Heat Wave
Released in VHS Tape by Warner Home Video (28 December, 1994)
MPAA Rating: R (Restricted)
Director: Kevin Hooks

Definitive

Heat Wave (1990)
Posse
Released in VHS Tape by Polygram Video (08 October, 1996)
MPAA Rating: R (Restricted)
Director: Mario Van Peebles
Starring: Mario Van Peebles, Stephen Baldwin, and Charles Lane (II)
Mario Van Peebles directed as well as starred in this ham-fisted, 1993 Western with a predominantly African American cast. The story finds a posse of black shooters (with one white member, played by Stephen Baldwin) taking on a racist sheriff and military man, but Van Peebles's effort at mixing convention with hip credentials gets pretty grating. (Tone Loc makes the worst cowboy in film history.) The film is also incredibly sexist, going well beyond the usual frontier-floozy clichés and lapsing into the sort of blatant exploitation one found at that time in rap-music videos. There are lots of cameo appearances from familiar folks willing to support Van Peebles on a project that probably sounded like a mix of experiment and event--Pam Grier, Isaac Hayes, Woody Strode, and the director's father, Melvin Van Peebles. But even they can't help. --Tom Keogh

Better than the "editorial review" thinks it is

Correcting History.

Brings Old West Back to Life
Gattaca
Released in VHS Tape by Columbia/Tristar Studios (04 May, 1999)
MPAA Rating: PG-13 (Parental Guidance Suggested)
Director: Andrew Niccol
Starring: Ethan Hawke, Uma Thurman, and Jude Law
Confidently conceived and brilliantly executed, Gattaca had a somewhat low profile release in 1997, but audiences and critics hailed the film's originality. It's since been recognized as one of the most intelligent science fiction films of the 1990s. Writer-director Andrew Niccol, the talented New Zealander who also wrote the acclaimed Jim Carrey vehicle The Truman Show, depicts a near-future society in which one's personal and professional destiny is determined by one's genes. In this society, "Valids" (genetically engineered) qualify for positions at prestigious corporations, such as Gattaca, which grooms its most qualified employees for space exploration. "In-Valids" (naturally born), such as the film's protagonist, Vincent (Ethan Hawke), are deemed genetically flawed and subsequently fated to low-level occupations in a genetically caste society. With the help of a disabled "Valid" (Jude Law), Vincent subverts his society's social and biological barriers to pursue his dream of space travel; any random mistake--and an ongoing murder investigation at Gattaca--could reveal his plot. Part thriller, part futuristic drama and cautionary tale, Gattaca establishes its social structure so convincingly that the entire scenario is chillingly believable. With Uma Thurman as the woman who loves Vincent and identifies with his struggle, Gattaca is both stylish and smart, while Jude Law's performance lends the film a note of tragic and heartfelt humanity. --Jeff Shannon

Slightly overrated

Stunning sci-fi

Intelligent Post-Modern Fantasy
Gattaca
Released in VHS Tape by Columbia/Tristar Studios (01 May, 2000)
MPAA Rating: PG-13 (Parental Guidance Suggested)
Director: Andrew Niccol
Starring: Ethan Hawke, Uma Thurman, and Jude Law
Confidently conceived and brilliantly executed, Gattaca had a somewhat low profile release in 1997, but audiences and critics hailed the film's originality. It's since been recognized as one of the most intelligent science fiction films of the 1990s. Writer-director Andrew Niccol, the talented New Zealander who also wrote the acclaimed Jim Carrey vehicle The Truman Show, depicts a near-future society in which one's personal and professional destiny is determined by one's genes. In this society, "Valids" (genetically engineered) qualify for positions at prestigious corporations, such as Gattaca, which grooms its most qualified employees for space exploration. "In-Valids" (naturally born), such as the film's protagonist, Vincent (Ethan Hawke), are deemed genetically flawed and subsequently fated to low-level occupations in a genetically caste society. With the help of a disabled "Valid" (Jude Law), Vincent subverts his society's social and biological barriers to pursue his dream of space travel; any random mistake--and an ongoing murder investigation at Gattaca--could reveal his plot. Part thriller, part futuristic drama and cautionary tale, Gattaca establishes its social structure so convincingly that the entire scenario is chillingly believable. With Uma Thurman as the woman who loves Vincent and identifies with his struggle, Gattaca is both stylish and smart, while Jude Law's performance lends the film a note of tragic and heartfelt humanity. --Jeff Shannon

Slightly overrated

Stunning sci-fi

Intelligent Post-Modern Fantasy
Set It Off
Released in VHS Tape by New Line Studios (02 September, 2003)
MPAA Rating: R (Restricted)
Director: F. Gary Gray
Starring: Jada Pinkett Smith, Queen Latifah, and Vivica A. Fox
Even when it misses a dramatic opportunity in favor of generic action,
Set It Off benefits from a sharp understanding of its well-drawn central characters. They're a quartet of young African American women in Los Angeles (Jada Pinkett, Queen Latifah, Vivica A. Fox, Kimberly Elise), all struggling against a system that seems designed to prevent them from realizing their dreams. The movie establishes their plight with credible attention to emotional detail, making their decision to rob banks believable enough to give the ensuing plot its inevitably tragic momentum. Cowritten by the screenwriter of
What's Love Got to Do With It?, the film conveys genuine compassion for its characters, and the ensemble cast is uniformly strong--especially Queen Latifah as a brash lesbian whose fate is as certain as her forceful attitude.
Set It Off expresses a real sense that these women have been close friends for years, and that gives the film additional impact, even when their transition to crime and violence feels somewhat forced and superficial. A romantic subplot involving Pinkett and a social-climbing banker (Blair Underwood) is too contrived to be convincing, and director F. Gary Gray (Friday) tries too hard to combine hard-hitting action with social relevance (a weakness shared by Gray's following film, The Negotiator). Still, Set It Off effectively avoids passing judgment; its emotional complexity transcends simple notions of right and wrong, injecting vitality--and a kind of renegade integrity--into the traditions of a familiar plot. --Jeff Shannon

pretty good

THEY WERE FED UP & SNAPPED

Just tooooo Excellent
Set It Off
Released in VHS Tape by New Line Studios (02 September, 2003)
MPAA Rating: R (Restricted)
Director: F. Gary Gray
Starring: Jada Pinkett Smith, Queen Latifah, and Vivica A. Fox
Even when it misses a dramatic opportunity in favor of generic action,
Set It Off benefits from a sharp understanding of its well-drawn central characters. They're a quartet of young African American women in Los Angeles (Jada Pinkett, Queen Latifah, Vivica A. Fox, Kimberly Elise), all struggling against a system that seems designed to prevent them from realizing their dreams. The movie establishes their plight with credible attention to emotional detail, making their decision to rob banks believable enough to give the ensuing plot its inevitably tragic momentum. Cowritten by the screenwriter of
What's Love Got to Do With It?, the film conveys genuine compassion for its characters, and the ensemble cast is uniformly strong--especially Queen Latifah as a brash lesbian whose fate is as certain as her forceful attitude.
Set It Off expresses a real sense that these women have been close friends for years, and that gives the film additional impact, even when their transition to crime and violence feels somewhat forced and superficial. A romantic subplot involving Pinkett and a social-climbing banker (Blair Underwood) is too contrived to be convincing, and director F. Gary Gray (Friday) tries too hard to combine hard-hitting action with social relevance (a weakness shared by Gray's following film, The Negotiator). Still, Set It Off effectively avoids passing judgment; its emotional complexity transcends simple notions of right and wrong, injecting vitality--and a kind of renegade integrity--into the traditions of a familiar plot. --Jeff Shannon

pretty good

THEY WERE FED UP & SNAPPED

Just tooooo Excellent
Krush Groove
Released in VHS Tape by Warner Home Video (19 January, 1994)
MPAA Rating: R (Restricted)
Director: Michael Schultz
Like its progenitors Beat Street and Wild Style, Krush Groove is a movie about hip-hop that in its rush to document an emergent culture ignores plot, acting, cinematography, and anything else that makes a movie watchable or worthwhile. That said, Krush Groove contains some nifty performances from hip-hop legends Run-DMC, the always hilarious Fat Boys (see Disorderlies if you can't get enough of their weighty shtick), brilliant MC Kurtis Blow, and Prince protégé Sheila E. Also look out for soon-to-be L.A. Law-yer Blair Underwood in a lead role. Performances aside, Krush Groove isn't def, it's just so-so. --Ethan Brown

So here it is, another DEF JAM

Krush Groove is an interactive experience of Joy!

good
Asunder
Released in VHS Tape by Buena Vista Home Vid (13 January, 2004)
MPAA Rating: R (Restricted)
Director: Tim Reid

Jeeeeeeeeeeeeeeeesus!!!

wooosh

Movie deserved more than it received
Asunder
Released in VHS Tape by Buena Vista Home Vid (13 January, 2004)
MPAA Rating: R (Restricted)
Director: Tim Reid

Jeeeeeeeeeeeeeeeesus!!!

wooosh

Movie deserved more than it received
Mama Flora's Family
Released in VHS Tape by Hallmark Home Entertainment (15 February, 2000)
MPAA Rating: NR (Not Rated)
Director: Peter Werner (III)

Buyers beware!

REMARKABLE!

Best Movie Of All time