Cameron-Diaz Movie Reviews


Related Subjects: Bridget-Fonda
More Pages: Cameron-Diaz Page 1 2 3 4 5 6
VHS movie reviews for "Cameron-Diaz" sorted by average review score:

Feeling Minnesota
Released in VHS Tape by New Line Studios (09 September, 1997)
MPAA Rating: R (Restricted)
Director: Steven Baigelman (II)
Starring: Keanu Reeves, Cameron Diaz, and Vincent D'Onofrio
In his debut effort, director/writer Steven Baigleman put together an interesting premise and collected a talented cast to execute it. Unfortunately, he never sets the tone, so we are caught between a wildly black comedy and an emotionally brutal drama. A firmer footing in either genre would have better defined our reactions to it. Keanu Reeves plays Jjaks, a man so badly trod upon by fate that his very name is the result of a typo. He arrives back at his mother's house in a lower working-class Minnesota neighborhood to witness the marriage of his older brother (Vincent D'Onofrio) to an obviously reluctant bride (Cameron Diaz). By the time Jjaks is on his way, he's stolen a car, a dog, and his brother's wife. You have to give Baigleman credit for serving up intriguing characters. Unfortunately, he spins the story in circles instead of moving it along. Reeves and Diaz attempt to leave Minnesota, but never quite make it. Reeves repeatedly returns to a boyhood home he hates, always stumbling into his brother's angry clutches. What does work are the performances. Diaz is both sad and strong as the tough cookie who happens to be the smartest character in the movie. D'Onofrio's stupid nastiness is offset by his crushing love for her and an uncontrollable jealousy of Jjaks. Most surprising is Reeves, who makes us feel for his angry, unhappy loser by revealing flashes of decency under a toughened exterior. --Rochelle O'Gorman
Average review score:

Reeves at his best
Reeves delivers a great performance as the dude with a typo in his name(weird but cool). He returns home to find his older brother getting married to Cameron Diaz and then he steals her and some other stuff and wants to leave but he cant, whats stopping him. fights clash between him and his brother, seriously played by Vincent D'Onofrio. a good movie with great moments and a good cast including Max Perlich, Dan Aykroyd and Delroy Lindo to name a few. Two Thumbs Up is right.

I FEEL FEELING MINNESOTA
Firstly I must say to the nay sayers

WHY YOU SO LIKE DAT?

This is a great movie - amongst my favourites. I wore out the first tape I bought so I had to buy it again and I'm eagerly awaiting it's release on DVD.

There IS a plot. It's a black COMEDY. I can see the comic elements in it. The two brother's fighting. It's meant to be taken with a pinch of salt.

I liked the portayal of the way of life of these folks in Minnesota. The dagginess of their existence. One of my favourite bits is at the weeding when the groom is trying to kiss the bride and she doesn't wanna know - classic!

And of course - I love Keanu in this film! What a babe. He has great comic timing (you should do more comedy dude!) and his exudes innocence, yet is incredible sexy at the same time(COOL)

Yes I have to agree with the viewer from Glendale he looks yummy with his fluffy hair and those black pants (stop drooling).

Vincent D'Onofrio is a class act. He does very good charater acting. Cameron Diaz was excellent as well.

So, the script wasn't all that - but they done a great job of it.

IT'S A GOOD FILM - BUY IT!

Good one
This is quite nice movie, so I don't get it why it only has 3.5 stars average at this time. I like it and I am going to watch it again.


Feeling Minnesota
Released in VHS Tape by New Line Studios (09 September, 1997)
MPAA Rating: R (Restricted)
Director: Steven Baigelman (II)
Starring: Keanu Reeves, Cameron Diaz, and Vincent D'Onofrio
In his debut effort, director/writer Steven Baigleman put together an interesting premise and collected a talented cast to execute it. Unfortunately, he never sets the tone, so we are caught between a wildly black comedy and an emotionally brutal drama. A firmer footing in either genre would have better defined our reactions to it. Keanu Reeves plays Jjaks, a man so badly trod upon by fate that his very name is the result of a typo. He arrives back at his mother's house in a lower working-class Minnesota neighborhood to witness the marriage of his older brother (Vincent D'Onofrio) to an obviously reluctant bride (Cameron Diaz). By the time Jjaks is on his way, he's stolen a car, a dog, and his brother's wife. You have to give Baigleman credit for serving up intriguing characters. Unfortunately, he spins the story in circles instead of moving it along. Reeves and Diaz attempt to leave Minnesota, but never quite make it. Reeves repeatedly returns to a boyhood home he hates, always stumbling into his brother's angry clutches. What does work are the performances. Diaz is both sad and strong as the tough cookie who happens to be the smartest character in the movie. D'Onofrio's stupid nastiness is offset by his crushing love for her and an uncontrollable jealousy of Jjaks. Most surprising is Reeves, who makes us feel for his angry, unhappy loser by revealing flashes of decency under a toughened exterior. --Rochelle O'Gorman
Average review score:

Reeves at his best
Reeves delivers a great performance as the dude with a typo in his name(weird but cool). He returns home to find his older brother getting married to Cameron Diaz and then he steals her and some other stuff and wants to leave but he cant, whats stopping him. fights clash between him and his brother, seriously played by Vincent D'Onofrio. a good movie with great moments and a good cast including Max Perlich, Dan Aykroyd and Delroy Lindo to name a few. Two Thumbs Up is right.

I FEEL FEELING MINNESOTA
Firstly I must say to the nay sayers

WHY YOU SO LIKE DAT?

This is a great movie - amongst my favourites. I wore out the first tape I bought so I had to buy it again and I'm eagerly awaiting it's release on DVD.

There IS a plot. It's a black COMEDY. I can see the comic elements in it. The two brother's fighting. It's meant to be taken with a pinch of salt.

I liked the portayal of the way of life of these folks in Minnesota. The dagginess of their existence. One of my favourite bits is at the weeding when the groom is trying to kiss the bride and she doesn't wanna know - classic!

And of course - I love Keanu in this film! What a babe. He has great comic timing (you should do more comedy dude!) and his exudes innocence, yet is incredible sexy at the same time(COOL)

Yes I have to agree with the viewer from Glendale he looks yummy with his fluffy hair and those black pants (stop drooling).

Vincent D'Onofrio is a class act. He does very good charater acting. Cameron Diaz was excellent as well.

So, the script wasn't all that - but they done a great job of it.

IT'S A GOOD FILM - BUY IT!

Good one
This is quite nice movie, so I don't get it why it only has 3.5 stars average at this time. I like it and I am going to watch it again.


She's the One
Released in VHS Tape by Twentieth Century Fox (03 August, 1999)
MPAA Rating: R (Restricted)
Director: Edward Burns
Starring: Edward Burns, Jennifer Aniston, and John Mahoney
Following the success of his spunky, 1995 directorial debut, The Brothers McMullen, Edward Burns suffers a little sophomore slump with this comedy about a pair of rivalrous brothers who get into bizarre relationships with women in a fierce but immature pursuit of happiness. When they find they both have a complicated interest in the same woman (Cameron Diaz), things come to a head. The film is a little overwritten, undershot, bulky, slow, and static, but it is also funny and inventive--further proof that Burns knows his New York City beat as well as Woody Allen does. With Jennifer Aniston, Maxine Bahns, and John Mahoney. --Tom Keogh
Average review score:

It's One Worth Watching
The script is sometimes funny because of the conflict between two brothers from different worlds. They are "in love" with the wrong woman most of the time. Cameron Diaz is beautiful but sometimes you feel that she flashes that smile to cover her lack of acting skills. Jennifer Aniston is just the opposite: she is pretty but she concentrates her energy on her acting. The picture has more drama than some seem to pick up on. This is not just a funny film. It says alot about our family and social values today. Burns does a good job on this and his acting and Aniston's make it worthwhile to see.

A Great Find!
This is a funny, captivating, and worthwhile film. Although it isn't a blockbuster, it certainly has more substance than a lot of films today.Ed Burns is endearing and charming as a cabbie who bases most of his decision on emotions, rather than sense, and yet he comes out winnng in the end. Cameron Diaz is delightfully evil as his ex-fiancee, certainly a much different role than the loveable girl next door roles she played in "My Best Friends Wedding" and "There's Something About Mary" Although she has only a small role Jennifer Anniston is also great as Renee, a wife who looks for a reason as to why her husband is no longer interested in her. The film has many dynamics that I feel are explord quite nicely, mainly family, sibling rivalry, and love in the real world. This film is a definite find!

Good buy
The story is just a little boring, I found myself not being very attentive at times. It's not very original and I wouldn't have bought it if there wasn't Cameron Diaz. It's a pity she doesn't appear more often. The end is a bit of a surprise. Overall this was quite a good buy, I liked it.


Charlie's Angels
Released in VHS Tape by Columbia/Tristar Studios (06 May, 2003)
MPAA Rating: PG-13 (Parental Guidance Suggested)
Director: McG
Starring: Cameron Diaz, Drew Barrymore, Lucy Liu, and Bill Murray
For every TV-into-movie success like The Fugitive, there are dozens of uninspired films like The Mod Squad. Happily--and surprisingly--this breezy update of the seminal '70s jiggle show falls into the first category, with Cameron Diaz, Drew Barrymore (who also produced), and Lucy Liu starring as the hair-tossing, fashion-setting, kung fu-fighting trio employed by the mysterious Charlie (voiced by the original Charlie, John Forsythe). When a high-tech programmer (Sam Rockwell) is kidnapped, the angels seek out the suspects, with the daffy Bosley (Bill Murray in a casting coup) in tow. A happy, cornball popcorn flick, Charlie's Angels is played for laughs with plenty of ribbing references to the old TV show as well as modern caper films like Mission: Impossible. McG, a music video director making his feature film debut (usually a death warrant for a movie's integrity), infuses the film with plenty of Matrix-style combat pyrotechnics, and the result is the first successful all-American Hong Kong-style action flick. Plenty of movies boast a New Age feminism that has their stars touting their sexuality while being their own women, but unlike something as obnoxious as Coyote Ugly, Angels succeeds with a positive spin on Girl Power for the new millennium (Diaz especially sizzles in her role of crack super agent/airhead blonde). From the send-up of the TV show's credit sequence to the outtakes over the end credits, Charlie's Angels is a delight. --Doug Thomas
Average review score:

Charlie's Matrix
Charlie's Angels is an exciting, entertaining film, if a bit stupid and unoriginal. But thanks to its willingness to make fun of itself, it manages to be a lot more endurable than it could've been otherwise. Overall, it's a very good action romp.

First of all, the whole film is a parody. Every time the film employs cheesy '70s-esque montage sequences, every time the camera goes wicked slow when the girls toss their hair, and every time an action scene comes up (which takes things from films like The Matrix, Mission: Impossible, and True Lies), it's all a parody. In that sense, this is a funny movie. It has great self-awareness, and doesn't mind shamelessly exploiting its three central stars (Drew Barrymore, Cameron Diaz, Lucy Liu) in every way possible. And Bill Murray, as always, is funny and goofy as Bosley.

However, the humor does get annoying sometimes. How many times do we have to see the same old girly-giggle jokes, like when Cameron Diaz is interrupted in a fight by a call from her boyfriend? Even if things like that are still meant as spoof, they aren't funny.

As for the story, I'll only mention it in passing, because it's not the focus of the film and it's quite bad anyway. The plot overall seems taken from a bad Bond film: secret agents get assigned top-secret mission vital to ensuring the safety of the world, and then the "least likely" person turns out to be the antagonist (or, as Barrymore's angel once exclaims, "he's the bad guy!"). There are subplots involving the three angels falling in love, which seem pointless to the film and only provide some of the stupid girly humor I just mentioned above.

Cameron Diaz, Drew Barrymore, and Lucy Liu are fine. As far as acting goes, there's nothing good, but as far as monopolizing on male fantasy, they're skillful. Too bad some people will only see this film for that reason alone, because it is those people that this film makes fun of the most. (Still, I suppose it's required of me to comment on which Angel is my favorite. Well, as far as I'm concerned, Drew Barrymore. There you go.)

I must mention a very pleasant surprise delight in this film: Crispin Glover, aka Mr. McFly from the Back to the Future series. He is simply awesome in this film. He doesn't speak a word, but he has a presence about him that electrifies the screen when he's on. It's partly comedic, and partly serious. The way he manages to look pathetic and threatening at the same time, how he brings a weird and quirky element to his character is great. He looks in command and at the same time paranoid of everything. He's my favorite performance in this film along with Murray.

The action is very good, obviously the best part of the film: zany flips, kicks, chases, and explosions all covered by the interesting, if ripped-off, cinematography. Of course, the martial arts scenes are the best. I have to say that it is a compliment both to this film and, even more so, the film it lifts this from (The Matrix) that the action here, even though meant as mere parody, still remains quite entertaining and visually intense. You can thank the source film for that. If you like the action here, and I don't see why you wouldn't, and if you haven't seen The Matrix, you should. You'll be blown away. But I digress.

In closing, the problem with films like Charlie's Angels (besides awful plot) is that, even though the action is fun, none of it is its own. The action can be good, but it can never be called great, simply because it's not original. It's the tragic flaw. But that doesn't prevent the film from being fun in and of itself. It's a good time.

Good entertainment.
This takeup of the 1970s TV show is absolutely delightful, with comedy and high-paced action. Cameron Diaz, Drew Barrymore, and Lucy Liu are wonderfully cast as the three Angels, three elite women who rescue high-tech programmer (Sam Rockwell) from a egomaniac (Tim Curry). Also, Bosley is played delightfully by Bill Murray, who makes most of the comic relief. Good action sequences, lots of comic relief make this high-paced feminine movie enjoyable. Includes cameos by Luke Wilson (who plays Diaz's boyfriend and also co-starred with Barrymore in "Home Fries") and Tom Green as Barrymore's beau in the movie (his cameo is better than his recent gross-out humor roles in "Road Trip" and especially "Freddy Got Fingered" which Barrymore makes a cameo in this movie also). Wonderful, but slightly campy and air-headed version of the TV show. Rated PG-13, for violence, innueudo, and for some nudity.

Really Great Movie! HOOOOOOOT!
This is a great movie! The action is plentiful and visually effective. Speaking of visually great, check out Drew Barrymore! Ow Ow! A lot of critics said this movie was just babes with no plot. But realistically, the plot is simple, yet interesting. The angels have to find electronic equipment that is "Stolen": big twist at the end. I really recommend this movie to anyone who likes action and fun! Great gift or stocking stuffer!


Any Given Sunday
Released in VHS Tape by Warner Home Video (16 January, 2001)
MPAA Rating: R (Restricted)
Director: Oliver Stone
Starring: Al Pacino and Dennis Quaid
Any Given Sunday, Oliver Stone's salute-cum-exposé of pro football, belabors some pretty obvious points for nigh onto three hours; but between the frenetic editing, the pounding rap-music beats, and several flashy performances, it's certainly never dull. Al Pacino, coach of the fictional Miami Sharks (the NFL declined involvement in this production), struggles with the most time-honored of sports movie dilemmas: what to do with the old friend who's past his prime and the young hotshot who could save the franchise but first has to learn what being a team player is all about. Comedian Jamie Foxx does a marvelous dramatic turn as the rookie quarterback whose ego and talent are equally impressive, while Pacino seems more at ease in Oliver Stone Land than any actor since regular James Woods (on hand as well as a sleazy team doctor). Prowling the sidelines, shouting spittle-flecked orders, seizing up in almost physical pain when a play goes the wrong way, Pacino is as unashamedly--and entertainingly--hyperbolic as Stone's whirling montages of boiling storm clouds, bloodthirsty fans, and players smashed into the mud. (Once again football, perhaps the most sophisticated of team sports, is viewed cinematically as a bunch of guys hitting each other in slow motion.) Unfortunately, all the self-conscious mythologizing and pumped-up macho posturing that Stone can muster doesn't conceal a clichéd, slapped-together script, whose few good ideas (mostly about race in America) jostle about with several hoary, terrible ones--including a too-literal analogy of football players as modern gladiators. (To drive the point home, Stone includes Charlton Heston--the aging Ben-Hur--in one of many star-powered cameos.) All in all, Any Given Sunday is never dull, but never very enjoyable, either. --Bruce Reid
Average review score:

A mythic tale of modern-day gladiators
This Oliver Stone film goes behind the scenes of big time football and delves into it all -- the aging coach, the rich-girl team owner, the players who push themselves through injuries, the rising young star and the living-large seductive lifestyle of big money.

I'm surprised that this film did not win one Academy Award nomination because it certainly deserved to be considered. Not only did the story keep me glued to the screen for its full 157 minutes, but all the performances were excellent.

Al Pacino, as the coach, was outstanding. At 60 years old his face has the creases which add expression and depth to his performance, making me feel his every emotion. Jamie Fox, cast as the new young overnight sensation has a role that demands he first be unsure and vulnerable, then cocky and insufferable, then political and, finally, repentant. That's a tall order for a actor and he does it masterfully.

The rest of the cast is full of star power. Cameron Diaz is the young woman who has inherited the team from her father. Ann Margaret is her alcoholic mother. Dennis Quaid is an injured quarterback, LJ Cool is a football player, James Woods is the unscrupulous doctor, and even Charlton Heston plays a cameo role as the Commissioner. And, of course, there are some real players who round out this cast.

One of the criticisms of the film is that the sports action was difficult to follow because of the cinematographic effects using slow motion spinning of the football or the silhouettes of the men postured as if on a battlefield. But this not a football game to watch on TV. This is a larger-than-life mythic tale of modern-day gladiators who push themselves past the line of good sense for fame, fortune, money and glory and the corporate interests and media hype that keep it all together.

I loved this video completely and give it a high recommendation. You don't have to be a football fan to enjoy it.

Extraordinary Film
First off, I want to let you know that I love football and movies, but am not an expert on either subject, just to let you know what kind of person this review is coming from.

Yes, the movie is 157 minutes long, but let me tell you, it's never boring. I disagree with many here in that I liked that visuals and film style that Oliver Stone used. I loved the little things he puts in a scene, especially the final play: when Beamen is looking into the endzone and you see lightning and an old player diving into the endzone, things like that. Of course, the performances are incredible, and it's a huge cast. Look for special cameos from NFL players and coaches, and of course Charlton Heston as the Commissioner.

I also like how the film starts out with a game, getting you into the action quickly. And then of course there's the length of the games. It's not just a two minute highlight, well except for the Monsoon Bowl. The first game last 20 minutes and the last is somewhere between 30 and 40. The pregame and halftime speeches are well written too.

In all, it has your basic, not too groundbreaking script, but a great cast, great visuals and sound, and exciting football sequences (the best I've ever seen). I recommend this one!

Another One of Stone's Gems!
"When a man looks back on his life, he should be proud of all of it, not just the years he's been in pads and cleets" says the elder statesman of football LT to young Beaman. The modern day gladiator drama that is football explodes on the screen in all the digital surround glory that is Oliver Stone. His tale of a civil war within another male institution is explored here much as it was in PLATOON.
The DVD quality is one of the best I have seen. The opening half-hour football sequence is bone-crunching, pulse-pounding, and unfolds much like scenes in JFK, DOORS, and NATURAL BORN KILLERS. Try to spot all of the real-life football hereos such as Johnny Unitas, Jim Brown, LT, and Barry Switzer. (THOSE ARE PRETTY EASY TO SPOT SINCE THEY GET A LOT OF SCREEN TIME BUT THERE ARE PROBABLY OTHERS THAT IF YOU BLINKED YOU WOULD MISS THEM). Stone's use of fantasy teams instead of using actual teams(although the CROSS-TOWN DOLPHINS are mentioned!) works very effectively.


Any Given Sunday
Released in VHS Tape by Warner Home Video (01 September, 2000)
MPAA Rating: R (Restricted)
Director: Oliver Stone
Starring: Al Pacino and Dennis Quaid
Any Given Sunday, Oliver Stone's salute-cum-exposé of pro football, belabors some pretty obvious points for nigh onto three hours; but between the frenetic editing, the pounding rap-music beats, and several flashy performances, it's certainly never dull. Al Pacino, coach of the fictional Miami Sharks (the NFL declined involvement in this production), struggles with the most time-honored of sports movie dilemmas: what to do with the old friend who's past his prime and the young hotshot who could save the franchise but first has to learn what being a team player is all about. Comedian Jamie Foxx does a marvelous dramatic turn as the rookie quarterback whose ego and talent are equally impressive, while Pacino seems more at ease in Oliver Stone Land than any actor since regular James Woods (on hand as well as a sleazy team doctor). Prowling the sidelines, shouting spittle-flecked orders, seizing up in almost physical pain when a play goes the wrong way, Pacino is as unashamedly--and entertainingly--hyperbolic as Stone's whirling montages of boiling storm clouds, bloodthirsty fans, and players smashed into the mud. (Once again football, perhaps the most sophisticated of team sports, is viewed cinematically as a bunch of guys hitting each other in slow motion.) Unfortunately, all the self-conscious mythologizing and pumped-up macho posturing that Stone can muster doesn't conceal a clichéd, slapped-together script, whose few good ideas (mostly about race in America) jostle about with several hoary, terrible ones--including a too-literal analogy of football players as modern gladiators. (To drive the point home, Stone includes Charlton Heston--the aging Ben-Hur--in one of many star-powered cameos.) All in all, Any Given Sunday is never dull, but never very enjoyable, either. --Bruce Reid
Average review score:

A mythic tale of modern-day gladiators
This Oliver Stone film goes behind the scenes of big time football and delves into it all -- the aging coach, the rich-girl team owner, the players who push themselves through injuries, the rising young star and the living-large seductive lifestyle of big money.

I'm surprised that this film did not win one Academy Award nomination because it certainly deserved to be considered. Not only did the story keep me glued to the screen for its full 157 minutes, but all the performances were excellent.

Al Pacino, as the coach, was outstanding. At 60 years old his face has the creases which add expression and depth to his performance, making me feel his every emotion. Jamie Fox, cast as the new young overnight sensation has a role that demands he first be unsure and vulnerable, then cocky and insufferable, then political and, finally, repentant. That's a tall order for a actor and he does it masterfully.

The rest of the cast is full of star power. Cameron Diaz is the young woman who has inherited the team from her father. Ann Margaret is her alcoholic mother. Dennis Quaid is an injured quarterback, LJ Cool is a football player, James Woods is the unscrupulous doctor, and even Charlton Heston plays a cameo role as the Commissioner. And, of course, there are some real players who round out this cast.

One of the criticisms of the film is that the sports action was difficult to follow because of the cinematographic effects using slow motion spinning of the football or the silhouettes of the men postured as if on a battlefield. But this not a football game to watch on TV. This is a larger-than-life mythic tale of modern-day gladiators who push themselves past the line of good sense for fame, fortune, money and glory and the corporate interests and media hype that keep it all together.

I loved this video completely and give it a high recommendation. You don't have to be a football fan to enjoy it.

Extraordinary Film
First off, I want to let you know that I love football and movies, but am not an expert on either subject, just to let you know what kind of person this review is coming from.

Yes, the movie is 157 minutes long, but let me tell you, it's never boring. I disagree with many here in that I liked that visuals and film style that Oliver Stone used. I loved the little things he puts in a scene, especially the final play: when Beamen is looking into the endzone and you see lightning and an old player diving into the endzone, things like that. Of course, the performances are incredible, and it's a huge cast. Look for special cameos from NFL players and coaches, and of course Charlton Heston as the Commissioner.

I also like how the film starts out with a game, getting you into the action quickly. And then of course there's the length of the games. It's not just a two minute highlight, well except for the Monsoon Bowl. The first game last 20 minutes and the last is somewhere between 30 and 40. The pregame and halftime speeches are well written too.

In all, it has your basic, not too groundbreaking script, but a great cast, great visuals and sound, and exciting football sequences (the best I've ever seen). I recommend this one!

Another One of Stone's Gems!
"When a man looks back on his life, he should be proud of all of it, not just the years he's been in pads and cleets" says the elder statesman of football LT to young Beaman. The modern day gladiator drama that is football explodes on the screen in all the digital surround glory that is Oliver Stone. His tale of a civil war within another male institution is explored here much as it was in PLATOON.
The DVD quality is one of the best I have seen. The opening half-hour football sequence is bone-crunching, pulse-pounding, and unfolds much like scenes in JFK, DOORS, and NATURAL BORN KILLERS. Try to spot all of the real-life football hereos such as Johnny Unitas, Jim Brown, LT, and Barry Switzer. (THOSE ARE PRETTY EASY TO SPOT SINCE THEY GET A LOT OF SCREEN TIME BUT THERE ARE PROBABLY OTHERS THAT IF YOU BLINKED YOU WOULD MISS THEM). Stone's use of fantasy teams instead of using actual teams(although the CROSS-TOWN DOLPHINS are mentioned!) works very effectively.


Any Given Sunday - Special Editon Director's Cut
Released in VHS Tape by Warner Studios (04 February, 2003)
MPAA Rating: R (Restricted)
Director: Oliver Stone
Starring: Al Pacino and Dennis Quaid
Any Given Sunday, Oliver Stone's salute-cum-exposé of pro football, belabors some pretty obvious points for nigh onto three hours; but between the frenetic editing, the pounding rap-music beats, and several flashy performances, it's certainly never dull. Al Pacino, coach of the fictional Miami Sharks (the NFL declined involvement in this production), struggles with the most time-honored of sports movie dilemmas: what to do with the old friend who's past his prime and the young hotshot who could save the franchise but first has to learn what being a team player is all about. Comedian Jamie Foxx does a marvelous dramatic turn as the rookie quarterback whose ego and talent are equally impressive, while Pacino seems more at ease in Oliver Stone Land than any actor since regular James Woods (on hand as well as a sleazy team doctor). Prowling the sidelines, shouting spittle-flecked orders, seizing up in almost physical pain when a play goes the wrong way, Pacino is as unashamedly--and entertainingly--hyperbolic as Stone's whirling montages of boiling storm clouds, bloodthirsty fans, and players smashed into the mud. (Once again football, perhaps the most sophisticated of team sports, is viewed cinematically as a bunch of guys hitting each other in slow motion.) Unfortunately, all the self-conscious mythologizing and pumped-up macho posturing that Stone can muster doesn't conceal a clichéd, slapped-together script, whose few good ideas (mostly about race in America) jostle about with several hoary, terrible ones--including a too-literal analogy of football players as modern gladiators. (To drive the point home, Stone includes Charlton Heston--the aging Ben-Hur--in one of many star-powered cameos.) All in all, Any Given Sunday is never dull, but never very enjoyable, either. --Bruce Reid
Average review score:

A mythic tale of modern-day gladiators
This Oliver Stone film goes behind the scenes of big time football and delves into it all -- the aging coach, the rich-girl team owner, the players who push themselves through injuries, the rising young star and the living-large seductive lifestyle of big money.

I'm surprised that this film did not win one Academy Award nomination because it certainly deserved to be considered. Not only did the story keep me glued to the screen for its full 157 minutes, but all the performances were excellent.

Al Pacino, as the coach, was outstanding. At 60 years old his face has the creases which add expression and depth to his performance, making me feel his every emotion. Jamie Fox, cast as the new young overnight sensation has a role that demands he first be unsure and vulnerable, then cocky and insufferable, then political and, finally, repentant. That's a tall order for a actor and he does it masterfully.

The rest of the cast is full of star power. Cameron Diaz is the young woman who has inherited the team from her father. Ann Margaret is her alcoholic mother. Dennis Quaid is an injured quarterback, LJ Cool is a football player, James Woods is the unscrupulous doctor, and even Charlton Heston plays a cameo role as the Commissioner. And, of course, there are some real players who round out this cast.

One of the criticisms of the film is that the sports action was difficult to follow because of the cinematographic effects using slow motion spinning of the football or the silhouettes of the men postured as if on a battlefield. But this not a football game to watch on TV. This is a larger-than-life mythic tale of modern-day gladiators who push themselves past the line of good sense for fame, fortune, money and glory and the corporate interests and media hype that keep it all together.

I loved this video completely and give it a high recommendation. You don't have to be a football fan to enjoy it.

Extraordinary Film
First off, I want to let you know that I love football and movies, but am not an expert on either subject, just to let you know what kind of person this review is coming from.

Yes, the movie is 157 minutes long, but let me tell you, it's never boring. I disagree with many here in that I liked that visuals and film style that Oliver Stone used. I loved the little things he puts in a scene, especially the final play: when Beamen is looking into the endzone and you see lightning and an old player diving into the endzone, things like that. Of course, the performances are incredible, and it's a huge cast. Look for special cameos from NFL players and coaches, and of course Charlton Heston as the Commissioner.

I also like how the film starts out with a game, getting you into the action quickly. And then of course there's the length of the games. It's not just a two minute highlight, well except for the Monsoon Bowl. The first game last 20 minutes and the last is somewhere between 30 and 40. The pregame and halftime speeches are well written too.

In all, it has your basic, not too groundbreaking script, but a great cast, great visuals and sound, and exciting football sequences (the best I've ever seen). I recommend this one!

Another One of Stone's Gems!
"When a man looks back on his life, he should be proud of all of it, not just the years he's been in pads and cleets" says the elder statesman of football LT to young Beaman. The modern day gladiator drama that is football explodes on the screen in all the digital surround glory that is Oliver Stone. His tale of a civil war within another male institution is explored here much as it was in PLATOON.
The DVD quality is one of the best I have seen. The opening half-hour football sequence is bone-crunching, pulse-pounding, and unfolds much like scenes in JFK, DOORS, and NATURAL BORN KILLERS. Try to spot all of the real-life football hereos such as Johnny Unitas, Jim Brown, LT, and Barry Switzer. (THOSE ARE PRETTY EASY TO SPOT SINCE THEY GET A LOT OF SCREEN TIME BUT THERE ARE PROBABLY OTHERS THAT IF YOU BLINKED YOU WOULD MISS THEM). Stone's use of fantasy teams instead of using actual teams(although the CROSS-TOWN DOLPHINS are mentioned!) works very effectively.


Charlie's Angels - Full Throttle
Released in VHS Tape by Columbia Tristar Hom (21 October, 2003)
MPAA Rating: PG-13 (Parental Guidance Suggested)
Director: McG
Starring: Cameron Diaz, Drew Barrymore, and Lucy Liu
Charlie's Angels: Full Throttle is a big, fun, bubble-brained mess of a movie, and that's exactly as it should be. Its popular 2000 predecessor got the formula right: gorgeous babes, throwaway plots, and as many current pop-cultural trends as you could stuff into a candy-coated dollop of Hollywood mayhem. This sequel goes one "better": The plot's even more disposable (if that's possible), the babes, cars, and fashions even more outlandish, and the stuntwork (heavily digital, heavily absurd) reaches astonishing heights of cartoon silliness. Reprising their titular (and shamelessly titillating) roles, Cameron Diaz, Drew Barrymore, and Lucy Liu are having the time of their lives, especially when sparring with ultra-buff rogue angel Demi Moore (looking better at 40 than most women half her age) and Justin Theroux as a sleazy Irish mobster. Bernie Mac replaces Bill Murray as angel-sidekick Bosley (they're step-brothers, don'cha know), which is one more indication of McG's intentionally reckless stewardship of an intentionally reckless franchise. Our advice: sit back, relax, and get jiggly with it. --Jeff Shannon
Average review score:

Ick. An Absolute Hollywood Blunder
......My girlfriend took me to see this when it first came out. Yeah I was excited because the previews for Full Throttle definately displayed the fact that there was going to be plenty of scantily clad, beautiful women. However, the actual movie goes to show that the creators of the film clearly believe that men are just pathetic, sex-crazed puppy dogs who will pay ten buck to watch a couple hours of cleavage and flat stomachs dance around while over-used 80's pop plays in the backround. Where the hell was the plot? Don't think that guys will be entertained just because there is a cute girl in every scene. Please, Drew, don't ever insult my intelligence like that again. Believe it or not, we do have class.

Run For Your Life!
Along with Lara Croft: Tombraider 2, this is the worst sequel I've ever seen. Luckily I bought the DVD used or I would really be upset. As a chick I am all for chicks kicking men's butts in films, but Full Throttle was insulting to women, blacks and anyone with sense.

I would love to explain the plot, but it was so overshadowed it didn't seem to matter. The action sequences were lame, boring and predictable. They did the same flips, turns and giggles they did in the first film. The only difference was that that film had a decent plot and was entertaining. Full Throttle is a full disappointment to the T. It was obvious that the directors and writers ran out of anything original. They relied on half-naked women, a desperate Demi Moore and an ignorant black character played by Bernie Mac who wasn't shown but a few times in the film.

Unless you're a teenage boy with raging hormones, don't waste your time with this. Fans of the first one will be terribly dissapointed in this mess of a sequel. The filmmakers should have quit while they were ahead. I just hope there is not going to be another one. Full Throttle sort of bombed at the box office ( proving that you need more than trashy-dressed women to make a bad movie work ). Hopefully the bombing will keep them from making a third sequel. We can only pray! This film is just plain insulting to women and was obviously made for a cheap buck. I feel sorry for all the actors because they deserved a better film follow-up to the 2000 hit. I mostly feel sorry for Demi Moore. This horrid film was supposed to be her comeback role. Well, she didn't quite make it.

Non-stop action and a lot of laughs
As with many films of this genre, the viewer is forced to dispense with some sense of reality to really get into the film... this movie ups the ante by having the angels perform stunts that defy the laws of physics and common sense. The sequences are so clever and well choreographed, however, you just find yourself with a smile on your face as your jaw drops just a little - followed by a chuckle as you realize how impossible such a scenario would be.

If the angels were pitched against James Bond, 007 would be beaten - badly. These girls kick butt. The film has a lot to offer - men see sexy women wearing revealing clothes, while driving incredible cars and using secret agent gadgets. Women see three best friends who are strong, powerful, multi-talented and intelligent.

There is no end to the amount of talent these girls possess. They can ride or drive just about any vehicle ever created, they are fluent in many languages, they are more limber than most house cats, they are fearless and they work great under pressure.

Bernie Mac is a welcome addition to the team. He can be funny just by breathing - and he has a few scenes where he is able to showcase his talent.

The hype over Demi Moore's appearance in the film isn't very over-rated. She must do Pilates 2 hours a day, every day of her life... she really looks like she was chiseled out of marble. There has been some criticism about her acting, which I think is unfounded. The whole story is very tongue-in-cheek... at no time are you really worried that someone is going to die and at no time is the viewer overly moved by even the tender scenes. Demi Moore's character wasn't fully developed enough for her to really build on. You learn that she is a loner and a troubled soul, but you are never told what exactly made her that way.

The strength of this movie is in the non-stop action and the humor and friendship of the 3 angels. The rest of the movie is just fluff. It is obvious that Lucy, Drew and Cameron really are close friends - there is no way to fake that type of rapport. Theater goers should stay through the entire credits to the end to see out-takes and funny moments experienced by the actors.

After the action is over and the lights come on, you begin to realize what a stupid premise the entire film revolves around. The situation that begins at the beginning of the film and is (of course) resolved in the end, is just ridiculous - but does anyone go to see a Charlie's Angels movie expecting great intellectual stimulation?

Fast cars, explosions, motorcycles, acrobatics and major butt-kicking abound in this film - the opening action scene is like no other action scene anyone has ever seen - perposterous, but inventive enought to make you think, "wow!"

In our troubled world, we all need a little escape once in a while and despite the violence (gun play, butt kicking, etc.), a viewer really can escape while watching this film. It's highly enjoyable, but probably not a film most would want to see over and over again.


Charlie's Angels - Full Throttle
Released in VHS Tape by Columbia Tristar Hom (21 October, 2003)
MPAA Rating: PG-13 (Parental Guidance Suggested)
Director: McG
Starring: Cameron Diaz, Drew Barrymore, and Lucy Liu
Charlie's Angels: Full Throttle is a big, fun, bubble-brained mess of a movie, and that's exactly as it should be. Its popular 2000 predecessor got the formula right: gorgeous babes, throwaway plots, and as many current pop-cultural trends as you could stuff into a candy-coated dollop of Hollywood mayhem. This sequel goes one "better": The plot's even more disposable (if that's possible), the babes, cars, and fashions even more outlandish, and the stuntwork (heavily digital, heavily absurd) reaches astonishing heights of cartoon silliness. Reprising their titular (and shamelessly titillating) roles, Cameron Diaz, Drew Barrymore, and Lucy Liu are having the time of their lives, especially when sparring with ultra-buff rogue angel Demi Moore (looking better at 40 than most women half her age) and Justin Theroux as a sleazy Irish mobster. Bernie Mac replaces Bill Murray as angel-sidekick Bosley (they're step-brothers, don'cha know), which is one more indication of McG's intentionally reckless stewardship of an intentionally reckless franchise. Our advice: sit back, relax, and get jiggly with it. --Jeff Shannon
Average review score:

Ick. An Absolute Hollywood Blunder
......My girlfriend took me to see this when it first came out. Yeah I was excited because the previews for Full Throttle definately displayed the fact that there was going to be plenty of scantily clad, beautiful women. However, the actual movie goes to show that the creators of the film clearly believe that men are just pathetic, sex-crazed puppy dogs who will pay ten buck to watch a couple hours of cleavage and flat stomachs dance around while over-used 80's pop plays in the backround. Where the hell was the plot? Don't think that guys will be entertained just because there is a cute girl in every scene. Please, Drew, don't ever insult my intelligence like that again. Believe it or not, we do have class.

Run For Your Life!
Along with Lara Croft: Tombraider 2, this is the worst sequel I've ever seen. Luckily I bought the DVD used or I would really be upset. As a chick I am all for chicks kicking men's butts in films, but Full Throttle was insulting to women, blacks and anyone with sense.

I would love to explain the plot, but it was so overshadowed it didn't seem to matter. The action sequences were lame, boring and predictable. They did the same flips, turns and giggles they did in the first film. The only difference was that that film had a decent plot and was entertaining. Full Throttle is a full disappointment to the T. It was obvious that the directors and writers ran out of anything original. They relied on half-naked women, a desperate Demi Moore and an ignorant black character played by Bernie Mac who wasn't shown but a few times in the film.

Unless you're a teenage boy with raging hormones, don't waste your time with this. Fans of the first one will be terribly dissapointed in this mess of a sequel. The filmmakers should have quit while they were ahead. I just hope there is not going to be another one. Full Throttle sort of bombed at the box office ( proving that you need more than trashy-dressed women to make a bad movie work ). Hopefully the bombing will keep them from making a third sequel. We can only pray! This film is just plain insulting to women and was obviously made for a cheap buck. I feel sorry for all the actors because they deserved a better film follow-up to the 2000 hit. I mostly feel sorry for Demi Moore. This horrid film was supposed to be her comeback role. Well, she didn't quite make it.

Non-stop action and a lot of laughs
As with many films of this genre, the viewer is forced to dispense with some sense of reality to really get into the film... this movie ups the ante by having the angels perform stunts that defy the laws of physics and common sense. The sequences are so clever and well choreographed, however, you just find yourself with a smile on your face as your jaw drops just a little - followed by a chuckle as you realize how impossible such a scenario would be.

If the angels were pitched against James Bond, 007 would be beaten - badly. These girls kick butt. The film has a lot to offer - men see sexy women wearing revealing clothes, while driving incredible cars and using secret agent gadgets. Women see three best friends who are strong, powerful, multi-talented and intelligent.

There is no end to the amount of talent these girls possess. They can ride or drive just about any vehicle ever created, they are fluent in many languages, they are more limber than most house cats, they are fearless and they work great under pressure.

Bernie Mac is a welcome addition to the team. He can be funny just by breathing - and he has a few scenes where he is able to showcase his talent.

The hype over Demi Moore's appearance in the film isn't very over-rated. She must do Pilates 2 hours a day, every day of her life... she really looks like she was chiseled out of marble. There has been some criticism about her acting, which I think is unfounded. The whole story is very tongue-in-cheek... at no time are you really worried that someone is going to die and at no time is the viewer overly moved by even the tender scenes. Demi Moore's character wasn't fully developed enough for her to really build on. You learn that she is a loner and a troubled soul, but you are never told what exactly made her that way.

The strength of this movie is in the non-stop action and the humor and friendship of the 3 angels. The rest of the movie is just fluff. It is obvious that Lucy, Drew and Cameron really are close friends - there is no way to fake that type of rapport. Theater goers should stay through the entire credits to the end to see out-takes and funny moments experienced by the actors.

After the action is over and the lights come on, you begin to realize what a stupid premise the entire film revolves around. The situation that begins at the beginning of the film and is (of course) resolved in the end, is just ridiculous - but does anyone go to see a Charlie's Angels movie expecting great intellectual stimulation?

Fast cars, explosions, motorcycles, acrobatics and major butt-kicking abound in this film - the opening action scene is like no other action scene anyone has ever seen - perposterous, but inventive enought to make you think, "wow!"

In our troubled world, we all need a little escape once in a while and despite the violence (gun play, butt kicking, etc.), a viewer really can escape while watching this film. It's highly enjoyable, but probably not a film most would want to see over and over again.


Charlie's Angels - Full Throttle (Unrated Edition)
Released in VHS Tape by Columbia Tristar Hom (21 October, 2003)
MPAA Rating: PG-13 (Parental Guidance Suggested)
Director: McG
Starring: Cameron Diaz, Drew Barrymore, and Lucy Liu
Charlie's Angels: Full Throttle is a big, fun, bubble-brained mess of a movie, and that's exactly as it should be. Its popular 2000 predecessor got the formula right: gorgeous babes, throwaway plots, and as many current pop-cultural trends as you could stuff into a candy-coated dollop of Hollywood mayhem. This sequel goes one "better": The plot's even more disposable (if that's possible), the babes, cars, and fashions even more outlandish, and the stuntwork (heavily digital, heavily absurd) reaches astonishing heights of cartoon silliness. Reprising their titular (and shamelessly titillating) roles, Cameron Diaz, Drew Barrymore, and Lucy Liu are having the time of their lives, especially when sparring with ultra-buff rogue angel Demi Moore (looking better at 40 than most women half her age) and Justin Theroux as a sleazy Irish mobster. Bernie Mac replaces Bill Murray as angel-sidekick Bosley (they're step-brothers, don'cha know), which is one more indication of McG's intentionally reckless stewardship of an intentionally reckless franchise. Our advice: sit back, relax, and get jiggly with it. --Jeff Shannon
Average review score:

Ick. An Absolute Hollywood Blunder
......My girlfriend took me to see this when it first came out. Yeah I was excited because the previews for Full Throttle definately displayed the fact that there was going to be plenty of scantily clad, beautiful women. However, the actual movie goes to show that the creators of the film clearly believe that men are just pathetic, sex-crazed puppy dogs who will pay ten buck to watch a couple hours of cleavage and flat stomachs dance around while over-used 80's pop plays in the backround. Where the hell was the plot? Don't think that guys will be entertained just because there is a cute girl in every scene. Please, Drew, don't ever insult my intelligence like that again. Believe it or not, we do have class.

Run For Your Life!
Along with Lara Croft: Tombraider 2, this is the worst sequel I've ever seen. Luckily I bought the DVD used or I would really be upset. As a chick I am all for chicks kicking men's butts in films, but Full Throttle was insulting to women, blacks and anyone with sense.

I would love to explain the plot, but it was so overshadowed it didn't seem to matter. The action sequences were lame, boring and predictable. They did the same flips, turns and giggles they did in the first film. The only difference was that that film had a decent plot and was entertaining. Full Throttle is a full disappointment to the T. It was obvious that the directors and writers ran out of anything original. They relied on half-naked women, a desperate Demi Moore and an ignorant black character played by Bernie Mac who wasn't shown but a few times in the film.

Unless you're a teenage boy with raging hormones, don't waste your time with this. Fans of the first one will be terribly dissapointed in this mess of a sequel. The filmmakers should have quit while they were ahead. I just hope there is not going to be another one. Full Throttle sort of bombed at the box office ( proving that you need more than trashy-dressed women to make a bad movie work ). Hopefully the bombing will keep them from making a third sequel. We can only pray! This film is just plain insulting to women and was obviously made for a cheap buck. I feel sorry for all the actors because they deserved a better film follow-up to the 2000 hit. I mostly feel sorry for Demi Moore. This horrid film was supposed to be her comeback role. Well, she didn't quite make it.

Non-stop action and a lot of laughs
As with many films of this genre, the viewer is forced to dispense with some sense of reality to really get into the film... this movie ups the ante by having the angels perform stunts that defy the laws of physics and common sense. The sequences are so clever and well choreographed, however, you just find yourself with a smile on your face as your jaw drops just a little - followed by a chuckle as you realize how impossible such a scenario would be.

If the angels were pitched against James Bond, 007 would be beaten - badly. These girls kick butt. The film has a lot to offer - men see sexy women wearing revealing clothes, while driving incredible cars and using secret agent gadgets. Women see three best friends who are strong, powerful, multi-talented and intelligent.

There is no end to the amount of talent these girls possess. They can ride or drive just about any vehicle ever created, they are fluent in many languages, they are more limber than most house cats, they are fearless and they work great under pressure.

Bernie Mac is a welcome addition to the team. He can be funny just by breathing - and he has a few scenes where he is able to showcase his talent.

The hype over Demi Moore's appearance in the film isn't very over-rated. She must do Pilates 2 hours a day, every day of her life... she really looks like she was chiseled out of marble. There has been some criticism about her acting, which I think is unfounded. The whole story is very tongue-in-cheek... at no time are you really worried that someone is going to die and at no time is the viewer overly moved by even the tender scenes. Demi Moore's character wasn't fully developed enough for her to really build on. You learn that she is a loner and a troubled soul, but you are never told what exactly made her that way.

The strength of this movie is in the non-stop action and the humor and friendship of the 3 angels. The rest of the movie is just fluff. It is obvious that Lucy, Drew and Cameron really are close friends - there is no way to fake that type of rapport. Theater goers should stay through the entire credits to the end to see out-takes and funny moments experienced by the actors.

After the action is over and the lights come on, you begin to realize what a stupid premise the entire film revolves around. The situation that begins at the beginning of the film and is (of course) resolved in the end, is just ridiculous - but does anyone go to see a Charlie's Angels movie expecting great intellectual stimulation?

Fast cars, explosions, motorcycles, acrobatics and major butt-kicking abound in this film - the opening action scene is like no other action scene anyone has ever seen - perposterous, but inventive enought to make you think, "wow!"

In our troubled world, we all need a little escape once in a while and despite the violence (gun play, butt kicking, etc.), a viewer really can escape while watching this film. It's highly enjoyable, but probably not a film most would want to see over and over again.


Related Subjects: Bridget-Fonda
More Pages: Cameron-Diaz Page 1 2 3 4 5 6