Brion-James Movie Reviews

Wishman is a real treat, an indie movie with a strong cast and a happily-ever-after story. It stars Paul LeMat as a nice guy who is down on his luck and Geoffrey Lewis as the good genie. Lewis's roll is completely against type, and a little weird, but engaging and enjoyable once you get used to it. There's also a strong supporting cast, including a beautiful maiden who is the object of LeMat's secret love, and whom he eventually rescues with the help, of course, of the genie. A nice, slightly odd, movie.

There are a lot of good Clint Eastwood movies out there, but this is not one of them. Instead, this is one of the weakest of his seventies crime drama movies, an ineptly written and generally boring movie.

Eastwood plays Shockley, a Phoenix cop assigned to extradite a prostitute from Las Vegas. As a bit of silliness right off the bat, it turns out that there is even a wager at the sports books that he will not make it back to Phoenix alive. From that point on, the dumbness continues, with Shockley blindly going from one trap to another, hardly piecing anything together without being led by the hand. On the other hand, all the other cops are equally dumb, willing to shoot first and ask questions later.

There are lots of bullets flying in this movie, but interestingly, Eastwood does not fire a single one at a person. Instead, he shoots doorknobs and motorcycles. Actually, Eastwood doesn't get more than a few punches in; those expecting Eastwood kicking butt will be sorely disappointed.

This movie is strictly for Eastwood fans only; all others should go elsewhere for a good crime movie.

This film gives a whole new meaning to the term "Treachery".
Clint Eastwood & Sondra Locke team in this cops against cops against the mob movie
Locke plays a supposedly "no nothing witness to a no nothing case"
Sure.until the bullets start to fly a little over 2 million dollars worth according to Malpaso, Eastwoods'production company if I have my fact straight about that.
Eastwood plays Ben Schokley a "drunken bum of a cop" for the Arizona PD who gets the dubious task of taking Gus (Locke) to trial.
The bets begin with 100-1 odds of them making alive to trial.
The two best scenes are when Gus's house gets about 11,349 bullet holes in it then collapses..almost on Eastwood's head. The other scene is the bus they hijack when Sondra Locke's character tells the passenger's on board to politely "HAUL [behind]"!!. This where they drive thru "The Gauntlet" heavily armed cops on both sides who promptly shoot about 17,209 bullets into the bus as it drives by them.
I won't go into the showdown on the steps but it's a cool ending
I'm giving this movie 5 stars because I'm a Clint eastwood fan

This review refers to the Warner Bros. DVD edition of "The Gauntlet"....

From the moment Ben Shockley(Clint Eastwood)steps out of his car and an empty booze bottle falls out, we know this is not the usual "Dirty Harry" character we'd been used to up to now. Ben is a cop who's chances for greatness seem to be fading with him.
Eastwood directs as well as stars in this film and we see his brillant directoral style taking hold here.

The Phoenix P.D. seem to be scraping the bottom of the barrel when they assign Shockley the job of escorting Gus Malley, a seemingly unimportant witness from Las Vegas back to Phoenix for a trial. Ben's been looking for his big break on a big case and it doesn't look like this will be it with this guy. Upon arriving in Las Vegas, Ben discovers that Gus is no guy. Gus Malley(Sondra Locke), is a local prostitute and unwilling partcipant in the journey back as well. This is not "a hooker with a heart story" though, this pro is as hard edged as they come, but she does have a brain!

The action starts as soon as they leave the jail. Someone is going to make sure that these two never make it to trial. Vegas is even giving odds against them. Everyone's after them..the mob, the cops, they even made the mistake of angering a group of bikers along the route and they're out for revenge as well. They hardly know who to trust, as they get shot at from all angles, cars blow up, they are set up and beat up. What Gus knows can cost them their lives, but Shockley is now determined to bring his prisoner in at all costs and rises to the occassion and must break through an impassable barrier set-up to keep him at bay.

It's edge of your seat drama, thrills, and fun, as Gus and Ben trade quips and get in a little romance(we couldn't expect any different with Eastwood and Locke)along the way.As usual Clint surrounds himself with the finest talent. Pat Hingle, William Prince, and Bill Mckinney turn in excellent performances as well as Eastwood and Locke. There's also a terrific jazzy score by Jerry Fielding.

The film made in 1977 looks great on this DVD transfer. It is in a widescreen on a dual layer format. The picture looks good. Clear and sharp with good color. There was occasionally a little purplish tint in places, but it didn't take away from the enjoyment of the film. The soundtrack remastered in the 5.1 Dolby Stereo was also good. The music sounded great and the dialouge always crisp. Not too much in the way of bonus material if that's what you're looking for, there's a filmography on Eastwood(his was the only one I was able to access) and a theatrical trailer. It may be viewed in French(Mono) and also has subtitles in English and French as well. You can bet on this one!

5 stars to a great Eastwood action film that can be watched again and again.

Get the Popcorn ready for this one and enjoy.....Laurie

There are a lot of good Clint Eastwood movies out there, but this is not one of them. Instead, this is one of the weakest of his seventies crime drama movies, an ineptly written and generally boring movie.

Eastwood plays Shockley, a Phoenix cop assigned to extradite a prostitute from Las Vegas. As a bit of silliness right off the bat, it turns out that there is even a wager at the sports books that he will not make it back to Phoenix alive. From that point on, the dumbness continues, with Shockley blindly going from one trap to another, hardly piecing anything together without being led by the hand. On the other hand, all the other cops are equally dumb, willing to shoot first and ask questions later.

There are lots of bullets flying in this movie, but interestingly, Eastwood does not fire a single one at a person. Instead, he shoots doorknobs and motorcycles. Actually, Eastwood doesn't get more than a few punches in; those expecting Eastwood kicking butt will be sorely disappointed.

This movie is strictly for Eastwood fans only; all others should go elsewhere for a good crime movie.

This film gives a whole new meaning to the term "Treachery".
Clint Eastwood & Sondra Locke team in this cops against cops against the mob movie
Locke plays a supposedly "no nothing witness to a no nothing case"
Sure.until the bullets start to fly a little over 2 million dollars worth according to Malpaso, Eastwoods'production company if I have my fact straight about that.
Eastwood plays Ben Schokley a "drunken bum of a cop" for the Arizona PD who gets the dubious task of taking Gus (Locke) to trial.
The bets begin with 100-1 odds of them making alive to trial.
The two best scenes are when Gus's house gets about 11,349 bullet holes in it then collapses..almost on Eastwood's head. The other scene is the bus they hijack when Sondra Locke's character tells the passenger's on board to politely "HAUL [behind]"!!. This where they drive thru "The Gauntlet" heavily armed cops on both sides who promptly shoot about 17,209 bullets into the bus as it drives by them.
I won't go into the showdown on the steps but it's a cool ending
I'm giving this movie 5 stars because I'm a Clint eastwood fan

This review refers to the Warner Bros. DVD edition of "The Gauntlet"....

From the moment Ben Shockley(Clint Eastwood)steps out of his car and an empty booze bottle falls out, we know this is not the usual "Dirty Harry" character we'd been used to up to now. Ben is a cop who's chances for greatness seem to be fading with him.
Eastwood directs as well as stars in this film and we see his brillant directoral style taking hold here.

The Phoenix P.D. seem to be scraping the bottom of the barrel when they assign Shockley the job of escorting Gus Malley, a seemingly unimportant witness from Las Vegas back to Phoenix for a trial. Ben's been looking for his big break on a big case and it doesn't look like this will be it with this guy. Upon arriving in Las Vegas, Ben discovers that Gus is no guy. Gus Malley(Sondra Locke), is a local prostitute and unwilling partcipant in the journey back as well. This is not "a hooker with a heart story" though, this pro is as hard edged as they come, but she does have a brain!

The action starts as soon as they leave the jail. Someone is going to make sure that these two never make it to trial. Vegas is even giving odds against them. Everyone's after them..the mob, the cops, they even made the mistake of angering a group of bikers along the route and they're out for revenge as well. They hardly know who to trust, as they get shot at from all angles, cars blow up, they are set up and beat up. What Gus knows can cost them their lives, but Shockley is now determined to bring his prisoner in at all costs and rises to the occassion and must break through an impassable barrier set-up to keep him at bay.

It's edge of your seat drama, thrills, and fun, as Gus and Ben trade quips and get in a little romance(we couldn't expect any different with Eastwood and Locke)along the way.As usual Clint surrounds himself with the finest talent. Pat Hingle, William Prince, and Bill Mckinney turn in excellent performances as well as Eastwood and Locke. There's also a terrific jazzy score by Jerry Fielding.

The film made in 1977 looks great on this DVD transfer. It is in a widescreen on a dual layer format. The picture looks good. Clear and sharp with good color. There was occasionally a little purplish tint in places, but it didn't take away from the enjoyment of the film. The soundtrack remastered in the 5.1 Dolby Stereo was also good. The music sounded great and the dialouge always crisp. Not too much in the way of bonus material if that's what you're looking for, there's a filmography on Eastwood(his was the only one I was able to access) and a theatrical trailer. It may be viewed in French(Mono) and also has subtitles in English and French as well. You can bet on this one!

5 stars to a great Eastwood action film that can be watched again and again.

Get the Popcorn ready for this one and enjoy.....Laurie

I don't know why I like "The Red Scorpion" so much, but I do. It's not because of the film's production values, which aren't bad, but don't set any standards for excellence. It's not because of the acting, which ranges from over-the-top to wooden. It's not because of the story line which is serviceable, with one exception -- there's a terrific sequence involving Dolph Lundgren and a bushman that is touching and funny and moves me every time I see the film. I'm hard-pressed to actually cite something specific about the film that makes it so much fun for me to watch. Lundgren is completely believable as a special forces soviet trooper. It may be the part he was born to play. His character is a trained killer but with a mind. And he uses it. I've watched this film a dozen or so times over the past decade. I finally bought it on DVD because my tape won't last forever. The DVD image is sharper than my VHS and the sound is clean. Special Features are sparse...I seem to recall some bios and, maybe, some stills. But maybe not. There's no commentary or "making of" feature. I bought the DVD because I think I'll want to see it many more times. It doesn't make sense to me when I think about why, but there it is! I really like this movie!

I thought this movie was great, definitely one of Dolph's best, I thought he did an excellent job, as a quite killing machine, who was known as a man of few words. Some of the greatest action scenes as well, with terrific explosive effects. This movie has power, humor, excitement, and a great portray of how the Soviet Union is, with their communism. I was only 6 years old when this film came out, and went and saw it with my older brother at the theatres, and loved it even when i was just a little kid, but im not saying let a 6 year old watch this, that was a mistake for me to see it at that young,but Red Scorpion rocks, enjoy!!

this movie is great defenatky dolphs best the story was so gret best ever much better than something like platoon or kip great 5 star action

I don't know why I like "The Red Scorpion" so much, but I do. It's not because of the film's production values, which aren't bad, but don't set any standards for excellence. It's not because of the acting, which ranges from over-the-top to wooden. It's not because of the story line which is serviceable, with one exception -- there's a terrific sequence involving Dolph Lundgren and a bushman that is touching and funny and moves me every time I see the film. I'm hard-pressed to actually cite something specific about the film that makes it so much fun for me to watch. Lundgren is completely believable as a special forces soviet trooper. It may be the part he was born to play. His character is a trained killer but with a mind. And he uses it. I've watched this film a dozen or so times over the past decade. I finally bought it on DVD because my tape won't last forever. The DVD image is sharper than my VHS and the sound is clean. Special Features are sparse...I seem to recall some bios and, maybe, some stills. But maybe not. There's no commentary or "making of" feature. I bought the DVD because I think I'll want to see it many more times. It doesn't make sense to me when I think about why, but there it is! I really like this movie!

I thought this movie was great, definitely one of Dolph's best, I thought he did an excellent job, as a quite killing machine, who was known as a man of few words. Some of the greatest action scenes as well, with terrific explosive effects. This movie has power, humor, excitement, and a great portray of how the Soviet Union is, with their communism. I was only 6 years old when this film came out, and went and saw it with my older brother at the theatres, and loved it even when i was just a little kid, but im not saying let a 6 year old watch this, that was a mistake for me to see it at that young,but Red Scorpion rocks, enjoy!!

this movie is great defenatky dolphs best the story was so gret best ever much better than something like platoon or kip great 5 star action

They get in fistfights again, they still treat eachother like dirt, Eddie does "Roxanne" again, Nolte shoots at the guy holding a gun against Eddie's head again, another redneck bar, the same "sky blue Cadillac", the list goes on and on. Never have I seen a sequel so desperate to cling to its predecessor as this one. And sequels are NOTORIOUS for clinging to their predecessors ("American Pie 2" and "American Wedding" anyone?). It has its moments, but trouble is you've seen most of them before when they were still fresh and original. Worth renting if you're a fan of the original, but certainly not a "must-own".

Jack Cates (Nick Nolte) has been tracking an elusive druglord named the Iceman for the last few years. During a botched arrest attempt he discovers that the Iceman has arranged a hit on old friend Reggie Hammond (Eddie Murphy) who's about to be released from prison. Cates is certain to face the loss of his badge if he doesn't wrap this up, so he turns to Hammond to help him bring in the Iceman. Three sadistic bikers (hired by the Iceman) are also hunting the pair, one of whom is the revenge hungry brother of the psycho Cates killed in the first film. Nolte and Murphy still click, and the movie is never boring, but this is basically a rehash with minor changes made here and there. We revisit their fistfights, another redneck bar, another hotel shootout, and so on. One plus is that the profanity has been toned down (at least by Murphy's standards) and there is some exciting gunplay amidst all the shattering glass you would find in a Walter Hill film. Hill might have turned in a much better film had he veered away from all this familar territory.

they are back. nick nolte and eddie murphy return in this smash hit sequal another 48 hrs. this time around a killer known as the iceman ganza's brother from the first 48 hrs is doing the dirty work and nick nolte is the only cop on the force who thinks he exists. just like before nick and eddie get 2 days to track this guy down. not to many people like this movie,but i thought it was a very good sequal. of course the first is better but this one is very good to. how can you not like it we have a bus that flips over 17 times with eddie murphy in it,eddie murphy holding up another redneck bar,and the ending is very good as well. rated r for strong violence,strong language,and some nudity

The vacuum cleaner storyline in this movie is worth the watch (five star)-- the rest is filler (one star) for an over all great late night three star cult movie look-see. In the "weird people in the desert movie" category Jennifer Tilly deserved an Oscar for her performance. And with respect to the vacuum cleaner story don't doze off toward the end-- you'll miss one of the best cinematographic punchlines I've ever seen in a movie. If only Harry Dean Stanton, or Dennis Hopper had had roles then this movie would have been perfect. The violence is not for the weak of heart, or for kids.

I read the reviews on [this site] and was surprised they were mixed. "American Strays" is only for offbeat viewers who have experienced the wierd side of life along with David Lynch and Robert Rodriguez. Don't take it serious but as an everyday dry humor flick. The bungling frustration of Eric Roberts and pseudo naievity of Jennifer Tilly make this a GREAT film for those who take life very lightly. I liked it enough to make the purchase.

This is a really terrific movie.It's somewhat of a sleeper having never really gained the respect it deserves.It is a multi layered ultimately 'Good News' story with subtle humour and great acting performances.I think for sure someone should have been nominated for academy award for this 'underground cult classic'. It sure beats the likes of Jerry Maguire and American Beauty. I enjoyed this movie more than any other.My tastes run to LA Confidential..Pulp Fiction...Red Rock West..Cat Ballou..Clint Eastwood... Cameron Diaz...so if you enjoy any of those... you'll love American Strays.

Beats me how people can describe this adolescent exercise as film noir. True there's a gun & a bottle & a dame & the lead is a private eye, but that ain't what makes the genre, folks. This thing plays like reheated TV cop show stuff - lots of bloody beating & lousy continuity - with a dash of Chinatown memories thrown in. Pretty hard to watch beyond the first 10 minutes. You want contemporary feelm nwah, watch anything by John Dahl.

Uneven attempt to adapt James Ellroy's first novel. Features an excellent cast --- William Sasso's portrayal of Fat Dog Baker is worth the price of admission --- but Michael Rooker in the starring role seems badly miscast for an Ellroy-style "hero." Brown's relationships with Jane Baker and Walter are never developed; these characters appear only briefly so it's difficult to feel much emotional resonance (in the novel these relationships are crucial to Brown's motivations and why he acts as he does). A worthwhile entertainment for hard-core mystery fans, but it does make one yearn for the depth and complexity of the novel.

Nothing special about the DVD. The audio is two-channel Dolby and the transfer is letterboxed but not enhanced for 16x9 TVs. Extra features are limited to a trailer and cast and crew bios, although there is an audio commentary by the director.

This film is a plain suspense story, though we know the bad ones from the very start. The suspense of the film comes from the slow discovery of the details of the crimes. An ex-cop, turned private investigator, gets into a case that leads him to a lot of money but also to a vengeance. The details are absolutely sordid, bleak, disgusting. Some kind of group of criminals work with an important LAPD cop, the one who fired Fritz Brown, the hero, to embezzle a lot of welfare money into their pockets with fake welfare cases. One of their low rank associates, Fat Dog, burns one of their cover-up bars, steals their ledgers and a big chunk of that embezzled money. He is on the run and he hires the PI to look after his sister. He will eventually get killed. But The ugliest part of it is that the 17 year old sister is the lover of the real boss of the little maffia ring. But it will be discovered that she is in fact his daughter. This last detail is what makes this story unbearable. The fact that the man is a Jew determines the break away attitude of Fat Dog. But the sister, when she finally knows the truth, decides to stick with her father-lover. The PI will eventually get his vengeance against the LAPD cop-VIP, and his hands on Fat Dog's stolen money. But the vision of the world given here is absolutely sickening. I will yet regret the antisemitism that lurks behind the film that in part takes place in Venice, a place that is also known as the locale of American History X, another story about antisemitism and neo-nazi leagues. Fat Dog is on that line with Hitler's picture well positioned in his shack. We thus have the impression we are entering a world that is purely created by Hollywood and we do not know whether we are in the real world or not. This gives the strange impression that we are living in a virtual world wirth Hollywood's productions and that this virtual world has a loose connection with the real world. But is it really the case ? We cannot know nor decide. Dr Jacques COULARDEAU, Paris University II

Beats me how people can describe this adolescent exercise as film noir. True there's a gun & a bottle & a dame & the lead is a private eye, but that ain't what makes the genre, folks. This thing plays like reheated TV cop show stuff - lots of bloody beating & lousy continuity - with a dash of Chinatown memories thrown in. Pretty hard to watch beyond the first 10 minutes. You want contemporary feelm nwah, watch anything by John Dahl.

Uneven attempt to adapt James Ellroy's first novel. Features an excellent cast --- William Sasso's portrayal of Fat Dog Baker is worth the price of admission --- but Michael Rooker in the starring role seems badly miscast for an Ellroy-style "hero." Brown's relationships with Jane Baker and Walter are never developed; these characters appear only briefly so it's difficult to feel much emotional resonance (in the novel these relationships are crucial to Brown's motivations and why he acts as he does). A worthwhile entertainment for hard-core mystery fans, but it does make one yearn for the depth and complexity of the novel.

Nothing special about the DVD. The audio is two-channel Dolby and the transfer is letterboxed but not enhanced for 16x9 TVs. Extra features are limited to a trailer and cast and crew bios, although there is an audio commentary by the director.

This film is a plain suspense story, though we know the bad ones from the very start. The suspense of the film comes from the slow discovery of the details of the crimes. An ex-cop, turned private investigator, gets into a case that leads him to a lot of money but also to a vengeance. The details are absolutely sordid, bleak, disgusting. Some kind of group of criminals work with an important LAPD cop, the one who fired Fritz Brown, the hero, to embezzle a lot of welfare money into their pockets with fake welfare cases. One of their low rank associates, Fat Dog, burns one of their cover-up bars, steals their ledgers and a big chunk of that embezzled money. He is on the run and he hires the PI to look after his sister. He will eventually get killed. But The ugliest part of it is that the 17 year old sister is the lover of the real boss of the little maffia ring. But it will be discovered that she is in fact his daughter. This last detail is what makes this story unbearable. The fact that the man is a Jew determines the break away attitude of Fat Dog. But the sister, when she finally knows the truth, decides to stick with her father-lover. The PI will eventually get his vengeance against the LAPD cop-VIP, and his hands on Fat Dog's stolen money. But the vision of the world given here is absolutely sickening. I will yet regret the antisemitism that lurks behind the film that in part takes place in Venice, a place that is also known as the locale of American History X, another story about antisemitism and neo-nazi leagues. Fat Dog is on that line with Hitler's picture well positioned in his shack. We thus have the impression we are entering a world that is purely created by Hollywood and we do not know whether we are in the real world or not. This gives the strange impression that we are living in a virtual world wirth Hollywood's productions and that this virtual world has a loose connection with the real world. But is it really the case ? We cannot know nor decide. Dr Jacques COULARDEAU, Paris University II

Let's have some more blood in here...throw a couple of body parts on the stove... This is one of those great gonzo-killers-who-won't-die-even- when-they're-dead films that were so hot in the 80s. Don't get me wrong, I love watching the late, great Brion James chew scenery, and Lance Henriksen gives a good performance though he's somewhat hampered by the fact that he can't chew back since he's supposed to be a cop, a family man and reasonably sane. He still manages to give his characterization a real edginess. I mean, he gets to pull his own chest open in one scene. Can you get much edgier than that? Still, the dialogue rarely rises above the "F--- you!" "Yeah, well, f--- you, too, f---er!" level which is a shame.

I saw the first two HOUSE movies when I was young and liked them during that time. When I got older I found HOUSE IV at a video store and rented it. I didn't even know they made a part III! After I saw part 4, I put the hunt out for 3, but I couldn't find it anywhere. I asked video stores and everything, but they never even heard of HOUSE III! I knew if they made a 4, their had to be a 3 out there somewhere, so I went to the internet and found it. The reason I couldn't find HOUSE III is because it was retitled for U.S. release as THE HORROR SHOW. I ended up buying it to see what it was like. I was very disappointed. First of all, it had nothing to do with the first two HOUSE movies. It did however provide a good cast. MGM really should retitle it and release it as HOUSE III: THE HORROR SHOW to avoid confusion in the states for people looking for the nonexistent HOUSE III

I like this film, good actors, good story, good f/x but what isn't too good is that it is too similar to a 'NIGHTMARE ON ELM STREET' films. The title in Britain is HOUSE 3: THE HORROR SHOW, but on here it is just horror show, maybe thats because it is not like the previous HOUSE films in any way.