Courtney-Love Movie Reviews


A porn mogul made to look like an angel.
EXCELLENT FLICK
Wow!

Political bias, certainly. Yet it's still a good movie.Clearly, Falwell would never have enganged in such behavior. The U.S. Supreme Court said that Flyntt could publish such material because no one would believe that Falwell would do that, and thus, he received no harm.
The irony is that the movie, while called The People v. Larry Flyntt, is simply not true, because the dispute between Falwell and Flyntt was a civil, not criminal, issue. Now Flyntt has been subject to obscenity prosecutions, too, but that is not the subject of this movie. Overall, the movie is well done and and quite entertaining, too.
Michael Gordon
Los Angeles
Thoroughly EnGROSSing, must see!
A thoroughly enGROSSing Film.

Great 80's teen comedyThe DVD was hugely disappointing, and my 4 stars are based on the movie itself. Unless you consider chapter stops a special feature, the disc is devoid of any extras. The greatest offense is that it's presented only in fullscreen. I'd normally pass on a non-widescreen release, but my wife insisted on having it. If you have to have this movie, this is probably the best release it will see for quite some time.
It's not having what you want; it's wanting what you've gotAnother movie attacking class structure and cliques, but, hey, if it weren't the sad state of affairs, would we flock to see this stuff? No. So, if the shoe fits...
See the movie again. Worth it the second time around.
You Can't Buy Love, But You Can Buy This MovieEnter Ronald. After seeing her desperate attempt to replace the dress at the mall, Ronald makes a deal with Amanda. He'll use the money that he has earned all summer by mowing lawns to buy a new dress, in return for Amanda's help in turning him to Mr. popularity.
Along the way, Ronnie learns lessons about the true value of having real friends, and towards the end of the movie Ronald discovers that he is still himself.
This film, which is no longer produced by Touchstone Video (a division of the Disney Corporation) features many couple of stars before they hit it big. Gerardo, the Latin-singing star who scored a one-hit wonder with "Rico Suave," plays one of the football jocks in the film. However, the real scene-stealer in this film is Seth Green ("Austin Powers"; "Buffy the Vampire Slayer" "Can't Hardly Wait") who plays Ronald's annoying, yet hysterical little brother, Chuckie. By taking a look at Seth in this past role you can understand why he is such a big star today. He is always a trip when it comes to comedic performances.
I loved this film for many reasons, but I think the most memorable scene in this film probably has to be Ronald learning an African dance he saw on television (he thought he was watching "American Bandstand"). After learning it, Ronald performs it at the big dance, not knowing that it would become a huge hit.
This film ranks among the 10 best teenage comedies produced in the 1980's. Let's only hope that it will be re-released on video and DVD in the near future.


This movie blows
Depressing, provocative, mesmerizing.The movie follows the fateful punk rocker from the beginnings of the Sex Pistols, through his lack luster solo career, and to the eventual deaths of both Nancy Spungen, and himself. Throughout, the bizarre, and self-destructive relationship threatens to rip the whole story apart. Webb does an awesome job playing Nancy Spungen, and is at times so bloody annoying you wouldn't mind stabbing her to death in some seedy hotel room in NYC either.
This movie is quite draining though, as it's long, and as I've said, depressing. But the writing, directing, and acting are all superb. For all of you out there who want to know more of the story, you should check out a book called "And I don't want to live this life." It was written by Deborah Spungen (Nancy Spungens mom), and it chronicles Nancy's' turbulent life from beginning to end. A good read.
The chemistry between Sid and Nancy--captured on film.The film focuses on the relationship between Sid and Nancy, and Sid's life as a Sex Pistol serves as a backdrop. For example, the infamous Thames trip and the debacle of the American tour are included here. Fans will also recognize scenes from the documentary "The Filth and the Fury" as well as the film "The Great Rock and Roll Swindle." Malcolm McLaren is shown enjoying the antics of the Pistols with almost malicious delight, and his attempts to control the mayhem prove futile as the band moves towards inevitable entropy. As the band falls apart, so do Sid and Nancy, and the film follows the steady, glorious disintegration of Sid and Nancy as their drug use spirals out of control.
There are several 'versions' of some of the events that took place within both Sex Pistols and also in Sid's life with Nancy. This film is an attempt to portray the events, and Cox uses touches of surrealism at crucial moments. Visually, the film is stunning--not beautiful--but a record of disintegration and physical and mental decay. My favourite film scene EVER is the scene in which Sid and Nancy kiss as rubbish falls around them in slow motion. Perhaps Sid and Nancy were the original co-dependents, but they really did seem to have a bond that went beyond drugs.
Gary Oldman has proved himself to be a fine character actor, and in "Sid and Nancy" he plays Sid with all the sides to his character that we are told Sid possessed. Sid, according to some was a brutal menace, but to others, he was tender and vunerable. Oldman, under Cox's direction gives us all the facets of Sid's personality--including manic surges of energy and depleted zombie behaviour following drug binges. Chloe Webb as Nancy Spungen is great as the troubled, pleading, empty soul who latches onto Sid and won't let go. The film also has a terrific soundtrack, "Love Kills." "Sid and Nancy" is on my top ten film list, and it remains my favourite non-foreign film. For further reading, I can recommend "And I Don't Want to Live This Life," by Nancy's mother, Deborah Spungen, and "Sid Vicious"--a truly inspired biography by Malcolm Butt--displacedhuman


Bow - A Celluloid TreasureNarrated beautifully by Courtney Love, with insights from Clara's friends,and family, we get a good look at what made her the superstar of the silents and early talkies that she was and still is to this day.
It takes us on a journey from her early childhood, growing up in a dysfunctional family, through her earliest film work, in which the directors found her extraordinarily talented, her rise to super stardom and having what it took to become the "It" girl(that shocked, yet endeared her to her audiences), to her eventual decline, beginning with the arrival of the "talkies".
Although remembered primarily as the first big sex symbol to grace the screen, she was much more than that and overcame terrific odds to bring us the gifts she left us with.One of those wonderful silent films, "Wings" became the first film in history to win the Academy Award for Best Picture.
Although there are many film clips and fond rememberances discussed by people who were closest to her, and the documentary is captivating and informative, it just wasn't enough. It ran close to an hour, but if you are a big fan of Bow's you will want more! More clips and maybe more facts from some film historians would have been nice.(Leonard Maltin does contribute some, but not enough).
It's definatly worth the view for any Bow fan or film buff. She's one of the reasons I love movies so much, and this Bio made me want to watch everything she ever made!
Enjoy......Laurie
Sparkling Image Masks Tragic Life
Still has "IT"

Jeffrey Wright is Basquiat
a glimpse into the artworld of the 80's
odds & ends & the beginning of the end...
The story of Kaufman's quick rise to fame through early appearances on Saturday Night Live and the conceptual stunts that made his club and concert appearances an instant legend in the irony-fueled 1970s and early '80s, Man on the Moon never makes the mistake of artificially delineating Comic Andy from Private Andy. True, we get to see something of his private interest in meditation and some of the flakier extremes of alternative medicine, but even these interludes suggest the presence of an ultimate con behind apparent miracles of transformation.
Screenwriters Scott Alexander and Larry Karaszewski (The People vs. Larry Flynt) allege that transformation was Kaufman's purpose--more than a shtick but less than a destiny. As we see him constantly up the ante on the credibility of his performance personae (the obnoxious nightclub comic Tony Clifton; the insulting, misogynistic professional wrestler), Forman makes it harder and harder to detect Kaufman's sleight of hand. But it's there, always there, always the transcendent Andy watching the havoc he creates and the emotions he stirs.
Carrey is magnificent as Kaufman, re-creating uncannily detailed comedy pieces etched in the memory of anyone who remembers the real Andy. But while Carrey's mimicry of Kaufman is flawless and funny, the actor probes much deeper into an enigmatic character who, in life, was often a moving target even for those closest to him. --Tom Keogh

4 stars just for the extras & Jim's Elvis Impersonation!I've known the "Man On The Moon" song by R.E.M. for quite a while, and always wondered about the 'Andy Kaufman' mentioned in it. I'd never heard of the film, or Andy Kaufman, up until I saw a couple of clips from it, and then watched it at home. The film as a whole, was good, and I enjoyed Jim Carrey as he is a great actor. I didn't get much of Andy Kaufman's humour. I found Tony Clifton quite amusing, when he was singing, but it did get VERY confusing. Andy Kaufman was Tony Clifton and Tony Clifton was Andy Kaufman - maybe! I suppose everyone has their own alter ego, but these two go beyond the confines of that! My dad worked out who was playing Tony Clifton when the two of them were on stage, before I did, and that's what I thought at the end . . . But the last shot ruined that thought!
I found the film very slow to begin with, and some of the various characters weren't introduced very well, including his parents and Bob. My favourite bits in the film were: Andy Kaufman playing his bongos to the audience, and getting them to sing along; Andy Kaufman's Elvis impersonation (how HOT did he look?); and the very start of the film was hilarious. It must have been a projectionist's nightmare at the cinema!
The ending was very sad, and Jim Carrey looked very strange lying in the coffin. And then it goes on a bit, and you see something that makes you think about the whole film. Believe me, it's a film you will remember, whether you liked it or hated it. The feeling you get will stay with you. Was it Andy Kaufman's final prank? None of his friends believed him when he said he was dying, and everyone believed it was just another one of his tricks. But it's impossible that he can come back 19 years after his death. What happened, happened. And he died well before his time. His humour probably wasn't appreciated in his time, but it may or may not be appreciated now. He's like Elvis in a way . . . went before his time.
If you're not old enough to remember the TV series, "Taxi" (1978-83), then you may not know who Andy Kaufman was. Some of the original cast of "Taxi" appeared in Man On The Moon, including Christopher Lloyd.
The extras were quite interesting on the DVD. I found the deleted scenes not very helpful - sometimes they can add an extra insight to the film - and I thought one particular deleted scene should have stayed in. Warning: if you watch the film, and then watch the very first extra (Spotlight On Location: The Making Of Man On The Moon) straight away, you end up even MORE confused! I was also glad to see some of Andy Kaufman's original performances featured, although I couldn't find them to start with! It was shocking how Jim Carrey managed to become so similar looking to Andy - although the hair was a little OTT at times. I was glad to see the R.E.M. videos featured too, obviously, "Man On The Moon", and "The Great Beyond", as they are two great songs. Both had original concepts for videos, which is very unusual to see these days.
All in all, it's not a film I would necessarily watch again. But I will definitely remember it.
A Good Movie About a Troubled Star"You'd say I'm putting you on/But it's no joke, it's doing me harm/you know I can't sleep/I can't stop my brain/...you know I'd give you everything I've got for a little piece of mind."
Great Movie Does Great Justice to Kaufman!
The story of Kaufman's quick rise to fame through early appearances on Saturday Night Live and the conceptual stunts that made his club and concert appearances an instant legend in the irony-fueled 1970s and early '80s, Man on the Moon never makes the mistake of artificially delineating Comic Andy from Private Andy. True, we get to see something of his private interest in meditation and some of the flakier extremes of alternative medicine, but even these interludes suggest the presence of an ultimate con behind apparent miracles of transformation.
Screenwriters Scott Alexander and Larry Karaszewski (The People vs. Larry Flynt) allege that transformation was Kaufman's purpose--more than a shtick but less than a destiny. As we see him constantly up the ante on the credibility of his performance personae (the obnoxious nightclub comic Tony Clifton; the insulting, misogynistic professional wrestler), Forman makes it harder and harder to detect Kaufman's sleight of hand. But it's there, always there, always the transcendent Andy watching the havoc he creates and the emotions he stirs.
Carrey is magnificent as Kaufman, re-creating uncannily detailed comedy pieces etched in the memory of anyone who remembers the real Andy. But while Carrey's mimicry of Kaufman is flawless and funny, the actor probes much deeper into an enigmatic character who, in life, was often a moving target even for those closest to him. --Tom Keogh

4 stars just for the extras & Jim's Elvis Impersonation!I've known the "Man On The Moon" song by R.E.M. for quite a while, and always wondered about the 'Andy Kaufman' mentioned in it. I'd never heard of the film, or Andy Kaufman, up until I saw a couple of clips from it, and then watched it at home. The film as a whole, was good, and I enjoyed Jim Carrey as he is a great actor. I didn't get much of Andy Kaufman's humour. I found Tony Clifton quite amusing, when he was singing, but it did get VERY confusing. Andy Kaufman was Tony Clifton and Tony Clifton was Andy Kaufman - maybe! I suppose everyone has their own alter ego, but these two go beyond the confines of that! My dad worked out who was playing Tony Clifton when the two of them were on stage, before I did, and that's what I thought at the end . . . But the last shot ruined that thought!
I found the film very slow to begin with, and some of the various characters weren't introduced very well, including his parents and Bob. My favourite bits in the film were: Andy Kaufman playing his bongos to the audience, and getting them to sing along; Andy Kaufman's Elvis impersonation (how HOT did he look?); and the very start of the film was hilarious. It must have been a projectionist's nightmare at the cinema!
The ending was very sad, and Jim Carrey looked very strange lying in the coffin. And then it goes on a bit, and you see something that makes you think about the whole film. Believe me, it's a film you will remember, whether you liked it or hated it. The feeling you get will stay with you. Was it Andy Kaufman's final prank? None of his friends believed him when he said he was dying, and everyone believed it was just another one of his tricks. But it's impossible that he can come back 19 years after his death. What happened, happened. And he died well before his time. His humour probably wasn't appreciated in his time, but it may or may not be appreciated now. He's like Elvis in a way . . . went before his time.
If you're not old enough to remember the TV series, "Taxi" (1978-83), then you may not know who Andy Kaufman was. Some of the original cast of "Taxi" appeared in Man On The Moon, including Christopher Lloyd.
The extras were quite interesting on the DVD. I found the deleted scenes not very helpful - sometimes they can add an extra insight to the film - and I thought one particular deleted scene should have stayed in. Warning: if you watch the film, and then watch the very first extra (Spotlight On Location: The Making Of Man On The Moon) straight away, you end up even MORE confused! I was also glad to see some of Andy Kaufman's original performances featured, although I couldn't find them to start with! It was shocking how Jim Carrey managed to become so similar looking to Andy - although the hair was a little OTT at times. I was glad to see the R.E.M. videos featured too, obviously, "Man On The Moon", and "The Great Beyond", as they are two great songs. Both had original concepts for videos, which is very unusual to see these days.
All in all, it's not a film I would necessarily watch again. But I will definitely remember it.
A Good Movie About a Troubled Star"You'd say I'm putting you on/But it's no joke, it's doing me harm/you know I can't sleep/I can't stop my brain/...you know I'd give you everything I've got for a little piece of mind."
Great Movie Does Great Justice to Kaufman!

Full of hope
Success of The Million Mom March
Moving emotional experience watching this videoI've shown the video to several friends who were also moved.


Worth a look, but expect bias against Courtney Love
i liked it, but im biased...like i said i liked it but, i also hate courtney love.
Fascinating characters...the truth is stranger than fictionAfter watching this documentary I still believe that Kurt committed suicide, but I do think it is possible that there may have been some people plotting his death, and he just beat them to it. May he rest in peace.