie is too slow to be a satisfying thriller, but it is definitely one of the most lavish, intelligent horror films ever made. --Jeff Shannon
Average review score:

Almost excellent...
Anne Rice's Vampire Chronicles are sensual and voluptuous books, full of heavy gothic prose and powerful images. The movie of her first novel, 'Interview With The Vampire' is none of the above, but still manages to be a decent enough film, although it lacks any resemblance to the mood of Rice's original writing.

The plot follows the adventures of fledgeling Vampire Louis de Pointe du Lac (Brad Pitt), as told to a reporter (Christian Slater), one night in New Orleans. He starts from the beginning of his undead life and brings us right up to the present day, and introduces us to a host of grim characters along the way, the most prolific of which is Lestat, played with horrible boyishness by the hopelessly miscast Tom Cruise.

The movie has many good points. Neil Jordan's style of direction suits the mood of the film very well, and in some places, excels (the Theatre Des Vampires sequence is particularly memorable). Also excellent is Pitt, in his role as Louis. He remains as faithful as he can to Rice's pedantic, melancholic Vampire as the oddly lacklustre script allows. The soundtrack is also deserving of a mention, as its lavishness complements the gothic mood of the film beautifully.

The majority of glowing reviews for 'Interview', however, don't take into account the original novel, and it's here that the film fails. The character of Lestat DeLioncourt is that of a tortured and malevolent boy-monster, and yet Tom Cruise plays it with such high-camp gusto that we wonder if Warner Bros. gave Anne Rice money to retract her Tom Sawyer comments when she saw the initial screen tests. In Cruise's hands, Lestat becomes something like a Leslie-Nielsen style vampire, all fangs and drama and no substance. Similarly, Kirsten Dunst, who has now matured into a good actress, gives an overstated and hammy performance as Claudia, who, in the novel, is wise beyond her years, an unnatural and immortal monstrosity who eventually brings about the destruction of both Lestat and herself. And Antonio Banderas should never have been given the role of the Ayrean 16-year old Armand. He still speaks with a heavy Latino accent and is clearly a hispanic man in whiteface. He's nothing to do with the character of Armand.

That said, 'Interview' is still a very good movie, though it fails to deliver the same punch and atmosphere as the original novel. It's a solid story, with many good points, but for anyone who's read the book, it's a shame that so much potential was cast aside in favour of Hollywood-style Overstatement.

A Haunting, Erotic Treat
I haven't cared very much for Anne Rice's recent books, but her earlier work was outstanding. I loved "Interview" in particular, so I was really looking forward to this movie. There is always a risk in adapting such a vivid and powerful-not to mention beloved-book into a film. Director Neil Jordan and his collaborators have succeeded marvelously, though. This is an exciting, engaging film; remarkably faithful to Rice's original text.

The story opens in present day San Francisco. Louis (Brad Pitt), a 200 year-old vampire, is telling his life story to an interviewer (Christian Slater), who is shocked by his supernatural revelation. "I am flesh and blood," Louis tells him, "but not human."

His story takes us back to late 18th century New Orleans where Louis first encountered the Vampire Lestat (Tom Cruise). Desiring a companion, and in love with his beautiful looks, Lestat gives Louis the "Dark Gift"-that is, he makes him into a vampire. They live together for many years, roaming the streets at night, united by their common quest for blood.

Eventually, though, Lestat fears that Louis is going to leave him. Desperate, he makes a vampire of Claudia (Kirsten Dunst), a beautiful young child, knowing the Louis would never leave the girl. Thus they are bonded together as "one big, happy family." As it turns out, though, they are not so happy after all.

The story takes the vampires to Paris, where they finally encounter some more of their own kind. The coven of vampires is led by the stunningly handsome Armand (Antonio Banderas) who quickly falls in love with Louis. Louis is enamored of him as well, but he will never leave little Claudia, something Armand realizes.

The film ends back in the present in a departure from Rice's book. The new twist is exciting, though, and sets up the story for an inevitable sequel. It hasn't been made yet, but if it ever is, I'm looking forward to it.

The big question, of course, is, how is Tom Cruise as Lestat? In one word: brilliant. This is one of his best performances ever, heightened by the fact that he is playing a role so different from his typical screen persona. Cruise has always been an underrated actor, but hopefully that will start to change after people see him here. He is terrific.

The rest of the performances are also quite good. Brad Pitt does very well as the tortured, guilt-ridden Louis. Antonio Banderas is extraordinary as the seductive, young master of darkness. His is the most convincing portrayal of a vampire, filled with power and charisma.

Neil Jordan's direction is top-notch. Visually, "Vampire" is stunning, helped considerably by Dante Ferretti's superb production design. Anyone who has read the book-and anyone who has not-is sure to enjoy this haunting, erotic treat.

Odd casting for a strange tale
Tom Cruise and Brad Pitt as vampires??? Genius, if there ever was genius! These two, attractive actors who we;ve come to trust say, yeah? You like that? Well, walk with me. Isn't evil more dangerous if it comes wrapped in a pretty package? A package that's hard to resist? of course! Kirsten Dunst delivers a solid performance here as well. I know many Rice fans were angry with the casting, but I really feel it was a smart move. But, then I never read the book.


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