John-Singleton Movie Reviews


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VHS movie reviews for "John-Singleton" sorted by average review score:

She's Gotta Have It
Released in VHS Tape by Polygram Video (14 November, 1995)
MPAA Rating: Unrated
Director: Spike Lee
Starring: Tracy Camilla Johns and Tommy Redmond Hicks
Spike Lee made a splash in the independent film world with his debut feature, an inventive low-budget romance with a strong-willed heroine. Nola Darling (Tracy Camilla Johns) can't decide among her three boyfriends: serious but sweet Jamie (Tommy Redmond Hicks), self-centered clotheshorse Greer (John Canada Terrell), and goofy, wisecracking bike messenger Mars Blackmon (Lee). Within this loose story line Lee launches into a character study of Darling and offers a slice of black urban life rarely seen on the screen. According to Lee's published diary, he interviewed dozens of women and gathered feedback on screenplay from female friends, and his efforts show. Nola is an unapologetic, sexually independent character who resists the efforts of the men in her life to change who she is to please them--the wonderful concluding twist thumbs its nose at romantic conventions and gives Nola her due. Lee combines direct address and documentary techniques with a simple, often elegant narrative style to create a multilayered portrait of Nola and her men and question perceptions and conventions of sex, sexuality, and relationships in the modern world. Though somewhat primitive in the light of his more accomplished works, this first feature introduces Lee as a fresh voice and a creative force to be reckoned with. --Sean Axmaker
Average review score:

Spike Lee's first movie.
The first thing you will notice that makes this movie special is
that is shot in black & white. It is the story of three men vying
for the attention and affection of 1 woman. As the story unfolds
it's a question of "Who's Zoomin Who" And who if anybody will ride the "Freeway Of Love". This is not a typical date movie,
but if you choose to watch it with you main squeeze. Don't scratch where it don't itch. In other words, you could wonder where they are and who they're with when their not with you.
But don't ask. This was Spike debut as actor and director.
For a movie made on a shoestring budget,the plot, though slow at
times, kept me interested.

good debut
mars do you do you know? this line and other lines have been used endlessly.spike lee was on to something and this film showcases a genius in action.three diffrent men trying to win the affection of one woman.

Unhibited sex from a black female's point of view.
I rented this movie because I read Spike Lee's The Best Seat in the House book (an excellent book) and it contained several dialog quotes from this movie (Mars Blackmon and Jamie Oversteet talking about the NBA). I specifically rented it to hear the line about Larry Bird. I was pleasantly surprised by the movie. It was ahead of its time and showed an attractive black female with three admirers vying for her affection. She was not afraid of sex and had no intentions of hiding what she wanted. I paid attention to the soundtrack because I know Spile Lee's father composed the film's music and it was very good. I also liked how Spike Lee (Shelton Jackson Lee)cast his sister Joie in the film too.

I loved Spike Lee's book and enjoyed this film. I had no idea he was that knowledgeable about the NBA and I loved his tales about Pippen, Miller and the 69-70, 72-73 New York Knicks championship teams.


New Orleans
Released in VHS Tape by Kino Video (25 April, 2000)
MPAA Rating: NR (Not Rated)
Director: Arthur Lubin
This little-seen, 1947 drama is a treat for jazz fans, thanks to an otherwise creaky, if nobly intentioned story built around the music's Crescent City genesis that provides an ample excuse to turn the camera on authentic jazz greats. Nick Duquesne (Arturo De Cordova) is a Bourbon Street charmer whose gambling club provides the mythic stomping grounds for none other than Louis Armstrong, whose vocalizing sweetheart Endie, played by none other than Billie Holiday, proves no slouch herself. A newly arrived debutante, Miralee (Dorothy Patrick), arrives in New Orleans and falls first for the music and then for the roguish but ultimately gallant Nick. The movie follows knee-jerk plot machinations revolving around her family's efforts to excise Nick from her life, her own dream of mingling jazz and classical music, and the gambler's transformation into a jazz promoter.

The script works in the squalor and much of the geography of Storyville and the French Quarter, even providing a contrasting look at the genteel parlor music being played in "respectable" casinos, and the casting telegraphs the production's reverence for jazz. Satchmo's other musical partners are equally serendipitous, including Kid Ory, Barney Bigard, Bud Scott, Zutty Singleton, Meade "Lux" Lewis, and Red Callender. A brief arc late in the film adds Woody Herman and his orchestra.

When the musicians are featured, New Orleans is a frequent delight, with Armstrong as magnetic as always, and Holiday endearing. As an actress, she's a terrific singer, and luckily Lady Day's dialogue is far briefer than her featured vocals. The DVD version boasts additional period shorts showcasing Armstrong (1932's "A Rhapsody in Black and Blue") and Holiday's "Symphony in Black" from 1935). --Sam Sutherland

Average review score:

Who knows
What are the names of the classical music songs and the jazz by Woody Herman?

Silly plot, fantastic music
I bought this DVD blindly just because I'm such a fan of Louis Armstrong, Billie Holiday and of New Orleans in general. The plot (what there is of it) is clichŽd and uninteresting, but the music is fantastic, and I ended up playing the musical pieces over and over. The entire movie is filmed on a Hollywood soundstage; if you're looking for shots of old New Orleans, look elsewhere.

Great footage of many early jazz legends
I have always found jazz performances much more captivating live rather than recorded, and although I can't travel back in time and see Louis Armstrong play during his prime, this video is the next best thing.

The makers of New Orleans did not waste the talents of the musicians, and a good chunk of the movie is concert footage of many of the giants from the golden age of Jazz including Kid Ory, Woody Herman and Billie Holiday doing old standards such as Basin Street Blues and Do You Know What it Means to Miss New Orleans.

These performances truly convey the joy that enrapt the musicians as they played, and Armstrong in particular, is irresistably charming and funny as usual and appears for much of the film.

Unfortunately, Holiday is possibly the most wooden actress I have ever seen, but since for most of her comparatively short screen time is spent singing, it isn't a problem.

I strongly recommended this one to all fans of early jazz.


The Jetsons Meet the Flintstones
Released in VHS Tape by Hanna-Barbera (03 July, 2001)
MPAA Rating: Unrated
Director: Don Lusk
Starring: Henry Corden, George O'Hanlon, Jean Vander Pyl, and Penny Singleton
All those Saturday mornings ago, did you ever wonder what would happen if the Jetson family was jettisoned back in time? Or how Fred and Wilma would fare in the future? Well in 1987 the good folks at Hanna-Barbera put their heads together and came up with this animated answer. You might predict that boy-crazy Judy would get a crush on a prehistoric himbo or that Fred would elbow Barney out of the way to appear on the Joan Rivers Show. (Remember it was 1987.) But would you guess that Dino and Astro would become such pals? It all starts when a work-weary George agrees to pile the family into Elroy's time machine, never dreaming it will actually work. Landing outside Bedrock, the family is rescued by the prehistoric couples, who give them shelter in exchange for some high-tech help, as the fellows are having job troubles of their own. Long story short: Due to a technical glitch Fred and friends wind up in the Jetsons' futuristic home with Rosie the Robot and an angry Mr. Spacely, while the Jetson clan stages a Bedrock takeover. This 92-minute caper is suitable for any age. --Kimberly Heinrichs
Average review score:

Good!
I don't really like the Jetsons, that much, but I like the Flintstones, so I am giving it a *** (3 out of 5), since I only like the Flintstones.

A memorable meeting of two classic families
Both the Jetson and the Flintstone families are planning a vacation to get away from all the hassles of the working life. While Fred Flintstone is trying to gamble his way for a nice vacation for his family and friends, the Jetsons have Elroy, whom just made a new time-traveling device.

You can tell by the movie's title that the Jetsons are definitly going to meet the Flintstones. But many questions arise: Will the two classic families get along, be scared of each other, or what? If they get to know one another, how will things go from that point?

When I was a kid, I was always a fan of both The Flintstones and The Jetsons, so I wanted to see "The Jetsons Meet the Flintstones". It's interesting the entire movie to see how the two families (one completely made up of cavemen and the other being composed of futuristic material-driven people) will get along and what they will do together.....or apart from each other.

I recommend "The Jetsons Meet the Flintstones" to anybody who likes both cartoons. You'll see many of the familiar antics of both families, including Mr. Spacely not ever giving Mr. Jetson a break, the famous animals that the Flintstones own, such as the elephant that supplies the water for taking a bath, and so on. But, you've never seen how the two families interact with each other. So, get this movie now and see it for yourself!

the ultimate get together
i remember when TBS/TNT used to air this cartoon every Thanksgiving. i always loved it because it combined two opposite families and it provided the ultimate get together. imagine The Jetsons meeting the Flintstones...it was a logical step. in the story we see Elroy (voice of legend Daws Butler) building a time machine that transports the entire clan to Bedrock. chaos soon ensues as the Flintstones get transported into the future. Fred and George become "celebrities" with their appearances: Cosmo Spacely, George's boss, (voice of legend Mel Blanc) wants to make a killing with nostalgia buffs with authentic people from the stone-age with the leopard suits and fashion. meanwhile, "a million miles back that way" as Fred would say, the Jetsons are impressing the folks of Bedrock with their space age methods prompting Mr. Slate, Fred's boss (voice of legend John Stephenson), to hire George for his time and money saving ideas. soon, boredom sets in and both sets of families yearn for their natural habitat and each family returns to their respective residence. other voice legends who also share the spotlight: Henry Corden is Fred; Jean Vanderpyl is Wilma, Mrs. Slate, and the Jetson's robotic maide Rosie. Don Messick is Astro and R.U.D.I. as well as an announcer on the P.A. system {p.s: Don's real voice was used for Ranger Smith of "Yogi Bear" as well as countless narration jobs on early Hanna-Barbera cartoons mostly notably "Ruff and Ready" and "Quick Draw McGraw"}. Mel Blanc, in addition to Mr. Spacely, also voiced Dino and Barney Rubble. Daws Butler, in addition to Elroy, also voiced Henry Orbit, the mechanic in the Jetson's apartment as well as Cogswell, the competitor of Mr. Spacely. this video is wonderful and it should bring back memories of the "good ol' days" of simple characters and simplistic stories designed for adult entertainment as well as for children.


The Jetsons Meet the Flintstones
Released in VHS Tape by Hanna-Barbera (03 July, 2001)
MPAA Rating: Unrated
Director: Don Lusk
Starring: Henry Corden, George O'Hanlon, Jean Vander Pyl, and Penny Singleton
All those Saturday mornings ago, did you ever wonder what would happen if the Jetson family was jettisoned back in time? Or how Fred and Wilma would fare in the future? Well in 1987 the good folks at Hanna-Barbera put their heads together and came up with this animated answer. You might predict that boy-crazy Judy would get a crush on a prehistoric himbo or that Fred would elbow Barney out of the way to appear on the Joan Rivers Show. (Remember it was 1987.) But would you guess that Dino and Astro would become such pals? It all starts when a work-weary George agrees to pile the family into Elroy's time machine, never dreaming it will actually work. Landing outside Bedrock, the family is rescued by the prehistoric couples, who give them shelter in exchange for some high-tech help, as the fellows are having job troubles of their own. Long story short: Due to a technical glitch Fred and friends wind up in the Jetsons' futuristic home with Rosie the Robot and an angry Mr. Spacely, while the Jetson clan stages a Bedrock takeover. This 92-minute caper is suitable for any age. --Kimberly Heinrichs
Average review score:

Good!
I don't really like the Jetsons, that much, but I like the Flintstones, so I am giving it a *** (3 out of 5), since I only like the Flintstones.

A memorable meeting of two classic families
Both the Jetson and the Flintstone families are planning a vacation to get away from all the hassles of the working life. While Fred Flintstone is trying to gamble his way for a nice vacation for his family and friends, the Jetsons have Elroy, whom just made a new time-traveling device.

You can tell by the movie's title that the Jetsons are definitly going to meet the Flintstones. But many questions arise: Will the two classic families get along, be scared of each other, or what? If they get to know one another, how will things go from that point?

When I was a kid, I was always a fan of both The Flintstones and The Jetsons, so I wanted to see "The Jetsons Meet the Flintstones". It's interesting the entire movie to see how the two families (one completely made up of cavemen and the other being composed of futuristic material-driven people) will get along and what they will do together.....or apart from each other.

I recommend "The Jetsons Meet the Flintstones" to anybody who likes both cartoons. You'll see many of the familiar antics of both families, including Mr. Spacely not ever giving Mr. Jetson a break, the famous animals that the Flintstones own, such as the elephant that supplies the water for taking a bath, and so on. But, you've never seen how the two families interact with each other. So, get this movie now and see it for yourself!

the ultimate get together
i remember when TBS/TNT used to air this cartoon every Thanksgiving. i always loved it because it combined two opposite families and it provided the ultimate get together. imagine The Jetsons meeting the Flintstones...it was a logical step. in the story we see Elroy (voice of legend Daws Butler) building a time machine that transports the entire clan to Bedrock. chaos soon ensues as the Flintstones get transported into the future. Fred and George become "celebrities" with their appearances: Cosmo Spacely, George's boss, (voice of legend Mel Blanc) wants to make a killing with nostalgia buffs with authentic people from the stone-age with the leopard suits and fashion. meanwhile, "a million miles back that way" as Fred would say, the Jetsons are impressing the folks of Bedrock with their space age methods prompting Mr. Slate, Fred's boss (voice of legend John Stephenson), to hire George for his time and money saving ideas. soon, boredom sets in and both sets of families yearn for their natural habitat and each family returns to their respective residence. other voice legends who also share the spotlight: Henry Corden is Fred; Jean Vanderpyl is Wilma, Mrs. Slate, and the Jetson's robotic maide Rosie. Don Messick is Astro and R.U.D.I. as well as an announcer on the P.A. system {p.s: Don's real voice was used for Ranger Smith of "Yogi Bear" as well as countless narration jobs on early Hanna-Barbera cartoons mostly notably "Ruff and Ready" and "Quick Draw McGraw"}. Mel Blanc, in addition to Mr. Spacely, also voiced Dino and Barney Rubble. Daws Butler, in addition to Elroy, also voiced Henry Orbit, the mechanic in the Jetson's apartment as well as Cogswell, the competitor of Mr. Spacely. this video is wonderful and it should bring back memories of the "good ol' days" of simple characters and simplistic stories designed for adult entertainment as well as for children.


The Best Man
Released in VHS Tape by Mgm/Ua Studios (23 January, 1990)
MPAA Rating: NR (Not Rated)
Director: Franklin J. Schaffner
Starring: Henry Fonda and Cliff Robertson
Average review score:

HEY!!
It was a pretty good movie, but it seems Gore Vidal is always writing "gay" themes into his stuff. I can never figure that out.

the best man
this a great political drama.excellent acting and a great
screenplay.it shows the way our political elections system
really works.I highly recommend this movie for those who
like to see a good political drama.

Political Nail Biter
The setting is a National Nominating Convention of one of the major parties for President. The top two contestants are intellecutal Secretary of State Henry Fonda and scare-tactic headline grabbing Senator Cliff Robertson. The scramble for delegates, the dangling of endorsements, blackmail, extortion, and double-dealing are all part of a days work when the Presidency is on the line and no one has enough delegates to seal the deal. This is an honest and exciting look at the world of politics. Not a trite clear cut good vs. evil morality play, the Fonda character is not without his faults, but a race to the finish line that the viewer is given no clue as to who will win and there are some curious detours along the way, but the plot never gets too complicated and the convention actually LOOKS like a convention unlike in many political films. A great supporting cast including Shelley Berman as a nervous ex-army buddy of Robertson's who just might have the "goods" on him and formerly black-listed hillbilly entertainer John Henry Faulk as "everybody's favorite son" southern Governor T. T. Claypool, a great character. Wonderful photography, the crisp direction you would expect from Schaffner and a marvelous closing shot. Don't miss it.


Poetic Justice
Released in VHS Tape by Columbia/Tristar Studios (07 April, 1998)
MPAA Rating: R (Restricted)
Director: John Singleton
Starring: Janet Jackson, Tupac Shakur, Regina King, Joe Torry, and Tyra Ferrell
Director John Singleton (Boyz N the Hood, Rosewood) made an earnest effort in this, his second, film to say a great deal that is true and relevant about living and loving in a violent, difficult time in American history. Janet Jackson plays a beautician and poet who withdraws into herself after her boyfriend is murdered by gangsters. The late Tupac Shakur plays a postman who tries to get through to her, and the two travel on a course through urban America, connecting with family and community. Singleton has so much on his mind that the film comes out a terrible muddle, but there is a certain integrity peeking through the fog. Shakur makes a startlingly good impression in his film debut, and Jackson strips away her star veneer to play something like a real person--and entirely succeeds. Maya Angelou wrote the poems that pass as those penned by Jackson's character, and she also appears in the film. --Tom Keogh
Average review score:

No Justice for Janet....
As a huge Janet Jackson fan, I would love to give this film a 5 star review but I can't. I'm giving it three stars simply because SHE is in it! John Singleton's movie "Boyz in the Hood" was much better and this one can't decide what it wants to be. The problem is in the story and in the direction and less with the actors. Janet gives a good performance in the movie, as does Tupac Shukar and Regina King. To me, it felt like Singleton sat down, wrote out some ideas and then just threw them all together. If you are a Janet fan, you'll want the dvd. Otherwise, I doubt you'll enjoy it.

Umm...... O.K.
I think the movie was good. I'm a big Tupac fan and I don't really care for Janet Jackson. It shows the events they encountered. For example, the picnic/bar-b-que scene. I believe Tupac could have had a better part, but he did try his best to make his character come to life. Janet played her roll alright, but it doesn't compare to Penny, the character she played on Goodtimes which was decades ago. Janet Jackson and the movie needs a little work. Some changes in detail and character development would have made this movie great.

best movie different site of 2pac
I've rated this movie for 5 stars because this is my favorite movie.
u can c the other site of 2pac in here.
he hasn't the gangster image in this movie,he is sweet and nice and he is playing verry good.
the story on itszelf is also verry good and u c the love that grows between two people (janet and 2pac)and that is verry beautiful.
If u don't feel good and u watch this movie at the end of the movie u feel verry good.
this is the best movie becouse tupac shows his nice site and that is something that people got to c becouse then u get a positive picture of 2pac and the movie is fantastic.
if u r a thru 2pacfan then u must have this movie it is great.


2 Fast 2 Furious (Spanish Subtitled)
Released in VHS Tape by Universal Studios (06 January, 2004)
MPAA Rating: PG-13 (Parental Guidance Suggested)
Director: John Singleton
Starring: Paul Walker, Tyrese, and Cole Hauser
Like the high-revving imports and American muscle cars that roar down the streets of its south Florida setting, 2 Fast 2 Furious is tricked out to the max. While Vin Diesel opted for his XXX franchise, this obligatory sequel to The Fast and the Furious benefits from Diesel's absence, allowing returning star Paul Walker to shine while forging a lively partnership with rising star Tyrese, who fulfills his sidekick duties with more vitality than Diesel could ever muster. The Miami/Dade locations are another bonus, lending colorful backdrop to the most dazzling street-racing sequences (both real and digitally composited) ever committed to film. The plot is disposable--former cop Walker and jailbird Tyrese are recruited by the FBI to dethrone a thuggish kingpin (Cole Hauser)--but director John Singleton keeps the adrenalin pumping, enlisting a rainbow coalition of costars (including rapper Ludacris and Chanel supermodel Devon Aoki) to combine a hip-hop vibe with full-blown action while showcasing hot babes, edgy humor, and some of the coolest cars that ever burned rubber. Heed the movie's warning, kids: Let the stuntmen do the driving. --Jeff Shannon
Average review score:

This is your mind on ethanol
Talk about a crummmy job. It's hard to decide which is worse - the acting, dialogue, photography, sound, "plot", or racing. If you are a racing addict and want some perky babes at the same time this may fill the bill for a few minutes. But that's all there is.

The plot must be the product of a "Movies for Dummies" book, some mixed-up story about crime and racing and deadlines and gals and friends. The only thing more predictable than the plot is the acting which is straight out of Central Casting. Even my son who loves this type of movie admitted it was a "dog" which, in any generation, means bad. Avoid at all costs.

2 tools 2 wannabes
if I hear one more person say this movie was better then the first.. I might just cut his berrys off and make fruitpunch. this movie was good but not as good as they made it sound (coff!,MTV aka the youth brainwashing channel,coff!).i guess the biggest reason I hate this movie so much is tyrese.
(Mr.im a hardcore thug eversince I made babyboy
oh yah and paul walker :) (Mr. look at me I always have my hair combed nice and clean little shirts on) sorry that was all I could come up with :(
and ludacris? well atleast they didnt get Ja Rule again i guess
but anyway the film was less realistic this time around then the first. meaning the whole jump a car on a boat thing and um, the whole all i gotta do is go in this building and a gazillion billion fricking cars come racing out to throw off cops(all that happend in like 15 minutes? ludacris called all them people?)
the extras on the dvd are a pluss lots a stuff in there
a little complicating but it pays off I guess
some movies just shouldnt have sequals and this is one a them, this is a story not a frickin trilogy.
cant wait to 20000times faster 20000times furious
when paul walker and whoever is in space ships
ok thats all, screw this movie
ima go wach mtv (pun intended)

Not So Good DVD
I didnt actually enjoy this movie as best as the first Fast and the Furious. Only because Vin Diesel isnt in this one, it doesnt seem to have the right "catch" to the movie. Thats just my opinion though because I think that Vin Diesel is a great actor. The whole plot of this movie is still good.


2 Fast 2 Furious
Released in VHS Tape by Universal Studios (01 June, 2003)
MPAA Rating: PG-13 (Parental Guidance Suggested)
Director: John Singleton
Starring: Paul Walker, Tyrese, and Cole Hauser
Like the high-revving imports and American muscle cars that roar down the streets of its south Florida setting, 2 Fast 2 Furious is tricked out to the max. While Vin Diesel opted for his XXX franchise, this obligatory sequel to The Fast and the Furious benefits from Diesel's absence, allowing returning star Paul Walker to shine while forging a lively partnership with rising star Tyrese, who fulfills his sidekick duties with more vitality than Diesel could ever muster. The Miami/Dade locations are another bonus, lending colorful backdrop to the most dazzling street-racing sequences (both real and digitally composited) ever committed to film. The plot is disposable--former cop Walker and jailbird Tyrese are recruited by the FBI to dethrone a thuggish kingpin (Cole Hauser)--but director John Singleton keeps the adrenalin pumping, enlisting a rainbow coalition of costars (including rapper Ludacris and Chanel supermodel Devon Aoki) to combine a hip-hop vibe with full-blown action while showcasing hot babes, edgy humor, and some of the coolest cars that ever burned rubber. Heed the movie's warning, kids: Let the stuntmen do the driving. --Jeff Shannon
Average review score:

2 Lame 2 Tired and 2 Much Paul Walker
"2 Fast 2 Furious" is a sloppy sequel of an original that was no masterpiece in its own right. The cars are arguably just as whatever-you-want-to-call-them, but the chases aren't, and the plot suffers from a severe case of reduced star wattage: Vin Diesel lended his dome for the first movie, then skipped town in favor of the "xXx" series. Actor/singer Tyrese and his dome fills in, but the inherent "Vinness" of the maiden road race has left the building.

Paul Walker's back, though, as Brian O'Connor, the most unconvincing cop to ever breathe air, only now he's been disavowed from the force for letting Vin's character escape and select another movie franchise. No badge in hand, Brian roams Miami, street race hustlin, catching the eye of a federal agent (Eva Mendes) who puts him undercover to land a major drug kingpin (Cole Hauser, channeling "Miami Vice"). Tyrese plays Roman, Brian's former buddy with an unclear grudge. Roman and Brian pose and paw and return smoldering glares at one another to such an extent it's possible to read the film with homoerotic subtext.

What an uninspired, pedestrian movie. "2 Fast 2 Furious" features Ludacris as a chop shop owner who does not seem to work - he emcees a jet ski race, though - and talentless model Devon Aoki as a street racing tart. Mendes is the flavor of the month but there's something curiously asexual and detached about her.

At least Singleton has enough integrity left spare the audience needless gratuity.

It's a low-intelligence, fast-paced thrill ride.
Fueled by low expectations, 2 Fast 2 Furious (what an awful title) far surpassed its predecessor, exceeding as the movie I expected the original to be. 2F2F has much more action, more outrageous stunts, a plot that I find better suited to this material, and an even sexier cast of scantily-dressed women. For a little over an hour-and-a-half, I was in big-budget, B-movie heaven.

Brian O'Connor (Paul Walker) is no longer with the LAPD, stripped of his badge after the events of the first film. Now in Miami, he makes his earnings through illegal street racing, something that proves to be an easy task for him. But after one particular (and superbly exhilarating) race where he comes out the big winner, he's caught by federal agents and forced to work undercover to nab a powerful drug lord named Carter Verone (Cole Hauser).

They've already got an agent undercover, Monica Fuentes (Eva Mendes), but have yet to pin Verone on anything serious. To infiltrate Verone's empire, O'Connor teams up with old friend and ex-con Roman Pearce (Tyrese Gibson); together, they make for a wild and dangerous driving duo, performing transportation tasks for Verone, including one final assignment that could prove particularly dangerous for O'Connor and Pearce.

2F2F, as with most big-budget blockbuster sequels, ups the ante on its predecessor; it's bigger, louder, much faster, and in this case, a whole lot more fun. The race/chase sequences are far more elaborate (unlike the original, when these guys race they actually turn curves and drive pretty long distances, rather than a mere mile-long straight line as in the original) and they're in greater abundance here, a smart move since we're clearly here to watch hardcore automotive stunts, not plot.

The story is every bit as dumb as you'd expect from such a lame title, but at least it gives the characters goals and genuine obstacles to overcome (unlike the original, which basically had its "heroes" trying to steal dvd players from trucks in broad daylight). The twists and turns are all easily forseeable (what are the chances Verone won't find out these guys are working undercover?), but the story rarely gets in the way of the action.

2F2F boasts three major action setpieces, each of them successively more impressive than the setpiece it follows. The opening race is a doozy and by itself, more exciting than the whole of the first movie. Another race early in the movie puts our heroes (and multiple "tryouts") in a test to retrive a package in an auto pound 20 miles away, with Walker even driving backwards on the highway at one point. It's the climax that clinched the movie for me, a twenty-minute sequence with cop cars and choppers chasing O'Connor and Pearce, the whole thing concluding with an outrageous but exhilarating stunt between a car and a boat.

Even as a B-movie, 2F2F isn't perfect. At a restrictive PG-13, the opportunity for profanity, edgy violence, and nudity is gone. The latter, in particular, is rather irksome. The leading ladies, Eva Mendes and Devon Aoki, are almost as good a reason as all the car stunts to watch the movie. Aoki probably boasts the best-looking body I've seen all year long (a lot of people have criticized her face, but I find it quite uniquely pretty), nice eye candy enhanced by some tight outfights. More screen time for her would have been appreciated.

The movie probably could have benefited from the presence of Vin Diesel, but I also have a hard time seeing him fitting into the proceedings. Besides, Walker and Tyrese make an acceptable pairing, the latter of whom delivers an enthusiastically energetic performance. Walker has the straight man role, which is just fine for his rather limited acting skills (though some bad acting on his part is apparent from scene to scene). Cole Hauser makes for a solid villain, and Eva Mendes is strictly eye candy as Walker's love interest (whether or not she's got any talent remains to be seen).

2F2F delivers what's expected of it, it may be one of the summer's dumber offerings, but it's undeniably also one of the more thrilling ones, too. If another sequel is ever made (and judging from the box office results, I'd say that's a safe bet), let's hope profanity, edgy violence, and nudity will be thrown into the mix.

Put Four On The Floor And Pedal To The Metal
The original Fast And The Furious film took me by surprise. I found myself enjoying it more than I should have. Its fast cars, crazy stunts, and brooding stars, made for an entertaining guilty pleasure. I am pleased to say that, the sequel, despite Vin Diesel's abscence, continues that trend.

Due to his actions at the end of the last movie, Brian O'Conner (Paul Walker), is now an ex undercover cop, and on the run from the law himself. As he tries to stay ahead of his pursuers, his travels take him to Miami, where he has become part of an outlaw street racing ring. After he is caught by the feds, in order to clear his record, O'Connor agrees to help take down a ruthless drug kingpin (Cole Hauser). Calling on his childhood friend Roman (Tyrese), to be his partner, the two team up with a lovely undercover agent (Eva Mendes) to try and topple an empire.

Director John Singleton doesn't mess with the successful formula of the first film one bit. 2 Fast 2 Furious has plenty of cool cars, far out driving stunts, and a bevy of beauties, to make it work. When I heard that Diesel was not going to be in this film, I didn't know if it would be as good. Actually, the film benefits from him not being a part of it, and allows Walker to prove he can carry a film. The plot seems like a natural progression and "new blood" Tyrese and Mendez offer up something fresh to the series.

The DVD includes a short film that takes viewers from the end of the first film, right up to the start of the second, showing O'Connor on the run. This music video style short is a neat idea for a film like this. Singleton provides a solid audio commentary track for the movie. Inside 2 Fast 2 Furious is an electronic press kit style featurette that's ok. But what's even better are the other featurettes called "Supercharged Stunts", "Driving School With The Cast" and learning the art of "Tricking Out a Hot Import Car" The deleted scenes and outtakes make some "noise" but requires only one viewing really. There's also a fun animated anecdotes trivia track, a behind the scenes look at how rapper Ludacris made some music for the soundtrack, and a sneak peek trailer for The Fast and the Furious video game. The DVD has not one but 3 main menus, each one has access to additional bonus material based on a character from the film.

2 Fast 2 Furious is another fine, leave your brain at the door and just go with it, kind of film. If you know that going in...you will have a good time.


2 Fast 2 Furious
Released in Theatrical Release by (06 June, 2003)
MPAA Rating: PG-13 (Parental Guidance Suggested)
Director: John Singleton
Starring: Paul Walker, Tyrese, and Cole Hauser
Like the high-revving imports and American muscle cars that roar down the streets of its south Florida setting, 2 Fast 2 Furious is tricked out to the max. While Vin Diesel opted for his XXX franchise, this obligatory sequel to The Fast and the Furious benefits from Diesel's absence, allowing returning star Paul Walker to shine while forging a lively partnership with rising star Tyrese, who fulfills his sidekick duties with more vitality than Diesel could ever muster. The Miami/Dade locations are another bonus, lending colorful backdrop to the most dazzling street-racing sequences (both real and digitally composited) ever committed to film. The plot is disposable--former cop Walker and jailbird Tyrese are recruited by the FBI to dethrone a thuggish kingpin (Cole Hauser)--but director John Singleton keeps the adrenalin pumping, enlisting a rainbow coalition of costars (including rapper Ludacris and Chanel supermodel Devon Aoki) to combine a hip-hop vibe with full-blown action while showcasing hot babes, edgy humor, and some of the coolest cars that ever burned rubber. Heed the movie's warning, kids: Let the stuntmen do the driving. --Jeff Shannon
Average review score:

2 Lame 2 Tired and 2 Much Paul Walker
"2 Fast 2 Furious" is a sloppy sequel of an original that was no masterpiece in its own right. The cars are arguably just as whatever-you-want-to-call-them, but the chases aren't, and the plot suffers from a severe case of reduced star wattage: Vin Diesel lended his dome for the first movie, then skipped town in favor of the "xXx" series. Actor/singer Tyrese and his dome fills in, but the inherent "Vinness" of the maiden road race has left the building.

Paul Walker's back, though, as Brian O'Connor, the most unconvincing cop to ever breathe air, only now he's been disavowed from the force for letting Vin's character escape and select another movie franchise. No badge in hand, Brian roams Miami, street race hustlin, catching the eye of a federal agent (Eva Mendes) who puts him undercover to land a major drug kingpin (Cole Hauser, channeling "Miami Vice"). Tyrese plays Roman, Brian's former buddy with an unclear grudge. Roman and Brian pose and paw and return smoldering glares at one another to such an extent it's possible to read the film with homoerotic subtext.

What an uninspired, pedestrian movie. "2 Fast 2 Furious" features Ludacris as a chop shop owner who does not seem to work - he emcees a jet ski race, though - and talentless model Devon Aoki as a street racing tart. Mendes is the flavor of the month but there's something curiously asexual and detached about her.

At least Singleton has enough integrity left spare the audience needless gratuity.

It's a low-intelligence, fast-paced thrill ride.
Fueled by low expectations, 2 Fast 2 Furious (what an awful title) far surpassed its predecessor, exceeding as the movie I expected the original to be. 2F2F has much more action, more outrageous stunts, a plot that I find better suited to this material, and an even sexier cast of scantily-dressed women. For a little over an hour-and-a-half, I was in big-budget, B-movie heaven.

Brian O'Connor (Paul Walker) is no longer with the LAPD, stripped of his badge after the events of the first film. Now in Miami, he makes his earnings through illegal street racing, something that proves to be an easy task for him. But after one particular (and superbly exhilarating) race where he comes out the big winner, he's caught by federal agents and forced to work undercover to nab a powerful drug lord named Carter Verone (Cole Hauser).

They've already got an agent undercover, Monica Fuentes (Eva Mendes), but have yet to pin Verone on anything serious. To infiltrate Verone's empire, O'Connor teams up with old friend and ex-con Roman Pearce (Tyrese Gibson); together, they make for a wild and dangerous driving duo, performing transportation tasks for Verone, including one final assignment that could prove particularly dangerous for O'Connor and Pearce.

2F2F, as with most big-budget blockbuster sequels, ups the ante on its predecessor; it's bigger, louder, much faster, and in this case, a whole lot more fun. The race/chase sequences are far more elaborate (unlike the original, when these guys race they actually turn curves and drive pretty long distances, rather than a mere mile-long straight line as in the original) and they're in greater abundance here, a smart move since we're clearly here to watch hardcore automotive stunts, not plot.

The story is every bit as dumb as you'd expect from such a lame title, but at least it gives the characters goals and genuine obstacles to overcome (unlike the original, which basically had its "heroes" trying to steal dvd players from trucks in broad daylight). The twists and turns are all easily forseeable (what are the chances Verone won't find out these guys are working undercover?), but the story rarely gets in the way of the action.

2F2F boasts three major action setpieces, each of them successively more impressive than the setpiece it follows. The opening race is a doozy and by itself, more exciting than the whole of the first movie. Another race early in the movie puts our heroes (and multiple "tryouts") in a test to retrive a package in an auto pound 20 miles away, with Walker even driving backwards on the highway at one point. It's the climax that clinched the movie for me, a twenty-minute sequence with cop cars and choppers chasing O'Connor and Pearce, the whole thing concluding with an outrageous but exhilarating stunt between a car and a boat.

Even as a B-movie, 2F2F isn't perfect. At a restrictive PG-13, the opportunity for profanity, edgy violence, and nudity is gone. The latter, in particular, is rather irksome. The leading ladies, Eva Mendes and Devon Aoki, are almost as good a reason as all the car stunts to watch the movie. Aoki probably boasts the best-looking body I've seen all year long (a lot of people have criticized her face, but I find it quite uniquely pretty), nice eye candy enhanced by some tight outfights. More screen time for her would have been appreciated.

The movie probably could have benefited from the presence of Vin Diesel, but I also have a hard time seeing him fitting into the proceedings. Besides, Walker and Tyrese make an acceptable pairing, the latter of whom delivers an enthusiastically energetic performance. Walker has the straight man role, which is just fine for his rather limited acting skills (though some bad acting on his part is apparent from scene to scene). Cole Hauser makes for a solid villain, and Eva Mendes is strictly eye candy as Walker's love interest (whether or not she's got any talent remains to be seen).

2F2F delivers what's expected of it, it may be one of the summer's dumber offerings, but it's undeniably also one of the more thrilling ones, too. If another sequel is ever made (and judging from the box office results, I'd say that's a safe bet), let's hope profanity, edgy violence, and nudity will be thrown into the mix.

Put Four On The Floor And Pedal To The Metal
The original Fast And The Furious film took me by surprise. I found myself enjoying it more than I should have. Its fast cars, crazy stunts, and brooding stars, made for an entertaining guilty pleasure. I am pleased to say that, the sequel, despite Vin Diesel's abscence, continues that trend.

Due to his actions at the end of the last movie, Brian O'Conner (Paul Walker), is now an ex undercover cop, and on the run from the law himself. As he tries to stay ahead of his pursuers, his travels take him to Miami, where he has become part of an outlaw street racing ring. After he is caught by the feds, in order to clear his record, O'Connor agrees to help take down a ruthless drug kingpin (Cole Hauser). Calling on his childhood friend Roman (Tyrese), to be his partner, the two team up with a lovely undercover agent (Eva Mendes) to try and topple an empire.

Director John Singleton doesn't mess with the successful formula of the first film one bit. 2 Fast 2 Furious has plenty of cool cars, far out driving stunts, and a bevy of beauties, to make it work. When I heard that Diesel was not going to be in this film, I didn't know if it would be as good. Actually, the film benefits from him not being a part of it, and allows Walker to prove he can carry a film. The plot seems like a natural progression and "new blood" Tyrese and Mendez offer up something fresh to the series.

The DVD includes a short film that takes viewers from the end of the first film, right up to the start of the second, showing O'Connor on the run. This music video style short is a neat idea for a film like this. Singleton provides a solid audio commentary track for the movie. Inside 2 Fast 2 Furious is an electronic press kit style featurette that's ok. But what's even better are the other featurettes called "Supercharged Stunts", "Driving School With The Cast" and learning the art of "Tricking Out a Hot Import Car" The deleted scenes and outtakes make some "noise" but requires only one viewing really. There's also a fun animated anecdotes trivia track, a behind the scenes look at how rapper Ludacris made some music for the soundtrack, and a sneak peek trailer for The Fast and the Furious video game. The DVD has not one but 3 main menus, each one has access to additional bonus material based on a character from the film.

2 Fast 2 Furious is another fine, leave your brain at the door and just go with it, kind of film. If you know that going in...you will have a good time.


Shaft
Released in VHS Tape by Paramount Studio (05 June, 2001)
MPAA Rating: R (Restricted)
Director: John Singleton
Starring: Samuel L. Jackson, Vanessa L. Williams, and Christian Bale
Samuel L. Jackson makes a gleefully updated John Shaft in John Singleton's homage to (not remake of) the early '70s action classic, picking up where Richard Roundtree's legendary Shaft left off. The Manhattan-set film is highlighted by excellent performances, dynamic action scenes, and witty one-liners (Jackson's Shaft: "It's my duty to please the booty"--although the line's deceptive: there's a surprising lack of sex in the film). Unfortunately, it's offset by a surprisingly uninspired, predictable, one-dimensional story, penned by Singleton, Richard Price, and Shane Salerno. The story, in which Shaft investigates the murder of a young African American, is without suspense, since from the start the audience knows that rich white boy Walter Wade (Christian Bale) did the deed, and that Shaft is going to kick his ass, big time. That said, charismatic performances--from Jackson (who, in keeping with the times, is more volatile and fiery than his predecessor), Toni Collette (as a frightened witness), the villainous Bale, and the utterly amazing Jeffrey Wright (Basquiat)--make the film enticing and watchable. Look for a cameo by the original Shaft's director, the legendary Gordon Parks, and fans of the original should note that a still stunningly handsome Roundtree briefly appears as Jackson's uncle. --N.F. Mendoza
Average review score:

Unoriginal but entertaining
Thirty years is a long time to wait to make a sequel, especially when no one is clamoring for one. Director/Writer/Producer John Singleton decided it was about time. The result is a solid, but undistinguished crime drama. The elements of this story have been told so many times that they are becoming hackneyed. A tough, no-nonsense cop fights evil and corruption to bring justice to the streets while often disregarding the law. A spoiled rich kid is trying to get away with murder by hiring a drug dealer to snuff an eyewitness with the help of a couple of dirty cops. This is not vanguard material.

Singleton's direction is good in the action sequences (of which there are plenty) and adequate in the dramatic scenes. In this film, he doesn't bring much innovation to the screen, with very straightforward shots and mundane locations. In an overly reverent gesture to the original film, he brings back Richard Roundtree (the original Shaft) as the current Shaft's (Samuel L. Jackson) uncle and mentor. There is also a cameo appearance by Gordon Parks, the director of the original, and of course, Isaac Hayes theme song is back.

The film is elevated from mediocrity by the acting. Samuel L. Jackson is an outstanding actor and slips on the character of this tough, streetwise cop like a tailored glove. When he's bad, he's very very bad and when he is good, he's almost saintly. Christian Bale also gives a fine performance as the despicable rich kid who thinks his wealth puts him above the law. Jeffrey Wright is explosive as the egomaniac drug lord. The supporting actors are also excellent.

This is an entertaining film despite its lack of originality. I rated it a 7/10. Action junkies add a point or two. This film is extremely violent with a high body count.

Jackson was born to play shaft
Samuel L Jackson is fabulous in this as John Shaft a tough, cynical NYPD detective who resigns in anger and takes justice into his own hands.
Some have criticised the plot for being obvious but I find that there are some unexpected twists that keep the story interesting. The dialogue is solid and the screenplay is very well written. The hard-ass banter between cops and bad guys is deliverd almost universally in a very natural style and really captures the feel of NYC.
Jeffrey Wright is just amazing as Peoples Hernandez and next to Jackson delivers some of the best lines in the movie. His performance alone makes this film worth checking out. Christian Bales is the other bad-guy. He plays the son of a Donald Tump-like real estate developer who commits a racist murder and then uses his money and influence to avoid being brought to justice.
Bales is very good in this role and his scenes with Jeffrey Wright are some of the best in the film.
Buster Rhymes plays Shaft's friend and driver and is also very good.
The action sequences are well done but what makes this film is the dialogue and the trading of insults, etc. between a variety of characters that are New York stereotypes. And while they may be stereotypes they still deliver some really memorable lines.
I've watched this numerous times and know much of it by heart but that doesn't prevent me from continuing to enjoy it.

wonderful remake
a great remake with Jackson being the man Shaft. good action with some unexpected turnabouts. Christian Bale is menacing as the racist who kills Mehki Phifer then has to answer to Shaft and Jeffrey Wright is a spectacular badguy as well. a good ride


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