Melanie-Lynskey Movie Reviews
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Forever After
Absolutely Brilliant
Great FilmEven though Barrymore's accent is pretty bad and she can be a bit stiff sometimes, it has a terrific story and her character's naivette offsets any poor acting.
This film draws an emotional connection with the audience and leaves you in a great mood by the time the credits roll.


Forever AfterWhen Danielle is sold to the lecherous Pierre Le Pieu (the deliciously wicked Richard O'Brien), Prince Henry goes to rescue her. But Danielle needs no rescuing. She has the situation well in hand as Henry discovers when he sees her exit Le Pieu's castle, her freedom & virtue intact.
As always, Anjelica Huston gives a winning performance as the Baroness, Danielle's cruel stepmother. She & Richard O'Brien give villainy a new name.
I think everyone will enjoy this version of the Cinderella story. It is one to treasure forever.
Absolutely Brilliant
Great FilmEven though Barrymore's accent is pretty bad and she can be a bit stiff sometimes, it has a terrific story and her character's naivette offsets any poor acting.
This film draws an emotional connection with the audience and leaves you in a great mood by the time the credits roll.


A Quiet, Compelling DramaThe second part is called "Love, Trevor", and is about a young man named Trevor (Corin Nemec with a not quite authentic British accent) who travels from England to the United States to visit his pen pal Mira (a refreshing performance from Yelena Danova) who is from Sarajevo but staying with a host family. The trouble is, she will be deported soon and the unsuspecting Trevor has been asked to visit for the purpose of marrying Mira to help her stay in the United States. The only kink in the set up is that Trevor really doesn't want to get married, even though he admits to his buddy Ian (the likable Steve Valentine, a true Brit with the dead on accent to back it up) that he's attracted to Mira, he's not in love with her. He does feel guilty, though. Ian tells him, "Lust and guilt won't last three years". Trevor ponders this moral question -- should he marry someone he loves as a friend but not as a life partner? And if he doesn't, will she be in mortal danger when she returns to her country?
Dear Jenny had a sense of mystery while Love Trevor had me intrigued. I HAD to know who this Jenny girl was and what happened to her and Marcel and I HAD to know which choice Trevor would make. Each story was very compelling and also had a hint of sadness as they mirrored broken relationships, loss, the frustration of indecision and the agony of guilt. In the end, both Melody and Trevor DO make their final choices and must live with the consequences.
The ending left me pondering my own choices in life. If you like introspection and quiet, thoughtful dramas, Foreign Correspondents will be perfect for you. Don't miss Wil Wheaton (Stand by Me, Star Trek TNG) as Jonas, a member of Melody's Neighborhood Watch group who develops a crush on her. He has a line that just makes one groan and grimace but at the same time it hits a nerve. You'll know which one I mean when you hear it.
Overall I enjoyed Foreign Correspondents -- especially the performances of Yelena Danova and Steve Valentine. My biggest complaint is Corin Nemec's hair, which never seems to look good no matter what movie or TV show he's in. His fake Brit accent was a bit distracting because I was so familiar with him as an American, but as the story unfolded I soon accepted him as a Brit. For a first film, this is an excellent piece of work and quite moving.
Unique, touching and thought-provokingMany elements of the film are subtle, indeed I had to watch it twice to pick up the nuances - I enjoy being required to think about what I am watching.
Mark's commentary is enlightening and entertaining and worth listening to after you've watched the feature.
I'm looking forward to Mark's new film project, (tentatively titled Claustrophobia) with great anticipation
The DVD is region-free, it'll play on any DVD player
Review for ¿Foreign Correspondences¿

Kate Winslet at 18Kate Winslet made her film debut in this modest comédie noire from way down under. It is amazing to realize that three years later she starred in the Academy Award winning Titanic (1997), on her way to establishing herself as one of the most charismatic and talented stars of the past decade. In retrospect, her budding talent is apparent here as the spinning, laughing, crazy teen who went off the deep end emotionally. There is no mistaking the sharp, confident and commanding Winslet style. Despite the part, Kate looks as wholesome and delicious as apple pie with cherry vanilla ice cream, yet manages to convey the demented edge necessary to the role.
Full-figured and brooding Melanie Lynskey is intriguing and not easily forgotten as Kate's manic/depressive friend.
Director Peter Jackson is to be commended for getting the most out of the girls, and for making their fantasy world believable. We can imagine how they fell into it.
The Best Film of the 90'sWinslet plays Juliet Hulme, an English debutante who moves to Christchurch, New Zealand when her father becomes the Rector of the town's college. As a child she suffered from tuberculosis and like the stereotypical upper-crust English, her parents neglected her by abandoning her in the Caribbean. She strikes up a friendship with the class wallflower, Pauline Parker, a girl of a lower socio-economic background, who also suffered from a childhood illness and felt outcast. They soon become best friends and pursue their interests in writing stories and listening to opera to escape their mundane surroundings. Scarily, their imagination takes over and they lose touch with reality. Their emotional dependence on each other frightens their parents, who fear their daughters have developed homosexual feelings for each other. As a solution, they attempt to separate the girls. Juliet is to live in South Africa with her relatives and Pauline is not granted a passport. The girls view Pauline's mother (Sarah Peirse) as the main obstacle of staying together. They hatch a plan to kill her and make it look like an accident.
The director, Peter Jackson, presents the story from the girls' perspective. The viewer is sucked into their visually rich fantasy-world, and one sympathizes with their plight. One understands the girls' disillusionment with their parents, when Juliet discovers her mother (Diana Kent) is having an affair with a married man. Pauline's parents, it is discovered during the trial, were never married. In fact, her father was still legally married to his first wife. Jackson, who understandably was the perfect director to direct Lord of the Rings, utilizes clay animation, timely editing and angular use of the camera. And most important of all is the script, based mostly on Pauline Parker's diaries written during the two year period leading up to the horrifying crime. The result is the most original film in decades.
FYI, the girls were released when they turned 21 years old on condition that they never meet. Perry, who took her stepfather's surname, her stepfather being the man her mother was having an affair with, currently resides in Scotland. Surprisingly and coincidentally, so does Parker, although they have yet to meet again. They both are doing what they dreamed of when they met-Perry writing books and Parker riding horses (she runs a horseback riding academy). Perry, who lived in the US for a number is years, is a devout Mormon and Parker is a devout Catholic. They both eschewed religion as teenagers.
Words can't describe...Only the minds of two disturbed semi-genius teenaged girls could create something as wonderful and dreadful as the story told in HEAVENLY CREATURES. Their world begins quite innocently, as a novel about a kingdom called Borovnia, with noble characters such as Charles and Deborah, and their renegade child Diello. Soon, you realize that their dissatisfaction with "real" life is dissolving into an escape into Borovnia, where Mario Lanza sings his beautiful songs, and where the two girls twirl about in beautiful ball gowns, while Diello slaughters anybody who dares to infringe upon their happiness.
The narration of the diary entries made by Pauline are in the exact words the real Pauline wrote. Very chilling. "We realized we had the key to the fourth world on the day of the death of Christ." Whoa!
You will never meet two characters quite like Pauline and Juliet in any other movie. You can't believe they do what they do, but you also route for them because you have come to love them.
I am kind of glad they are both doing well to this day. Yes what they did was outrageous, but I can't help but "get" why they did it and I'm convinced they were indeed insane at that time, because their escape into the fantasy world was so deep.


Kate Winslet at 18Kate Winslet made her film debut in this modest comédie noire from way down under. It is amazing to realize that three years later she starred in the Academy Award winning Titanic (1997), on her way to establishing herself as one of the most charismatic and talented stars of the past decade. In retrospect, her budding talent is apparent here as the spinning, laughing, crazy teen who went off the deep end emotionally. There is no mistaking the sharp, confident and commanding Winslet style. Despite the part, Kate looks as wholesome and delicious as apple pie with cherry vanilla ice cream, yet manages to convey the demented edge necessary to the role.
Full-figured and brooding Melanie Lynskey is intriguing and not easily forgotten as Kate's manic/depressive friend.
Director Peter Jackson is to be commended for getting the most out of the girls, and for making their fantasy world believable. We can imagine how they fell into it.
The Best Film of the 90'sWinslet plays Juliet Hulme, an English debutante who moves to Christchurch, New Zealand when her father becomes the Rector of the town's college. As a child she suffered from tuberculosis and like the stereotypical upper-crust English, her parents neglected her by abandoning her in the Caribbean. She strikes up a friendship with the class wallflower, Pauline Parker, a girl of a lower socio-economic background, who also suffered from a childhood illness and felt outcast. They soon become best friends and pursue their interests in writing stories and listening to opera to escape their mundane surroundings. Scarily, their imagination takes over and they lose touch with reality. Their emotional dependence on each other frightens their parents, who fear their daughters have developed homosexual feelings for each other. As a solution, they attempt to separate the girls. Juliet is to live in South Africa with her relatives and Pauline is not granted a passport. The girls view Pauline's mother (Sarah Peirse) as the main obstacle of staying together. They hatch a plan to kill her and make it look like an accident.
The director, Peter Jackson, presents the story from the girls' perspective. The viewer is sucked into their visually rich fantasy-world, and one sympathizes with their plight. One understands the girls' disillusionment with their parents, when Juliet discovers her mother (Diana Kent) is having an affair with a married man. Pauline's parents, it is discovered during the trial, were never married. In fact, her father was still legally married to his first wife. Jackson, who understandably was the perfect director to direct Lord of the Rings, utilizes clay animation, timely editing and angular use of the camera. And most important of all is the script, based mostly on Pauline Parker's diaries written during the two year period leading up to the horrifying crime. The result is the most original film in decades.
FYI, the girls were released when they turned 21 years old on condition that they never meet. Perry, who took her stepfather's surname, her stepfather being the man her mother was having an affair with, currently resides in Scotland. Surprisingly and coincidentally, so does Parker, although they have yet to meet again. They both are doing what they dreamed of when they met-Perry writing books and Parker riding horses (she runs a horseback riding academy). Perry, who lived in the US for a number is years, is a devout Mormon and Parker is a devout Catholic. They both eschewed religion as teenagers.
Words can't describe...Only the minds of two disturbed semi-genius teenaged girls could create something as wonderful and dreadful as the story told in HEAVENLY CREATURES. Their world begins quite innocently, as a novel about a kingdom called Borovnia, with noble characters such as Charles and Deborah, and their renegade child Diello. Soon, you realize that their dissatisfaction with "real" life is dissolving into an escape into Borovnia, where Mario Lanza sings his beautiful songs, and where the two girls twirl about in beautiful ball gowns, while Diello slaughters anybody who dares to infringe upon their happiness.
The narration of the diary entries made by Pauline are in the exact words the real Pauline wrote. Very chilling. "We realized we had the key to the fourth world on the day of the death of Christ." Whoa!
You will never meet two characters quite like Pauline and Juliet in any other movie. You can't believe they do what they do, but you also route for them because you have come to love them.
I am kind of glad they are both doing well to this day. Yes what they did was outrageous, but I can't help but "get" why they did it and I'm convinced they were indeed insane at that time, because their escape into the fantasy world was so deep.


Rose Red ---- Awsome
VERY SCARY FILM!!!!! RELEASE ON VHS PLEASE!!!!!!!
Awesome movie and book!!!!!!

I liked this movie better the first time I saw it...
I want to rock and roll all night and party every day...yeah
Great Film, Great DVD

I liked this movie better the first time I saw it...
I want to rock and roll all night and party every day...yeah
Great Film, Great DVD

These chicks think they're so cool and tough
Aspiring Dreams
Don't be fooled....

These chicks think they're so cool and tough
Aspiring Dreams
Don't be fooled....
When Danielle is sold to the lecherous Pierre Le Pieu (the deliciously wicked Richard O'Brien), Prince Henry goes to rescue her. But Danielle needs no rescuing. She has the situation well in hand as Henry discovers when he sees her exit Le Pieu's castle, her freedom & virtue intact.
As always, Anjelica Huston gives a winning performance as the Baroness, Danielle's cruel stepmother. She & Richard O'Brien give villainy a new name.
I think everyone will enjoy this version of the Cinderella story. It is one to treasure forever.