James-Remar Movie Reviews


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VHS movie reviews for "James-Remar" sorted by average review score:

The Base 2
Released in VHS Tape by Lions Gate Home Ente (17 April, 2001)
MPAA Rating: R (Restricted)
Director: Mark L. Lester
Average review score:

Sweet Cheeks Melissa Lewis Ignites the HOT HOT Antonio
Oh, my lordy, lord, lord. The Base 1 left me feeling bereft of any true emotion. Thank God for the Base II with the steamy Melissa Lewis and the gun toting, fatigue wearing hunk of spunk, Antonio Sabato, Jr. I wish I could give this movie a six, but you only have a five..which I would like to talk to you guys about at some other point in time. So anyway, the interaction between the cast, especially Melissa Lewis and Antonio, was provocative and real. I heard they were going to cast Alyssa Milano for the female lead, but the director saw the light and cast newcomer, and Maxim magazine favorite, Melissa Lewis. Great choice in casting, great crafts and services. Buy this movie twice.


One Good Turn
Released in VHS Tape by Fox Lorber (05 July, 2000)
MPAA Rating: R (Restricted)
Director: Tony Randel
Average review score:

The Man who saved his life is back to destroy it
This powerful thriller follows the collision of three lives - Matt (Lenny Von Dohlen), his wife Laura (Suzy Amis), and Simon (James Remar). A chance meeting reunites Matt with Simon, the man who saved his life. What should have been a happy reunion becomes a quest for vengeance. One man is driven by guilt; the other by hate; Laura becomes the victim of a twelve-year-old vendetta at the explosive climax of this electrifying film.
Staring James Remar, Suzy Amis, Lenny Von Dohlen and John Savage.


One Good Turn
Released in VHS Tape by Bmg Video (22 July, 1997)
MPAA Rating: R (Restricted)
Director: Tony Randel
Average review score:

The Man who saved his life is back to destroy it
This powerful thriller follows the collision of three lives - Matt (Lenny Von Dohlen), his wife Laura (Suzy Amis), and Simon (James Remar). A chance meeting reunites Matt with Simon, the man who saved his life. What should have been a happy reunion becomes a quest for vengeance. One man is driven by guilt; the other by hate; Laura becomes the victim of a twelve-year-old vendetta at the explosive climax of this electrifying film.
Staring James Remar, Suzy Amis, Lenny Von Dohlen and John Savage.


Dream Team
Released in VHS Tape by Good Times Home Vide (22 February, 2000)
MPAA Rating: PG-13 (Parental Guidance Suggested)
Director: Howard Zieff
Starring: Michael Keaton and Christopher Lloyd
Average review score:

One of the funniest movies ever made
A side-splitting comedy about four mental patients: Michael Keaton as a habitual liar who has violent tendencies, Christopher Lloyd as an obsessive-compulsive who thinks he runs the hospital, Peter Boyle as a former advertising executive with a messiah complex who likes to take his clothes off, and Stephen Furst as catatonic couch potato. Against the wishes of the hospital administration, their compassionate doctor takes the four patients to New York City to watch a major league baseball game. When the van reaches the city, the doctor has to exit the van - with patients still inside - only to witness a murder committed by two corrupt cops. The doctor is attacked by the cops, leaving him hospitalized and unable to help his patients. The patients then find themselves framed for the murder. Now the patients have to not only act "sane" to prove their innocence, they also have to save the life of their doctor who is still a target of the two cops.

What makes this movie work is the relationship of the patients. It is so much fun watching Keaton, Lloyd, and Boyle bicker all the time about the littlest things. Boyle has a really funny scene in which he leaves the van while Lloyd tries to block him. Boyle then muscles his way past Lloyd, tells him that He shall have no false gods before Him, and finally he tells Lloyd to get out his way before calling him a seven-letter word. There might only be so much you can do with a catatonic character, but Furst is quite memorable. Even though the doctor must have the patience of a saint when dealing with them, he probably has a harder time suppressing a laugh. Quite simply, this is a movie that gets better every time you watch it.

A wonderful comedy.
This is the sort of movie you can see a hundred times without getting bored. Four 'lunatics' try to track down their psychiatrist after he has been mugged. Hampered by their own mental problems and a society which is less than understanding they manage to find him and protect him from two corrupt policemen. A good script is further enhanced by excellent team-work from the actors includig Michael Keaton, Christopher Loyd, Stephen Furst and Peter Boyle. At theend of the movie you truly begin to wonder who is really crazy: the four nutcases, or the society around them.

Hilarious!!!
Just got through watching it, and I'm still cracking up at those incredibly funny situations and classic one liners.The plot is about 4 "psychos"; Billy, a pathological liar with a violent streak, finds himself on loose in New York City with his fellow group therapy patients: Henry, a neat freak; Jack a former advertising executive who thinks he's Christ; and Albert a catatonic couch potato. Faced with the task of rescuing their missing doctor from a pair of crooked cops (who mess him up real bad), the group finds themselves sharing a series of hilarious misadventures in this farce hilarious comedy that is sure to have you on the floor. It's hysterical! One of the funniest movies I've ever seen!


Dream Team
Released in VHS Tape by Universal Studios (15 November, 1993)
MPAA Rating: PG-13 (Parental Guidance Suggested)
Director: Howard Zieff
Starring: Michael Keaton and Christopher Lloyd
Average review score:

One of the funniest movies ever made
A side-splitting comedy about four mental patients: Michael Keaton as a habitual liar who has violent tendencies, Christopher Lloyd as an obsessive-compulsive who thinks he runs the hospital, Peter Boyle as a former advertising executive with a messiah complex who likes to take his clothes off, and Stephen Furst as catatonic couch potato. Against the wishes of the hospital administration, their compassionate doctor takes the four patients to New York City to watch a major league baseball game. When the van reaches the city, the doctor has to exit the van - with patients still inside - only to witness a murder committed by two corrupt cops. The doctor is attacked by the cops, leaving him hospitalized and unable to help his patients. The patients then find themselves framed for the murder. Now the patients have to not only act "sane" to prove their innocence, they also have to save the life of their doctor who is still a target of the two cops.

What makes this movie work is the relationship of the patients. It is so much fun watching Keaton, Lloyd, and Boyle bicker all the time about the littlest things. Boyle has a really funny scene in which he leaves the van while Lloyd tries to block him. Boyle then muscles his way past Lloyd, tells him that He shall have no false gods before Him, and finally he tells Lloyd to get out his way before calling him a seven-letter word. There might only be so much you can do with a catatonic character, but Furst is quite memorable. Even though the doctor must have the patience of a saint when dealing with them, he probably has a harder time suppressing a laugh. Quite simply, this is a movie that gets better every time you watch it.

A wonderful comedy.
This is the sort of movie you can see a hundred times without getting bored. Four 'lunatics' try to track down their psychiatrist after he has been mugged. Hampered by their own mental problems and a society which is less than understanding they manage to find him and protect him from two corrupt policemen. A good script is further enhanced by excellent team-work from the actors includig Michael Keaton, Christopher Loyd, Stephen Furst and Peter Boyle. At theend of the movie you truly begin to wonder who is really crazy: the four nutcases, or the society around them.

Hilarious!!!
Just got through watching it, and I'm still cracking up at those incredibly funny situations and classic one liners.The plot is about 4 "psychos"; Billy, a pathological liar with a violent streak, finds himself on loose in New York City with his fellow group therapy patients: Henry, a neat freak; Jack a former advertising executive who thinks he's Christ; and Albert a catatonic couch potato. Faced with the task of rescuing their missing doctor from a pair of crooked cops (who mess him up real bad), the group finds themselves sharing a series of hilarious misadventures in this farce hilarious comedy that is sure to have you on the floor. It's hysterical! One of the funniest movies I've ever seen!


Band of the Hand
Released in VHS Tape by Columbia/Tristar Studios (23 October, 1986)
MPAA Rating: R (Restricted)
Director: Paul Michael Glaser
Starring: Stephen Lang and Michael Carmine (II)
Band of the Hand was executive-produced by Miami Vice creator Michael Mann, but this violent relic of the '80s begs for a smarter script and Mann's directorial flair. Instead it's got TV's "Starsky"--Paul Michael Glaser--seemingly asleep at the wheel, barely controlling a rainbow coalition of bad actors as punky Florida jailbirds, given a second chance when they're dropped into the treacherous everglades and whipped into a crack unit of urban warriors by a gruff marine (Stephen Lang) who supervises their juvenile "reform." One of the reluctant recruits has a girlfriend (fresh-faced newcomer Lauren Holly) who's tied up with local drug lords (Larry Fishburne, James Remar), and the inevitable showdown offers guerilla warfare in pastel shades. Wretched dialogue and lackluster action don't stop this from being a Vice-like guilty pleasure, populated by garishly costumed stereotypes and ending like the pilot for a TV series that never happened. Even the DVD liner notes admit the movie is "infamous"; accepted on those terms, it's a hoot. --Jeff Shannon
Average review score:

Band of the hand
I first saw this movie when I was in jr hi. At the time I was obsesed with Miami Vice, and happened to catch this movie on tv late one night. The influence of Michal Mann, the producer of Miami Vice(and more recently Heat) is clear from begining to end, from the south Fla settings, to the story of drugs,sex, crime and violence, to the mood setting music.
After watching this movie on tv I had to run out and rent it. I watchd it endlessly. Needless to say I had a huge late fee.
As with Miami Vice, music was a big part of this movie. If you can get a copy of the sound track, do. The music written by The Reds just for this movie is every bit as good as anything that was heard on Miami Vice. Much Of the other music on the Sound track is just as good. My only complaint is that I have only been able to find it on tape in a bargin bin. A CD copy wold be much better.
If you are a fan Of Miami Vice, or Michal Mann, this is a must have.

One of the Best 80's Movies
This movie was great. I laughed all the way through it. The acting was passionate and heartfelt, not to mention the awesome soundtrack! I love to watch this movie! If anyone should know how I can get a CD Version of the soundtrack, please e mail me. The actor who playes Nestor, James Remar, is great! Where has he been since? He was wonderful in Miami Vice also.

Pure 80's goodness!
So long.....I have waited so long for this movie to be released on DVD. Last year, I was forced to buy a well used and badly warn VHS copy on Ebay. Forced, you say? Yes, Forced. This movie is goodness. That's all there is to it. I saw it on cable when I was a kid and it quickly became one of my favorite movies of all time.
Please, do yourself a favor and buy this movie. As some people have said above, they really do not make them like this anymore. It's got that special something that modern movies lack...and I'm not just saying that because I'm older now, and that's what older people are supposed to say about things from their chldhood. It's a fact. My praises cannot do this movie justice. You have to watch it to understand. Band of the Hand is hidden and forgotten treasure. Those who call it corny, or say the acting is "bad" simply do not get it. I get it, and I hope you do too.


Windwalker
Released in VHS Tape by United American Video (22 August, 2001)
MPAA Rating: PG (Parental Guidance Suggested)
Director: Kieth Merrill
Starring: Trevor Howard
Average review score:

Windwalker
This movie has been watched by me almost as many times as I have watched Star Wars. It is one of the most beautiful visually stimulating movies I have seen as well as being a fantastic story. It is the first story of Native Americans to treat them with dignity, majesty and respect that I know of. I was surprised that Trevor Howard (a wonderful English actor) was chosen to portray the old Windwalker. However, he spoke the native dialect (I believe Cheyenne)with great dignity and reverence. The story is wonderful! The scenery is not to be beaten. The Native American actors were fantastic and you cannot find a better way to spend your time than sharing this with your whole family.

memories revisied
what can i say about this movie to do it justice... i was 10 yrs. old when this came out and was able to see this at the theater. it's a wonderful movie, w/ excellent cinematography, and a well written story. the scenery is spectacular too. fans of the recent "crouching tyger..." may like this one as well... not for the story, but due to the fact that this filmed entirely in native american languages. the story itself has no similarity w/ "crouching tyger..." other than that it is brillianly filmed, written and acted. if you want to have an experience, rather than just watching something, buy "the windwalker"... you won't be disappointed... trust me! watching this brings back the memories of a 10 year old movie fan. my one hope is to some day see the release of this on dvd. cheers all!

The best family viewing
I took my children to see this movie when it was first released. We all loved it. When VCR's became popular I looked for the movie in all the stores but of course was never able to find it. I was glad to purchase it on line. My son watches it over and over again. My only complaint is the quality of the tape. I am hoping that it will be remastered onto DVD with a better picture quality so I can keep on enjoying it with my grandchildren.


The Warriors
Released in VHS Tape by Paramount Studio (01 April, 2003)
MPAA Rating: R (Restricted)
Director: Walter Hill
Starring: Michael Beck and James Remar
Walter Hill's controversial 1979 drama was blamed for causing gang violence at theaters, but now it looks as highly stylized and pulpy as Hill (Last Man Standing) intended. The plot finds a New York gang having to cross the territory of rivals in order to get to their own 'hood. A sort of urban Western with a comic-book pace, artificial colors, fable-like tone, and broad acting, the film isn't intended to steep us in gritty realities so much as spin a decadent fantasy out of them. Still, this is a tough film with an almost futuristic element to its characterizations of gang activity, and it is more absorbing than Hill's more elaborate youth opera of punk wars, Streets of Fire. --Tom Keogh
Average review score:

Fantastic Flick but DVD is sorely lacking!
How can the studio not honor this retro cult classic with a fully-packed special 25th anniversary edition?! And where's the all important documentary on the release of the film in '79, when teen crowds across the US went wild and attacked police, destroyed theatres, etc... Only ten years old at the time of its release, what I remember most about the Warriors is seeing the nightly news reporting that the movie should be banned, due to the violence it was causing out in the streets! A truly strong film at the time and a strong piece for a DVD time capsule. What's really ironic is that in today's world, compared with the flix out there now, The Warrior's would be released as a bad after-school special - very tame compared with present standards. Too funny and a great classic! GENTLEMEN, GIVE US THE ANNIVERSARY EDITION!!

Who are the Warriors ? I want all the Warriors !
Walter Hill ( 48 hrs, Hard Times ) shows his directing flair for action, drama and style in this crackling 1979 movie about a Coney Island gang falsely accused of murder and fleeing from their accusers....including the other NYC gangs and the New York City Police Department.

Hill successfully adapted the moderately popular novel by author Sol Yurick who worked with the NYC Dept of Welfare in the 1950's. Yurick used the basis of ancient Greek history and the torturous trek home by Greek soldiers after their leader , Cyrus the Younger, was killed in the Persian Wars...and simply updated the setting to modern day NY and it's raging gang warfare embracing the five boroughs !

Set amongst a hostile, nocturnal world of neon lit train stations, baseball bat wielding gang members and lethal, gun toting women "The Warriors" moves along at a frenetic pace with a fine selection of young actors taking the lead. Michael Beck plays the cool headed, "war chief" Swan, seeking to get the other members back home to Coney Island alive and in one piece. James Remar is unforgettable as the woman chasing, hot headed Ajax...always out to prove his manhood with his fists. And David Patrick Kelly is perfect as the murderous, but ultimately cowardly leader of the Rogues.

Attending a combined gangs meeting deep in the South Bronx to hear the Gramercy Riffs plans to control the streets of New York, the Warriors are wrongly accused of the shooting death of their charismatic leader, Cyrus. The finger of blame pointed their way, they flee via any means they can and upon their way back to home base encounter violent opposition from the low life Orphans, the shaven headed Turnbull AC's, the face painted Baseball Furies, the seductive all female gang, the Lizzies and even rifts within their own ranks lead to trouble.

The film was roundly savaged by several sections of the community (mainly law enforcement & welfare groups) upon it's release for apparently inciting gang violence and it's poor depiction of inner city street kids, and yes, there were several nasty incidents at theatre's upon the film's release, but these have been blown well out of all proportion. Although, I must say when the film was released in my country (Australia) it was already riding a wave of notoriety, and attracted "bad boys" in their droves to watch this "infamous" gang flick. When viewed in the cold light of day, the film is actually fairly cartoon like in it;s depiction of urban violence and most anyone who cop's a hiding seems to be left just rubbing his head and moaning (a la Daffy Duck) in discomfort !

Interestingly, out of a on screen line up of strong young talent, very few of the cast went on to any sort of fame & fortune in Hollywood. James Remar has had the most success (with about 70 movies under his belt ) and has continued his motif of tough, aggressive leads in films like "48 Hrs", and plenty of "straight to video" action fare...plus he even crops up regularly on "Sex and the City" & "Third Watch" re-runs ! It's good to see that hard hitting Ajax never left New York ! Actor Marcellino Sanchez who played graffiti artist "Rembrandt" died from cancer only a few years after the films release, and David Patrick Kelly has continued in roles as evil, criminal types...see him in "Commando", "The Crow" & "Wild at Heart" !

I think "The Warriors" occupies quite a sentimental place in my film heart, as I was in my late teens, and hanging around with a group of testosterone filled guys when this film came out, and could somewhat identify with these on screen tough guys and their night time exploits...but I'm much more civilised now !

A colorful, exciting and fast paced film...albeit corny in places with that silly love story sub plot with bee stung lipped, Deborah Van Valkenbergh...it is one of the better made and better remembered teen gang movies !

CAN YOU DIG IT!!!!!
who are the warriors? well every gang wants to know. the warriors are accused of killing Cyrus, one of the powerful gang lords. they have to make it back to Coney Island in time, hopping on train to train and dodging gangs left and right. the suspense and action never let go and you feel for the warriors when one of them falls. the best scene is when they fight the baseball gang in the park. dont those guys ever quit and theres a lot of other cool scenes involving fighting other gangs. one of the best films of 1979


Drugstore Cowboy
Released in VHS Tape by Artisan Entertainment (08 September, 1993)
MPAA Rating: R (Restricted)
Director: Gus Van Sant
Starring: Matt Dillon and Kelly Lynch
Gus Van Sant made his name with this offbeat story of a small group of drug addicts who heist pharmacies to feed their habit. Matt Dillon completely broke with his juvenile persona as Bob, the grungy ringleader and jittery mastermind of a junkie crew. With his frustrated wife Dianne (Kelly Lynch), his loyal partner, the easygoing Rick (James Le Gros), and Rick's juvenile girlfriend Nadine (Heather Graham in an early role), Bob plots ingenious heists and spends the rest of his days sitting around the house getting high. When the heat becomes too intense in Portland, the quartet hits the road for small-town drug stores and hospitals, but when their luck runs out it does so in grand fashion. Set in the Pacific Northwest of 1971, Van Sant so effortlessly re-creates the period that you'd think the film was a time capsule--except for the attitude. Van Sant refuses to moralize and lines his sympathies behind his characters. They're no heroes, but Van Sant can't cast them as villains either. His low-key direction concentrates on the flavor of day-to-day life for a crew of junkies living from fix to fix. Even his drug imagery is inventively placid, a dreamy set of floating visions that suggests their own disembodied states. James Remar costars as the dogged police detective Gentry and cult author William S. Burroughs makes a memorable appearance as the aging junkie Tom the Priest. --Sean Axmaker
Average review score:

Some like it black
Before director Gus Van Sant decided to get all mushy on us with the likes of Finding Forrester, he made this suprisingly little-seen gem. The first time I saw it was not long after having seen Trainspotting, and I immediately understood where Trainspotting had found a great amount of its inspiration - like that film, Drugstore Cowboy is essentially a comedy. Black as they come, but a comedy none the less.

The story of a group of four junkies who raid drugstores in their search for drugs, this film takes a gritty, unflinching look at drugabuse and the hell people go through while using and after they quit. Shifting tones between deeply dramatic and darkly comical, Van Sant never judges his characters, but just allows them to speak for themselves - literally, as Matt Dillon's character narrates the movie. Dillon has never been better than here, and is supported by an excellent Kelly Lynch (where did she go in the meantime, anyway?) and a very young Heather Graham.

There are moments in this film you'll remember forever: when Dillon and Lynch get stuck in a motel hosting a sheriff's convention with a dead body on their hands, you don't know whether to laugh, cry or shiver at the thought. And who ever suspected that a song like "The Israelites" could be made to sound so haunting? In the framework of this movie, it does. Above all, this movie comes across as very honest and heartfelt, emotional without being corny, effective without being preachy.

DVD-edition features a fine transfer of the film - its occasional graininess is likely due to either the low budget it was shot on in the first place, or an artistic choice. I've never seen it any better than here, and the rough edges of it do seem to add to its content and mood. Commentary by Van Sant and Dillon starts out entertaining, but towards the end they seem to be searching for new things to say. Very good "making of"-featurette.

Van Sant's best movie....
I was fortunate to see this film in its limited original release. Over the years much of it stayed with me, and it has stood up to repeated viewings. Hard to say what had the most impact: To see Matt Dillon turn in one of the best acting performances of that year? To witness one of the first performances of an interesting, talented unknown named Heather Graham? Or maybe the inspired performance of William Burroughs in a key role near the end? All the performances in this movie ring true. Truly one of the major overlooked films of the last 20 years.

Dillon is bad to the bone
loved this movie with a fire. Im a huge fan of Matt Dillon's work and he gives probably the best performance of his career and he hasnt topped it yet. he plays a druggy and he has a girlfriend played wonderfully by Kelly Lynch and he has two friends, James LeGros and Heather Graham and he also has a cop on his ass played nicely by James Remar. later a stealing of drugs goes bad and Graham kills herself so Dillon wants to rehabilitate and start over with his life and he checks in and he finds out one of his former teachers is going there. Max Perlich also stars as a dimwitted drug dealer. powerful anf funny. the bet scene is where that guy comes out of his house and shoots the cop on the ladder


Drugstore Cowboy
Released in VHS Tape by Artisan Entertainment (27 July, 1994)
MPAA Rating: R (Restricted)
Director: Gus Van Sant
Starring: Matt Dillon and Kelly Lynch
Gus Van Sant made his name with this offbeat story of a small group of drug addicts who heist pharmacies to feed their habit. Matt Dillon completely broke with his juvenile persona as Bob, the grungy ringleader and jittery mastermind of a junkie crew. With his frustrated wife Dianne (Kelly Lynch), his loyal partner, the easygoing Rick (James Le Gros), and Rick's juvenile girlfriend Nadine (Heather Graham in an early role), Bob plots ingenious heists and spends the rest of his days sitting around the house getting high. When the heat becomes too intense in Portland, the quartet hits the road for small-town drug stores and hospitals, but when their luck runs out it does so in grand fashion. Set in the Pacific Northwest of 1971, Van Sant so effortlessly re-creates the period that you'd think the film was a time capsule--except for the attitude. Van Sant refuses to moralize and lines his sympathies behind his characters. They're no heroes, but Van Sant can't cast them as villains either. His low-key direction concentrates on the flavor of day-to-day life for a crew of junkies living from fix to fix. Even his drug imagery is inventively placid, a dreamy set of floating visions that suggests their own disembodied states. James Remar costars as the dogged police detective Gentry and cult author William S. Burroughs makes a memorable appearance as the aging junkie Tom the Priest. --Sean Axmaker
Average review score:

Some like it black
Before director Gus Van Sant decided to get all mushy on us with the likes of Finding Forrester, he made this suprisingly little-seen gem. The first time I saw it was not long after having seen Trainspotting, and I immediately understood where Trainspotting had found a great amount of its inspiration - like that film, Drugstore Cowboy is essentially a comedy. Black as they come, but a comedy none the less.

The story of a group of four junkies who raid drugstores in their search for drugs, this film takes a gritty, unflinching look at drugabuse and the hell people go through while using and after they quit. Shifting tones between deeply dramatic and darkly comical, Van Sant never judges his characters, but just allows them to speak for themselves - literally, as Matt Dillon's character narrates the movie. Dillon has never been better than here, and is supported by an excellent Kelly Lynch (where did she go in the meantime, anyway?) and a very young Heather Graham.

There are moments in this film you'll remember forever: when Dillon and Lynch get stuck in a motel hosting a sheriff's convention with a dead body on their hands, you don't know whether to laugh, cry or shiver at the thought. And who ever suspected that a song like "The Israelites" could be made to sound so haunting? In the framework of this movie, it does. Above all, this movie comes across as very honest and heartfelt, emotional without being corny, effective without being preachy.

DVD-edition features a fine transfer of the film - its occasional graininess is likely due to either the low budget it was shot on in the first place, or an artistic choice. I've never seen it any better than here, and the rough edges of it do seem to add to its content and mood. Commentary by Van Sant and Dillon starts out entertaining, but towards the end they seem to be searching for new things to say. Very good "making of"-featurette.

Van Sant's best movie....
I was fortunate to see this film in its limited original release. Over the years much of it stayed with me, and it has stood up to repeated viewings. Hard to say what had the most impact: To see Matt Dillon turn in one of the best acting performances of that year? To witness one of the first performances of an interesting, talented unknown named Heather Graham? Or maybe the inspired performance of William Burroughs in a key role near the end? All the performances in this movie ring true. Truly one of the major overlooked films of the last 20 years.

Dillon is bad to the bone
loved this movie with a fire. Im a huge fan of Matt Dillon's work and he gives probably the best performance of his career and he hasnt topped it yet. he plays a druggy and he has a girlfriend played wonderfully by Kelly Lynch and he has two friends, James LeGros and Heather Graham and he also has a cop on his ass played nicely by James Remar. later a stealing of drugs goes bad and Graham kills herself so Dillon wants to rehabilitate and start over with his life and he checks in and he finds out one of his former teachers is going there. Max Perlich also stars as a dimwitted drug dealer. powerful anf funny. the bet scene is where that guy comes out of his house and shoots the cop on the ladder


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