Gary-Busey Movie Reviews


Roeg begins to stumble
A Feast for the Mind and Eyes
Worth watching at least onceWorth watching once if only for scenes like Marilyn Monroe demonstrating relativity to Einstein with miniature trains and flashlights, Babe Ruth telling Einstein how many packs of gum he's been featured on, and Monroe dancing with her skirt on fire in the middle of a nuclear explosion (don't ask).


Utimately disappointing but the acting was superb.
Amy, Amy
Amy Locane is gooooood!!!!!!

Utimately disappointing but the acting was superb.
Amy, Amy
Amy Locane is gooooood!!!!!!

Definitely a CULT classic!Quick synopsis. A cab company is swiftly being driven out of business by it's competition. The cabbies all have bad attitudes and are content to await the inevitable. Along comes junior who brings purpose and pride back to the cabbies, eventually booting their competition out of town and saving the day.
Along the way great character development occurs as you explore the personal tragedies and problems of some of the cabbies and see them overcome their fears, problems, and issues. How many guys do you know that yell at their wife trying to find their flamethrower???
The humor in this movie is much along the lines of old Saturday Night Live. It doesn't take itself seriously, which is why it works.
Why isnt this on DVD.
Before Joel Killed Batman
The lurid, colorful carnival milieu also dovetails with Robertson's Band legacy as songwriter, and his penchant for crafting picaresque story lines with a vivid sense of place. Robertson is Patch, a carny veteran whose de facto partner is the leering, cruel Frankie (Gary Busey), an abusive clown, and the film lingers on the tawdry and menacing world behind the carny's garish public spaces. When the young, self-confident Donna (Foster) shows up and joins the troupe, the bonds between Patch and Frankie are strained. Donna's walk on the wild side brings her in intimate, sometimes dangerous proximity to the freaks and lowlifes that populate this world, which the writers and director Robert Kaylor savor for its atmosphere of outsider surrealism.
Foster acquits herself wonderfully, making this a revealing step between the prematurely hardened nymphet of Taxi Driver and the actress's first truly adult roles, soon to follow. Busey and Robertson fare less well, their work long on mannerism but ultimately cryptic to a fault. Like the movie itself, they transmit a cynicism that seems hollow without more real insight into how they came to inhabit this netherworld, and why they can't escape it. --Sam Sutherland

Three stars for the three starsCARNY is an atmospheric flick, one that captures the carnival milieu pretty well. The acting is solid, with Jodie as the obvious stand-out. Gary Busey and Robbie Robertson are also quite good, but their roles could use a bit of fleshing out. As could the plot overall. The film meanders along until someone decided to up the ante in the last twenty minutes. The last ditch effort to end the film with a somewhat muted bang pretty much falls flat. Probably, the film would have worked better strictly as the mood piece and character study it started out to be.
But CARNY is still well worth your time. As an unromanticized look into the world of traveling carnivals, it's pretty effective. The three stars show a kind of promise that only Jodie Foster actually ever began to realize. Robertson pretty much dropped out of acting after this not inauspicious debut, sad to say. And the effect of Gary Busey's turbulent private life on his career has been fairly well documented. Come to think of it, even Jodie Foster's career hasn't been all it could be--lots of interesting films, not that many great ones. With CARNY, that pattern was already emerging.
guilty pleasureages ago i searched high and low and found a sticky
old rental to buy and now can finally replace it with a nice new one. sad it isnt out on dvd.
the best of everybody in this little treat too...teen jodie foster at her adolescent peak, wolf-eyed meg foster in one of the few movie roles i actually liked of her...the best gary busey ever had to give, a choice acting performance by musician robbie robertson,
and a positive and a delightful assortment of circus [employees] that make this movie both sleazy and sensitive, funny and moving, and gives the feeling of being let in on a dark and daring secret world.
Jodie Foster at Her BEST!Gary Busey is also VERY good in this film...certainly a career high-light for him, in my opinion....


Busy in one of his best
gary busey. when is he not creepy?
Good ThrillerBusey shines as a recently released mental patient in search of a family...the perfect family. As his dreams go astray, the Busey-man goes wild. Mimi Rogers and Michael Mckeon round out a steller cast in this early 90's straight to video classic.
A true thriller, with a great ending. Highly recommended.


Be forwarned if you have children; lots of profanity
Some material may not be suitable for younger viewers.Good points: Excellent footage of rock and roll heroes (Beatles, Jerry Lee Lewis, Elvis, Led Zepplin, etc.) as well as lesser known groups (The Hollies, Gerry and the Pacemakers, etc.). Outstanding interviews from artists and figures such as Hank Ballard, Carl Perkins, Ozzie Osborn, Dick Clark, Bono, Eddie Van Halen, Jackson Browne, Bruce Springsteen, Little Richard, Mick Jaggar, Tom Petty, Lindsey Buckingham, and countless others. Footage of various historical events help put the music in perspective (civil rights, Vietnam, sexual revolution, etc.).
Bad Points: Some material may not be for younger audiences. Nearly all volumes (2 & 3 excluded) have some PG-13 language (including Pete Townsend's liberal use of the F-word). A couple of tapes (I'm thinking of volume 6 & 8 in particular) have some female nudity. Anyone thinking about letting a class view this should keep that in mind. Some movements in Rock and Roll are touched on too lightly: Soul, Motown and funk are kind of grouped together, Jazz Rock is barely mentioned, etc.
Final Verdict: Probably the best Rock and Roll series out there now. We need Ken Burns's take on this subject.
My Generation covers the 1960s: Janis, Jimi, Jim, Joni, etalWe get some great footage of Woodstock, the Isle of Wight (where Joni Mitchell has to calm down a hostile crowd), and of course the Greatful Dead (I Will Survive). As Jerry says the sixties opened a door for a moment and we saw a quick glimpse of how things could be; then that door slammed shut. With this documentary we also have a moment where we feel we are actually back in the sixties--sex, drugs, rock, and revolution in the air.
Also included are some sixties hecklers including Ronald Reagan who denounces rock shows. And as David Crosby says the counter-culture was right about everything...except drugs.
Overall a great overview of the most incredible decade in history.


Tribulation was an inspiring and excellent movie!
Tribulation

Don't Detour around this video!

a must see movie
A wake up call.
One of the best!!Some scenes are quite angsty and there *is* swearing but it's really not that bad! The music was cool, and it's a breath of fresh air to watch a movie that's centered on the lives of children rather than adults. When I'd finished watching this movie, I actually felt something for the characters and empathised with them,which is why I'd definitely recommend it.
This is NOT the best film Nicolas Roeg has done. In fact I have to say that when compared to his earlier work, it's very weak. Roeg can be a very demanding director and anyone watching his films must be prepared to participate and not expect to be spoonfed everything you need to know about what you are seeing. This is what I love about his films but "Insignificance" seems confusing just for the sake of it. To me this film represents what has gone wrong with Roegs later work. The material just doesn't fit well with his idiosyncratic style. There isn't really any need for this film to be so strange. I sometimes think that Roegs' ultimate artistic drop came with his working so much with his wife Theresa Russell. They met while Roeg was filming "Bad Timing"(Roegs most brutal and accomplished film..DVD please!!) and since then Roegs films gradually declined in quality. A shame really because at one time Roeg was one of the strongest directors in the 70's. If you want to see this true artist at his best then see "Performance", "Walkabout", "Don't Look Now", "The Man Who Fell To Earth", "Bad Timing" and "Eureka". From "Insignificance" and onward Nicolas Roeg has found promblems with his choice of material to film.