Martin-Landau Movie Reviews

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VHS movie reviews for "Martin-Landau" sorted by average review score:
The Long Way Home
Released in VHS Tape by Vanguard Films (01 August, 2000)
MPAA Rating: NR (Not Rated)
Director: Mark Jonathan Harris
Starring: Morgan Freeman
As Allied troops liberated Nazi concentration camps in the final weeks of World War II, the trials of the Jews in Europe were hardly over. The end of the war brought extreme deprivation and even, in some places, further violence directed against survivors of the Holocaust. This documentary tells the story of the struggle European Jews faced in trying to reach Palestine, which they hoped would become the new Jewish homeland. Archival footage documents how Jews literally walked across snow-clogged mountain passes to reach the Mediterranean. In Italian ports they boarded overcrowded freighters and tried to slip past the blockage of Palestine, which was then controlled by Britain. The physical hardships were only part of the problem, and The Long Way Home does a fine job of describing the complicated political dealings that involved the United Nations, the U.S. administration of Harry Truman, and, of course, the Arab states that were hostile to the very idea of the country of Israel. Drawing on letters, diaries, and oral histories of participants, as well as interviews with Holocaust survivors and those who volunteered to help the fledgling Zionist state, an inspiring human story of courage and fortitude emerges in the course of this moving and fascinating film. --Robert J. McNamara
Average review score:

The story of the Second Exodus after World War II
This 1997 Academy Award-winning documentary presents the lives of Holocaust survivors from the end of World War II in 1945 to the founding of the state of Israel three years later. In the interim period the survivors were moved into "Displaced Persons" camps and lived in a strange sort of limbo until they were finally permitted to immigrate to Israel or the United States. Basically, this is the story of Jewish survivors again wandering in the wilderness, albeit one made by man, before finally finding the Promised Land. This is an often ignored period in the history of the Jewish people and while and at least this documentary provides a historical record. A fascinating documentary. "The Long Way Home" features narration by Morgan Freeman, Ed Asner Martin Landau, Helen Slater and others. Directed by Mark Jonathan Harris would won another Oscar in 2000 for "Into The Arms Of Strangers - Stories Of The Kindertransport,"

Great movie - but where are the subtitles?
Great movie. A part of history that I didn't know about, even though I'm Jewish and nearly 50 years old. But ... There Are NO Subtitles OR Closed-Captioning. This is inexcusable, to me, especially since many older people who will have a personal interest in this film (like my parents) have hearing problems and rely on subtitles and CC when viewing TV or movies. So be forewarned, if you are one who needs subtitles.

What a great story...
This is one excellent and very moving film. Though it is a documentary, it is gripping in its telling of the history of the Jewish refugees in the post 2nd World War years, until the creation of the state of Israel. It makes it understood, I think, even to those that are not very familiar with the subject matter. It's very good for a history class and the people interviewed are unique in that they really make you feel how they felt back then, over 50 years ago. The closure is also extremely potent, as it gives another dimension to this story of the Holocaust and the fight for a homeland. From an almost complete annihilation of a nation of a 3 thousands years of history, to be revived in our day and age - it gives the story depth I rarely seen in previous documentaries. Morgan Freeman's excellent narration, with voices of fine actors and especially with the participation of excellent witness who can tell their story in such an engaging way make this a gripping history lesson. Though made by "our team" (two Jews, one of them being a Rabbi...) it maintains a fair standing in the delicate issues of the Jewish-Arab conflict in Palestine. One cannot stop and wonder how the same story may look so trivial in a day-to-day life. A movie like this simply makes it clearer. I actually got several insightful observations that were really new to me. Note Clark Clifford, a White House counsel at the time in the Truman administration. He hardly has a voice by now, but he is as vivid in his details as he would be telling the details of one of the most important story of his life. And perhaps it was for him. This one doesn't get a 5 star simply because I reserve that to films that are truly innovative in their story telling, craftsmanship or in their bold statement. This one makes neither, but nevertheless, it's a great classic-style documentary film.

Space 1999 - Set 1
Released in VHS Tape by A & E Entertainment (30 January, 2001)
MPAA Rating: NR (Not Rated)
Starring: Space 1999 and Martin Landau
When it was first broadcast in 1975, there had never been a more lavishly produced science fiction TV series than Space: 1999, a British production whose budget for the first of its two seasons ran an astounding 3.25 million pounds. What keeps us fans enthralled after all these years has only partly to due with the first-rate production values, the plausibly constructed spaceship models, and expert special effects. The tone of the show is one of scientific dispassion, setting it apart from its TV sci-fi predecessors such as Star Trek, whose mood was more convivial. Our heroes here are in dire circumstances that require cool heads as a survival trait. Those circumstances: the 311 crew members of Moonbase Alpha experience a cataclysm that causes the moon to break away from Earth's orbit and travel endlessly through space, turning our heroes into unintentional explorers. No TV series has created a more palpable feel of hard science fiction than this. Of course the show is not without its detractors; it has been soundly lambasted for its many scientific errors. No less august a figure than Isaac Asimov criticized the show for its premise in the opening episode, "Breakaway" (included in this set), which had nuclear explosions on the "dark side of the moon" somehow propelling it out of Earth's orbit and flying through space without regard to any physical laws. While these are serious complaints, fans tend to remember the scientific seriousness of the series and the sense of awe created by the many strange creatures and phenomena that the crew members encounter on their journey through the galaxy. This set also includes the episodes "Matter of Life and Death" and "Black Sun." --Jim Gay
Average review score:

space 1999 revisited
At time the series came out i was 5 to 7 years old, but i remember watching it. I fell in love with the series but, it fell out of sight after a few years. Then in the 90's it reappeared on the Sci FI channel. I hope they include the later years episodes so i can bring the rest of my childhood back when i enjoyed the series.

This moon will self-destruct in 5 seconds
What happened to Barbara Bain and Martin Landau after they quit Jim's Impossible Mission Force? They donned trendy pajamas and went to work on Moonbase Alpha in Gerry Anderson's second live-action series, SPACE 1999. The series is set in the near future (??) where the lunar interior is being used as a dumping ground for nuclear waste - big mistake. All that volatile stuff goes ballistic and knocks the whole rock into Outer Space. Why travel the cosmos in a galaxy-class starship when you can trek in comfort and dine on an endless supply of blue cheese?
Seriously, this series (like all of Gerry Anderson's TV adventures) has achieved cult status and is well worth a look. The special effects are very much in the "2001" vein and the story lines are every bit as "out there" as anything you'll get on Star Trek or Babylon 5. Much more ambitious in scope than his previous live-action project, "UFO", I give only four stars because this has cult, rather than general appeal.

Metaphysical SF that stands test of time
I was amazed at how well Space 1999 has stood the test of time. The so-radical uniforms and sets now seem somewhat...average, but in their time, they were almost shocking. How we have changed! On the other hand, I was amazed at how real the visual effects looked, unlike the CGI everyone has now come to know and expect. This looked like how I remember the actual footage from the moon landings, with a sharp-edged almost artificial look. Great camera and lighting work add ambiance. I think part of the appeal of this series is the metaphysical aspect of it, always reminding me of "Solaris" on some levels. Perhaps the entire voyage is a hallucination? You never know, but hints abound. Definitely not the old formulaic Trek stuff, this show took TV Science Fiction to places it wouldn't go again until the advent of Babylon 5 and Farscape. My copy will be watched again and again.

12:01
Released in VHS Tape by New Line Studios (11 June, 1996)
MPAA Rating: PG-13 (Parental Guidance Suggested)
Director: Jack Sholder
Starring: Helen Slater
Average review score:

SAVE YOURSELVES!
Oh my god! This movie seriously needed first aid! The acting was... not convincing, to say the least. I suspect the producers smoked the budget. Unsalvageable in all respects, and a waste of space and time, oh the irony.

I want this on DVD
Conceptually similar to "Groundhog Day", this made-for-cable movie goes that film one better. In Groundhog Day, Bill Murray's character lived the same day over and over, and learned lessons in life in the process. In 12:01 the hero witnesses a murder. Once he realizes that he is living the same day over and over, he spends each recurring day trying to prevent the murder. I found this film thoroughly entertaining. I hope that it will become available on DVD.

A Clever, Funny and Tender Story.
I am a fan of Science Fiction and I disagree with all the negative comments below. This story was never meant to be as heavy as 2001 or even Ground Hog Day. The actors are not preforming Shakespeare. They do a very good job in this light drama, perhaps more a kin to a tv movie. Helen Slater gives a very subtle and nuanced portrayal of a woman who is deeply lonely and yet still open to a man who sincerely cares about her. The story focuses on the characters and their interaction and does not spend an inordinate amount of time on explaining the cause of the time displacement. This is one of the best science fiction movies I have ever seen because it is honest, simple, and done with care. I doesn't bother me that it obviously had a low budget. Besides, the whole thing essentially takes place on one floor of an office building.

No Place to Hide
Released in VHS Tape by Warner Home Video (14 February, 1995)
MPAA Rating: R (Restricted)
Director: Richard Danus
Starring: Kris Kristofferson and Drew Barrymore
Average review score:

drew plays a very beleivable role, and ecellent movie
kristofferson play a cynical cop whose wife and child were killed by a drunk driver, drew berrymore plays a young orphan whose sister is killed by renegade cops. kristofferson is assigned to protect her. you get action, drama, love and loyalty all in one movie.

No Place to Hide
Released in VHS Tape by Warner Home Video (14 February, 1995)
MPAA Rating: R (Restricted)
Director: Richard Danus
Starring: Kris Kristofferson and Drew Barrymore
Average review score:

drew plays a very beleivable role, and ecellent movie
kristofferson play a cynical cop whose wife and child were killed by a drunk driver, drew berrymore plays a young orphan whose sister is killed by renegade cops. kristofferson is assigned to protect her. you get action, drama, love and loyalty all in one movie.

B.A.P.S.
Released in VHS Tape by New Line Studios (02 September, 2003)
MPAA Rating: PG-13 (Parental Guidance Suggested)
Director: Robert Townsend
Starring: Halle Berry, Martin Landau, and Natalie Desselle
What was director Robert Townsend thinking? His movies, such as The Five Heartbeats and The Hollywood Shuffle, are sweet, enjoyable little pictures. But this "comedy" about two flashy Georgia women hoping to find money and men in Los Angeles is stereotypical, unfunny, embarrassing, and boring. Halle Berry and newcomer Natalie Desselle are trapped in pitiful roles playing against the distinguished but miscast Martin Landau and a wasted Ian Richardson. B.A.P.S., by the way, stands for black American princesses. There are better urban comedies out there, the badly named Booty Call for one. --Rochelle O'Gorman
Average review score:

Terribly funny and uplifting when you are down in the dumps.
I liked this movie; it made me laugh at a time when I was down in the dumps. I know Ms. Berry and Mr. Landau have been in better movies; but this one showcases their ability to be funny. Besides, if you cannot have any fun now and then; why make movies in the first place. The plot is great because it shows just what can happen when two blacks girls follow their dreams. Even though it doesn't seem like it will work out for them in the end, it really does after all. Troy Beyer is the writer, Robert Townsend directed, black actors starred in it. Give this movie a break; it is a comedy; it is not supposed to be a drama like "Titanic". The scenes in the restaurant were funny and realistic; two black girls meeting celebrites they have only read about and heard about. If that is not funny I don't know what is. When will we (African-Americans) start giving each other credit for our accomplishments in the film industry??? It is high time we started recognizing each other's talent. When we do, others will recognize our talent as well.

This Movie Is Pure Fun!
I was pleasantly suprised by this movie. It was really funny! I thought I would die laughung during the scene when Hallie and Natalie's characters encounter the bidet in the bathroom for the first time. It was a long time before I knew what one of those things were used for too! Hallie's acting really stood out in this movie and I think that it was primarily her acting which made the movie so touching. Plus, it was great to see Martin Landau again! Even though I would not sport big hair, long nails or gold teeth, I like the way this movie showed how (some of) the characters had great ambitions and big hearts to match as well as a genuine affection for one another. This could easily have been a "G" rated movie. But, since no one goes to "G" rated movies (a big myth), a little profanity was added to up the rating. That was my only disappointment. It's otherwise a fun family movie. Plus it allows for discussion about stereotypes, pursuing your goals, lying, trust, respect etc. See it!

Fiiiinnne and yo' sef
Monster's Ball is ain't but then again, was it really intended to be?
Lots of fun, far from serious, light and entertaining. It was nice seeing Martin Landau in such a different role, too. I do think the intent of the movie was satirical and therefore meant to be enjoyed with all the sense of humor one could muster--(with that in mind)I laughed all the way through.

B.A.P.S.
Released in VHS Tape by New Line Studios (02 September, 2003)
MPAA Rating: PG-13 (Parental Guidance Suggested)
Director: Robert Townsend
Starring: Halle Berry, Martin Landau, and Natalie Desselle
What was director Robert Townsend thinking? His movies, such as The Five Heartbeats and The Hollywood Shuffle, are sweet, enjoyable little pictures. But this "comedy" about two flashy Georgia women hoping to find money and men in Los Angeles is stereotypical, unfunny, embarrassing, and boring. Halle Berry and newcomer Natalie Desselle are trapped in pitiful roles playing against the distinguished but miscast Martin Landau and a wasted Ian Richardson. B.A.P.S., by the way, stands for black American princesses. There are better urban comedies out there, the badly named Booty Call for one. --Rochelle O'Gorman
Average review score:

Terribly funny and uplifting when you are down in the dumps.
I liked this movie; it made me laugh at a time when I was down in the dumps. I know Ms. Berry and Mr. Landau have been in better movies; but this one showcases their ability to be funny. Besides, if you cannot have any fun now and then; why make movies in the first place. The plot is great because it shows just what can happen when two blacks girls follow their dreams. Even though it doesn't seem like it will work out for them in the end, it really does after all. Troy Beyer is the writer, Robert Townsend directed, black actors starred in it. Give this movie a break; it is a comedy; it is not supposed to be a drama like "Titanic". The scenes in the restaurant were funny and realistic; two black girls meeting celebrites they have only read about and heard about. If that is not funny I don't know what is. When will we (African-Americans) start giving each other credit for our accomplishments in the film industry??? It is high time we started recognizing each other's talent. When we do, others will recognize our talent as well.

This Movie Is Pure Fun!
I was pleasantly suprised by this movie. It was really funny! I thought I would die laughung during the scene when Hallie and Natalie's characters encounter the bidet in the bathroom for the first time. It was a long time before I knew what one of those things were used for too! Hallie's acting really stood out in this movie and I think that it was primarily her acting which made the movie so touching. Plus, it was great to see Martin Landau again! Even though I would not sport big hair, long nails or gold teeth, I like the way this movie showed how (some of) the characters had great ambitions and big hearts to match as well as a genuine affection for one another. This could easily have been a "G" rated movie. But, since no one goes to "G" rated movies (a big myth), a little profanity was added to up the rating. That was my only disappointment. It's otherwise a fun family movie. Plus it allows for discussion about stereotypes, pursuing your goals, lying, trust, respect etc. See it!

Fiiiinnne and yo' sef
Monster's Ball is ain't but then again, was it really intended to be?
Lots of fun, far from serious, light and entertaining. It was nice seeing Martin Landau in such a different role, too. I do think the intent of the movie was satirical and therefore meant to be enjoyed with all the sense of humor one could muster--(with that in mind)I laughed all the way through.

Alone in the Dark
Released in VHS Tape by New Line Studios (13 June, 1995)
MPAA Rating: R (Restricted)
Director: Jack Sholder
Starring: Jack Palance, Donald Pleasence, and Martin Landau
Average review score:

Palance, Landau, and Pleasence Needed The Work!
I laugh when I see low-budget horror-science fiction films that feature actors who once starred in great classic movies. "Alone In The Dark" is such a film.

A loony doctor(Donald Pleasence) runs a mental institution. Three patients(Jack Palance, Martin Landau, Erland van Lidth) imagine that their psychiatrist(A pre-"A-Team" Dwight Schultz) is planning to kill them, so during a blackout, the insane trio escape to seek out and kill him.

Jack ("Shane," "Attack") Palance, Martin ("North By Northwest") Landau, and Donald ("The Great Escape") Pleasence had all seen better days. Landau gives a hammy performance that would make Rod Steiger blush. He can be seen laughing and screaming hysterically and bulging his eyes throughout a good part of the film. I find it hilarious that Landau once performed admirably with the magnificent Cary Grant in the four-star Alfred Hitchcock classic "North By Northwest" nearly a quarter-of-a-century earlier and was now starring in low-budget dreck like "Alone In The Dark." Of course, Landau would redeem himself fourteen years later by earning an Oscar for "Ed Wood." Likewise, Palance would later earn an Oscar for "City Slickers."

"Alone In The Dark" is good for a few big laughs but nothing else.

horror fan
After browsing the horror movie genre of amazon, I came across this movie. The reviews for it were all positive and I enjoyed Donald Pleasance in the Halloween series so I bought it. Boy was I dissappointed! Even though there were some good scares, it was more of a comedy than a horror. Was Donald Pleasance supposed to be the doctor or one of the patients, his role confused me at points.

Watchable Slasher Film.
Four Dangerous Inmates (Jack Palance, Martin Laudau, Erland Van Lidth & Philip Clark) escapes from a Mental Institution, thanks from a Unexpected Black-Out. They Terrorize a Psychiatrist (Dwight Schultz) and his family.

This Shocking Thriller is Written and Directed by Jack Sholder, From a Story by Sholder, Robert Shaye (The Film`s Producer) and Micheal Harrpster. Oscar-Winners:Jack Palance and Martin Laudau stars in this Well Made Horror-Thriller does have a Few Surprises but It`s falls Flat in the Last-Half Hour. The Plot is Good, should`ve been More Complex (Suffers from being Too-Simple Minded), the Movie is now Forgotten but Still enjoyable for Horror Fans. Donald Pleasence has a Supporting Role as a Odd Psychiatrist from the Film. This film is not for all tastes. Watch for Brent Jennings (Witness, The Serpent in the Rainbow) in a Small Role and Watch also for Lin Shaye (There`s Something about Mary) in a very Brief Scene.Grade:B+.

The Majestic
Released in VHS Tape by Warner Home Video (02 September, 2003)
MPAA Rating: PG (Parental Guidance Suggested)
Director: Frank Darabont
Starring: Jim Carrey and Martin Landau
The Majestic is an old-fashioned throwback replete with a 1950s B-script and halcyon values like patriotism, true love, and clean fun. Peter Appleton (Jim Carrey) is a Hollywood scriptwriter with a sexy gal, a screenplay under his belt, and his big break on the horizon. But when his name is mistakenly given to the House Un-American Activities Committee, Appleton's dreams of success in the biz quickly unravel. An ensuing car accident leaves him without a memory but a great opportunity--as a small town's Luke Trimble, war hero and all-around swell guy, with whom he happens to bear an uncanny physical resemblance. Of course, there's a beautiful woman (Sandra Sinclair) who waited for his return from the war, an endearing old dad (Martin Landau), and the magical Majestic movie house to renovate and reopen. As Appleton's memory eventually catches up to him, however, The Majestic veers off toward Mr. Smith Goes to Washington territory, complete with a monologue on the First Amendment. Unfortunately, despite the film's earnest striving to be Capra-esque and Carrey's undeniable star quality, the charm is more reminiscent of Ronald Reagan than Jimmy Stewart. --Fionn Meade
Average review score:

Entertaining but with political overtones
I liked this film.

Synopsis:
Jim Carrey plays Peter Appleton, a Hollywood film writer who is accused of Communist affiliations. He knows the accusation is going to ruin his career as a writer. In coping with this realization he gets drunk, goes for a drive, gets in an accident, and hits his head. The knock to the head results in temporary amnesia. When he is found, he is taken to the town of Lawson, CA where it just so happens that the town has lost 50-60 young men in World War II and one of them, Luke Trimble, just happens to be a spitting image of Jim Carey's character. The father of Luke Trimble, Harry Trimble (played by Martin Landau), happens to see Peter (though Peter has forgotten his name and his past life) and believes that his son whose body was never found in the war has returned home.

Harry owns The Majestic, a now defunct movie theater that doubles as their home. Well, Luke's return to Lawson creates something of an uproar as all of his old friends and his old flame, Adelle, played by Laurie Holden, all renew their relationships with him. Luke helps get The Majestic running again only to have one of the movies that he wrote play in the theater. When it does, his memory finally comes back.

What I haven't mentioned is the counter-plot that is running throughout the whole movie. The Communist Activities Committee (that isn't the actual name, I forget it now) is trying to find Peter Appleton for being a Communist sympathizer. Well, it just so happens that Harry dies the night that Luke/Peter realizes who he is. The day they bury Harry is the day Peter reveals himself to Adelle and the Communist Activities Committee finally finds him. When they find him it is a big social event and the entire town of Lawson is disillusioned by it.

Peter has to testify before the committee. Adelle tries to convince him to deny the charges but when they separate Peter seems to be willing to read a statement saying he has severed his ties with the communists and then rat out several other Hollywood figures. Well, Adelle gives him a gift as he leaves, a copy of the U.S. Constitution and a letter from Luke. This affects Peter and he ends up denying the charges and facing down the committee. When he faces down the committee he is raised back up to a hero in the eyes of Lawson and Adelle. He ends up returning to Lawson, running The Majestic, and marrying Adelle.

My Comments:
I liked the film because it had some memorable characters and made normal people the focus of the film rather than larger than life individuals. The Usher for the Majestic, Emmitt Smith played by Gerry Black was one such character. He was simple yet profound. I like characters like that. Also, Harry Trimble, played by Martin Landau, was also a simple and profound character.

When the focus of the movie was on Lawson and the feelings of a town that has suffered so much, the movie made a great statement on the consequences of war and the importance of relationships in our lives.

When the movie switched back to the obvious political statement of Jim Carey's character before the investigating committee, the movie lost some of its glow. Movies that have to tell you what they are trying to say often miss the point.

Overall, the movie was fun to watch. The tension that floated in the background from the individuals looking for Peter Appleton kept the movie moving even though it wasn't integrated as much as it could have been.

Great Film.
Of all the slapstick comedies that Jim Carry has done, the best film he has done in my opinion is a drama about family, courage, and honor. The Majestic was over looked in the theater, and that is a real shame because not too many movies deal with the kind of courage that it deals with broadly in this film. Jim Carrey really Shows great dramatic chops, Martin Landau is great as always, and should have gotten an Oscar nomination for his role, and Laurie Holden gives a great performance and holds her own with the boys.

See it.

Wonderful and touching

Jim Carrey takes a serious turn in The Majestic. An accident leaves Pete, a Hollywood screenwriter (who is also on the verge of being blacklisted as a Communist), with amnesia and he is welcomed by a small town whose residents believe he is one of their sons come back from the war, Luke. He and his father reopen the town's movie theater, which is a metaphor for bringing the entire town back to life. After months in the town, his own B-movie playing in the theater jogs his memory and forces him to admit to the town that he is not who they think, the same day his beloved father is buried. Pete returns to Hollywood to face the Communist accusations and stands up to the committee in a way Luke would have. The ending brought tears to my eyes and I immediately wanted to watch this movie again. It is a really sweet film and a welcome change.

The Majestic
Released in VHS Tape by Warner Home Video (02 September, 2003)
MPAA Rating: PG (Parental Guidance Suggested)
Director: Frank Darabont
Starring: Jim Carrey and Martin Landau
The Majestic is an old-fashioned throwback replete with a 1950s B-script and halcyon values like patriotism, true love, and clean fun. Peter Appleton (Jim Carrey) is a Hollywood scriptwriter with a sexy gal, a screenplay under his belt, and his big break on the horizon. But when his name is mistakenly given to the House Un-American Activities Committee, Appleton's dreams of success in the biz quickly unravel. An ensuing car accident leaves him without a memory but a great opportunity--as a small town's Luke Trimble, war hero and all-around swell guy, with whom he happens to bear an uncanny physical resemblance. Of course, there's a beautiful woman (Sandra Sinclair) who waited for his return from the war, an endearing old dad (Martin Landau), and the magical Majestic movie house to renovate and reopen. As Appleton's memory eventually catches up to him, however, The Majestic veers off toward Mr. Smith Goes to Washington territory, complete with a monologue on the First Amendment. Unfortunately, despite the film's earnest striving to be Capra-esque and Carrey's undeniable star quality, the charm is more reminiscent of Ronald Reagan than Jimmy Stewart. --Fionn Meade
Average review score:

Great Film.
Of all the slapstick comedies that Jim Carry has done, the best film he has done in my opinion is a drama about family, courage, and honor. The Majestic was over looked in the theater, and that is a real shame because not too many movies deal with the kind of courage that it deals with broadly in this film. Jim Carrey really Shows great dramatic chops, Martin Landau is great as always, and should have gotten an Oscar nomination for his role, and Laurie Holden gives a great performance and holds her own with the boys.

See it.

Wonderful and touching

Jim Carrey takes a serious turn in The Majestic. An accident leaves Pete, a Hollywood screenwriter (who is also on the verge of being blacklisted as a Communist), with amnesia and he is welcomed by a small town whose residents believe he is one of their sons come back from the war, Luke. He and his father reopen the town's movie theater, which is a metaphor for bringing the entire town back to life. After months in the town, his own B-movie playing in the theater jogs his memory and forces him to admit to the town that he is not who they think, the same day his beloved father is buried. Pete returns to Hollywood to face the Communist accusations and stands up to the committee in a way Luke would have. The ending brought tears to my eyes and I immediately wanted to watch this movie again. It is a really sweet film and a welcome change.

Absolute Magic!
What a great film. Didn't know what to expect from this film. Darabont did a fantastic directing job. Tattersall's cinematography is breathtaking. Carrey gives his second best acting performance next to Man On The Moon. See this film as soon as you can. It just might bring tears to your eyes.

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