Michael-Bay Movie Reviews

Don't worry about the intricasies of the plot and story-line here. Just sit back and enjoy. I did.

This violent, over-the-top Robert ("DIRTY DOZEN") Aldrich directed thriller is a remake of the 1948 British film "NO ORCHIDS FOR MISS BLANDISH" which was in turn adapted from the once banned-as-pornographic novel of the same name.

It's the 1920s. Kim Darby is the beautiful young heiress Barbara Blandish who is kidnaped by the brutal Grissom gang. Their plan is simple and savage: keep the ransom and kill the hostage. Unfortunately (for the gang) dimwit Slim Grissom (Scott Wilson) falls in love with Barbara. And the even more unfortunate Barbara is forced into a relationship -- as the poster says -- of "violence and desire."

Finally, when the police close in and the gang comes apart, the question becomes: Who will survive the final frenzy of love and bullets?

Tony Musante, Ralph Waite, Robert Lansing and Connie Stevens co-star in this still shocking, extremely vicious gangster thriller. The tense screenplay is by Leon Griffiths and the edgy, very 70s score is by Gerald Fried.

Those who knew director Aldrich, who was also responsible for "KISS ME DEADLY" and "THE KILLING OF SISTER GEORGE," say this film was intended as a black comedy and was a reflection of his bizarre, almost sadistic, sense of humor. He said, "if it makes you laugh or cringe or both is more about who you are..." ...

Robert Aldrich is more known as a successful director of action movies like THE DIRTY DOZEN than as a sensitive observer of psychological dramas but with THE KILLING OF SISTER GEORGE, released in 1968 and THE GRISSOM GANG, Big Bob showed that a golden heart was beating under his elephant skin.

Don't get me wrong ! THE GRISSOM GANG is also a gangster movies loaded with machine guns duels and vicious killings but what's more interesting is the description of the relationship between Slim, the psychotic killer, and Barbara Blandish, the spoiled heiress. This unusual couple has to face a collection of secondary characters one will not forget so easily. For instance, Ma Grissom, played by Irene Dailey, a criminal genius and an overprotective mother, or Eddie - Tony Musante - Hagan, the archetype of the gangster of the 30's, so seductive but ready to kill anything that moves, even women, if necessary.

In the good guys section of the movie, there is someone who, in spite of his millions, could have been part of the Grissom gang : Wesley Addy, Barbara's father and often present in Aldrich's films, his attitude is one of the most disturbing seen in a movie.

All in all, an excellent addition to your library.

A DVD zone Bonnie and Clyde.

Kim Darby plays snotty society girl Barbara Blandish, the product of her boorish and society climbing parents who is kidnapped by a group of petty thugs....however they in turn are ambushed by a more professional crew of hoodlums. Irene Dailey plays Ma Grissom, the cold blooded leader of the small time gang....Scot Wilson is the simple-minded and lovestruck thug, Slim Grissom....Connie Stevens portrays the air headed blonde gangster moll, Anna....and Tony Musante is the oily and vicious, Eddie Hagan.

Whilst definitely not a gangster classic, "The Grissom Gang" is an over looked addition to the genre that's not without it's redeeming qualities. Aldrich had a flair for directing hard edged films that explored the more violent side, and the underbelly of human nature....and this film does all that !!

P.S. Did I mention the acting is pretty bad? (But, at least it's sooooo bad that it's fun to watch-if you know what I mean.)

Don't miss it if you haven't seen it, and see it again if you have.

Patricia Hodge is a strange Stella Rodney. Her performance is strong but her characterization is off the mark. This is a Stella in control. One can't believe that she would be dependent on anyone, much less her lover, so that when she is expected to unravel, it scarcely seems believable. Stella's romance with Robert is circumstantial and special. It is made possible by the blitz London atmosphere and is, indeed, a rebirth for the heroine of the novel. It suggests that finally, Stella, a divorcee, is able to find intimacy from someone other than her son (who is played abominably). But Hodge's Stella is so controlled, so dry and so independent that she is startling and very unromantic. Her tragedy is not believable.

The strongest perfomances are by Michael Gambon (who plays Harrison, probably the hardest character to play in the novel with all he can to give us some sense of what the character is about - the script gives him litle aid), Peggy Ashcroft and the women who play Robert's mother and sister (they're terrifying).

It's worth seeing if you're into the book. It will probably make you disagree with it's take, but I don't think it will disappoint.

FOR THOSE WHO LOVE FOOTBALL, THE GRIDIRON ACTION SCENES ARE TERRIFIC. FOR THOSE WHO WERE NOT BORN YET OR TOO YOUNG AT THE TIME, BE ASSURED THAT WHEN YOU SEE DAVIS AND BLANCHARD IN THE MOVIE YOU ARE SEEING THEM AS THEY WERE. THE CAMERA HAS NOT BEEN SPEEDED UP, THEY WERE ACTUALLY THAT GOOD AND THEY RARELY PLAYED MORE THAN HALF THE GAME.

IN THE ARMY PROGRAMS, BLANCHARD'S WEIGHT WAS LISTED AT 205. IN FACT, HE WAS A STONE SOLID 235.

THIS MOVIE IS A SPORTS COLLECTER'S MUST!

VIDEO GAME SCENES ARE FAIRLY CLEAR. BLANCHARD AND DAVIS WERE ACTUALLY AS GOOD AS THE FILM DEPICTS. THEY USUALLY PLAYED ONLY THE FIRST HALF OF GAMES; ARMY WAS USUALLY AHEAD AT THE HALF BY FOUR OR FIVE TDS.

DURING THE FOOTBALL SEASONS OF 1944, 1945,AND 1946, ARMY WAS THE NATION'S #1 TEAM, WEEK IN AND WEEK OUT. UNDEFEATED, THEY HAD ABOUT SIX OR SEVEN ALL-AMERICAN PLAYERS. UNDEFEATED BUT TIED (ONCE), 0-0 BY NOTRE DAME IN 1946. THEIR SQUARD WAS FOUR DEEP IN EVERY POSITION.

THE VIDEO PROVIDES AN ACCURATE PICTURE OF ACADEMY LIFE AT WEST POINT. CONSIDERING THAT D & B WERE NOT ACTORS, THEY CAME OFF PRETTY WELL.

PLENTY OF FOOTBALL. IF YOU LOVE FOOTBALL, YOU'LL LOVE THIS VIDEO.

Jump to the present-day (late 80's) and our little firestarter is all grown up in the form of university student, Sam Kramer (Brad Dourif). Sam's opening scene is a school play audition wherein his performance is so pathetically bad that even his loving fiance, Lisa (Cynthia Bain) tells him not to quit his day job. If this scene was meant to ease the audience into Dourif's unconventional manner of acting by poking fun at him, it doesn't work, because we'll get to cringe a whole lot more as Dourif spends the rest of the film screaming and bugging his eyes out in an over-the-top performance that, for many other actors, would be a career-ending one. Even if this movie had a decent director, Dourif is woefully miscast and should really stick to roles that welcome complete psychosis like Grima Wormtongue (The Two Towers) and Piter De Vries (Dune).

Cynthia Bain doesn't fare much better, which is a shame because she does show some promise and is one of the better actors in the movie. Indeed, seeing her smiling face early on, while dressed in some attractive, if outdated outfits is one of the few bright points of the film. Unfortunatley, the screenplay soon has her bouncing between moderate to extreme hysteria, reminiscent of the closing scenes of Pumpkinhead, but without the believable motivation. It is actually a testament to her acting abilities that she can keep a straight, albeit tortured face through an increasingly ludicrous and muddled plot. In one scene, while driving her deteriorating, flamethrower of a boyfriend to the doctor, she has to alternately comfort and express her love for him while dodging the jets of flame shooting out of a hole in his arm. With driving skills like these she belongs in NASCAR, not this whacked-out flick.

If you think this sounds completely insane, just wait, it gets better - or worse depending on how you like your camp. After all, the words, "subtle" and "Tobe Hooper" are never found in the same sentence, let alone the same screenplay. As with Hooper's other works like Poltergeist and Lifeforce, the level of chaos and zaniness can only escalate, but in this case, on a very limited budget. Soon Sam Kramer is inadvertently toasting everyone around who even mildly upsets him - from a snotty radio producer (John Landis in a cameo role) to a friendly old security guard to an evil doctor/scientist who's trying to inject our poor hero with some green goo that looks fresh out of a cylume stick. All of this culminates in one of moviedom's most memorably silly climaxes that will leave you either laughing hysterically or uttering a very large: "huh?".

Bottom line: If you enjoy campy movies, Spontaneous Combustion can be quite fun at times. Unfortunately, the film is laced with enough seemingly serious acting and overtones to give the viewer the feeling that it wasn't meant to be funny. This, combined with a demented musical score and some seriously flawed writing make for an experience that can only be truly enjoyed by die-hard Brad Dourif (or Cynthia Bain) fans.

As far as this DVD version goes, the transer is very so-so and the only extra offered is a theatrical trailer. Blech.