Michael-Jeter Movie Reviews


a beauyiful dog movie
a Three point jump shot that nothing but net
still great

a beauyiful dog movie
a Three point jump shot that nothing but net
still great

This is my favorite movie!!!Hey, maybe you'll catch it on Showtime during one of it's airings. I'm positive when it's over, when you can finally stop yourself from humming one of the great tunes, and possibly put down your tissue (I cry EVERY TIME I see it)( and baby, I've seen seen it so many times that I've got ot turn it off when my husband comes home because he says "Are you watching that again?) You will say "I wish I had that movie!" So get it so you'll have no regrets!
So much fun!
Loved it
Staving off suicidal thoughts, Hunter Adams commits himself into a psychiatric ward, where he not only garners the nickname "Patch," but learns the joy in helping others. To this end, he decides to go to medical school, where he clashes with the staid conventions of the establishment as he attempts to inject humor and humanity into his treatment of the patients ("We need to start treating the patient as well as the disease," he declares throughout the film). Robin Williams, in the title role, is as charming as ever, although someone should tell him to broaden his range--the ever-cheerful do-gooder à la Good Will Hunting and Dead Poets Society is getting a little old. His sidekick Truman (Daniel London) steals the show with his gawky allure and eyebrows that threaten to overtake his lean face--he seems more real, which is odd considering that Patch Adams does exist and this film is based on his life. Monica Potter is the coolly reluctant love interest, and she makes the most of her one-dimensional part. While moments of true heartfelt emotion do come through, the major flaw of this film is that the good guys are just so gosh-darn good and the bad ones are just big meanies with no character development. Patch Adams, though, does provide the tears, the giggles, and the kooky folks who will keep you smiling at the end. --Jenny Brown

A sad, sad commentary on public tasteThis movie was bad, not for the style or the directing. It is bad because of the terrible dogmatic hippiness of its message. This "fight the establishment" [material] wasn't useful in the 60's and it is equally trite and puerile now.
Great movie
Great story telling! Great film!It's definitely worth watching!

Staving off suicidal thoughts, Hunter Adams commits himself into a psychiatric ward, where he not only garners the nickname "Patch," but learns the joy in helping others. To this end, he decides to go to medical school, where he clashes with the staid conventions of the establishment as he attempts to inject humor and humanity into his treatment of the patients ("We need to start treating the patient as well as the disease," he declares throughout the film). Robin Williams, in the title role, is as charming as ever, although someone should tell him to broaden his range--the ever-cheerful do-gooder à la Good Will Hunting and Dead Poets Society is getting a little old. His sidekick Truman (Daniel London) steals the show with his gawky allure and eyebrows that threaten to overtake his lean face--he seems more real, which is odd considering that Patch Adams does exist and this film is based on his life. Monica Potter is the coolly reluctant love interest, and she makes the most of her one-dimensional part. While moments of true heartfelt emotion do come through, the major flaw of this film is that the good guys are just so gosh-darn good and the bad ones are just big meanies with no character development. Patch Adams, though, does provide the tears, the giggles, and the kooky folks who will keep you smiling at the end. --Jenny Brown

A sad, sad commentary on public tasteThis movie was bad, not for the style or the directing. It is bad because of the terrible dogmatic hippiness of its message. This "fight the establishment" [material] wasn't useful in the 60's and it is equally trite and puerile now.
Great movie
Great story telling! Great film!It's definitely worth watching!

Staving off suicidal thoughts, Hunter Adams commits himself into a psychiatric ward, where he not only garners the nickname "Patch," but learns the joy in helping others. To this end, he decides to go to medical school, where he clashes with the staid conventions of the establishment as he attempts to inject humor and humanity into his treatment of the patients ("We need to start treating the patient as well as the disease," he declares throughout the film). Robin Williams, in the title role, is as charming as ever, although someone should tell him to broaden his range--the ever-cheerful do-gooder à la Good Will Hunting and Dead Poets Society is getting a little old. His sidekick Truman (Daniel London) steals the show with his gawky allure and eyebrows that threaten to overtake his lean face--he seems more real, which is odd considering that Patch Adams does exist and this film is based on his life. Monica Potter is the coolly reluctant love interest, and she makes the most of her one-dimensional part. While moments of true heartfelt emotion do come through, the major flaw of this film is that the good guys are just so gosh-darn good and the bad ones are just big meanies with no character development. Patch Adams, though, does provide the tears, the giggles, and the kooky folks who will keep you smiling at the end. --Jenny Brown

A sad, sad commentary on public tasteThis movie was bad, not for the style or the directing. It is bad because of the terrible dogmatic hippiness of its message. This "fight the establishment" [material] wasn't useful in the 60's and it is equally trite and puerile now.
Great movie
Great story telling! Great film!It's definitely worth watching!

Other suspects include a hot-tempered bully (Keanu Reeves) whose battered wife (Hilary Swank) is one of the psychic's regular clients, and a traumatized local (Giovanni Ribisi) who is tenuously stabilized by therapy and antidepressants. While this trio of potential killers keeps the mystery alive, the requisite red herrings don't add much to the film's low-level suspense. Instead, Raimi is far more effective in creating an atmosphere of anxious dread that wells up from each of these finely drawn characters, starting with the widow psychic's extended mourning for her lost husband, the agonized terror of a beaten wife, and the percolating anger of a cuckolded spouse. All of this makes The Gift a worthy showcase for its esteemed cast, even as its plot twists grow increasingly familiar. --Jeff Shannon

Great film ruined by trite, predictable ending.I recommend this as a rental only, because one viewing is enough.
The Sixth Sense meets To Kill a MockingbirdThe direction of Sam Raimi is very stylized and dream like. This film has the same brooding intensity of his previous effort A Perfect Plan.
The story by Billy Bob Thornton has a few predictable twists and plot turns, but the message of the film feels new and is ultimately very uplifting. It's a dark, Gothic journey to redemption similiar to the one that is explored in the movie Magnolia.
Creepy Gothic murder mysteryAnnie Wilson (Cate Blanchett) lost her husband in an explosion, and now supports her three sons on her tarot-card readings, which use her psychic "gift." Among the people who seek her help are Buddy (Giovanni Ribisi), a young man scarred by childhood molestation, and Valerie (Hilary Swank), a weak young woman who lives in terror of her violent redneck husband Donnie (Keanu Reeves). Worse, Donnie is threatening both Annie and her children, claiming that she's a Satan-worshipper and a witch because of her tarot readings.
When Jessica (Katie Holmes), the seductive fiancee of a friend vanishes, Annie begins to have visions of what may have happened. The visions of white flowers, fences, and pondwater lead Annie and the skeptical police chief to Donnie's land, where the girl's body is found in the pond. Though at first Annie is convinced that Donnie is the one who murdered Jessica, her gift leads her to believe otherwise.
This movie just brims over with "Southernness," with lots of moss, mist, bigoted rednecks, swampy forests and dirty little secrets. It's not an amazing movie, despite the good actors and good direction, partly because many parts of it are a bit cliched. But it's haunting and creepy, and those who enjoyed "The Sixth Sense" may also enjoy "The Gift." (Annie sees dead people too!)
Cate Blanchett is, as always, stunning in whatever role she plays. This time it's a sort of tarot-reading madonna, and her expressive eyes and face can instantly flip from one emotion to another. Greg Kinnear plays Jessica's haunted fiancee, who has an eye for Annie; Hilary Swank is also very good as Valerie, as are the three boys who play Annie's children. Keanu Reeves was a problem, though. He's supposed to be a violent, cheating, raging redneck, but he wasn't very convincing.
Probably to call this a horror film isn't quite accurate. Though it's very creepy and horrific, it isn't gory or truly horrific. (The most horrifying scene doesn't involve dead people or visions, but the sexually-abused Buddy crying, shrieking and attacking his father) Actually, it sags when we get things like visions of Jessica, or rolling stormclouds -- these are a little too obvious for the otherwise eerie movie. And I was able to guess quite quickly who the murderer was, simply by considering who it would be too easy to think it was.
"The Gift" isn't an astounding movie, but quite a watchable one. Part Southern Gothic, part murder mystery, part horror/ghost flick, this is not something to watch with the lights off. Definitely nowhere near a pond.

Other suspects include a hot-tempered bully (Keanu Reeves) whose battered wife (Hilary Swank) is one of the psychic's regular clients, and a traumatized local (Giovanni Ribisi) who is tenuously stabilized by therapy and antidepressants. While this trio of potential killers keeps the mystery alive, the requisite red herrings don't add much to the film's low-level suspense. Instead, Raimi is far more effective in creating an atmosphere of anxious dread that wells up from each of these finely drawn characters, starting with the widow psychic's extended mourning for her lost husband, the agonized terror of a beaten wife, and the percolating anger of a cuckolded spouse. All of this makes The Gift a worthy showcase for its esteemed cast, even as its plot twists grow increasingly familiar. --Jeff Shannon

Great film ruined by trite, predictable ending.I recommend this as a rental only, because one viewing is enough.
The Sixth Sense meets To Kill a MockingbirdThe direction of Sam Raimi is very stylized and dream like. This film has the same brooding intensity of his previous effort A Perfect Plan.
The story by Billy Bob Thornton has a few predictable twists and plot turns, but the message of the film feels new and is ultimately very uplifting. It's a dark, Gothic journey to redemption similiar to the one that is explored in the movie Magnolia.
Creepy Gothic murder mysteryAnnie Wilson (Cate Blanchett) lost her husband in an explosion, and now supports her three sons on her tarot-card readings, which use her psychic "gift." Among the people who seek her help are Buddy (Giovanni Ribisi), a young man scarred by childhood molestation, and Valerie (Hilary Swank), a weak young woman who lives in terror of her violent redneck husband Donnie (Keanu Reeves). Worse, Donnie is threatening both Annie and her children, claiming that she's a Satan-worshipper and a witch because of her tarot readings.
When Jessica (Katie Holmes), the seductive fiancee of a friend vanishes, Annie begins to have visions of what may have happened. The visions of white flowers, fences, and pondwater lead Annie and the skeptical police chief to Donnie's land, where the girl's body is found in the pond. Though at first Annie is convinced that Donnie is the one who murdered Jessica, her gift leads her to believe otherwise.
This movie just brims over with "Southernness," with lots of moss, mist, bigoted rednecks, swampy forests and dirty little secrets. It's not an amazing movie, despite the good actors and good direction, partly because many parts of it are a bit cliched. But it's haunting and creepy, and those who enjoyed "The Sixth Sense" may also enjoy "The Gift." (Annie sees dead people too!)
Cate Blanchett is, as always, stunning in whatever role she plays. This time it's a sort of tarot-reading madonna, and her expressive eyes and face can instantly flip from one emotion to another. Greg Kinnear plays Jessica's haunted fiancee, who has an eye for Annie; Hilary Swank is also very good as Valerie, as are the three boys who play Annie's children. Keanu Reeves was a problem, though. He's supposed to be a violent, cheating, raging redneck, but he wasn't very convincing.
Probably to call this a horror film isn't quite accurate. Though it's very creepy and horrific, it isn't gory or truly horrific. (The most horrifying scene doesn't involve dead people or visions, but the sexually-abused Buddy crying, shrieking and attacking his father) Actually, it sags when we get things like visions of Jessica, or rolling stormclouds -- these are a little too obvious for the otherwise eerie movie. And I was able to guess quite quickly who the murderer was, simply by considering who it would be too easy to think it was.
"The Gift" isn't an astounding movie, but quite a watchable one. Part Southern Gothic, part murder mystery, part horror/ghost flick, this is not something to watch with the lights off. Definitely nowhere near a pond.

Other suspects include a hot-tempered bully (Keanu Reeves) whose battered wife (Hilary Swank) is one of the psychic's regular clients, and a traumatized local (Giovanni Ribisi) who is tenuously stabilized by therapy and antidepressants. While this trio of potential killers keeps the mystery alive, the requisite red herrings don't add much to the film's low-level suspense. Instead, Raimi is far more effective in creating an atmosphere of anxious dread that wells up from each of these finely drawn characters, starting with the widow psychic's extended mourning for her lost husband, the agonized terror of a beaten wife, and the percolating anger of a cuckolded spouse. All of this makes The Gift a worthy showcase for its esteemed cast, even as its plot twists grow increasingly familiar. --Jeff Shannon

Great film ruined by trite, predictable ending.I recommend this as a rental only, because one viewing is enough.
The Sixth Sense meets To Kill a MockingbirdThe direction of Sam Raimi is very stylized and dream like. This film has the same brooding intensity of his previous effort A Perfect Plan.
The story by Billy Bob Thornton has a few predictable twists and plot turns, but the message of the film feels new and is ultimately very uplifting. It's a dark, Gothic journey to redemption similiar to the one that is explored in the movie Magnolia.
Creepy Gothic murder mysteryAnnie Wilson (Cate Blanchett) lost her husband in an explosion, and now supports her three sons on her tarot-card readings, which use her psychic "gift." Among the people who seek her help are Buddy (Giovanni Ribisi), a young man scarred by childhood molestation, and Valerie (Hilary Swank), a weak young woman who lives in terror of her violent redneck husband Donnie (Keanu Reeves). Worse, Donnie is threatening both Annie and her children, claiming that she's a Satan-worshipper and a witch because of her tarot readings.
When Jessica (Katie Holmes), the seductive fiancee of a friend vanishes, Annie begins to have visions of what may have happened. The visions of white flowers, fences, and pondwater lead Annie and the skeptical police chief to Donnie's land, where the girl's body is found in the pond. Though at first Annie is convinced that Donnie is the one who murdered Jessica, her gift leads her to believe otherwise.
This movie just brims over with "Southernness," with lots of moss, mist, bigoted rednecks, swampy forests and dirty little secrets. It's not an amazing movie, despite the good actors and good direction, partly because many parts of it are a bit cliched. But it's haunting and creepy, and those who enjoyed "The Sixth Sense" may also enjoy "The Gift." (Annie sees dead people too!)
Cate Blanchett is, as always, stunning in whatever role she plays. This time it's a sort of tarot-reading madonna, and her expressive eyes and face can instantly flip from one emotion to another. Greg Kinnear plays Jessica's haunted fiancee, who has an eye for Annie; Hilary Swank is also very good as Valerie, as are the three boys who play Annie's children. Keanu Reeves was a problem, though. He's supposed to be a violent, cheating, raging redneck, but he wasn't very convincing.
Probably to call this a horror film isn't quite accurate. Though it's very creepy and horrific, it isn't gory or truly horrific. (The most horrifying scene doesn't involve dead people or visions, but the sexually-abused Buddy crying, shrieking and attacking his father) Actually, it sags when we get things like visions of Jessica, or rolling stormclouds -- these are a little too obvious for the otherwise eerie movie. And I was able to guess quite quickly who the murderer was, simply by considering who it would be too easy to think it was.
"The Gift" isn't an astounding movie, but quite a watchable one. Part Southern Gothic, part murder mystery, part horror/ghost flick, this is not something to watch with the lights off. Definitely nowhere near a pond.


If your kid loves other kids and to dance, this is for you!As for the teacher....It never occurred to me to think she is annoying...... she is obviously talking to the kids so she uses that tone...
People who gave thumbs down missed the point.....My daughter is 16 months and knows all the steps and songs. The first song is instructional, where you touch your toes, turn around, pull on your ears etc. After dancing with her, my daughter knows all her body parts!
Those songs have a way of getting in your head!There is one big problem with the tape. Celina, the dance instructor, may have the most grating speaking voice ever recorded. The conceit of Celina needing rest gets a bit old after awhile, and her acting (as well as that of Big Bird) suggest that this was probably a very quick shoot done to make a quick buck.
Another problem you may have is that the Sesame Street puppets are only scene minimally. My daughter doesn't mind, but others might. THis was definitely worth every penny we paid for it just to hear her sing her first song, "The Birthday Song." She sings along every time.