Michael-Bay Movie Reviews
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Oyster
"Platoon Leader" Overlooked
Platoon Leader
Unfortunately, even an excellent cast can't save this sandy soaper from itself. Although the Technicolor cinematography is gorgeous, and Dietrich sports a new and more stunning gown for every desert occasion, viewers will find no oasis to quench their thirst. Basically, this is a very early version of Hollywood's "sex and sand" films, so popular in the 1950s--lush, unusual, and ultimately silly. --Mark Savary

Another misleading video box!Why only three stars, then? Well, I wish it could be more, but the problem lies in something far more fundamental that should sadly have been fixed before shooting started. Basically, the script is just way too talky. Too many encounters of Marlene and Charles just talking at each other. They meet Basil Rathbone, and I thought, "Good, now there'll be some action because he's going to come between them somehow." But no, they just talk at him and he back to them. Besides the talkiness, the other problem with the plot is that we know all along what Boyer' problem is. They could have gotten a lot of mileage out of Guess the Secret. What a shocker it would have made if you found out with Marlene what the problem was! Odd that the studio didn't understand the importance of suspense as a script motivator.
Interesting premise, though. Recently bereaved, deeply religous Marlene has gone to Algiers to find Something in the Desert. The day she arrives, Charles Boyer has also popped up. What we know that she doesn't know, is that he's a runaway monk, of all things. So he's looking for the forbidden, while she's looking at him. The scene where he reveals the truth is the best in the movie, because it rings true when he speaks of his anguish upon discovering what he gave up by joining religious life too soon. In fact, I am surprised that such a film was allowed by the censors, because it presented a sexually sinning monk. But I think "Garden of Allah" should be shown to those thinking about the religous life, to encourage exploration of what people may not realize, like Boyer's character, they will have to forswear by taking their vows. I think in this way, the film is more true than the moviemakers understood when it was made, given the exodus of men and women from the orders after Vatican II, for just the kind of reasons Boyer gives Dietrich. I was also interested to see what the resolution of the problem would be, and found it appropriate enough.
So while disappointing to listen to, treat it as moving display of colors until that Great Scene of Boyer's, and you should be happy enough with "Garden of Allah".
For Lovers of doomed exotic RomanceThe image of the dvd edition, is so near perfection that it's difficult to believe that this picture was released in 1936!
The plot is for sure outdated, but nevertheless the story of the doomed love affair between convent-educated Domini Enfilden and russian Boris Androvsky, a tormented trappist monk, who's just fled from his monastery, set against the beautiful background scenery of the desert, is enjoyable due to its aforementioned technical qualities and the "continental"appeal of both stars, Marlene Dietrich and Charles Boyer.
Although Dietrich looks stylish and alluring as Domini Enfilden, I feel she never looked as good again, as in her early '30s black & white Paramount films, directed by Von Sternberg. Boyer is effective as the troubled monk, who wants a taste of the "outside world".
Excellent support by Basil Rathbone, Joseph Schildkraut and C. Aubrey Smith, plus a spectacular exotic arab dance sequence by then newcomer, Tilly Losch.
A great romanceDomini Enfilden (Marlene Dietrich) has spent her life caring for her ailing father, and she now wants her own life back again. She finds it when she travels to Algeria, and she meets Boris Androvsky (Charles Boyer), who, unbeknowst to her, is a runaway Trappist monk who deserted the order after taking the vows.
They marry, and after a lengthy honeymoon in the Algerian desert, the truth comes out and she begs him to return to the order.
Gloriously filmed in Technicolor, this David O'Selznick epic is one of the finer films in Dietrich's early career.


gee
The last but not the least
A great french director

Save your money!!
This is the best of the Flash Gordon serials
Ming Is The King !

Save your money!!
This is the best of the Flash Gordon serials
Ming Is The King !

My son gives this 5 stars. Mom's rating: 4 stars.
my son would also give this 5 stars; i give it 3.
Rocks!!this video when I was at school. The story teller is Alex Baldwin. When he tells the story it makes the characters sound newer. This is better than any other video, I am such a big fan of it. I do think James is a little bit bossy but I like it anyway.


My son gives this 5 stars. Mom's rating: 4 stars.
my son would also give this 5 stars; i give it 3.
Rocks!!this video when I was at school. The story teller is Alex Baldwin. When he tells the story it makes the characters sound newer. This is better than any other video, I am such a big fan of it. I do think James is a little bit bossy but I like it anyway.


A Medley of Wonderful Thomas
10 years of Thomas
Very Very Good

Skinemax for the Pinky's-Up Crowd
A "Scandal" to miss this one.The story is one of great intrigue showing how one man's weakness and lust for the seedier side of the fairer sex, and another man's weakness, his desire to mix with the higher echelons of society, embroils them both into a downward spiral of self destruction, which in itself is indeed quite a story. But when it also compromises and in fact instigates the downfall of an entire government, and a British CONSERVATIVE Government at that; now add to it a complex web of vices including sex, drugs, alcohol, debauchery, infidelity, betrayal and treason! well you have the makings of a simply excellent movie. John Hurt's acting as "scapegoat" Dr. Stephen Ward is first class, as are the roles of Ian Mckellan as the ill-fated John Profumo and Leslie Phillips as the aloof Lord Astor. Joanne Whalley-Kilmer, Bridget Fonda, Britt Ekland give superb performances depicting precisely the trends and fashions of England's mid 60s. The theme music "Scandal", sung by the timlessly talented Dusty Springfield, was released as a single and made the charts without hesitation.
Add to the story a high ranking Russian, a snipit of the "highly respected" British Aristocracy, some excellent shots of London life and a stately mansion deep in England's green and pleasant land, and you have a highly entertaining, "no holds barred" account of a real piece of British political history, the kind that britons would rather you didn't know about!
It's been more years than I care to remember since I went to the "flicks" to see this movie, I truly can not wait to put this video into my machine, get a couple of cans, get my feet up and enjoy it all over again. Buy it! you won't be disappointed.
"I could do wonders with you--could shock the world."Christine Keeler (played by Joanne Whalley) was only 16 years old when she met Ward (John Hurt). She was working in a burlesque show in London. Ward--who is clearly a hedonist--is immediately struck by Christine and says she "moves like a racehorse." Ward, a bachelor, seeks out Christine and begins to cultivate their relationship. While visiting a cottage on Lord Astor's Clivedon estate (pronounced 'clifton'), Christine meets Profumo--and also an man who was allegedly a Russian spy.
The film's focus on the relationship between Ward and Keeler was sheer artistic brilliance on the part of the director, Michael Caton-Jones. It would have been all too easy and sensationalistic to emphasize the Profumo-Keeler connection--with all the necessary sleazy connotations, but instead Caton-Jones chose to focus on the mystery of Ward and Keeler. A beautiful, poignant film is produced as a result. There are a few orgy scenes in the film, but they are relatively tame. These events took place in the 60s, and the story does concern individuals who were engaged in some rather unsavoury, sexually unacceptable behaviour, but the film certainly doesn't titillate or linger on the fouler aspects of the subject.
Joanne Whalley as Christine Keeler does an amazing job. She looks incredibly like Keeler, and if you don't know what Keeler looked like in the 60s, do a search on the internet, and you'll see what I mean. The photograph of Whalley on cover of the DVD box is an exact replica of a photograph of Keeler. Whalley plays Christine Keeler with just the right combination of the contrasting characteristics of toughness, fragility, confusion, and confidence. John Hurt as the intelligent and fascinating Stephen Ward remains a cipher. John Hurt is a marvellous actor, and he plays his role here with worldliness, good humour, and a certain naked hope of belonging to the upper classes--in whatever capacity is necessary. Ian McKellen--another great actor, plays Profumo with the perfect amount of ridigity and stuffiness, and he is very believable as the politician who is at first very proud of himself for bedding Christine, but then denies the evidence against himself until he can no longer do so. Bridget Fonda plays Mandy Rice-Davies, the resilient, rather naughty friend of both Keeler and Ward. Her somewhat brazen enjoyment of the court proceedings is in direct contrast to Christine's horror at the witch hunt against Ward. This film dissects several aspects of human nature and social behaviour--greed, ambition, class, lust, power, wealth, ego, and reputation. I love this film. I am fascinated by the relationship between Keeler and Ward as it defies all definitions and was based on factors that cannot easily be deciphered--displacedhuman.


Skinemax for the Pinky's-Up Crowd
A "Scandal" to miss this one.The story is one of great intrigue showing how one man's weakness and lust for the seedier side of the fairer sex, and another man's weakness, his desire to mix with the higher echelons of society, embroils them both into a downward spiral of self destruction, which in itself is indeed quite a story. But when it also compromises and in fact instigates the downfall of an entire government, and a British CONSERVATIVE Government at that; now add to it a complex web of vices including sex, drugs, alcohol, debauchery, infidelity, betrayal and treason! well you have the makings of a simply excellent movie. John Hurt's acting as "scapegoat" Dr. Stephen Ward is first class, as are the roles of Ian Mckellan as the ill-fated John Profumo and Leslie Phillips as the aloof Lord Astor. Joanne Whalley-Kilmer, Bridget Fonda, Britt Ekland give superb performances depicting precisely the trends and fashions of England's mid 60s. The theme music "Scandal", sung by the timlessly talented Dusty Springfield, was released as a single and made the charts without hesitation.
Add to the story a high ranking Russian, a snipit of the "highly respected" British Aristocracy, some excellent shots of London life and a stately mansion deep in England's green and pleasant land, and you have a highly entertaining, "no holds barred" account of a real piece of British political history, the kind that britons would rather you didn't know about!
It's been more years than I care to remember since I went to the "flicks" to see this movie, I truly can not wait to put this video into my machine, get a couple of cans, get my feet up and enjoy it all over again. Buy it! you won't be disappointed.
"I could do wonders with you--could shock the world."Christine Keeler (played by Joanne Whalley) was only 16 years old when she met Ward (John Hurt). She was working in a burlesque show in London. Ward--who is clearly a hedonist--is immediately struck by Christine and says she "moves like a racehorse." Ward, a bachelor, seeks out Christine and begins to cultivate their relationship. While visiting a cottage on Lord Astor's Clivedon estate (pronounced 'clifton'), Christine meets Profumo--and also an man who was allegedly a Russian spy.
The film's focus on the relationship between Ward and Keeler was sheer artistic brilliance on the part of the director, Michael Caton-Jones. It would have been all too easy and sensationalistic to emphasize the Profumo-Keeler connection--with all the necessary sleazy connotations, but instead Caton-Jones chose to focus on the mystery of Ward and Keeler. A beautiful, poignant film is produced as a result. There are a few orgy scenes in the film, but they are relatively tame. These events took place in the 60s, and the story does concern individuals who were engaged in some rather unsavoury, sexually unacceptable behaviour, but the film certainly doesn't titillate or linger on the fouler aspects of the subject.
Joanne Whalley as Christine Keeler does an amazing job. She looks incredibly like Keeler, and if you don't know what Keeler looked like in the 60s, do a search on the internet, and you'll see what I mean. The photograph of Whalley on cover of the DVD box is an exact replica of a photograph of Keeler. Whalley plays Christine Keeler with just the right combination of the contrasting characteristics of toughness, fragility, confusion, and confidence. John Hurt as the intelligent and fascinating Stephen Ward remains a cipher. John Hurt is a marvellous actor, and he plays his role here with worldliness, good humour, and a certain naked hope of belonging to the upper classes--in whatever capacity is necessary. Ian McKellen--another great actor, plays Profumo with the perfect amount of ridigity and stuffiness, and he is very believable as the politician who is at first very proud of himself for bedding Christine, but then denies the evidence against himself until he can no longer do so. Bridget Fonda plays Mandy Rice-Davies, the resilient, rather naughty friend of both Keeler and Ward. Her somewhat brazen enjoyment of the court proceedings is in direct contrast to Christine's horror at the witch hunt against Ward. This film dissects several aspects of human nature and social behaviour--greed, ambition, class, lust, power, wealth, ego, and reputation. I love this film. I am fascinated by the relationship between Keeler and Ward as it defies all definitions and was based on factors that cannot easily be deciphered--displacedhuman.
He understnadably could not understand how people got hooked on herion of all things in a combat zone.
I thought of the herion death scene in Platoon leader, and remebered by and large it was a terrific movie.Thats why I found it on Amazon and ordered it, mostly to show him our current troubles seem insignificant to the fatalities suffered then.
I havent seen the movie in gee, 15 years? Ive never forgotten it, tho.