Brittany-Murphy Movie Reviews


Drew Barrymore as a single mother
Watch it for Steve Zahn...If it were a great movie, it'd be "Terms of Endearment." But it's not. The framing device is lame, the guy who plays the grown-up son needs to go back to acting school immediately, the story is overly condensed in parts so that it doesn't actually make any sense in terms of a narrative... it's just not a very good movie.
But...
Steve Zahn is outstanding as Drew Barrymore's loser boyfriend/husband. In the scenes where they're supposed to be teenagers, Drew Barrymore looks like Drew Barrymore pretending to be a teenager, but Steve Zahn IS that character. Totally authentic. And as the years pass, and when we finally see him in his late 50's or so, he is STILL totally authentic. The man is a damn good actor.
I can't really recommend this movie because there's too much about it that is sub-par, but it's not a complete waste of time. Drew Barrymore has some good scenes (when she's not pretending to be a teenager) and Steve Zahn is superb... it's too bad the rest of the movie wasn't a bit better.
Who's to Blame?"Riding in Cars with Boys" involves wrong and right choices. Because the class "Mr. Popular" insults the class "live wire" consolation is given by the class "drop-out" and the "live-wire", aptly played by Drew Barrymore is "knocked up." What do you do about that in the late 1960's. You marry the class "drop out" and deal with the results usually unhappily.
The results entail about 20 years of troubles, joys, disappointments, triumphs, and growing up experiences. This true story does not fail to satisfy. Barrymore is good, but so is James Woods as her caring but sometimes insensitive father( who may have saved himself a pile of troubles if he had just bought that bra she wanted for Christmas when she was 13.)
What we have here is a comedy-drama about relationships between parents and child and parent as child and child and best friends too. Touching and tender the movie is just right to bring back hilarious and not so funny memories of what it is like to and what happens to girls who go around, "Riding in Cars with Boys." and, too, what it is like and what happens to boys who go aound "Riding in Cars with... (you get the picture).


Drew Barrymore as a single mother"Riding" is meant to be bittersweet, sort of like "A League of Their Own", but it's uneven. At moments the ordeal of single motherhood is sad, scary and funny at the same time, but the plot never works up to anything. No matter how much better Bev's life could get, nothing will give her (or her son) back years enslaved to an unwanted motherhood. Bev is meant to be intelligent, but she's too clueless about how to endure motherhood to become a mother. Her son bears a fair amount of resentment, having replaced Ray as the source of Bev's misery. Like Bev, the story uses and discards characters who don't serve its immediate needs. The flick wastes some interesting potential of having James Wood play Bev's conservative minded but loving father, the local police chief. At times he is both the greatest source and recipient of Bev's pain, but he disappears as a pivotal character soon after Bev's miserable wedding, only to make a last ditch appearance in the final few frames. Lorraine Bracco is similarly underused as Bev's mother. There are many funny bits, but on second thought, some seem a bit misplaced - like pregnant Bev trying to get herself to fall down the steps in order to induce an abortion. The movie also lacks an effective conclusion - the flashback concludes when Bev's son is about 8. At that point, Bev makes a desperate move to escape her dreary fate. With Ray gone, the boy turns on his mother and not only ruins her plans but drives away Bev's best friend. The end of the flashback occurs in the deep heart of a CT winter, yet nothing explains how these characters managed to pull their hearts and minds out of that bleak winter. Ironically, though Ray is useless as a person, his character is the only one to offer insight - near the film's end, and when he's been reduced to withered shell of his former self. If you're Drew Barrymore fan, you may want to go just to see your star done up as a prematurely middle-aged frump. Otherwise, you'll find the 2 hours dispiriting.
Watch it for Steve Zahn...If it were a great movie, it'd be "Terms of Endearment." But it's not. The framing device is lame, the guy who plays the grown-up son needs to go back to acting school immediately, the story is overly condensed in parts so that it doesn't actually make any sense in terms of a narrative... it's just not a very good movie.
But...
Steve Zahn is outstanding as Drew Barrymore's loser boyfriend/husband. In the scenes where they're supposed to be teenagers, Drew Barrymore looks like Drew Barrymore pretending to be a teenager, but Steve Zahn IS that character. Totally authentic. And as the years pass, and when we finally see him in his late 50's or so, he is STILL totally authentic. The man is a damn good actor.
I can't really recommend this movie because there's too much about it that is sub-par, but it's not a complete waste of time. Drew Barrymore has some good scenes (when she's not pretending to be a teenager) and Steve Zahn is superb... it's too bad the rest of the movie wasn't a bit better.
Who's to Blame?"Riding in Cars with Boys" involves wrong and right choices. Because the class "Mr. Popular" insults the class "live wire" consolation is given by the class "drop-out" and the "live-wire", aptly played by Drew Barrymore is "knocked up." What do you do about that in the late 1960's. You marry the class "drop out" and deal with the results usually unhappily.
The results entail about 20 years of troubles, joys, disappointments, triumphs, and growing up experiences. This true story does not fail to satisfy. Barrymore is good, but so is James Woods as her caring but sometimes insensitive father( who may have saved himself a pile of troubles if he had just bought that bra she wanted for Christmas when she was 13.)
What we have here is a comedy-drama about relationships between parents and child and parent as child and child and best friends too. Touching and tender the movie is just right to bring back hilarious and not so funny memories of what it is like to and what happens to girls who go around, "Riding in Cars with Boys." and, too, what it is like and what happens to boys who go aound "Riding in Cars with... (you get the picture).


No No No!1. Jody (Brittany Murphy) walks to school and doesn't notice anyone around her talking about the double murder the night before.
2. If no. 1 could be forgiven this point cannot. Imagine yourself in her position, her best friend comes up to her and tells her about the previous nights murders. If someone told you that two of your classmates where dead, what would you do? Jody justs stands there and says nothing through the whole conversation, yet you'd think anybody normal would ask how and what happened, but no, she lets him walk off without mentioning it.
3. So, we go to the classroom, and the students are being counselled, then jodys dad (the sherrif) walks in. At this point jody cries in amazement 'dad!', as if she has no idea why her dad, the sheriff, would be at her school bearing in mind that 2 of her classmates were killed the night before.
At this early point in the film i stopped the video, promptly rewound the tape, and taped something else over it.
WOW
The Great Cherry

quirky but entertaining'The sword of damocles is hanging over pandora's box'..."
This film is more proof that Wisdom and Intelligence are not the same thing. Trixie isn't very bright or well educated, but what she lacks in book-learning she makes up for in street smarts and good morals. She's not unnattractive, just rather plain.
Cute, but not beautiful. Chews gum alot.
Sort of a female "Columbo" but even dimmer.
Just judging from her looks on the box cover
of the VHS cassette, I don't know why, but I just assumed
she was British. She looks stereotypically British,
and I was surprised to hear a sassy Chicago accent come
from those lips and not some kind of Cockney or other London accent...then again, the last feature film I watched was
THE LIMEY, so maybe that's still in my head subconsciously.
You have to get used to the title character's dialogue...I found it rather painful on my ears...and you will start talking like Trixie if you're not careful, with all the mangled metaphors!...I'm not sure it's really believable someone could talk that way so consistently, regardless of educational background...I'm sure the actress had to spend a lot of time working on her lines to get them so perfectly screwed up...sounds more like a foreigner whose first language is not English speaking that would be more believeable.
Some of it is mildly amusing, I'm sure some people howl with laughter the whole way through...but I didn't. I think Trixie would have been/could have been just as good a movie without the speech impediment...a "female Columbo" is not a bad idea for a movie, but they could have done it more effectively by studying Peter Falk's methods. Or if they insisted on the language schtick...I still say what dissapointed me most is that Trixie just looks so BRITISH. If Zellweger can pull of a Brit accent and Aussies can pull of US accents, this film would have worked nicely in London..."Trixie" could have taken lessons from Brad Pitt's Irish gypsy character in SNATCH, for instance.
Nick Nolte does a good job playing a bad guy. The female actress in the supporting role, the 16 yr old vixen, was
a positively disturbing character.
still, this was worth the cost of the rental.
Great dialogue"I believe in taking the bull by the tail and staring him right in the eye."
"No, you can't have a drink, you are not drinking yourself into Bolivia."
Wonderful film, one of Rudolph's best

Not as good as the first one, but...The Prophecy 2 has one big thing going for it, and that is the scenes between Christopher Walken and Brittany Murphy. Walken is his naturally creepy self in these scenes. Brittany Murphy, as the Goth Girl "Izzie", shows that she can hold her own in scenes with big-time actors (as she did three years later in "Don't Say a Word").
I think the film is well-worth viewing just to see those two opposite each other. But still, only for fans of the first film, or if you're a Christopher Walken or Brittany Murphy fan.
Better than the First!Contrary to the previous reviewer's opinion, this film has a more coherent plot than the first and third installments of the Prophecy series, and contains some truly artistic and memorable scenes, particularly the conclusion of Jennifer Beal's confrontation with Walken, and Russell Wong revealing the full glory of his angelic nature to Beals. Much of what makes these scenes and others like them work is the high calibre acting. It is surprising that this film went straight to video considering its quality. It is certainly better than the first.
Heaven's war has returned to earth.Another thing that sets this film apart is it's theological and metaphysical sophistication. A very good case is made for a second war in heaven. This is because when God bestowed his Grace, his holy spark, unto humans, he raised them up above the angels. Some angels, like Gabriel, just couldn't stand being made second to "a bunch of talking monkeys."
In this sequel, Gabriel returns to earth. This is due to the fact, as Lucifer states early in the film, Hell isn't big enough for both of them. However, this time instead of searching for the one perfect Dark Soul to turn the tide of the heavenly war, he is searching for the new Nephilim, a child of the union of angel and mortal, heaven and earth. Such a being would have the power of an angel combined with the free will and divine spark of a human.
Oh yes, you also get more of the humerous" scenes of Gabriel intercepting the souls of suicides to serve as his helpers. In this case it is a goth girl named Iggy. I don't know why this should be so funny, but it is....
I couldn't think of an actor other than Christopher Walken who could have pulled off this role- who could believable be opposed to the forces of heaven and hell. You actually believe that he would burn down heaven to make his point....
All-in-all, I would say that this is one of those rare sequels that is as good as the original. My only complaint is with the sound levels. Much of the dialog is barely above a whisper. If you boost your sound loud enough to hear it clearly, then you get blasted out of the house by the action sequences.


A strange, and stylish drug film.Over the next few days, Ross will come into contact with a kooky stripper, crazy cops, crazier junkies, and a wacko named Spider Mike (brilliantly played by John Leguizamo.)
Dark, dirty, repulsive, and sometimes funny, 'Spun' is a tale told through the eyes of speed freaks. Shot with quick camera motion, and trendy styling, video director Jonas Akerlund does a superb job of setting a grimy atmosphere (you almost feel like taking a shower after watching the film.) The film is peopled with great performances from Brittany Murphy, Jason Schwartzman, John Leguizamo, and Mena Suvari, as well as terrific cameo appearances from Debbie Harry, Alexis Arquette, and Mickey Rourke in a stand out role.
Those looking for something different will enjoy 'Spun', as well as fans of anyone in the cast.
Nick Gonnella
I've been Spun!!!
What a ride

doped up idiots will love it, everyone else stay away
What a ride
all SPUN out

why did they even make this movie
Cheese And Rice!!!
SatisfyingThis movie is one of the best movies I have seen. It is played beautifully by Ashton Kutcher and Brittany Murphy, their performances are simply amazing, and I really don't see how people can not feel attached to this movie after watching it. The additional features of the DVD are very good, especially the movie commentary by Ashton, Brittany and director Shawn Levy. The commentary reveals some "secrets" in the production of the film, and helps to explain to the viewers how, when, where or why the scenes were made, which I personally thourghly enjoyed listening to. I feel that the special features of the DVD could have had more information on them, for example the "Making Featurette" on the DVD is only 3 minutes long, whereas I think that the viewers would get more satisfaction out of a longer version of the making of the film, especially the fanatics of Just Married.
I also feel that if the films rating had been changed from a PG-13 to an R-13, the limitations of some of the scenes in the movie could have been modified, resulting in a funnier, more enjoyable movie.
Overall this film is a great comedy, which I am currently addicted to, and the acting is top class. I feel that this is one of Brittany Murphy's top performances, and as Ashton Kutcher has only done a few movies, I can't really compare his performance in this film to others he has stared in, although his performance was very good. I strongly recommend this film, and it is currently one of my favourite movies.


sean patrick flannery i love him.... BUT
Sort of Ho Hum...I'm addicted to Sean Patrick Flanery.
There, I've said it. Granted, I had high hopes for this film, based on reviews I'd read, and the cast list. Kathy Najimy, Debbie Reynolds, and Michael Jeter have all been in films and/or television shows that I've enjoyed. I'd only seen Brittany Murphy once before and found her quite charming. Like I said, High Hopes...
So, I sat down and started to watch this movie, described to me as a quirky, off-beat comedy... The comedy was way past quirky. It was more the dark, morbid sort.
I've noticed that Sean Patrick Flanery has a knack for doing films about unusual relationships that appear doomed from the beginning, but somehow find a way to work. This one was no exception. The romance between the title characters is improbable at best, but more accurately it's down right ridiculous. Actually, everything about this film was ridiculous...
On the flip side of that coin, it makes no real attempts to take itself seriously, so it's not as hard to maintain your 'willing suspension of disbelief'.
The pluses are: 1. Sean Patrick Flanery, as adorable, hopelessly romantic, and charming as ever 2. Debbie Reynolds... Just cause she's Debbie Reynolds 3. Brittany Murphy's wide-eyed expressions, pouts, and on-camera crying 4. Michael Jeter - he always cracks me up...
The minuses are: 1. Ridiculous plot 2. Over the top antics (burying a character in his football uniform means a casket that's bigger than the hole, and so on) 3. The death of one character that was unnecessary 4. All around lack-luster story
Over all, I'd recommend this one as a no-brainer, or for a fan of any of the actors in the show... They all gave good performances. It's not their fault the plot wound up failing them...
Beautiful, offbeat comedy! A Must See

the awful truth
not a home runPrinze NEEDS to take his career in a different direction. All his roles are the same guy-funny,cute, always gets the girl. It's maddening to me because he was in a movie called Money Kings playing a villian. He wasn't bad either. He needs to take more risks and playing a variety of roles.
Jessica has to leave Warners, they give her bad roles....
"Riding" is meant to be bittersweet, sort of like "A League of Their Own", but it's uneven. At moments the ordeal of single motherhood is sad, scary and funny at the same time, but the plot never works up to anything. No matter how much better Bev's life could get, nothing will give her (or her son) back years enslaved to an unwanted motherhood. Bev is meant to be intelligent, but she's too clueless about how to endure motherhood to become a mother. Her son bears a fair amount of resentment, having replaced Ray as the source of Bev's misery. Like Bev, the story uses and discards characters who don't serve its immediate needs. The flick wastes some interesting potential of having James Wood play Bev's conservative minded but loving father, the local police chief. At times he is both the greatest source and recipient of Bev's pain, but he disappears as a pivotal character soon after Bev's miserable wedding, only to make a last ditch appearance in the final few frames. Lorraine Bracco is similarly underused as Bev's mother. There are many funny bits, but on second thought, some seem a bit misplaced - like pregnant Bev trying to get herself to fall down the steps in order to induce an abortion. The movie also lacks an effective conclusion - the flashback concludes when Bev's son is about 8. At that point, Bev makes a desperate move to escape her dreary fate. With Ray gone, the boy turns on his mother and not only ruins her plans but drives away Bev's best friend. The end of the flashback occurs in the deep heart of a CT winter, yet nothing explains how these characters managed to pull their hearts and minds out of that bleak winter. Ironically, though Ray is useless as a person, his character is the only one to offer insight - near the film's end, and when he's been reduced to withered shell of his former self. If you're Drew Barrymore fan, you may want to go just to see your star done up as a prematurely middle-aged frump. Otherwise, you'll find the 2 hours dispiriting.