George-Dzundza Movie Reviews


It's 3 episodes, not a movie
Lightning CAN Strike Twice
The Last Son of KryptonI love this movie because it's a Superman story told through a visual medium. As a fan of Superman and animation I can safely say this movie captures the true spirit of Superman. The movie is mostly action, but drama is incorporated throughout the story.
The film deals with the destruction of Krypton, Clark Kent in high school, and Superman's first romps through Metropolis.
If you don't have access to Kids'! WB to watch The New Batman/Superman Adventures, The Last Son of Krypton will give you a great taste of what you're missing.


SUSPENSEFULLY SATISFYING
Heart quenching and suspenseful.
Gold-Standard of Political Thrillers now on DVDGene Hackman does his usual excellent job as a power-monger Secretary of Defense. He plays it subdued with restrained violence; you know this is a man capable of nearly anything. Will Patton is stunning as the bootlicking lackey, and Costner is reasonably good as the hapless pawn (?) of the Secretary's machinations. Sean Young plays a nervy, Washington bimbo. She's annoying, but actually, that seems to be part of the character and I thought she was superbly cast. The horror of the 80's overly-ornate costuming and gaudy makeup are the only hint of the age of this film.
The story is laden with clues dropped in a seemingly meaningless way and the tension builds superbly, racheting suddenly with a surprise in the action. At the end, another surprise is delicious, especially if you picked up all the red herrings (I didn't. Maybe you will.) If you love political or espionage thrillers, this one has a great payoff.


SUSPENSEFULLY SATISFYING
Heart quenching and suspenseful.
Gold-Standard of Political Thrillers now on DVDGene Hackman does his usual excellent job as a power-monger Secretary of Defense. He plays it subdued with restrained violence; you know this is a man capable of nearly anything. Will Patton is stunning as the bootlicking lackey, and Costner is reasonably good as the hapless pawn (?) of the Secretary's machinations. Sean Young plays a nervy, Washington bimbo. She's annoying, but actually, that seems to be part of the character and I thought she was superbly cast. The horror of the 80's overly-ornate costuming and gaudy makeup are the only hint of the age of this film.
The story is laden with clues dropped in a seemingly meaningless way and the tension builds superbly, racheting suddenly with a surprise in the action. At the end, another surprise is delicious, especially if you picked up all the red herrings (I didn't. Maybe you will.) If you love political or espionage thrillers, this one has a great payoff.


SUSPENSEFULLY SATISFYING
Heart quenching and suspenseful.
Gold-Standard of Political Thrillers now on DVDGene Hackman does his usual excellent job as a power-monger Secretary of Defense. He plays it subdued with restrained violence; you know this is a man capable of nearly anything. Will Patton is stunning as the bootlicking lackey, and Costner is reasonably good as the hapless pawn (?) of the Secretary's machinations. Sean Young plays a nervy, Washington bimbo. She's annoying, but actually, that seems to be part of the character and I thought she was superbly cast. The horror of the 80's overly-ornate costuming and gaudy makeup are the only hint of the age of this film.
The story is laden with clues dropped in a seemingly meaningless way and the tension builds superbly, racheting suddenly with a surprise in the action. At the end, another surprise is delicious, especially if you picked up all the red herrings (I didn't. Maybe you will.) If you love political or espionage thrillers, this one has a great payoff.


SUSPENSEFULLY SATISFYING
Heart quenching and suspenseful.
Gold-Standard of Political Thrillers now on DVDGene Hackman does his usual excellent job as a power-monger Secretary of Defense. He plays it subdued with restrained violence; you know this is a man capable of nearly anything. Will Patton is stunning as the bootlicking lackey, and Costner is reasonably good as the hapless pawn (?) of the Secretary's machinations. Sean Young plays a nervy, Washington bimbo. She's annoying, but actually, that seems to be part of the character and I thought she was superbly cast. The horror of the 80's overly-ornate costuming and gaudy makeup are the only hint of the age of this film.
The story is laden with clues dropped in a seemingly meaningless way and the tension builds superbly, racheting suddenly with a surprise in the action. At the end, another surprise is delicious, especially if you picked up all the red herrings (I didn't. Maybe you will.) If you love political or espionage thrillers, this one has a great payoff.


A remake of Seven Days in May (1964)
The Enemy Within

A very well acted film
Excellent adaptation of a brilliant play

THIS ONE STRUCK A NERVE - PURE DISGUST!TRANSFER: PURE JUNK! Not even anamorphic, the 2:35:1 picture is marred by digital artifacts, edge enhancement, pixelization, aliasing and a terribly rendered color scale. Colors bleed and are muddy. Fine grain is way too excessive. Shadow and contrast levels both need to be bumped up a notch. There's really nothing to recommend this visual presentation. The audio is remastered but very strained in both its bass and high end levels.
EXTRAS: NONE!
BOTTOM LINE: Don't waste your money!
Among the bestIn short, this film is a monumental examination of friendship, loyalty, and courage. It won the Best Picture Oscar in 1978, and will forever be a potent look at grief and sadness and joy and love. A must.
One Shot

THIS ONE STRUCK A NERVE - PURE DISGUST!TRANSFER: PURE JUNK! Not even anamorphic, the 2:35:1 picture is marred by digital artifacts, edge enhancement, pixelization, aliasing and a terribly rendered color scale. Colors bleed and are muddy. Fine grain is way too excessive. Shadow and contrast levels both need to be bumped up a notch. There's really nothing to recommend this visual presentation. The audio is remastered but very strained in both its bass and high end levels.
EXTRAS: NONE!
BOTTOM LINE: Don't waste your money!
Among the bestIn short, this film is a monumental examination of friendship, loyalty, and courage. It won the Best Picture Oscar in 1978, and will forever be a potent look at grief and sadness and joy and love. A must.
One Shot

An excellent Erotic ThrillerDirected by Paul Verhoeven (Showgirls, Starship Troopers, The Hollow Man) is a well made intense erotic suspense-thriller with a fine Screenplay bu Joe Eszterhas (Jade). Stone is a Real-Light in this film. The film Oscar Nominated for Best Film Editing and Best Score by Oscar-Winner:Jerry Goldsmith. One of the highest grossing films of 1992, which have become a Cult Classic. A clever film, which is not for all tastes. DVD has an good non-anamorphic Widescreen (2.20:1) transfer (Also in Pan & Scan) and an great digitally remastered in Dolby Digital 5.1 Surround Sound. The Lastest DVD from Artisan is Digitally Remastered in the Picutre Quality and Sound with Two Commentaries Tracks by the Director and Cinematographer:Jan de Bont (Speed, Twister, The Haunted-1999) and Film Critic-Camille Pagila, Alternative Scenes for T.V., Trailers and More. Do not miss this strong Erotic Thriller. Panavision. Grade:A-.
No edits and Camille Paglia! This is the oNE!
The Classic Erotic Thriller On DVD
Superman: LSK was produced by Bruce Timm, Paul Dini, and the many talented people that created Batman: The Animated Series, and later, Batman Beyond and Justice League. While the group has had no problems with Batman, they never quite got the hang of Superman, and it's evident in these episodes. Like Richard Donner's 1978 Superman movie, the origin of Superman is told in three distinct parts: Starting on Krypton, we learn of the planet's demise and follow scientist Jor-El as he rockets his son to Earth. We see Clark grow up in Smallville and learn of his heritage, then we move on to Metropolis and the introduction of Lois Lane, the Daily Planet, and Lex Luthor. The scenes on Krypton are the best part of the "movie". In a wise move, the villain Brainiac is re-imagined as Krypton's supercomputer, and lets everyone die so it can save itself.
Kal-El is rocketed to Earth, and the "movie" starts going downhill. Too little time is spent on Clark finding out about his powers in Smallville. I would've liked to see more of Lana Lang, and more of Clark gradually accepting that he's different. The story skips by these important scenes too quickly as it moves us to Metropolis. Lex Luthor has designed a prototype battle suit that is appearantly stolen by terrorist John Corben. Too much time is spent on this plot thread, and at times it overwealms Superman's introduction to the citizens of Metropolis. I would've liked to see more of a shock among the bad guys when they find out they're being chased by a flying man, Superman's interview with Lois, and the scene of Superman finding acceptance after his final victory is too short. The fight sequences go on a tad too long, and Superman is knocked about repeatedly until he suddenly cuts loose and finishes the fights in a matter of seconds. Worst of all, the "movie" ends with the foreshadowing of the return of Brainiac. Nothing wrong with that, but it only makes sense in the context of the entire series. Fans who haven't seen the other episodes will be left hanging.
Despite all this, there are also many positives. All the characterization is dead on, from eager Jimmy Olsen to hardened Perry White, Lana Lang, Jor-El, and especially the three big stars, Clark, Luthor, and Lois. While actors Tim Daly and Clancy Brown are still struggling with their voices here, they find themselves by the third episode's end, and give great performances.
For those wanting to watch a "movie", try the "Batman-Superman Movie". It's the only other three episodes of the Superman series released, but its story is more self-contained and more enjoyable. Superman: The Last Son of Krypton is not the best introduction the character could've recieved, but it's still an important part of the series, and essential viewing.