Michael-Douglas Movie Reviews
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PRETTY GOOD SEQUEL, BUT WHY AIN'T IT ON DVD YET?
Very good movie, [bad] tape, poor picture quality !
FANTASTIC

BLACK DOOM IN THE ANDES
Big, Exciting Film But Thematically SuperficialStunning audiences with his physical dexterity and acrobatic skill than would make Jackie Chan envious, Fairbanks astutely sensed the dangers of repeating himself. It has been said that he got the idea for making THE GAUCHO while visiting Lourdes in France, the site of a miraculous appearance of the Blessed Virgin Mary. Then too, Mary's repeated appearances in Fatima, Portugal only ten years earlier in 1917 was widely known. Fusing the elements of ZORRO with a religious theme, Fairbanks created a wonderful adventure that had more substance than his previous light-hearted adventures.
THE GAUCHO works best when Fairbanks is in his familar action element. For once, he choses a vivacious leading lady with Lupe Valez and they make an energetic team. More surprising is Doug's decision to play a Latin lover type, chain-smoking his way through the film, a decided departure from his earlier roles. Perhaps due to the death the previous year of Rudolph Valentino, the supreme Latin lover of films, Valentino successors began appearing in 1927 - even Ronald Colman was pressed into service in two or three elaborate swashbucklers opposite Valentino's former leading lady, Vilma Banky. THE GAUCHO seems to be Fairbanks' entry into the Valentino sweepstakes.
The opening prologue seems inspired by the Fatima appearance of Mary to a young girl who is unaffectingly played. But moving ahead ten years in the story, the girl, now an adult, seems more Hollywood than Fatima with her pencilled eyebrows and obvious wig. So too is Fairbanks' treatment of the miraculous when he contracts leprosy - but only on his left hand - and is cured surprisingly quickly by short visit to the shrine. Now seeing "the Light," Fairbanks posts the Ten Commandments on the front of the church proclaiming that they are the only law to live by. But his boastful manner suggests that he has not learned the lesson of humility and the film ends ambiguously over whether he has retained his outlaw ways. The treatment implies that Fairbanks' grasp of Christian theology was rather weak with Our Lady appearing a little too conveniently on cue. But, after all, this is a Fairbanks film. If we want true theology, we should watch a DeMille film (just kidding).
A Fun Fairbanks FilmThe black and white print of the Gaucho, on the Kino DVD, is very good. It is clear, sharp and bright and enables all the details of the fine sets to be seen easily. The musical score composed by Sydney Jill Lehman, is highly effective. It consists of South American style tunes which really fit the action. As a bonus the DVD includes an incredible Fairbanks short film from 1916. In The Mystery of the Leaping Fish he plays a detective who is constantly injecting himself with various drugs. He even apprehends the villains by drugging them with narcotics. This is a truly bizarre little film with some jaw dropping scenes which probably would be considered impossible, or at the very least tasteless to film today. This is a really good DVD showcasing one of the biggest of silent film stars. Fans of Fairbanks, or silent films in general, should not hesitate to get it.


Scary Magical Ewoks
Excellent for children +There is nothing not to like about this video, except that it does not use the original music from the series. The music made for it isn't half bad though. Enjoy it with your kids & let it take you back to 1985 & a sweet age of innocence.
SEnsational!

Poor Corey FeldmanThe interesting, or perhaps the intriguing, event of this film is not any one scene in the movie, but the star, Corey Feldman. Feldman, at least to me, is kind of a cult icon. He had roles in some of the great coming of age/teen idol films of the 80's. As far as I can tell this was the last film he was in. Which I think is just too bad. I would love to see Corey get back in the movies, and back in roles where he can shine. I guess it probably won't happen, but hey, he is above this film.
WEREWOLF and VOODOO COMBO RULEZ!!! BUY IT NOW!!!!!!!!!Voodoo is ok but it is nothing compared to Werewolf!The best part in it is seeing Sara Douglas.Nuff said!
Wow,a real nail-biter..................

Poor Corey FeldmanThe interesting, or perhaps the intriguing, event of this film is not any one scene in the movie, but the star, Corey Feldman. Feldman, at least to me, is kind of a cult icon. He had roles in some of the great coming of age/teen idol films of the 80's. As far as I can tell this was the last film he was in. Which I think is just too bad. I would love to see Corey get back in the movies, and back in roles where he can shine. I guess it probably won't happen, but hey, he is above this film.
WEREWOLF and VOODOO COMBO RULEZ!!! BUY IT NOW!!!!!!!!!Voodoo is ok but it is nothing compared to Werewolf!The best part in it is seeing Sara Douglas.Nuff said!
Wow,a real nail-biter..................

Five Stars for Tight Black Leather, Negative Two for Midgets
Blake trapped in a space web, worse and old enemy after him.Blake and the others outrunning federation pursuit ships for weeks now have just about lost them. What they didn't count on was Cally. Trying to destory key functions of the Liberator and send them to some unknow part of the galaxy. Unknow to any of the crew but Cally mind is placed under control by a group called The Lost. A group from her planet Auron long ago who were exiled and went out into the stars to do dangerous experiments on themselves and other beings. The liberator traveling at speeds unheard off rams itself into some kind of webbing. Blake and the others are stumped as to why they can't get free. The Lost contact Blake informing him that they need power to replace thier own dying power source. Blake makes a teleport and finds two humans fighting off strange creatures weilding crude weapons (Doctor who fans should note that the aliens look an awful lot like Zygons or just took the concept from them and made for that). Worse Blake meet the last of the Lost or should I say the remains of the last of the Lost and his combined minds of the others now dead. Blake finds out they want to kill the creatures that the Lost created along with the web that got out of control. For only they can free the Liberator and its crew. But Blake doesn't know that federation pursuit ships are fast on thier trail.
In the next episode entitled Seek-Locate-Destory
We are introduced to the main villianess Supreme Commander of Federation Forces Servalan (Doctor Who fans should note she appeared in "The Two Doctors")who would dog Blake until his capture or his death. She would like that latter. Her first act to stop Blake is bring in Space Commander Travis a man who knows Blake all to well. Seeing as how he was the one who took Travis eye and arm when Blake was leader of the first rebellion. Travis wants nothing more then to see Blake dying before him as he aims his gun at Blake to get his revenge. He has his chance when he finds out that Blake and the others just hit a communications centre and ran off with a cyper device but in the process of getting away Cally is hurt and left behind. Blake has to find a way to get Cally back and avoid Travis traps along the way.
Now the stage has been set for fans to watch the villans try and stop or even capture Blake. The charter of Travis would be in many of the adventures to come but Servalan was the true villian of Blake 7 and I couldn't see it any other way.
New wrinkles in the B7 universeIn "The Web," the spaceship Liberator is trapped in a giant web in space, and Blake bargains for help to get it free. This episode features a genetically-engineered race of creatures known as the Decimas. There are some genuinely surreal and disturbing scenes in "The Web," as well as an interesting moral dilemma for Blake.
In "Seek-Locate-Destroy," Blake masterminds a daring raid on a Federation facility. This episode is especially important in the overall saga for introducing the recurring villains Servalan and Travis. This episode also reveals the conflict at work within the Federation and its space officer corps. Travis' fascinating backstory is part of this conflict.
Overall, these two episodes are good examples of B7's first season. If you like low-budget sci-fi with well-written dialogue and memorable character dynamics, check this tape out.


Further B7 foundations"Cygnus Alpha" opens with escaped prisoners Blake, Avon, and Jenna in possession of a mysterious alien spacecraft (given the name "Liberator"). They stage a mission to rescue other prisoners from the Federation penal colony on Cygnus Alpha. There are some good suspenseful scenes, and the episode also contains an interesting depiction of a religious cult that has evolved on the planet. The B7 crew dynamics continue to evolve as the story unfolds.
In "Time Squad," Blake masterminds a daring attack on a Federation facility. This episode introduces a new regular character: Cally, a telepath from the planet Auron. By the end of these two episodes, the original "Blake's 7" of the title (including the computer named Zen) are fully assembled, and ready to chart their bold course into sci-fi history.
Viewing these episodes (which set the stage for even better installments to come), I am struck at how much later space operas like "Babylon 5" and "Farscape" seem to echo some of the themes and narrative strategies of B7. Yes, B7's special effects and props may look a bit primitive today, but the show had a wit and intelligence that are still sharp. If you're a sci-fi fan who hasn't yet discovered "Blake's 7," check out this and other videos in the series.
Blake has a ship now he needs a crew..... on to Cycnus AlphaIn the next Episode entitled Time Squad
We see Blake and the others adjusting themselves to life on the ship. Blake has picked his first target it the federation planet Saurian Major holding a vital communcation network. Also in hope to try and find rebel natives trying to stop the federation as well. Along the way they find a small craft floating in space with a distress beacon asking for help. Blake and the others bring the craft aboard. Inside they find three men forzen. Not knowing where they were going or where they are from they deforst them and try to help. While waiting they arrive on Saurian Major. Blake, Avon and Villa teleport down and try and make contact with the rebels. Gan and Jenna stay on board but face challenges from the three from the craft. Blake makes contact with but a lone rebel left after all the others are gone. A woman not from the planet but from a planet called Auron a woman called Callie. She helps Blake and the others destroy the network all the while Gan and Jenna are fighting to save the ship themselves and Blake when they need to get out. All in all it was really the first four episodes that would set the stage for Blake and his seven. Those wishing to think of jumping ahead shouldn't because these were what laid the foundation for a rather long running show.
BLAKES'7 THE GRANDFATHER OF BABLYON 5.

Enjoyable, but hardly historically correct
Spartacus takes on the Nazis in Norway
AwsomeI liked it.


Suspense you can stir with a spoon
BEWARE
GOOD MOVIEWIDMARK, SEE THIS MOVIE.


Art, form and graceNot all the actors turned in great work so I felt four stars was fair. It's worth it for the lead. His acting was great and he looked splendid, as you will see for yourself.
Deter goes to the big cityUdo (Ralf Schrig) has moved from Germany to the USA to live with is aunt; by the way Udo is Deters cousin. Udo sits around his Aunt's house and drinks and doesn't seem to want to get a job (reminds me of a roomate I once had); auntie is not impressed.
She kicks the bucket and Udo inherits aunties house and money that he squanders it on a new car etc. Well Deters family is not impressed with this behavior and is concerned with his constant compaionship and time with Deter. While Udo drives up to show Deter his new car, the father has a show down with Udo and suggest he has become to close and personal with his son, and that Uno is after Deter's body. (give the guy a break dad, he doesn't know anybody else in town his age that speaks his language)Deter speaks his opnion and defends Uno and his overly strict prussian father blows a cork and drags Deter into the house; they have words and Deter admits (you miss part of this in the subtitle???) that he is gay not Uno. I love this next scene; you see Deter's room and then hear "F---K YOU!" and deter enters and slams the door; pops really P.Oed now and spanks Deter on his bare bottom. Deter has had enough and goes over to Uno's and hides out there and convinces him to take to Minneapolis to join Phillip. To keep it short they do go on the road, Thelma and Louise style, and join up with Phillip (who has been writting to Deter).
Uno can't hold a job; Phillip has resorted to prostitution and convinces Deter to do the same; Deter and Phillip have reconciliated and become lovers now but Detrer gets busted by the vice squad; who inform him his father doesn't want him back.
Promising to show where the others live, he breaks away from the police and decides it best to leave town.
I didn't like the ending; felt like it left you hanging. The acting was for the most part good, Andrew Woodhouse'es acting was forced; they should have cast someone else. The "mother" was terrible.
I enjoyed the movie as it shows what can happen to a kid if he is forced, one way or the other, to leave home and live on the streets.
I LOVED THIS MOVIE!