Michael-Bay Movie Reviews
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Live your life to the Fullest
Check It Out

Very touching and entertaining film
sweeping epicEdwina Winfield (Kelly Rutherford), the eldest daughter of a wealthy newspaper dynasty, is travelling home on the Titanic with her family and her fiancee.
The Winfields toast her engagement and the sixth birthday of her sister Alexis. But fate deals Edwina a horrible blow when her parents and fiancee go down with the ship.
Edwina tries to re-build her life and the lives of her younger siblings, while Alexis turns against the family and becomes a teenage delinquint.
For 12 years Edwina puts her romantic life on hold, while she raises her siblings, but on a trip across the Atlantic to rescue a wayward Alexis, she discovers she cannot keep romance at bay, and has an affair with a dashing Englishman, Patrick (Simon MacCorkindale). When Alexis is found, Edwina returns home to marry theatrical producer Sam Horowitz (Chris Sarandon).
At last, Edwina is free from the ghosts of that fateful night on the Titanic.
Romantic, dramatic and very well played out, NO GREATER LOVE is one of the best Danielle Steel movies ever made.
A wonderful movie

Good movie great performance by David Morse SPOILER IN HERE
Fantastic movie!
Great movieA great scenario, credible intrigue, good historical link...
Perter Strauss and other actors are amazing,
I loved it


Classic!!If Benny Hill was born in America He would have made
"Saturday Night Live" ..I believe.
I Wonder what's he doing now.
Undoubtly the BEST of BENNY!

An explosive film with great music!!!
A superb film, beautifully shot and acted

Cold Dog Soup
Genius!

Helen Mirren shines again
A real treat!

Only for fans of 70's horror and Dan CurtisTony Franciosa is perhaps the best part of this movie. He always seemed to be a good asset in any movie of that era. He simply has that air about him. Unfortunately I figured out far too soon who the villain was in this movie so that spoiled any suspense and unfortunately enabled me to anticipate much of what transpired later in the movie.
All in all "Curse of the Black Widow" is a very dated 70's horror movie that's heavy on dialog, traditional plot and is 1970's LOW tech. If that bothers you then look elsewhere.
This isn't Dan's best, but I grew up watching his movies so it's sort of an irrational nostalgia treat for me.
One of the greatest TV movies of the 70s
Recomended to Horror and Mystery BuffsThis movie has all the feel of 1977. The music and characters reflect the era well. There's a large cast and snappy dialogue. There's plenty of suspense and startling moments.
I viewed the VHS digitally mastered collector's edition. It's like it claims, "optimum picture and sound."


Horror Hospital (1973) d: Balch, Anthony
Confessions from a Horror Health Farm.A long time favourite, Horror Hospital holds a special place in my heart and is still a film that I never tire of watching. Equally fascinating is the career of its director Antony Balch- an experimental filmmaker, exploitation film distributor, Bela Lugosi obsessive, William Burroughs collaborator and all round mischief maker who died young (of cancer in 1980). The best place to read about Balch is Colin Davis’ 1988 article ‘Eros Exploding- the films of Antony Balch’, while Barry Miles’ Burroughs biography ‘El Hombre Invisible’ also has some interesting tales to tell about Balch and Horror Hospital co-writer Alan Watson. Larger than life characters that Watson and Balch come across in those two texts its perhaps no surprise that every Horror Hospital character is in their own way memorable, from the sinister rail-guard played by Kenneth Benda (also in Balch’s Secrets of Sex and the pilot episode of Adam Adamant Lives!), Skip Martin’s victim/victimiser dwarf who goes around shouting ‘Don’t forget to brush your teeth’, ‘Baron’ Kurt Christian’s wooden hippie whose fairly lobotomised to begin with, while Robin Askwith- in very much a warm-up to his star roles in slap and tickle comedies of the Seventies makes for a far more colourful hero than seen in the average UK horror film of that era. Then there’s Michael Gough who Balch apparently prepared for the Dr Storm role by screening him The Devil Bat with that film’s star Bela Lugosi as Gough’s ‘inspiration’. While there is certainly allot of Lugosi evoked in Storm and his mad doctor schemes Gough clearly injected a good deal of his own horror film persona into the part as well, and at a time when he was starting to play more sedate villains (The Corpse, Satan’s Slave) the Balch film gives us one last look at the raving, scenery chewing Michael Gough of Horrors of the Black Museum and Konga.
Serving up its chills the tongue-in-cheek way, Horror Hospital’s scenarios are deliberately exaggerated and over the top (upon discovering a blood splattered bed diminutive Fred tells Judy and Jason ‘I hope you’ll be tidier than the people who had that room’) yet at the same time the film works as a totally straight horror/exploitation piece, a balancing act often attempted but rarely pulled off in horror comedies. References/send-ups of older horrors particularly the later Lugosi films and items like Mystery of the Wax Museum are also given an original spin by Balch’s peculiar world view which combines these olde horror film elements alongside finger on the pulse exploitation spectacles like severed head gore and shower scene nudity all cutting edge for a 1973 British production. Balch even throws in a glam/transvestite band whose prophetic wailings of ‘something ain’t right, something is wrong’ memorably open the film. The DVD release offers some good and bad news- on the one hand the film, presented in widescreen and sourced from the original negative, has never looked better- but, save for the UK trailer (“the most horrific programme ever shown in England”) the lack of extras disappoints. By all accounts this was quite a colourful production and a story worthy of an audio commentary- as such this DVD seems a bit of a missed opportunity. The packaging sells Horror Hospital well in horror film terms (quoting the immortal ‘the ultimate in blood and screams’ Dilys Powell review) but doesn’t quite capture the film’s anarchic edge, the blood red box is a more inspired touch but call me a nit-picker is it too much to ask someone to spell Balch’s first name right on the sleeve.
The rest of the Balch back-catalogue is comprised of a handful of experimental short films like Towers Open Fire and Bill and Tony (which would have made ideal DVD extras) while his only other feature was Secrets of Sex (aka Bizarre) a sometimes disturbing horror/sexploitation picture narrated by an Egyptian Mummy- that is quite unlike any other movie you’ll ever see- providing you can get to see the ultra-obscure Balch debut feature in the first place that is. Horror Hospital remains Balch’s most straight-forward and entertaining piece of filmmaking, and a super introduction to a slender but always fascinating body of work. Obscure for most of the Eighties, this DVD release restores to its proper place one of the all time great Brit horrors of the Seventies.
Cheesy and campy-the way all "B" horror flicks should be!

The tribulation has begun!
Occasionally we need something like this...Tired of the mayhem that wholesale owns the screens.
Look back to a film like this. Cannes enjoyed it, so it can't be all bad.
Campy.. get out the marshmellows this one goes to the extreme.
Just a fun flick