James-Rebhorn Movie Reviews

I'm a sort of "Our Town" junkie -- I've seen many filmed/taped versions. I was real lucky in that the kind folks at Brandman Productions kindly lent me a tape of this version for copying, back before they released it to the general public. This is my fave play of all time, and I say this is an excellent version, maybe the best. If you like Our Town, get this one, even if you have to fork out some of your Yankee dollars!

Over the decades Thornton Wilder's play "Our Town", while justly recognized as an American classic, has gotten a reputation for a kind of sappy sentimentality. That was not Wilder's intention, and this production restores the play's multiple dimensions. It takes places "under the eyes of eternity", as the philosophers used to say, and this fearfully objective viewpoint can be terrifying as well as consolong. The key to this darker interpretation, produced for Lincoln Center and taped for the PBS series "Great Performances", is the casting of monologuist and actor Spalding Gray as the Stage Manager. He gives a sardonic, astringent performance, and much of Wilder's dialogue sounds distinctly chilling coming from him. This version re-emphasizes the play's criticism of the provincialism and narrowness of American small-town life; it adds a needed dose of irony and ambiguity to the play's emotional impact. It takes place on a nearly bare stage, just as in the original Broadway production; everything is stripped down to essentials. Penelope Ann Miller is heartbreaking as Emily, the dead girl who is allowed to re-live once again her 12th birthday. This scene is shattering as the opportunity to return becomes both a blessing and a curse. One can see in this production one of the sources of Ray Bradbury's nostalgic stories of America as both dream and nightmare. It is simply impossible to finish viewing this video without tears.

This production of the classic drama is extremely well done. The actors are superb, the editing nearly flawless, and the overall effect exactly as Thornton Wilder himself would have wanted it. I use this in my classroom and my students are impressed with the number of name actors (Stoltz, Miller, et al). The video, rather than film, quality adds to the effect of seeing a live performance. In short, this is engaging, educational and entertaining. It's about time the video went on sale.

Mulder peeed on the Independance Day poster in the X-Files movie! I give X-Files 4 stars, and Independance Day 2 stars.

When this movie first came out, I did not know who Lane Frost was. After I saw it, however, I wish I would have known him. This film may come off as sort of sugary sweet to some, but adultery, drinking, fighting and cussing don't seem so sugary to me. Mr. Frost had faults. He was human. But he prevailed where others have failed. That is what make him a hero and Luke Perry's portrayal of Mr. Frost exemplifies that.

This movie suffers from a few inaccuracies, but those inaccuracies help move this film along at a pace that non-rodeo people can enjoy. The acting is fine, and that's really Luke Perry on some of those bulls. You've got to give the guy a nod for that.

The soundtrack is also very influential on the look and feel of this movie. "Once In Awhile" by Billy Dean is the pinnacle performance in this movie, and if you're eyes don't well up when you hear it, you've got no heart inside.

This is a decent family movie, although some younger kids probably shouldn't be exposed to some of the language and the adultery. It should be noted, however, that these things are key in making this a real story.

This is a solid movie about a real man, full of heart and fault, yet still a hero to us all.

This move is the best portrayal of rodeo life, death, and triumph. The fact that it can bring you so close to the man, Lane Frost, in it's portrayal is very comending. By the middle of the movie I found myself accually loving Lane. My interest in rodeo grew from being just watching it every chance I got, to riding every chance I got. Lane Frost, and this move, made me realize that inside of me, and everyone else, is a true hero. I loved the movie, wanted to be like the man, and want to spread as much of the love of rodeo as I can. END

I am a 16 year old female who is so touched by the story of the BEST BULL RIDER, Lane Frost. This story touched my heart so much, I had tears in my eyes. I have watched it so many times and still cry. Lane is the bravest man I know. He has so much courage and will always be in my heart. Luke Perry did a great job in the movie, he deserves alot of credit. To Lane Frost's family, all my prayers to you, you were the luckiest family to have Lane be your son. Best of Luck!! I love you! Love Angela D. from Arkansas END

Sarah Wheaton (Glenn Close) is a mail-order bride in 1910 who answers an ad for a "wife" to "make a difference" in a families life. She moves from Maine to Kansas (a long train ride). The man she answers to is Jacob Witting (Christopher Walken). He and his 2 kids (Anna and Caleb) are still mourning the death of his wife, Katherine, after 6 years. She writes to them many times before deciding to do a 30 day trial in which she lives with the family to see how things work out. They go through many hardships before everything turns out ok in the end. Then, in the sequel, their prarie is threatened by a drought. Jacob keeps on insisting that she (Sarah), Anna, and Jacob leave so that their lives aren't in danger. Sarah doesn't want to leave her husband on the prarie alone because of fear for his life. Jacob finally pursuades her and the children to go live for awhile with Sarah's aunts in Maine until the drought is over. Sarah and Jacob are forced apart until after the rain has come. It seems like Sarah can't live without Jacob the whole time they are apart, and she can't stop thinking about him at all. There is also a secret that Sarah has yet to share with Jacob, but saves that until the end! I loved this movie more than "Sarah Plain and Tall". The love that Sarah and Jacob have for eachother is like no other! I want to quote one part of Sarah and Jacob's conversations at the end. "Here I was like a child come home to my beautiful sea, and I should have been happy, but I was frightened. I mean, I AM frightened because....this terrible love....for you is so strong....that I've never known such a thing before." - Sarah. I just looooove that part of the movie because it's said with such passion! You can see the love in her eyes for Jacob (even though it is just acting) that's almost real! This is a MUST SEE movie for those who love a good romance! I didn't think I was going to like this movie because I was about 8 years old when it came out. Now I'm 17, and I can't stop watching it! It's also a good family movie! You won't regret seeing this movie if you are a romance movie freak!

The Kansas prairie of 1910 is in the grip of a disaterous drought. The strength of love and family are tested as the Witting family struggles against the hardships of the drought stricken land.
Glenn Close is Sarah Witting, two years after coming to Kansas as a mail order bride, Sarah works hard to preserve the family life she and Jacob played by Christopher Walken have begun. The children, Anna played by Lexi Randall and Caleb played by Christopher Bell, add emotion and hopes for the future to this meaningful family film.
As the dangers and hardships of the desolate land build Sarah and Jacob are faced with separation. This drama filmed in color is enhanced by the musical scores of David Shire which provide a back drop so appropriate you can almost feel the hot wind and the struggle with the land.
It is the perfect continuation of the original "Sarah Plain and Tall" story. Some of the players from that film return. Matthew (Jon DeViries)and Maggie (Margaret Sopie Stein) are still neighbors and friends. They also bring to life characters only mentioned in part one. The Aunts are portrayed perfectly by Tresa Hughes as Matty, Lois Smith as Lou and Elizabeth Wilson as Harriet. The family curmudgeon and friend, Chub or Chubbers is played by Lee Wilson.
With the skill of the stars and supporting cast this film continues the story of the Witting family wonderfully. Skylark leaves you asking what happens next but still has the ability to stand alone as a complete story and I recommend it as good family viewing.

The Knasas prairie of 1910 is in the grip of a disaterous drought. The strength of love and family are tested as the Witting family struggles against the hardships of the drought stricken land.
Glenn Close is Sarah Witting, two years after coming to Kansas as a mail order bride, Sarah works hard to preserve the family life she and Jacob played by Christopher Walken have begun. The children, Anna played by Lexi Randall and Caleb played by Christopher Bell, add emotion and hopes for the future to this meaningful family film.
As the dangers and hardships of the desolate land build Sarah and Jacob are faced with separation. This drama filmed in color is enhanced by the musical scores of David Shire which provide a back drop so appropriate you can almost feel the hot wind and the struggle with the land.
It is the perfect continuation of the original "Sarah Plain and Tall" story. Some of the players from that film return. Matthew (Jon DeViries)and Maggie (Margaret Sopie Stein) are still neighbors and friends. They also bring to life characters only mentioned in part one. The Aunts are portrayed perfectly by Tresa Hughes as Matty, Lois Smith as Lou and Elizabeth Wilson as Harriet. The family curmudgeon and friend, Chub or Chubbers is played by Lee Wilson.
With the skill of the stars and supporting cast this film continues the story of the Witting family wonderfully. Skylark leaves you asking what happens next but still has the ability to stand alone as a complete story and I recommend it as good family viewing.

Sarah Wheaton (Glenn Close) is a mail-order bride in 1910 who answers an ad for a "wife" to "make a difference" in a families life. She moves from Maine to Kansas (a long train ride). The man she answers to is Jacob Witting (Christopher Walken). He and his 2 kids (Anna and Caleb) are still mourning the death of his wife, Katherine, after 6 years. She writes to them many times before deciding to do a 30 day trial in which she lives with the family to see how things work out. They go through many hardships before everything turns out ok in the end. Then, in the sequel, their prarie is threatened by a drought. Jacob keeps on insisting that she (Sarah), Anna, and Jacob leave so that their lives aren't in danger. Sarah doesn't want to leave her husband on the prarie alone because of fear for his life. Jacob finally pursuades her and the children to go live for awhile with Sarah's aunts in Maine until the drought is over. Sarah and Jacob are forced apart until after the rain has come. It seems like Sarah can't live without Jacob the whole time they are apart, and she can't stop thinking about him at all. There is also a secret that Sarah has yet to share with Jacob, but saves that until the end! I loved this movie more than "Sarah Plain and Tall". The love that Sarah and Jacob have for eachother is like no other! I want to quote one part of Sarah and Jacob's conversations at the end. "Here I was like a child come home to my beautiful sea, and I should have been happy, but I was frightened. I mean, I AM frightened because....this terrible love....for you is so strong....that I've never known such a thing before." - Sarah. I just looooove that part of the movie because it's said with such passion! You can see the love in her eyes for Jacob (even though it is just acting) that's almost real! This is a MUST SEE movie for those who love a good romance! I didn't think I was going to like this movie because I was about 8 years old when it came out. Now I'm 17, and I can't stop watching it! It's also a good family movie! You won't regret seeing this movie if you are a romance movie freak!

The Kansas prairie of 1910 is in the grip of a disaterous drought. The strength of love and family are tested as the Witting family struggles against the hardships of the drought stricken land.
Glenn Close is Sarah Witting, two years after coming to Kansas as a mail order bride, Sarah works hard to preserve the family life she and Jacob played by Christopher Walken have begun. The children, Anna played by Lexi Randall and Caleb played by Christopher Bell, add emotion and hopes for the future to this meaningful family film.
As the dangers and hardships of the desolate land build Sarah and Jacob are faced with separation. This drama filmed in color is enhanced by the musical scores of David Shire which provide a back drop so appropriate you can almost feel the hot wind and the struggle with the land.
It is the perfect continuation of the original "Sarah Plain and Tall" story. Some of the players from that film return. Matthew (Jon DeViries)and Maggie (Margaret Sopie Stein) are still neighbors and friends. They also bring to life characters only mentioned in part one. The Aunts are portrayed perfectly by Tresa Hughes as Matty, Lois Smith as Lou and Elizabeth Wilson as Harriet. The family curmudgeon and friend, Chub or Chubbers is played by Lee Wilson.
With the skill of the stars and supporting cast this film continues the story of the Witting family wonderfully. Skylark leaves you asking what happens next but still has the ability to stand alone as a complete story and I recommend it as good family viewing.

The Knasas prairie of 1910 is in the grip of a disaterous drought. The strength of love and family are tested as the Witting family struggles against the hardships of the drought stricken land.
Glenn Close is Sarah Witting, two years after coming to Kansas as a mail order bride, Sarah works hard to preserve the family life she and Jacob played by Christopher Walken have begun. The children, Anna played by Lexi Randall and Caleb played by Christopher Bell, add emotion and hopes for the future to this meaningful family film.
As the dangers and hardships of the desolate land build Sarah and Jacob are faced with separation. This drama filmed in color is enhanced by the musical scores of David Shire which provide a back drop so appropriate you can almost feel the hot wind and the struggle with the land.
It is the perfect continuation of the original "Sarah Plain and Tall" story. Some of the players from that film return. Matthew (Jon DeViries)and Maggie (Margaret Sopie Stein) are still neighbors and friends. They also bring to life characters only mentioned in part one. The Aunts are portrayed perfectly by Tresa Hughes as Matty, Lois Smith as Lou and Elizabeth Wilson as Harriet. The family curmudgeon and friend, Chub or Chubbers is played by Lee Wilson.
With the skill of the stars and supporting cast this film continues the story of the Witting family wonderfully. Skylark leaves you asking what happens next but still has the ability to stand alone as a complete story and I recommend it as good family viewing.

Wind, simply put, is one of my all time favorite movies.

The story, music, cinematography, acting, adrenaline, and spirit make it a deeply moving film and a must have DVD. Anamorphic widescreen, cast and crew commentary and interviews, trailers, and deleted scenes would be much appreciated.

I was fortunate enough to recently acquire the two best versions presently available which are the 1992 USA Widescreen Laserdisc Release (For $300.00... yes, ouch, but it was DEFINITELY WORTH IT to see WIND in it's original widescreen format!) and then more recently the European Region 2 release which while competent is neither Widescreen, NTSC, Region 1, nor is it in English.

As the on screen titles weren't in English either it's a fair bet this was the version released to the European movie and then rental market. Seeing Matthew and Jennifer dubbed by Euro actors did not sit well with me at all.

It's kind of sad to realize that the best version of this movie (Widescreen - English) is on a technically dead format much the same way the best version (The Director's Cut) of Peter Bogdonavich's sequel masterpiece Texasville is only available on Laserdisc. Hollywood needs to get a better system in place for finding out what older films people want to see brought to DVD rather then just guessing or waiting for product tie-ins like the Bourne Identity TV Mini-Series which was only released because the Matt Damon Theatrical ...-Fest did well at the Box Office.

The best sailing movie I've ever seen. The action sequences were thrilling and makes you feel like part of the race. I've been waiting for the DVD release for some time now, we've almost worn out our VHS copy.

...that they secretly love this movie. Despite its cheesy, Hollywood take on the America's Cup and its retelling of Dennis Conner's adventures 'on-the-other-side-of-the-pizza' this movie is not only beautiful eye-candy but more importantly it is exactly what they say in the movie: its good, clean fun.

If you're trying to get friends and family intersted in taking a sail, this is one of the best tools to get the blood following -- yup, there are a lot of yachts, but there is the scene with the 14s. Enough excitement to dispell the idea of sailing as a laid-back sport.

For the AC die-hards, its a chance to see the 12-meters in action once again, to hear the legendary PJ Montgomery comment on the races and read the tech/advisory credits which reads like a AC who's who list. So it isn't "real" or even possible (the 'whumper' is what kills it for some) but after all, you're looking at a movie. Enjoy it for what it is and appreciate the fact that this movie is the product of a love of sailing!

THE GAME is definitely a director's movie. David Fincher (Seven, Panic Room, Fight Club) propels us into the nightmarish world of Michael Douglas' Scroogish investment banker. Nicholas is cold; lonely; bearing a lot of anguish over the suicide of his father, the seeming failure of his brother (Sean Penn in a rather small role, almost overacting, but tolerable). What in this movie is real and what is a game? The use of news commentator Daniel Schorr to set the rules for Douglas is very good, and unique. Deborah Kara Unger fills the role of Christine nicely, although sometimes she seems in a vague fog. Peter Donat as Douglas' lawyer is sturdy; James Rebhorn as the smarmy employee of CRS is also good.
The movie rests on Douglas' shoulders and thought it may be a combination of his other roles, he still does a commendable job in carrying the movie. It is bizarre, nightmarish, ominous and a director's triumph. Some of the things that go on toward the end of the movie and stretch the credibility factor, but I can't divulge those without spoiling the ending.
A good film, inventive and well done.

Sadly Sean Penn is in this one and it's the type of movie that you can only see once cause the ending ruins it for everyone.
There's a rich old bastard who has no friends and he must play "the game" in order to figure out his life. If it was only this easy.

I knew this movie had to be great before I even watched it because it is made by an excellent director and it is played by at least two wonderful actors.Michael Douglas and Sean Penn are brothers (lol) and Douglas plays the role of an unhappy businessman, anyways the movie starts with Douglas's birthday and it's then when he receives a mysterious present from his brother - so what he gets is a enrollement in CRS (Consumer Recreation Services) - a company which creates real life games for each individual.But as the game starts Douglas has every reason to get concerned about his wealth and his life as well.
A nail-bitting movie.

Please watch it or own it so you can play "The Game" to your guests. It's a great movie.

This is one interesting, thrilling film. It's definitley one of those films that you'll think about afterwards. Michael Douglas stars as a rich man(again?!), who is having his birthday. He's now at the age his father was when he comitted suicide. Sean Penn pops up as his brother, who offers him an interesting birthday present that needs him to play 'the game'. Before Michael knows it, the game is on and he doesn't know what's going on, what to do, or where to go. Along the way he hooks up with a waitress(Deborah Unger)who gets involved with him and this serious 'game'. There are twists and turns in this movie that are set up and executed very, very well. There are things that the audience won't expect. Douglas is very good when he gets to play icy millionaires. You can thank "Wall Street" for that. He is at his best here. Sean Penn does what he can with a pretty small role. Director David Fincher brings a moody, captivating presence to the film. This is a very good movie that will grab hold of your attention and not let it go until the very end.

Less than a full year before A PERFECT MURDER (1998) was released, Michael Douglas starred in THE GAME (1997), which is not simply a Michael Douglas movie, it's a David Fincher film-and you know what that means! From a screenplay by John D. Brancato & Michael Ferris, THE GAME is classic Fincher: dark, mysterious and with a constant sense of brooding danger in which lets you know that somehow, somewhere, something is not quite kosher.

In THE GAME, Douglas is Nicholas Van Orton; a man of great wealth and power and totally devoid of any human compassion (as evidenced by the cold and callous way in which he fires a longtime employee). If this sounds like Gordon Gekko to you, it's because Michael Douglas, at this stage in his career, plays cold callousness like no one else. Call it typecasting; I call it brilliant acting ability and being smart enough to stick with what works. However, Gordon Gekko in the legendary Oliver Stone-directed WALL STREET (1987) didn't have a younger brother; Nicholas Van Orton does. On Nick's 48th birthday (the same age at which his father died, hint hint), his black-sheep-of-the-family brother Conrad, as brilliantly played by Sean Penn, visits him in his sprawling, cherry-wood office and hands his older sibling his birthday present: a business card with the name Consumer Recreation Services (CRS) on it. "What is this," Nicholas cynically asks. The sly answer given by Penn is one of my favorite lines in the film, and one that tells us that his elder bro's life will never be the same, once he begins to play THE GAME.

Along the way, Nicholas Van Orton encounters CRS and its primary spokesman (or so he thinks) Jim Feingold (played with disarming confidence by character actor James Rebhorn), a mouthy cocktail waitress (Deborah Kara Unger) who seems to hold the secret to THE GAME, and a spooky-looking full-size inanimate clown who appears to watch everything he does. Also along the way are near-brushes with death that culminate with Conrad Van Orton's tearful admission that he "didn't know what the $#@! he had gotten them into" when he had signed his brother up for THE GAME. But that's still just the beginning...

Everyone is superbly cast in this film, including BABY DOLL (1956) herself, Carroll Baker, and the always-watchable Armin Mueller-Stahl. But the real star here is David Fincher; he is so adept at guiding us down a labyrinthic path of which only he knows the end, that all we can do is hang on and enjoy the rollercoaster ride on which he breathlessly takes us. He primarily relies on small, subtle signs of foreboding to generate suspense, as opposed to full-blown violence and gore. Although this is one of those films that relies on first-time viewers' lack of knowledge of what to expect, and thusly loses something on repeated viewings, it is still a very good film to re-visit on occasion, if only to experience Fincher's unique style (this film and A PERFECT MURDER are miles apart in this respect, believe me), Douglas and Penn's acting and the production values, which are first-rate.

See and experience THE GAME for yourself.

HIGHLY RECOMMENDED

THE GAME is definitely a director's movie. David Fincher (Seven, Panic Room, Fight Club) propels us into the nightmarish world of Michael Douglas' Scroogish investment banker. Nicholas is cold; lonely; bearing a lot of anguish over the suicide of his father, the seeming failure of his brother (Sean Penn in a rather small role, almost overacting, but tolerable). What in this movie is real and what is a game? The use of news commentator Daniel Schorr to set the rules for Douglas is very good, and unique. Deborah Kara Unger fills the role of Christine nicely, although sometimes she seems in a vague fog. Peter Donat as Douglas' lawyer is sturdy; James Rebhorn as the smarmy employee of CRS is also good.
The movie rests on Douglas' shoulders and thought it may be a combination of his other roles, he still does a commendable job in carrying the movie. It is bizarre, nightmarish, ominous and a director's triumph. Some of the things that go on toward the end of the movie and stretch the credibility factor, but I can't divulge those without spoiling the ending.
A good film, inventive and well done.

This is one interesting, thrilling film. It's definitley one of those films that you'll think about afterwards. Michael Douglas stars as a rich man(again?!), who is having his birthday. He's now at the age his father was when he comitted suicide. Sean Penn pops up as his brother, who offers him an interesting birthday present that needs him to play 'the game'. Before Michael knows it, the game is on and he doesn't know what's going on, what to do, or where to go. Along the way he hooks up with a waitress(Deborah Unger)who gets involved with him and this serious 'game'. There are twists and turns in this movie that are set up and executed very, very well. There are things that the audience won't expect. Douglas is very good when he gets to play icy millionaires. You can thank "Wall Street" for that. He is at his best here. Sean Penn does what he can with a pretty small role. Director David Fincher brings a moody, captivating presence to the film. This is a very good movie that will grab hold of your attention and not let it go until the very end.

Less than a full year before A PERFECT MURDER (1998) was released, Michael Douglas starred in THE GAME (1997), which is not simply a Michael Douglas movie, it's a David Fincher film-and you know what that means! From a screenplay by John D. Brancato & Michael Ferris, THE GAME is classic Fincher: dark, mysterious and with a constant sense of brooding danger in which lets you know that somehow, somewhere, something is not quite kosher.

In THE GAME, Douglas is Nicholas Van Orton; a man of great wealth and power and totally devoid of any human compassion (as evidenced by the cold and callous way in which he fires a longtime employee). If this sounds like Gordon Gekko to you, it's because Michael Douglas, at this stage in his career, plays cold callousness like no one else. Call it typecasting; I call it brilliant acting ability and being smart enough to stick with what works. However, Gordon Gekko in the legendary Oliver Stone-directed WALL STREET (1987) didn't have a younger brother; Nicholas Van Orton does. On Nick's 48th birthday (the same age at which his father died, hint hint), his black-sheep-of-the-family brother Conrad, as brilliantly played by Sean Penn, visits him in his sprawling, cherry-wood office and hands his older sibling his birthday present: a business card with the name Consumer Recreation Services (CRS) on it. "What is this," Nicholas cynically asks. The sly answer given by Penn is one of my favorite lines in the film, and one that tells us that his elder bro's life will never be the same, once he begins to play THE GAME.

Along the way, Nicholas Van Orton encounters CRS and its primary spokesman (or so he thinks) Jim Feingold (played with disarming confidence by character actor James Rebhorn), a mouthy cocktail waitress (Deborah Kara Unger) who seems to hold the secret to THE GAME, and a spooky-looking full-size inanimate clown who appears to watch everything he does. Also along the way are near-brushes with death that culminate with Conrad Van Orton's tearful admission that he "didn't know what the $#@! he had gotten them into" when he had signed his brother up for THE GAME. But that's still just the beginning...

Everyone is superbly cast in this film, including BABY DOLL (1956) herself, Carroll Baker, and the always-watchable Armin Mueller-Stahl. But the real star here is David Fincher; he is so adept at guiding us down a labyrinthic path of which only he knows the end, that all we can do is hang on and enjoy the rollercoaster ride on which he breathlessly takes us. He primarily relies on small, subtle signs of foreboding to generate suspense, as opposed to full-blown violence and gore. Although this is one of those films that relies on first-time viewers' lack of knowledge of what to expect, and thusly loses something on repeated viewings, it is still a very good film to re-visit on occasion, if only to experience Fincher's unique style (this film and A PERFECT MURDER are miles apart in this respect, believe me), Douglas and Penn's acting and the production values, which are first-rate.

See and experience THE GAME for yourself.

HIGHLY RECOMMENDED

THE GAME is definitely a director's movie. David Fincher (Seven, Panic Room, Fight Club) propels us into the nightmarish world of Michael Douglas' Scroogish investment banker. Nicholas is cold; lonely; bearing a lot of anguish over the suicide of his father, the seeming failure of his brother (Sean Penn in a rather small role, almost overacting, but tolerable). What in this movie is real and what is a game? The use of news commentator Daniel Schorr to set the rules for Douglas is very good, and unique. Deborah Kara Unger fills the role of Christine nicely, although sometimes she seems in a vague fog. Peter Donat as Douglas' lawyer is sturdy; James Rebhorn as the smarmy employee of CRS is also good.
The movie rests on Douglas' shoulders and thought it may be a combination of his other roles, he still does a commendable job in carrying the movie. It is bizarre, nightmarish, ominous and a director's triumph. Some of the things that go on toward the end of the movie and stretch the credibility factor, but I can't divulge those without spoiling the ending.
A good film, inventive and well done.

This is one interesting, thrilling film. It's definitley one of those films that you'll think about afterwards. Michael Douglas stars as a rich man(again?!), who is having his birthday. He's now at the age his father was when he comitted suicide. Sean Penn pops up as his brother, who offers him an interesting birthday present that needs him to play 'the game'. Before Michael knows it, the game is on and he doesn't know what's going on, what to do, or where to go. Along the way he hooks up with a waitress(Deborah Unger)who gets involved with him and this serious 'game'. There are twists and turns in this movie that are set up and executed very, very well. There are things that the audience won't expect. Douglas is very good when he gets to play icy millionaires. You can thank "Wall Street" for that. He is at his best here. Sean Penn does what he can with a pretty small role. Director David Fincher brings a moody, captivating presence to the film. This is a very good movie that will grab hold of your attention and not let it go until the very end.

Less than a full year before A PERFECT MURDER (1998) was released, Michael Douglas starred in THE GAME (1997), which is not simply a Michael Douglas movie, it's a David Fincher film-and you know what that means! From a screenplay by John D. Brancato & Michael Ferris, THE GAME is classic Fincher: dark, mysterious and with a constant sense of brooding danger in which lets you know that somehow, somewhere, something is not quite kosher.

In THE GAME, Douglas is Nicholas Van Orton; a man of great wealth and power and totally devoid of any human compassion (as evidenced by the cold and callous way in which he fires a longtime employee). If this sounds like Gordon Gekko to you, it's because Michael Douglas, at this stage in his career, plays cold callousness like no one else. Call it typecasting; I call it brilliant acting ability and being smart enough to stick with what works. However, Gordon Gekko in the legendary Oliver Stone-directed WALL STREET (1987) didn't have a younger brother; Nicholas Van Orton does. On Nick's 48th birthday (the same age at which his father died, hint hint), his black-sheep-of-the-family brother Conrad, as brilliantly played by Sean Penn, visits him in his sprawling, cherry-wood office and hands his older sibling his birthday present: a business card with the name Consumer Recreation Services (CRS) on it. "What is this," Nicholas cynically asks. The sly answer given by Penn is one of my favorite lines in the film, and one that tells us that his elder bro's life will never be the same, once he begins to play THE GAME.

Along the way, Nicholas Van Orton encounters CRS and its primary spokesman (or so he thinks) Jim Feingold (played with disarming confidence by character actor James Rebhorn), a mouthy cocktail waitress (Deborah Kara Unger) who seems to hold the secret to THE GAME, and a spooky-looking full-size inanimate clown who appears to watch everything he does. Also along the way are near-brushes with death that culminate with Conrad Van Orton's tearful admission that he "didn't know what the $#@! he had gotten them into" when he had signed his brother up for THE GAME. But that's still just the beginning...

Everyone is superbly cast in this film, including BABY DOLL (1956) herself, Carroll Baker, and the always-watchable Armin Mueller-Stahl. But the real star here is David Fincher; he is so adept at guiding us down a labyrinthic path of which only he knows the end, that all we can do is hang on and enjoy the rollercoaster ride on which he breathlessly takes us. He primarily relies on small, subtle signs of foreboding to generate suspense, as opposed to full-blown violence and gore. Although this is one of those films that relies on first-time viewers' lack of knowledge of what to expect, and thusly loses something on repeated viewings, it is still a very good film to re-visit on occasion, if only to experience Fincher's unique style (this film and A PERFECT MURDER are miles apart in this respect, believe me), Douglas and Penn's acting and the production values, which are first-rate.

See and experience THE GAME for yourself.

HIGHLY RECOMMENDED

THE GAME is definitely a director's movie. David Fincher (Seven, Panic Room, Fight Club) propels us into the nightmarish world of Michael Douglas' Scroogish investment banker. Nicholas is cold; lonely; bearing a lot of anguish over the suicide of his father, the seeming failure of his brother (Sean Penn in a rather small role, almost overacting, but tolerable). What in this movie is real and what is a game? The use of news commentator Daniel Schorr to set the rules for Douglas is very good, and unique. Deborah Kara Unger fills the role of Christine nicely, although sometimes she seems in a vague fog. Peter Donat as Douglas' lawyer is sturdy; James Rebhorn as the smarmy employee of CRS is also good.
The movie rests on Douglas' shoulders and thought it may be a combination of his other roles, he still does a commendable job in carrying the movie. It is bizarre, nightmarish, ominous and a director's triumph. Some of the things that go on toward the end of the movie and stretch the credibility factor, but I can't divulge those without spoiling the ending.
A good film, inventive and well done.