David-Keith Movie Reviews


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VHS movie reviews for "David-Keith" sorted by average review score:

Todd McFarlane's Spawn 3 - The Ultimate Battle (Animated Series)
Released in VHS Tape by Hbo Studios (21 August, 2001)
MPAA Rating: Unrated
The third chapter of this compelling HBO miniseries answers a number of questions: namely, who is the omnipotent old man who hides in the shadows and why is the mysterious Asian reporter (Jade) investigating the alley murders? Spawn has reached a crossroads, and he must choose between the forces of darkness and light. But it's not clear-cut: Al (Spawn) must deliberate over the seemingly minor differences that separate heaven and hell in his world. As a former assassin for the NSA, he "opened the eyes of hell" with his iniquitous deeds of depravity, therefore his journey to hell was preordained. But this particular section of the series intriguingly asks, What if you had no choice, and killing was not just the only way out of a squeeze but was also your fate? Intellectual stuff indeed. But as with the rest of the series, a profound metaphysical puzzle is bought to the fore without justifying it with an answer. Spawn can be frustrating in this way--just when you think you have it all figured out, the creators throw a mysterious curve ball that brings you back to square one. This doesn't take anything away from the overall enjoyment of the story--in fact it enhances it, for it keeps you firmly planted in your chair, pondering conundrum after conundrum. Once again, Keith David lends his haunting baritone vocalizations to the supernatural, tortured voice of Spawn. --Jeremy Storey
Average review score:

Great series, worst menu ever
This third season of the animated Spawn is more of the good stuff - its dark, compelling and interesting. The ending has obviously got a 4th season in mind, which is not going to happen as far as I know. I highly recommend all three seasons of Spawn.

Do be aware that the menu for this disc is the worst design ever in the history of ever. On my player (a PS II):
a) it defaults to the commentary, not the normal sound for the film. Fix this by scrolling through to "Languages", but note you have to do this every time you put the disc in the player.
b) the menu starts at "Play movie" and an arrow. Use the arrow to move to the next menu option. You then have to wait for the music to play, stop and then start again. Once its done that you can access that option or scroll through further.

Immense pain, terrible design. BUT its Spawn and its excellent content, so love the disc, hate the menu.

Extremely Dark Third Season
The movie was one of the worst I had seen in my life. I did not have high hope for the animated series but I was very much surprised. The dialogue and, bizzarly enough, the acting are a hundred times as good as the film and the plot and characters are also much more intriguing.

This is the third season of Spawn and it just seems to be getting darker and darker. But the one thing I can be sure of from this is that it's going to have one hell of a send-off when the entire story finally climaxes.

I'd start watching this if I were you. But be prepared. The violence is quite graphic and the overall tone of the stories ranges from kiddie fiddlers to satanic demons. Needless to say, it's not a cartoon for kids. It's an animated series for adults.

The DVD is in full screen format, as originally drawn and is in Dolby 2.0 surround.

Excellent, but probabely not for hardcore christians.
To me, this video was made to make up for that ridiculous live-action movie. What makes the whole series so tight is that it gets better and better as it progresses. It is definately one of the most realistic horror, animated videos I've ever seen. I mean the characters act like real people and I alsolike the background music because it goes real well with the rest of the video. I remember a comment that Todd McFarlane made. It was that he'd rather have no cartoon at all than have one of those Saturday morning cartoons which are stereotypically made for children. I understand exactly howhe felt. I loved the X-Men but I hated when a character like Wolverine couldn't even use his claws to the fullest effect because it was a children's show. The only thing I don't really like about "Spawn" is that they made it as if the war between Heaven and Hell was merely a myth and to make it worse they made it where God would actually recruit that fiendish vampire-girl to destroy the Hell-Spawn(Like God's that desperate). I know I'm not a saint but, man, that seems a little bit too far. Overall, this is an excellent video and I can't wait for the fourth video of the series. Any comic book fan would definately have to like this. (In my opinion "Spawn" is not for kids because it has content for mature audiance AND I think it would be too boring to them anyway)


Brubaker
Released in VHS Tape by Twentieth Century Fox (03 June, 2003)
MPAA Rating: R (Restricted)
Director: Stuart Rosenberg
Starring: Robert Redford, Yaphet Kotto, and Morgan Freeman
Through solid dramatic impact and global exposure on cable TV, Brubaker gradually joined the ranks of all-time best prison movies. While preparing to direct Ordinary People, Robert Redford brought his considerable star power to bear on his title role as a prison reform warden, in an unnamed Southern state, who poses as an inmate to expose corruption, violence, and administrative abuse in Wakefield, a prison farm where trustee inmates are armed and encouraged to shoot at would-be escapees. Originally developed for director Bob Rafelson and ultimately filmed by Stuart Rosenberg, this rugged exercise in social commentary has undeniable power, even if some its characters--including Redford's--seem more like stick-figure ethicists than real human beings. It's also got a dynamite supporting cast including Yaphet Kotto, Jane Alexander, and Morgan Freeman in one of his earliest films. Bolstered by his Oscar-winning directorial debut, Redford didn't star in another film until The Natural ended his four-year hiatus. --Jeff Shannon
Average review score:

Dark but incomplete tome on corrections reform
Robert Redford is Brubaker, an honest expert in corrections sent to clean up a trouble-plagued penitentiary. Sent to Wakefield Brubaker enters undercover, living his first few days as a prisoner. We learn that for its brutality, Wakefield was conceived along the lines of a noble experiment - one that gave the prisoners unusual autonomy, and was intended to actually correct those imprisoned there. Instead, the experiment has carved a super-class of prisoners who rule over the rest of the prisoners as Trustees. Unafraid to use force, they skim off books while stealing supplies already paid for. Brubaker, once revealed as the new warden, slowly but surely turns the system upside down - he can't move too quickly because those prisoners or administrators who are most guilty are also the only ones who can tell him what's wrong. Eventually discarding the old guard, Brubaker soon learns that Wakefield has an even darker secret, one whose discovery threatens the Wakefield's future.

This was a good movie, although it's hard to understand the first time around. The sophisticated system of prisoner autonomy is somewhat hard to believe unless you've already seen the movie before. The setting is interesting - a dessicated prison, complete with an antique electric chair (which emerges from the shadows like the monster from "Alien" - quite yet terrifying). That said, the movie has no surprises (comparisons to "Last Castle" are incorrect). Brubaker is an utterly honest and incorruptible soul. Once we see how he uncovers grafters among the prison administration and trustees, there's little more for him to do. We know that outside businessmen will be corrupt croneys and that even well meaning corrections bureaucrats will try to rein Brubaker in for the good of the system. The movie blows what should be its focus - having Brubaker connect with the prisoners - something he does too easily, too much so considering that his first speech reminds them that they are prisoners and that they are there for a reason. There also aren't enough really supportive roles - as if Yaphet Kotto was the only reliable prisoner. Still worth a look.

Not your average prison movie....
Brubaker is based on a true story and tells of the events of one man's attempts to reform a prison system mired in corruption, brutality, and a lack of order to any general degree.

Henry Brubaker, as stated in the movie, gained his past experience in corrections working in military prison systems. Brubaker hatches the ingenious plan to insert himself into the prison population at Wakefield Penitentiary as an inmate to experience first hand all the problems inside the facility. What he uncovers is nothing less than barbaric punishment methods, no structured management of inmates, lack of medical care, and the penitentiary itself in advance stages of disrepair.

Henry Brubaker, after revealing his status as the new warden and assuming his duties, goes on to discover that there are no state hired corrections officers on the staff. Inmate trustees, armed with weapons, are given the responsibility of manning watch towers, supervising work crews, and keeping the peace inside of the prison. Furthermore, prisoners are farmed out to local businessmen in the community for work with no pay which amounts to slave labor.

Upon deeper investigation into all the activities in and around the prison, Brubaker discovers other illegal activities including theft of prison food supplies and equipment, inmates being charged fees for almost non-existent medical care, and the revelation that there are prisoners buried on the prison property that were the victims of murder by fellow inmates.

Brubaker confronts the state prison board with these problems only to find out that the prison board is not only aware of these incidents, they think the system should reamin unchanged because it has always been this way and should remain so. You can sense their unhappiness with Brubaker as the new warden who wants to come in and upset their system rather than tow the line.

Henry Brubaker is portrayed as a man of honesty, integrity, and professionalism and in defying the prison board's message to leave well enough alone, he launches his own campaign to reform the prison and correct the wrongs he has inherited as the new warden. Unfortunately, with the power of the prison board and the governor of the state against him, he is eventually removed as the warden and fired.

In the final outcome, many inmates saw the necessity of the changes attempted by Brubaker and were dismayed at seeing him removed and the new warden not making proper progress to reform the prison. This prompted many inmates to file lawsuits against the state for inhumane prison conditions resulting in the governor not being re-elected the following year.

This movie is a fine drama with a very good plot, great acting, and poignant conclusion. I highly recommend this movie to everyone.

A+!! One of Robert Redford's best films.
This ranks right up there with ... as one of the great "hero with integrity goes up against the corrupt system" movies of all time.

I used to teach American Government and would show this and Redford's ... Two of the best political films of all time.

This movie brings up many important and insightful issues involving prison reform/management.


Todd McFarlane's Spawn (Animated Series)
Released in VHS Tape by Hbo Studios (21 August, 2001)
MPAA Rating: PG-13 (Parental Guidance Suggested)
Directors: Frank Paur, Eric Radomski, Mike Vosburg, Thomas A. Nelson, and Jennifer Yuh
Starring: Keith David and Richard A. Dysart
Adult, stylish, and more than a little mean, this full-length animated tale has one very strong thing going for it--it knows how to milk cool. The animation is superior to anything recently devoted to a superhero...or super antihero, in this case. Al Simmons was a government assassin before he was burned to death and sent to hell (plot summary's starting out nicely, isn't it?). After making a particularly bad deal with the devil--to lead Satan's dark armies in exchange for seeing his wife again--Spawn is let loose upon the world. He immediately whacks three mob hit men, making his presence known and getting himself into all sorts of trouble. Spawn is also visited by the Clown, an obese, disgusting Beatrice, guiding our third-degree-burned Dante through this hellish, topside world. There are other nasty characters, but in this first segment a very gratuitous inclusion of a child murderer goes too far for even this mature fare. Spawn isn't fun; there's very little joy in any of this. But the point isn't fun--it's brutal, adult-comic style. And there's plenty of it. --Keith Simanton
Average review score:

This "Commando" isn't Arnold!
"Todd McFarlane's Spawn" appears to be a cartoon remake of the 1985 film "Commando" starring Arnold Schwarzenegger. Al, a former Special Forces operative, awakens to find himself a dead, hell-spawned warrior. Al battles evil foes (including some Special Forces operatives) and rescues his former wife's daughter. Take Arnold Schwarzenegger's "Commando", add hellfire and brimstone, and you have "Todd McFarlane's Spawn".

"Todd McFarlane's Spawn" is entertaining (some of the chain tricks *are* used during real life oil drilling), but I prefer Arnold Schwarzenegger's "Commando" (which features Arnold at his peak and young teen Alyssa Milano as Arnold's kidnapped daughter).

A great transition from the comic book to the screen
Ive been a big fan of the spawn comic book since the very first issue. Living in England its not so easy to get hold of the books, or this animated series. The unrated version is fantastic, a really good move from the book to the screen, all the darkness as been brought to us in this dvd. The extra features such as the extra audio track that runs along with the show by Todd is great, lots of interesting stuff here. I really recomend this dvd to all spawn fans especially all of us in england who dont want to pay a fortune for the vhs tapes of it. I cant wait for season 2. END

Better Than Better
"Todd McFarlane's Spawn" really is Todd McFarlane's Spawn unlike the movie "Spawn" which probably is an insult to the character of Spawn (I feel bad for Todd). This movie (cartoon) is a perfect portrayal of the comic book series Spawn. It contains the style, the mood, maybe not the same appearances of characters (mostly Cogliastro) but still it is almost exact which is great. And since it is an HBO cartoon, it needs to be an adult cartoon with bad language, violence and animated nudity. But that's fine with me.

This is definately a must-see DVD and don't get the edited version where it is PG-13...Get this uncut version because if you don't, you'll regret it.


Todd McFarlane's Spawn (Unrated Collector's Edition) (Animated Series)
Released in VHS Tape by Hbo Studios (21 August, 2001)
MPAA Rating: Unrated
Directors: Frank Paur, Eric Radomski, Mike Vosburg, Thomas A. Nelson, and Jennifer Yuh
Starring: Keith David and Richard A. Dysart
Adult, stylish, and more than a little mean, this full-length animated tale has one very strong thing going for it--it knows how to milk cool. The animation is superior to anything recently devoted to a superhero...or super antihero, in this case. Al Simmons was a government assassin before he was burned to death and sent to hell (plot summary's starting out nicely, isn't it?). After making a particularly bad deal with the devil--to lead Satan's dark armies in exchange for seeing his wife again--Spawn is let loose upon the world. He immediately whacks three mob hit men, making his presence known and getting himself into all sorts of trouble. Spawn is also visited by the Clown, an obese, disgusting Beatrice, guiding our third-degree-burned Dante through this hellish, topside world. There are other nasty characters, but in this first segment a very gratuitous inclusion of a child murderer goes too far for even this mature fare. Spawn isn't fun; there's very little joy in any of this. But the point isn't fun--it's brutal, adult-comic style. And there's plenty of it. --Keith Simanton
Average review score:

This "Commando" isn't Arnold!
"Todd McFarlane's Spawn" appears to be a cartoon remake of the 1985 film "Commando" starring Arnold Schwarzenegger. Al, a former Special Forces operative, awakens to find himself a dead, hell-spawned warrior. Al battles evil foes (including some Special Forces operatives) and rescues his former wife's daughter. Take Arnold Schwarzenegger's "Commando", add hellfire and brimstone, and you have "Todd McFarlane's Spawn".

"Todd McFarlane's Spawn" is entertaining (some of the chain tricks *are* used during real life oil drilling), but I prefer Arnold Schwarzenegger's "Commando" (which features Arnold at his peak and young teen Alyssa Milano as Arnold's kidnapped daughter).

A great transition from the comic book to the screen
Ive been a big fan of the spawn comic book since the very first issue. Living in England its not so easy to get hold of the books, or this animated series. The unrated version is fantastic, a really good move from the book to the screen, all the darkness as been brought to us in this dvd. The extra features such as the extra audio track that runs along with the show by Todd is great, lots of interesting stuff here. I really recomend this dvd to all spawn fans especially all of us in england who dont want to pay a fortune for the vhs tapes of it. I cant wait for season 2. END

Better Than Better
"Todd McFarlane's Spawn" really is Todd McFarlane's Spawn unlike the movie "Spawn" which probably is an insult to the character of Spawn (I feel bad for Todd). This movie (cartoon) is a perfect portrayal of the comic book series Spawn. It contains the style, the mood, maybe not the same appearances of characters (mostly Cogliastro) but still it is almost exact which is great. And since it is an HBO cartoon, it needs to be an adult cartoon with bad language, violence and animated nudity. But that's fine with me.

This is definately a must-see DVD and don't get the edited version where it is PG-13...Get this uncut version because if you don't, you'll regret it.


Teletubbies - Baby Animals
Released in VHS Tape by Warner Home Video (28 August, 2001)
MPAA Rating: G (General Audience)
Directors: David Hiller and Vic Finch
Starring: Rolf Saxon
This animal-focused edition begins with the Tubbies one by one coming upon a stuffed lamb. Much tubby-style discussion ensues ("Ittle wamb sad.") when not even Po's scooter or Dipsy's cowhide hat cheer up the poor sheep. After a happy ending, they meet a butterfly and, later, a stuffed terrier puppy in those verdant fields behind their bunker. Meanwhile, British preschoolers feed penguins, play with puppies, and learn about baby swans in the TV segments on the tubby tummies. All of this animal exploration makes the baby in the sky happy and sends the tubbies into giggle fits. And parents know that, inexplicably, when Teletubbies laugh, so do ages 1 to 4. There may not be a lot of hardcore academics here, but there are 72 minutes of innocent fun for the kids and peace for Mom and Dad, except for that giggling. --Kimberly Heinrichs
Average review score:

No reviews found.
A Wonderful Video
I bought this for my son, who is 13 months old. He loves the Teletubbies, and is in Teletubby heaven with this tape and Silly Songs and Funny Dances. At first, I cringed at watching the Teletubbies, but after seeing my son watch it and the smiles that it brought to his face, it made me changed my mind; I actually thought it was cute. He watches this tape so often that I am now considering buying it on DVD so that he has a spare copy. By the way, my son also loves the Sun Baby and the squeals of laughter that come out of her! Anything that makes my son that happy even if he's watched it over and over again is ok by me.

Teletubbies for infants
I watch Public Television every morning with my 9 month old, and have been watching teletubbies and sesame street with her since she was 2 months old.

She loves the teletubbies, and I think people should know that children much younger than 1 year will be interested in these shows.

She is most intrigued by the sun-baby, which of course at about 5 or 6 months infants become fascinated with other babies, she squeals and waves everytime that Baby comes into view and right now she watches the whole 30 minute show, waiting for that baby or other small children to appear.

She recognizes the teletubbies, we bought her a La La doll, which says La La, Hello, Uh oh, etc., which she absolutely loves. I was given a teletubby video by a relative, and I can get house work done whenever I put that video in.

The advertisements are being conservative when they tell the customer that these videos are for 1 year and up. These videos are very interesting and stimulating to infants under a year old as well.

My 2 year still loves this DVD.
She stopped caring about Teletubbies months ago, but still loves this DVD because of the animals. This is a video that babies and toddlers will love.

As far as Teletubbies videos go, this one is our favorite.


The Black Swan
Released in VHS Tape by Twentieth Century Fox (06 February, 1996)
MPAA Rating: NR (Not Rated)
Director: Henry King
Starring: Tyrone Power and Maureen O'Hara
Average review score:

A disappointment
This movie is a real crass act. Garish color and boorish heroes add up to three stars at best. Considering the good reviews The Black Swan gets, I expected more. Perhaps Tyrone Power was limited by the script to play an unkind and unnecessarily violent man who showed verve and some honor, but really very little charm. Except that it was the end of the movie, I saw no reason at all why "the Lady Margaret" fell for him at all. He wasn't witty or caring; he was helpful to her only when it served his own ends, and he didn't save her life in any direct way. Some kind of role model for boys growing up in the 40s!

Folks, Captain Blood is still the best pirate movie (and best doctor movie) ever.

On the plus side, The Black Swan's action sequences are good enough to carry the movie along. There is some very fast swordplay and the large, elaborate ship models are beautiful to see.

Great fun!
Maybe not as good as some of Flynn's better efforts; but it is certainly alot of fun to watch: the beautiful cinematography in gorgeous techincolor, the old fashioned Hollywood story of swashbuckling pirates in the Carribbean, the very handsome leads, and the wonderful supporting characters especially George Sanders. Sanders, who made a career of playing effete English snobs, is almost unrecognizable as the bushy haired, red-bearded pirate heavy, Billy Leech. Overall, vintage entertainment from the golden era of the Hollywood studio system.

Tyrone Power was the Brad Pitt of his era; an actor who wanted to prove that there was more substance to him than just his matinee idol good looks. Unfortunatly, the studio system, which had made Power a star, allowed him little room to grow as an actor. He found himself typecast as the hero of one costume piece movie after the other. "The Black Swan", though, is one of his best. It is a Tyrone Power vehicle made more to showcase his immense good looks rather than his acting range. Power was not happy about this, since he had hoped this movie would allow him to play a more rugged and complex character than his previous "pretty-boy" roles had allowed. Power had even grown a full beard to play this part, but the studio chiefs had conniptions at the thought their star's face being covered from his hordes of female fans. Off went the beard. Once again Tyrone Power had to resign himself to playing the "pretty boy," but he makes the most it. He is a terrific swashbuckler, and seems to have alot of fun doing it and his performance is one of the best parts of the film. (Although some of his scenes with the lovely Maureen O'Hara would be taboo today. Poor Maureen. She was always being physically accosted by her male leads- see the "The Quiet Man.")

A ROUSING SWASHBUCKLER!
This sweeping, beautifully made pirate epic has Power play a swashbuckling aide to the notorious buccaneer Henry Morgan, who is pardoned from the gallows and is sent to Jamaica as the new governor. Tyrone falls in love with the gorgeous Maureen O'Hara, the daughter of the previous governor - who spurns the advances of this rough-hewn adventurer...The dialogue and story is very reminiscent of the earlier Flynn vehicle CAPTAIN BLOOD, and although the film is a trifle stilted in capturing the idiom of the period, the action is overwhelming once it begins. Power is terrific as James Waring, full of dash and derring-do. As Captain Morgan, Laird Cregar is fine with his enormous body bedecked with wigs and finery. George Sanders is made even more menacing than usual: he sports a thick red beard! As Margaret, O'Hara is ravishing, her red hair blazing in lush Technicolor & Anthony Quinn snarls and sneers as the heavy, Wogan. This film was nominated for its special effects and musical score (by Alfred Newman); it won an AA for Leon Shamroy's beautiful photography.


Teletubbies - Nursery Rhymes
Released in VHS Tape by Pbs Home Video (19 August, 2003)
MPAA Rating: NR (Not Rated)
Directors: David Hiller and Vic Finch
Starring: Rolf Saxon
Everything you'd expect from those roly-poly, TV-bellied creatures is packed into Teletubbies: Nursery Rhymes: animation, videos, singing, dancing, tumbling, and, of course, nursery rhymes. Each of the Teletubbies is introduced to the joys of old-time school rhymes: Po happily noshes on her Tubby Toast as the mysterious speaker rises from the ground to warble "Twinkle Twinkle Little Star." Dipsy and Laa-Laa tumble down hills like "Jack and Jill." Tinky Winky learns the fundamentals of "Pat a Cake." Kids will shriek with Dipsy as he runs away from the fuzzy pink spider that pops into place at the appropriate moment in "Little Miss Muffet," and they'll march about the living room with all four Tubbies to the "Grand Old Duke of York." "Hey Diddle Diddle," "Hickory Dickory Dock," and "Humpty Dumpty," and more are accompanied by much dancing and exclamation. The videos within the video feature a storybook telling of "The Gingerbread Man," and a smooth-voiced crooner intoning rhymes to a group of galloping kiddies. This third video in the Teletubby series--following Here Come the Teletubbies and Dance with the Teletubbies--combines the best of the TV series for entertainment that will have your kids squealing, "Again, again!" --Jenny Brown
Average review score:

Good, but not great.
We actually borrowed this tape from our library to see if it was worth purchasing. I'm glad we did this too b/c we won't be buying this Teletubbies video. For some reason, the "seasonal tree", that is also sometimes shown on the TV show, scares my 15 month old to the point of tears and screaming. Otherwise, my son did enjoy this video for the most part. The story of the Gingerbread Boy didn't capture his attention. His favorite parts were the songs and the dancing/movement that went along with the Nursery Rhyme.

Mesmerizing and educational
My 19 month old has never been remotely interested in TV, but this video captured her. The first thing she says when she gets up in the morning is "See Teletubbies." She sings along with the tubbies DELIGHTEDLY and adores the Miss Muffet sequence. The laughter of the baby sun sends her into fits of amused shrieking. The video is not repetitive in the way the TV show and is genuinely educational. There are some boring bits, like an incomprehensible British child reading the Gingerbread Boy. My daughter waits in frustration for this to end to return to the Teletubbies. Hopefully she is learning patience. I recommend this video 80%, based on the content and the fact that we now have previously unknown free time. I am withholding the last 20% because I can see my daughter's interest in books has waned dramatically since we got this video.

Very Fun and Very Cute
Setting aside the controversy about the Teletubbies, this is a great video.

The Teletubbies are easy to like and have appeal to young children. My son enjoyed them until he was about two and a half and I find my daughter is moving on from their shows at about the same age.

They sing and dance and talk in simple terms. They play and enjoy life. In this video they concentrate on Nursery Rhymes while they sing and dance. The little skits are centered around nursery rhymes as well. This particular video is one of my favorites as well as a favorite of my children.

The segments are short which means you have a good stopping point at about 10 minute breaks. This helps control how much tv your children watch.

Enjoy.


The Long Riders
Released in VHS Tape by Mgm/Ua Studios (15 September, 1998)
MPAA Rating: R (Restricted)
Director: Walter Hill
Starring: David Carradine, Stacy Keach, and Dennis Quaid
This terrific Walter Hill Western follows the careers of the James and Younger brothers--and uses the nifty idea of casting actual clans of acting siblings in the roles. Thus, the James brothers are played by James and Stacy Keach; the Youngers by David, Keith, and Robert Carradine; the Millers by Randy and Dennis Quaid; and the Fords by Christopher and Nicholas Guest. Hill, working with an evocative Ry Cooder score, creates a film that is at once breathtakingly exciting and elegiac in its treatment of these post-Civil War outlaws. The Keaches in particular bring a surprising dignity to the roles of Frank and Jesse James, while David Carradine is a hoot as Cole Younger--and the Quaids mimic real life (as it was for them then) in their battles as the Miller brothers. Bloody, to be sure, but also bloody good. --Marshall Fine
Average review score:

MANY OF THESE REVIEWS ARE OVER-RATING THIS MOVIE
Based on the reviews here at this amazon site, I felt it sounded like a movie that I could buy and watch again and again. So I went out and paid the money. When I saw the movie, I returned it to the shop and asked if I could swap it for something else. I think the reviews here are over-rating this movie. Some how it paints the picture of brotherly love and how one brother backs another brother. Well that is trashed very early on, as Quaid junior is left on a limb by all including his older brother for messing up the first hit, not much look out for your brother there then. And what about the Guest brothers, they hardly did anything and their names make the cover of the dvd.

The final hit that the gang undertakes was a good bit of action, but the one thing that I detest is when the gang fire one shot and kill someone, but when other people fire at the gang it takes about 10 bullets hitting different parts of the body and they still don't die - I hate this, I hate this a lot. It seemed the whole village of about 150 people were firing at our gang of about 7 and in the process took about 150 bullets without dieing - what was going on? After the final hit, half turn them selves in and Cole Younger is sitting there in hospital and he looked like nothing happened, when infact he took 11 bullets - what the hell is going on man. A similar thing happened in the Return of the Magnificent Seven, about half a dozen take on a whole army (it also happened in the first of the Magnificent Seven movies, but that was stylish and I liked it), it just looked absolutely ridiculous, not even a 5 year old would buy that.

The score was probably not that good either as I have forgotten it. One of the reviewers reffered to it as one of the top 5 westerns of all time - eh eh, how wrong can you be, it would not even make my top 10 best westerns.

If you want to watch a western or buy one and you do not have or seen any of Clint Eastwoods dollar movies then forget the Long Riders.

PS: When I returned the Long Riders I swapped it for Once Upon a Time in the West, which was nearly 3 times the price but much much much better.

An uneven guilty pleasure
I don't know why I am such a sucker for this film. It is too long, uneven, very slow in parts and certainly doesn't provide a happy ending. But it is one of the most honest yet entertaining westerns I have ever seen. The qimmick of using the Keach brothers as Frank and Jesse James and the Carradine brothers as the three members of the Younger family (plus throwing in the Quaid brothers for good measure)works wonderfully well. Always picturesque, frequently violent and bloody, this film evokes the unstable time just after the Civil War when the James and Younger gang were at their height. A terrific contrast is drawn between the James men, who are depicted as dedicated homebodies when not at "work", and the Youngers who are depicted as boisterous hell-raisers. Pamela Reed as Belle Starr is a standout in an already excellent cast. When Cole Younger and her husband square off for a knife fight she just smiles and declares "You boys sure do keep me entertained." The same could be said for this film. It is by far the best Jesse James film ever made, and with its sound track by Rye Cooder, a pleasant experience to revisit every year or so.

Adult Western, Well Done.
This appears to be a pretty accurate account of the James-Younger Gang, focusing on their Northfield, Minnesota bank robbery.

The James and the Youngers are protrayed as outlaws who were influenced by thier civil war service in and around Missouri. They had killed and stolen in service to their cause and then kept it up after the war ended. But they are not shown in a particularly heroic light.

Instead, they are shown as clannish desperadoes who are supported by the locals. David Carradine in particular does a good job as Cole Younger. The movie does a good job showing the peer pressure put on them after the Pinkerton people get their brother killed. It also shows the Ford brothers selling out Jesse James' life to the Pinkertons.

It does leave out the part in Northfield where the citizenry supposedly went into a hardware store and began grabbing rifles off the shelves with which to repel the invaders.

This movie gets gorey and gritty in spots, has cathouse scenes, and is not a "cowboy" movie to show to young kids.


The Long Riders
Released in VHS Tape by Mgm/Ua Studios (04 September, 2001)
MPAA Rating: R (Restricted)
Director: Walter Hill
Starring: David Carradine, Stacy Keach, and Dennis Quaid
This terrific Walter Hill Western follows the careers of the James and Younger brothers--and uses the nifty idea of casting actual clans of acting siblings in the roles. Thus, the James brothers are played by James and Stacy Keach; the Youngers by David, Keith, and Robert Carradine; the Millers by Randy and Dennis Quaid; and the Fords by Christopher and Nicholas Guest. Hill, working with an evocative Ry Cooder score, creates a film that is at once breathtakingly exciting and elegiac in its treatment of these post-Civil War outlaws. The Keaches in particular bring a surprising dignity to the roles of Frank and Jesse James, while David Carradine is a hoot as Cole Younger--and the Quaids mimic real life (as it was for them then) in their battles as the Miller brothers. Bloody, to be sure, but also bloody good. --Marshall Fine
Average review score:

MANY OF THESE REVIEWS ARE OVER-RATING THIS MOVIE
Based on the reviews here at this amazon site, I felt it sounded like a movie that I could buy and watch again and again. So I went out and paid the money. When I saw the movie, I returned it to the shop and asked if I could swap it for something else. I think the reviews here are over-rating this movie. Some how it paints the picture of brotherly love and how one brother backs another brother. Well that is trashed very early on, as Quaid junior is left on a limb by all including his older brother for messing up the first hit, not much look out for your brother there then. And what about the Guest brothers, they hardly did anything and their names make the cover of the dvd.

The final hit that the gang undertakes was a good bit of action, but the one thing that I detest is when the gang fire one shot and kill someone, but when other people fire at the gang it takes about 10 bullets hitting different parts of the body and they still don't die - I hate this, I hate this a lot. It seemed the whole village of about 150 people were firing at our gang of about 7 and in the process took about 150 bullets without dieing - what was going on? After the final hit, half turn them selves in and Cole Younger is sitting there in hospital and he looked like nothing happened, when infact he took 11 bullets - what the hell is going on man. A similar thing happened in the Return of the Magnificent Seven, about half a dozen take on a whole army (it also happened in the first of the Magnificent Seven movies, but that was stylish and I liked it), it just looked absolutely ridiculous, not even a 5 year old would buy that.

The score was probably not that good either as I have forgotten it. One of the reviewers reffered to it as one of the top 5 westerns of all time - eh eh, how wrong can you be, it would not even make my top 10 best westerns.

If you want to watch a western or buy one and you do not have or seen any of Clint Eastwoods dollar movies then forget the Long Riders.

PS: When I returned the Long Riders I swapped it for Once Upon a Time in the West, which was nearly 3 times the price but much much much better.

An uneven guilty pleasure
I don't know why I am such a sucker for this film. It is too long, uneven, very slow in parts and certainly doesn't provide a happy ending. But it is one of the most honest yet entertaining westerns I have ever seen. The qimmick of using the Keach brothers as Frank and Jesse James and the Carradine brothers as the three members of the Younger family (plus throwing in the Quaid brothers for good measure)works wonderfully well. Always picturesque, frequently violent and bloody, this film evokes the unstable time just after the Civil War when the James and Younger gang were at their height. A terrific contrast is drawn between the James men, who are depicted as dedicated homebodies when not at "work", and the Youngers who are depicted as boisterous hell-raisers. Pamela Reed as Belle Starr is a standout in an already excellent cast. When Cole Younger and her husband square off for a knife fight she just smiles and declares "You boys sure do keep me entertained." The same could be said for this film. It is by far the best Jesse James film ever made, and with its sound track by Rye Cooder, a pleasant experience to revisit every year or so.

Adult Western, Well Done.
This appears to be a pretty accurate account of the James-Younger Gang, focusing on their Northfield, Minnesota bank robbery.

The James and the Youngers are protrayed as outlaws who were influenced by thier civil war service in and around Missouri. They had killed and stolen in service to their cause and then kept it up after the war ended. But they are not shown in a particularly heroic light.

Instead, they are shown as clannish desperadoes who are supported by the locals. David Carradine in particular does a good job as Cole Younger. The movie does a good job showing the peer pressure put on them after the Pinkerton people get their brother killed. It also shows the Ford brothers selling out Jesse James' life to the Pinkertons.

It does leave out the part in Northfield where the citizenry supposedly went into a hardware store and began grabbing rifles off the shelves with which to repel the invaders.

This movie gets gorey and gritty in spots, has cathouse scenes, and is not a "cowboy" movie to show to young kids.


Missing
Released in VHS Tape by Universal Studios (29 January, 2002)
MPAA Rating: PG (Parental Guidance Suggested)
Director: Costa-Gavras
Starring: Jack Lemmon and Sissy Spacek
The peril facing a lone American amid Third World political turmoil is elegantly communicated in this important film from Costa-Gavras (Z), adapted by the director and Donald Stewart from Thomas Hauser's nonfiction book. The key to its power onscreen stems from the decision not to center the action merely on the disappearance of Charles Horman (John Shea), but also on the search for him by his father Ed (Jack Lemmon)--and on Ed's discovery of a son he never knew. The Oscar-winning script flows freely between that search and Charles's earlier experiences in the unnamed country (in the true account, Chile). Providing a link between those two stories is Charles's wife Beth (Sissy Spacek), who follows her father-in-law around a country in chaos, teeming with reckless authority and disinterested American diplomats (epitomized by ace character actor David Clennon). The film, which was nominated for a Best Picture Oscar and won the Cannes Film Festival's top prize, is certainly manipulative, but it works because of its finely detailed human elements. Usually emotionally extroverted, Lemmon gives one of his finest performances playing against that type--here, he's a controlled, intellectual man who learns more about his son, and his country, than he ever dreamed he would. --Doug Thomas
Average review score:

How do you lose an American journalist in Chile?
Missing begins with journalist Charlie Hormon (played by John Shea) and his wife Beth (Sissy Spacek) spending time in Chile during the coup of 1973. Charlie wants to get the big scoop and although the streets are muddled with dead bodies and tanks, he feels quite safe, and consoles Beth with the line "They can't hurt us, we're Americans."

Needless to say Charlie turns up "Missing" and the majority of the film follows Beth and his father, Ed (Jack Lemmon), on a search for him. During their search Ed finds himself dumbfounded by the corruption and bureaucracy he constantly comes across, not only of the Chilean government but also surprisingly of the one he trusted most, the American government.

One may find this movie slow-moving if you don't really have too much background into the coup or are old-enough to remember some of the Cold War politics of the past. You don't get to know Charlie well enough through the script to really care that he's missing. These factors may add up to a dull movie for some viewers or it could motivate you to learn more. The film rewards every viewer with great acting performances and a cool soundtrack by Vangelis.

One of the Top Ten Films of All Time - Why no DVD yet?!
This movie certainly ranks among the best ever made. Other reviewers have outlined it here on Amazon so my only question is Why isn't it on DVD yet? We've been waiting for years for this classic. The film was also very hard to find in video rental shops. It must be a threat to somebody ;). C'mon guys, release this! Let the truth be told.

A Mighty Film! A Powerful Historical Statement!
Constantin Costa-Gavros is one of my favorite directors and film makers. In 1982 he crossed into the main stream with the Hollywood backed "Missing." This is a film about the military coup, led by General Agusto Pinochet, and the violent overthrow of Chile's democratically elected President Salvador Allende's Popular Unity Government in 1973. The U.S. government, and the CIA, assisted the Chilean military in the coup. This is a terrible tale of the torture and murder of innocents, and the personal, true story of one of them, U.S. citizen Charles Horman. Horman was a gentle, kind young man with a love of writing and the arts.

Charles and his wife Beth, movingly portrayed by Sissy Spacek, were living in Chile, as were many foreigners at that time, to learn about the new socialist coalition government that had come together under Allende. There was much excitement and idealism in the air. Horman, after witnessing US government military and CIA officials in Valparaiso, Chile, was driven back to Santiago by an American stranger, during the first hours of the coup. He disappeared shortly after his return home. Not one member of his family, or his friends saw him alive again.

Charles Horman's father, brilliantly played by Jack Lemmon, traveled to Santiago immediately, and he and Beth began a long, terrifying and unrewarding search for the disappeared young man. Mr. Horman was very conservative politically, and disapproved of Charles' and Beth's move to Chile. He was a patriotic American who believed that the US government would certainly help him find his son. He slowly began to acknowledge the truth, with Beth leading the way, about the US Embassy's cover-ups and lies. The American foreign service personnel, and US Ambassador, obviously knew the whereabouts and fate of his son, and her husband, and that of many of their disappeared friends.

This is a political drama of the first order. The poignancy and sadness of the lives lost, and the terrible military dictatorship that replaced a democracy, in a country known for its stable, democratic government, is portrayed realistically, in a docu-drama style. The acting is superb. The screen play certainly deserved the Oscar it received.

Whatever your politics, the events portrayed in this film did occur. There is much food for thought in this powerful film.
JANA


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