Kelly-Preston Movie Reviews


Related Subjects: Julie-Hagerty
More Pages: Kelly-Preston Page 1 2 3 4 5 6
VHS movie reviews for "Kelly-Preston" sorted by average review score:

Prom Night III: The Last Kiss
Released in VHS Tape by Artisan Entertainment (30 September, 1997)
MPAA Rating: R (Restricted)
Directors: Ron Oliver and Peter R. Simpson
Average review score:

this has got to be the stupidest movie ever made!
what?What? How could anyone give this movie five stars. It was the worst movie ever made. How could they take the prom night franchise and turn it into some lame horror movie. It's ridiculous. The plot was dumb and pointless and the one-liners absolutely not funny. The movie was a disgusting mix of sex and violence, that tried to hard to be funny and failed. this is definitely the most pointless movie and the worstsequel ever. DUMB! just plain dumb! The ending completely ruined even the few(1 or two) good parts in the movie.

Great movie, stupid ending!
If it weren't for the ending, I would have rated it 5 stars, but as many times before, the ending destroys a movie. But to the film. This is horror/comedy, so don't expect to be scared. But it has gore, and the one scene where Alex is running naked in the hall, reminds me strongly about Mr.Bean(! ) This time another Prom Queen return from the dead, and fall in love with one of the present students. But how far are they willing to go for love? Buy it, and find out.

In part 3, the goodlooking boys and girls come out to play!
Eighties horror movies, what would we do without them? Horror movies since the eighties have lost the gore and no budget effects that made them enjoyable to watch. Prom Night 3 achieves everything you could possibly want in a horror movie, goodlooking guys and girls, and did I mention the goodlooking guys?!:) Dylan Neal stars in this movie, and if he's hot now, he was certainly smoldering then!

The movie does have a certain budget look to it, but the story is straightforward and enjoyable, not to mention some of the best death scenes ever! I would really recommend this movie, and I would suggest inviting a few mates over, so you can have a laugh with the death scenes. Positively gory, but very well done. Enjoy!


Daddy & Them
Released in VHS Tape by Buena Vista Home Vid (13 January, 2004)
MPAA Rating: R (Restricted)
Director: Billy Bob Thornton
Starring: Billy Bob Thornton and Laura Dern
Billy Bob Thornton's white-trash comedy has loads of appeal, beginning with a delightful cast playing the most dysfunctional Southern family outside a Faulkner novel. Thornton and Laura Dern play married couple Claude and Ruby Montgomery, whose true love is stymied by petty jealousies over her old boyfriends and his long-ago romance with Ruby's sister, Rose (Kelly Preston). When Claude's Uncle Hazel (Jim Varney) is arrested, the duo join their extended clan in Little Rock to provide support for him and his defense team (a stormy couple sharply played by Jamie Lee Curtis and Ben Affleck). But cooperation is an alien concept to this family; in no time they're bickering, drinking, and deflating dreams. Typical of Thornton, this is serious yet funny stuff, and the actors--including Andy Griffith, John Prine, Diane Ladd, and Brenda Blethyn--work that fine line between drama and comedy with admirable inspiration. --Tom Keogh
Average review score:

Humorous Southern Style Soap Opera
For fans of Billy Bob Thornton, this is a great film, because he gets a lot of screen time. After all he wrote the screenplay. There is a shot of him in cut-off jeans with no shirt and a little further into the movie he wakes up with a shirt on, but with his bluejeans (full-length jeans) down to the top of his, what else?, cowboy boots, and later still we get to visit him in the bathroom where he is wearing a shirt, and well....a magazine. Those are the highlights of his wardrobe as I recall them, keeping in mind a lot of discussions with Laura Dern (wife Ruby in the film) took place before going to sleep..don't know what he wearing below the chest, but mostly he didn't sleep with his shirt on.

But enough about Billy Bob's wardrobe, down to the film now; be prepared to laugh when you get to see 'Daddy & Them". Especially if you happen to be from the south. You are going to feel right at home among the Montgomery family.
The script is cute and touching and it made me laugh out loud lots of times... I haven't done that in a movie for a long time. Being a southern girl by birth, I could readily relate to the communication problems this family was facing.
I like the way Thornton thinks, writes, and acts. He's a keeper for his talent, no doubt about it.
This is the story of a dysfunctional southern family with a lot of personal history.
Claude Montgomery (Billy Bob) now married to Ruby (Laura Dern - Billy Bob's ex-girlfriend), once dated her sister Rose (Kelly Preston - Mrs. John Travolta). Claude and Ruby, accompanied by sister Rose and Claude's mother-in-law, Jewel (Diana Ladd) go home to help out Claude's bother, Alvin (John Prine) and the family patriarch, O.T. (Andy Griffith) when O.T.'s brother Hazel (the late Jim Varney) gets arrested. O.T. unfortunately suffers from attacks of dementia and has a difficult time recalling exactly which sister Claude married. Ben Affleck and Jamie Lee Curtis appear as married lawyers hired by the Montgomery family.
All this sudden southern togetherness erupts in confusion, discussion, memories, and changes.
There is an accident scene that is very, very funny. Good ole boy Claude, as portrayed by Billy Bob, is really a romantic guy at heart. The dual-dueling-jealous competitions between Claude and Ruby are priceless.
I wished the font on the credits has been easier to read. Still the credits are well worth watching in order to hear the John Prine song, "In Spite of Ourselves" being sung over the credits. It's great!
So was the film, if you like to laugh and aren't expecting an Oscar caliber film. You will have double the pleasure if you happen to be southern.


The Perfect Bride
Released in VHS Tape by Media Home Entertainment (06 February, 1992)
MPAA Rating: R (Restricted)
Director: Terrence O'Hara
Average review score:

Very Good Suspense Movie
I really enjoyed it when it first came on the USA network 1990 i watched 3 different times. Sammi Davis is awesome as the Bride who kills people who gets in the way of her finace. If saw another one I recommend is Called Hush Little Baby it is the same type pf movie. There are some very talented people in The Perfect Bride like Kelly Preston (John Travolta's wife) Liden Ashby (from The defunct Melrose Place) Tamara Clatterbuck (Alice Johnson from The Young and The Restless. So i really hope u liked it like I did. It keeps u on the end of your seat.


10 to Midnight
Released in VHS Tape by Mgm/Ua Studios (23 June, 1998)
MPAA Rating: R (Restricted)
Director: J. Lee Thompson
Starring: Charles Bronson, Lisa Eilbacher, and Andrew Stevens
Average review score:

Bronson headlines enjoyable Cannon fodder
10 TO MIDNIGHT (1983): A world-weary LA cop (Charles Bronson) plants evidence on a young man (Gene Davis) suspected of the serial homicide of several beautiful women, but the plan backfires and Davis subsequently targets Bronson's grown-up daughter (Lisa Eilbacher)...

One of a series of gritty urban thrillers inspired by the success of DEATH WISH, J. Lee Thompson's 10 TO MIDNIGHT was produced by the Cannon studios in 1983 and is fairly typical of the company's commercial output. Though he'd worked in a variety of genres since the early 1950's, Charles Bronson became synonymous with the kind of tough-but-sympathetic vigilante character he plays here, this time seeking a handsome young psychopath who strips naked before murdering his (primarily female) victims. Indeed, Gene Davis' extensive nude scenes provide the film's only significant trump card, leading to a number of curious plot developments (because he was naked when he committed his crimes, Davis knows that Bronson must have planted blood on his clothes, but he can't admit to it without... well, you get the picture), though cinematographer Adam Greenberg (GHOST, RUSH HOUR, the 'Terminator' series) turns visual cartwheels in an effort to avoid full frontal nudity (and a potential X rating). Thompson - who gravitated towards Hollywood after forging a successful career in his native UK, where he directed a number of popular mainstream entries like YIELD TO THE NIGHT and THE GUNS OF NAVARONE - takes enormous pleasure in foregrounding the more exploitable elements of William Roberts' lively screenplay, though an unpleasant sequence near the end of the film evokes queasy memories of Richard Speck's true-life killing spree in 1966, when several nurses were slaughtered in a Chicago townhouse in a fashion similar to the killings depicted here. However, these sensationalist components are deployed in the service of a right-wing narrative in which the criminal justice system is rendered weak and ineffective by Davis' scumbag killer and his equally sleazy lawyer (a typically scene-stealing turn from Geoffrey Lewis). When Bronson confronts his nemesis during the inevitable climactic showdown, the audience is literally compelled - through dialogue and editing - to invite brutal retribution on Davis' irredeemable bad guy. It's cheap, manipulative and cynical, but it's also undeniably effective, and Bronson's closing line of dialogue is guaranteed to arouse guilty fascist impulses within even the most liberal viewers.

Davis is the spitting image of his actor brother Brad (the late and much lamented star of MIDNIGHT EXPRESS) and is quite effective in a difficult role, though his subsequent career appears to have gone nowhere, which is a shame. Co-star Andrew Stevens made a brief splash in movies like this one (including Brian DePalma's THE FURY) before becoming a producer on a wide range of Hollywood pictures (everything from 'erotic thrillers' such as NIGHT EYES to blockbusters like DRIVEN and BALLISTIC ECKS VS. SEVER, etc.), and Lisa Eilbacher enjoyed a momentary spotlight on the big screen before returning to TV (where she had begun her career in the likes of "The Texas Wheelers" and "The Hardy Boys/Nancy Drew Mysteries") before fading from the business altogether. Word has it that the title 10 TO MIDNIGHT (a meaningless phrase) had been announced by Cannon for another film which ultimately failed to materialize, but someone obviously liked the sound of it and simply re-used it here! The 'TV version' is a laff riot, with alternate takes featuring Davis in black briefs. On DVD, however, you get to see (almost) every inch of his fabulous, sculpted body. Drool, slobber...

MGM's region 1 disc - which runs 101m 51s, minus the MGM logos at beginning and end which weren't part of the original film - is a no-frills affair which presents the movie in letterbox format (1.85:1, anamorphically enhanced) for the first time on home video. The disc also includes a full-screen version, which simply opens up the space at top and bottom of the frame. Both prints are betrayed by the film's low budget film stock, but picture quality is more than acceptable. Sound format is 2.0 mono, and the disc includes English captions and subtitles, along with a theatrical trailer.

What's The Title Have To Do With Anything?
What do you do when you have a naked psychopath running around in the buff killing girls that turned him down? Well, if you're Bronson, you get Bronson on his behind! Coz Chuck isn't a nice person, he's a "mean, selfish S.O.B." You may want a story, but Chuck wants a killer, and what he wants comes first! Well, after unsuccessfully trying to put this creep in the slammer by bending the rules a tad, Bronson's thrown off the force. Well, we all know that never stopped him before, so he continues to go after the killer(a wonderfully pathetic, yet creepy performance by Gene Davis). But guess what! The killer goes after Bronson's daughter(naturally), and it becomes personal. Well, I won't give it all away(not that I need to, this is a Bronson movie here), but I'd recommend this one. It's harmless cheap thrills-a little bit of tough guy action and a little bit of slasher flick. What more could you want?

Bronson hunts a crafty serial killer.
Of all the career ending movies Charles Bronson made for Cannon films in the mid-to-late eighties, 10 to Midnight is the best. He plays a cop trying too hard to catch a smart, handsome, and devilishly twisted psycho killer (Gene Davis). When the game of cat and mouse eventually snags the cop's daughter (Lisa Eilbacher), he takes a desperate gamble to catch the crafty murderer. Director J. Lee Thompson masterfully blends the Dirty Harry Rogue Cop thriller with some slasher film moments of brutal terror that will have viewers squirming in their seats. A real nail biter, highly recommended.


Only You
Released in VHS Tape by Avid Home Entertainment (22 February, 1995)
MPAA Rating: PG-13 (Parental Guidance Suggested)
Director: Betty Thomas
Starring: Tom McFadden and Mark Lynn
Average review score:

Uh, well...
Really mediocre romantic comedy featuring a brown-haired Helen Hunt before Mad About You and As Good As It Gets, Kelly Preston before her career surge, and Andrew McCarthy on the downside of his Brat Pack run. Shows up occasionally on cable, and best left there.

A funny movie that ends on a great note
I really enjoyed this movie. Looks are not everything and love can be found anywhere. This is a movie that you will enjoy just as much the second time.

A light hearted romantic comedy
Only You is one of those movies that you will love or just like. Personally, I love it. Although not among Helen Hunts best work, it's still pretty good. Light and humorous is probably the best way to describe it. It's the kind of movie that you can just sit down and enjoy without having to think about it, and believe me you will enjoy it.


View from the Top
Released in VHS Tape by (03 February, 2004)
MPAA Rating: PG-13 (Parental Guidance Suggested)
Director: Bruno Barreto
Starring: Gwyneth Paltrow, Christina Applegate, Mark Ruffalo, and Kelly Preston
An ingeniously campy and enormously entertaining piece of fluff, View from the Top stars the impossibly lithe Gwyneth Paltrow as Donna, a white-trash girl with dreams of escaping her dead-end life by becoming an international flight attendant. Her destiny is complicated by a sweet guy (Mark Ruffalo) who just wants to live with his family in Cleveland and by a sister stewardess (Christina Applegate) who stabs Donna in the back. View from the Top doesn't take itself seriously, yet takes itself just seriously enough--Donna and the rest of the characters treat their absurdly candy-colored world as if it mattered. As Donna experiences the world and improves her fashion sense, the result is both hilarious and hilariously touching. Also featuring Mike Myers, Kelly Preston, and Candice Bergen as Donna's visionary mentor. --Bret Fetzer
Average review score:

A waste of a great cast.
I had heard this movie was cut and recut before being released in theatres -- its release date kept being pushed back, which is never a good sign for a movie. But since I think Gwyneth Paltrow is a stellar actress, and it had a great supporting cast (Candace Bergen, Mike Myers, Christina Applegate, Kelly Preston, and Rob Lowe), I thought it was worth a rental. I mean, Gwyneth, she of Emma, Shakespeare in Love... why would she decide to star in a dog?

Unfortunately, even Gwyneth can't lift this movie above its USA Network-like script. Small town girl makes good by wearing short skirts and a push-up bra. Thinks that her goal of getting out of Dodge and serving First Class passengers is more important than love, but of course, has an epiphany before the end.

For one, the best actors were not included enough. Kelly Preston was awesome, but we needed some closure or at least an update on what happened to her character. Rob Lowe was in the movie for 1 scene! On the other hand, I'm slightly sick of Mike Myers' over the top persona. "The thing with the eye" was WAY overplayed and I cringed whenever he was on the screen. Mike, stick to Austin Powers -- please don't ruin any other movies for us.

I'm also slightly suspicious that the DVD does not include any deleted scenes... man, were they that bad? Or maybe the movie was all over the place and they didn't include them because they had nothing to do with the movie as it turned out.

Don't make the same mistake I did. Check out Sliding Doors with Gwynnie instead. A very cute movie, not predictable, and thank goodness, does NOT have Mike Myers.

awful
I rented this movie which was a bomb at the box office but since Gwyneth is such a big star it doesn't really matter now does it? What a horrible script! Who greenlighted this movie? Just because there is a top star starring in it that doesn't save it from a bad script. Its an inspiring story gone bad. The script is awful, the plot is horrible, and the acting is mediocre. Ick!

Gwyneth gets to be adorable without the English accent
You keep wanting to dismiss "View from the Top" as a total fluff piece, but then something keeps happening to make you think that it is not that bad. After all, at the heart of this movie is Gwyneth Paltrow, and we might not really believe that she is a white trash trailer park girl, but we never forget this is Gwyneth Paltrow. More importantly, this is not Gwyneth Paltrow the drama queen, but one who gets to spend most of the film being adorable (without an English accent), and she can be pretty adorable (especially without an English accent).

"View from the Top" walks a fine line, because on the one hand we have some over the top scenes courtesy of Mike Myers as Flight Attendant Guru John Whitney, Josh Malina as Randy Jones male Flight Attendant, and Rob Lowe as co-pilot Steve Bench. Then we get back to Gwyneth as Donna, the girl with a dream, and it is almost like being in another movie. So there is a comic side and a serious side to this movie, just like there is the career plot line and the romance plot line between Donna and Ted (Mark Ruffalo), and just like Donna has her good friend Sherry (Kelly Preston) and her not so good friend Christine (Christina Applegate).

But the person who ends up being the lynch pin of this film is Donna's mentor and flight attendant godmother, Sally Weston, played by Candice Bergen. You keeping thinking Murphy Brown is going to make an appearance at any moment, but Sally Weston is exactly who she seems to be and as good as gold. She might be perky and the queen of stewardesses, but the lady is not stupid. You keep thinking this movie is going to turn into some sort of mindless romp about flight attendants, but it never sinks to that level.

Be sure not to bail out before the credits, because in addition to the traditional outtakes there is a production number by the flight attendants of Royalty Airlines. The DVD has has a trio of short featurettes, the best of which is a short history of Flight Attendants, including the famous paper dresses.


View from the Top
Released in VHS Tape by Buena Vista Home Vid (09 September, 2003)
MPAA Rating: PG-13 (Parental Guidance Suggested)
Director: Bruno Barreto
Starring: Gwyneth Paltrow, Christina Applegate, Mark Ruffalo, and Kelly Preston
An ingeniously campy and enormously entertaining piece of fluff, View from the Top stars the impossibly lithe Gwyneth Paltrow as Donna, a white-trash girl with dreams of escaping her dead-end life by becoming an international flight attendant. Her destiny is complicated by a sweet guy (Mark Ruffalo) who just wants to live with his family in Cleveland and by a sister stewardess (Christina Applegate) who stabs Donna in the back. View from the Top doesn't take itself seriously, yet takes itself just seriously enough--Donna and the rest of the characters treat their absurdly candy-colored world as if it mattered. As Donna experiences the world and improves her fashion sense, the result is both hilarious and hilariously touching. Also featuring Mike Myers, Kelly Preston, and Candice Bergen as Donna's visionary mentor. --Bret Fetzer
Average review score:

A waste of a great cast.
I had heard this movie was cut and recut before being released in theatres -- its release date kept being pushed back, which is never a good sign for a movie. But since I think Gwyneth Paltrow is a stellar actress, and it had a great supporting cast (Candace Bergen, Mike Myers, Christina Applegate, Kelly Preston, and Rob Lowe), I thought it was worth a rental. I mean, Gwyneth, she of Emma, Shakespeare in Love... why would she decide to star in a dog?

Unfortunately, even Gwyneth can't lift this movie above its USA Network-like script. Small town girl makes good by wearing short skirts and a push-up bra. Thinks that her goal of getting out of Dodge and serving First Class passengers is more important than love, but of course, has an epiphany before the end.

For one, the best actors were not included enough. Kelly Preston was awesome, but we needed some closure or at least an update on what happened to her character. Rob Lowe was in the movie for 1 scene! On the other hand, I'm slightly sick of Mike Myers' over the top persona. "The thing with the eye" was WAY overplayed and I cringed whenever he was on the screen. Mike, stick to Austin Powers -- please don't ruin any other movies for us.

I'm also slightly suspicious that the DVD does not include any deleted scenes... man, were they that bad? Or maybe the movie was all over the place and they didn't include them because they had nothing to do with the movie as it turned out.

Don't make the same mistake I did. Check out Sliding Doors with Gwynnie instead. A very cute movie, not predictable, and thank goodness, does NOT have Mike Myers.

awful
I rented this movie which was a bomb at the box office but since Gwyneth is such a big star it doesn't really matter now does it? What a horrible script! Who greenlighted this movie? Just because there is a top star starring in it that doesn't save it from a bad script. Its an inspiring story gone bad. The script is awful, the plot is horrible, and the acting is mediocre. Ick!

Gwyneth gets to be adorable without the English accent
You keep wanting to dismiss "View from the Top" as a total fluff piece, but then something keeps happening to make you think that it is not that bad. After all, at the heart of this movie is Gwyneth Paltrow, and we might not really believe that she is a white trash trailer park girl, but we never forget this is Gwyneth Paltrow. More importantly, this is not Gwyneth Paltrow the drama queen, but one who gets to spend most of the film being adorable (without an English accent), and she can be pretty adorable (especially without an English accent).

"View from the Top" walks a fine line, because on the one hand we have some over the top scenes courtesy of Mike Myers as Flight Attendant Guru John Whitney, Josh Malina as Randy Jones male Flight Attendant, and Rob Lowe as co-pilot Steve Bench. Then we get back to Gwyneth as Donna, the girl with a dream, and it is almost like being in another movie. So there is a comic side and a serious side to this movie, just like there is the career plot line and the romance plot line between Donna and Ted (Mark Ruffalo), and just like Donna has her good friend Sherry (Kelly Preston) and her not so good friend Christine (Christina Applegate).

But the person who ends up being the lynch pin of this film is Donna's mentor and flight attendant godmother, Sally Weston, played by Candice Bergen. You keeping thinking Murphy Brown is going to make an appearance at any moment, but Sally Weston is exactly who she seems to be and as good as gold. She might be perky and the queen of stewardesses, but the lady is not stupid. You keep thinking this movie is going to turn into some sort of mindless romp about flight attendants, but it never sinks to that level.

Be sure not to bail out before the credits, because in addition to the traditional outtakes there is a production number by the flight attendants of Royalty Airlines. The DVD has has a trio of short featurettes, the best of which is a short history of Flight Attendants, including the famous paper dresses.


Metalstorm
Released in VHS Tape by Universal Studios (29 May, 2001)
MPAA Rating: PG (Parental Guidance Suggested)
Director: Charles Band
Average review score:

WRETCHED!!!
It seems as though most of the reviewers have seen this film on cable, tv or video. I remember going to see this film when I was 14 in 1983. This film along with Jaws 3-D were released in 1983 and I was caught up in the whole 3-D thing. While at the time I found Jaws 3-D to be at least suspenseful I, as a teenager, was going to walk out of this horrible film. The only reason I stayed was because I paid for this movie and I wasn't going to walk out on something I paid good money for. In retrospect I think I did more harm in staying. I don't remember the plot the characters or much else. What I do remember is the I the rage that I felt at having wasted time and money by watching this film. The only way I could ever re-watch this film is if it airs on Mystery Theater so that I can poke fun at this film with the hosts of that show.

classic right up there with mad max
I know this movie isn't of the highest quality and certainly not worth the asking price, but it is a good b movie.

Metalstorm: The Definitive Biography
Metalstorm: The very word conjures up not only images of a groundbreaking film, but also memories of a lesson learned. A lesson, my friends, about life. "I have the power of the crystal!" shouts Jared Syn, in one spectacularly memorable scene.
Therein, perhaps, lies the secret to this film's enduring status in the annals of American film triumphs. Dogan, you'll recall, is searching for JS due to a violation of the peace treaty. This is sheer Americana, a rousing tribute not only to old western films but to old American frontiersmen themselves. Dogan's Davy Crockett is seeking out JS's Santa Anna in order to preserve the land. JS, however, injects a religious element heretofore unscene in other so-called "great films" like Star Wars, Road Warrior or Tootsie. The power of the crystal, though ill-defined, certainly trumps the wimpish "Force" from Star Wars. Man, have you thought about it?! Baal, while admittedly lacking any strong physical resemblance to his old man, represents both the biblical prodigal son as well as the figurative "son-who's-so-dumb-he'll take-a-knife-in-the-stomach-for-his-father-while-his-father-escapes-on-a-paper-mache-rocket-cycle" character made popular in the Hardy Boys series. Hurok, the one-eyed gentle giant and mental midget so easily duped by JS, Dogan and even the moronic Rhodes character, is our new Kissinger - I'm not sure why exactly. Some things in this movie are even beyond my capabilities. But it is the ending, perhaps, that has rattled the cages of so many of us for so many years. Recall the subtitle to this film: The Destruction of Jared Syn. And while JS is not destroyed, our faith in our own religiosity (along with the souls of everyone in the crystal itself like Dogan's girlfriend's father when he inexplicably shoots the thing) is shattered, (much like Rhode's head when he gets hit by that ball with spikes on it. Whew! In 3-D I thought it was gonna by MY head!) But once again I find it necessary to waste words. Waste no more time, I say, but range straight out in your oversized car with unnecessary gadgets and that only goes 20mph in the desert and that explodes for no reason whatsoever, and get this film. In the words of our hero Dogan himself: "We seek the same Jared Syn, but for different reasons." There are many reasons to see this film, my friends. Pick one. And maybe we'll meet to discuss it later. In the pit...


Holy Man
Released in VHS Tape by Touchstone Video (02 April, 2002)
MPAA Rating: PG (Parental Guidance Suggested)
Director: Stephen Herek
Starring: Eddie Murphy and Jeff Goldblum
Holy Man could have been a stellar satire in the tradition of Frank Capra, George Stevens, or Preston Sturges. Instead, this well-meaning romantic comedy was bluntly written by Tom Schulman (Dead Poets Society) and broadly directed by Stephen Herek, who fared better with his 1995 drama Mr. Holland's Opus. Their good intentions shine through, however, and while it's easy to appreciate Eddie Murphy's attempt to shift his career in a more substantial direction, Holy Man delivers some pointed criticism of commercialism and its deadening effect on spiritual well-being.

Murphy plays an enlightened eccentric named "G" (for "guru" or "God"?) who rises to national celebrity when he's enlisted to host a TV shopping network. Jeff Goldblum and Kelly Preston play the show's producer and marketer, respectively, and their formulaic romance provides the movie's lackluster subplot. With skyrocketing ratings and a flurry of cameos by celebrity hucksters (Morgan Fairchild, Florence Henderson, Dan Marino, and even James Brown), G delivers preachy platitudes urging America to stop buying and embrace the finer values of life and love (a hollow message coming from Disney, the most conspicuously commercial of all major Hollywood studios). To its credit, Holy Man occasionally achieves a delicate balance of comedy and commentary, and receptive viewers will be grateful, at a time when crude comedies rule the box office, that someone bothered to try. For that reason, this flawed movie deserves to be seen. --Jeff Shannon

Average review score:

terrible
this movie was so boring. It was just horrible, I was thinking this was going to funny but no this is eddie murphy's worst movie ever. Just simply terrible if i could give it 0 stars i would

OK Murphy flick
In this Film, Ricky (Goldblum) is an executive who has two weeks to
build up profits for a home shopping network (run by Loggia). To help him
out, Loggia teams him up with Kate (Preston). That day, they have a flat
tire and literally run into "G" (Murphy) on the side of the road. Ricky takes
him home & they become friends.
Soon after, Ricky asks "G" if he'll be on his show since he thinks it
could help him. Kate thinks so as well. So, "G" is now a part of the
network. And what Ricky had hoped for, happens. "G" makes sales boom
by giving the callers wise advice and inspiration. He doesn't push them to
buy products, but tells them to be happy with what they have, and as a result,
they buy and buy and buy more.
This movie has all of the ingredients to be a big hit. Eddie Murphy
can't help but be hilarious, and with his shaved head, white robes, and
sincere holiness, he certainly beats John Travolta and Denzel Washington in
their recent "angel-like" roles. Jeff Goldblum is perfect in the role as the
cynical, materialistic media person who eventually understands the wisdom
imparted to him by "G".
However, who is this mysterious "G"? Is he God? Is he a Gandhi
type of person? This becomes a distracting, going nowhere, letdown. It's as
if the director gave up somewhere along the way.
The predictable romance between Goldblum and Preston is,
well....predictable.
I enjoyed this movie, but I don't think I would pay to see it a second
time. Therefore, I would grade this PG movie a charitable B- grade.

A warm, loving,happy movie
I absolutely LOVED this movie!!! I also can't believe the reviews of this movie on Amazon - there alot of cold-hearted cynics out there!!! This a movie where you need to suspend your disbelief (which movie isn't?). The movie isn't about Eddie Murphy's charachter at all - it's really about Jeff Goldblum's charachter (Ricky Hayman). He plays a hard bitten, whealer-dealer television sales executive at a not-so-high-rating home shopping station, who meets, firstly, a beautiful girl (played gorgeously by Kelly Preston), and secondly, a spiritual man on a pilgrimage (Eddie Murphy). Eddie's charachter , G, asks for nothing, but comes into Ricky's life and teaches him ( and the viewers of the shopping network) that there is something more important about life than shopping and acquiring material possessions, and becomes the hottest thing on T.V. I watched this movie with my family (husband and 3 children aged 9 to 6). We all thoroughly enjoyed it, and then danced around the lounge-room to the closing credit music by Stevie Wonder. A really up-lifting movie that brought joy to my heart!!!


Holy Man
Released in VHS Tape by Touchstone Video (05 December, 2000)
MPAA Rating: PG (Parental Guidance Suggested)
Director: Stephen Herek
Starring: Eddie Murphy and Jeff Goldblum
Holy Man could have been a stellar satire in the tradition of Frank Capra, George Stevens, or Preston Sturges. Instead, this well-meaning romantic comedy was bluntly written by Tom Schulman (Dead Poets Society) and broadly directed by Stephen Herek, who fared better with his 1995 drama Mr. Holland's Opus. Their good intentions shine through, however, and while it's easy to appreciate Eddie Murphy's attempt to shift his career in a more substantial direction, Holy Man delivers some pointed criticism of commercialism and its deadening effect on spiritual well-being.

Murphy plays an enlightened eccentric named "G" (for "guru" or "God"?) who rises to national celebrity when he's enlisted to host a TV shopping network. Jeff Goldblum and Kelly Preston play the show's producer and marketer, respectively, and their formulaic romance provides the movie's lackluster subplot. With skyrocketing ratings and a flurry of cameos by celebrity hucksters (Morgan Fairchild, Florence Henderson, Dan Marino, and even James Brown), G delivers preachy platitudes urging America to stop buying and embrace the finer values of life and love (a hollow message coming from Disney, the most conspicuously commercial of all major Hollywood studios). To its credit, Holy Man occasionally achieves a delicate balance of comedy and commentary, and receptive viewers will be grateful, at a time when crude comedies rule the box office, that someone bothered to try. For that reason, this flawed movie deserves to be seen. --Jeff Shannon

Average review score:

terrible
this movie was so boring. It was just horrible, I was thinking this was going to funny but no this is eddie murphy's worst movie ever. Just simply terrible if i could give it 0 stars i would

OK Murphy flick
In this Film, Ricky (Goldblum) is an executive who has two weeks to
build up profits for a home shopping network (run by Loggia). To help him
out, Loggia teams him up with Kate (Preston). That day, they have a flat
tire and literally run into "G" (Murphy) on the side of the road. Ricky takes
him home & they become friends.
Soon after, Ricky asks "G" if he'll be on his show since he thinks it
could help him. Kate thinks so as well. So, "G" is now a part of the
network. And what Ricky had hoped for, happens. "G" makes sales boom
by giving the callers wise advice and inspiration. He doesn't push them to
buy products, but tells them to be happy with what they have, and as a result,
they buy and buy and buy more.
This movie has all of the ingredients to be a big hit. Eddie Murphy
can't help but be hilarious, and with his shaved head, white robes, and
sincere holiness, he certainly beats John Travolta and Denzel Washington in
their recent "angel-like" roles. Jeff Goldblum is perfect in the role as the
cynical, materialistic media person who eventually understands the wisdom
imparted to him by "G".
However, who is this mysterious "G"? Is he God? Is he a Gandhi
type of person? This becomes a distracting, going nowhere, letdown. It's as
if the director gave up somewhere along the way.
The predictable romance between Goldblum and Preston is,
well....predictable.
I enjoyed this movie, but I don't think I would pay to see it a second
time. Therefore, I would grade this PG movie a charitable B- grade.

A warm, loving,happy movie
I absolutely LOVED this movie!!! I also can't believe the reviews of this movie on Amazon - there alot of cold-hearted cynics out there!!! This a movie where you need to suspend your disbelief (which movie isn't?). The movie isn't about Eddie Murphy's charachter at all - it's really about Jeff Goldblum's charachter (Ricky Hayman). He plays a hard bitten, whealer-dealer television sales executive at a not-so-high-rating home shopping station, who meets, firstly, a beautiful girl (played gorgeously by Kelly Preston), and secondly, a spiritual man on a pilgrimage (Eddie Murphy). Eddie's charachter , G, asks for nothing, but comes into Ricky's life and teaches him ( and the viewers of the shopping network) that there is something more important about life than shopping and acquiring material possessions, and becomes the hottest thing on T.V. I watched this movie with my family (husband and 3 children aged 9 to 6). We all thoroughly enjoyed it, and then danced around the lounge-room to the closing credit music by Stevie Wonder. A really up-lifting movie that brought joy to my heart!!!


Related Subjects: Julie-Hagerty
More Pages: Kelly-Preston Page 1 2 3 4 5 6