Michael-Keaton Movie Reviews


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VHS movie reviews for "Michael-Keaton" sorted by average review score:

Touch and Go
Released in VHS Tape by Hbo, Inc. (29 August, 1990)
MPAA Rating: R (Restricted)
Director: Robert Mandel
Starring: Michael Keaton and Maria Conchita Alonso
Average review score:

I was quite pleased!
I am happy to say that "Touch and Go" was a great movie. My old buddy Michael Keaton finally did it again. He made a film that I enjoyed as much or even more than "The Dream Team". I actually cared about each individual character and their outcome.

It is a story about a self absorbed hockey player who finds out what that there is a world outside of himself. After being mugged by a wisecracking 12 year old kid, he ends up taking the brat under his wing unintentionally. He begins a romance with the boys mother (Maria Conchita Alonso-lookin SMOKIN' as ever-of course this was 1986) and ends up putting his hockey career on the backburner.

After renting a slew of BAD movies including "My Own Private Idaho", "A Kiss Before Dying" and "One Good Cop"(it just didn't do it for me) It was a treat to have something with substance finally. I highly recomend this film to anyone looking for a good time on a Saturday night.

5 out of 5 with complete confidence.

great interaction
the movie was intertaining and thought provoking.great inter-
action with it's 3 main characters.

touch and go
i saw the movie once and i love it. i enjoyed how the heart of micheal was change due to his meeting the little boy and his mom who i felt really needed him. oh i really enjoyed when he got with her and the boy was going to have a father figure in his life now and how she would no longer have to struggle any more cause she got micheal. she is a lovely girl and they play well together in this movie. i love it--------yes!!!!!!!!.


Episodes 25-29
Released in VHS Tape by Republic Studios (15 September, 1993)
MPAA Rating: NR (Not Rated)
Directors: Todd Holland, Mark Frost, Stephen Gyllenhaal, Diane Keaton, Uli Edel, James Foley, Graeme Clifford, and David Lynch
Starring: Kyle MacLachlan and Michael Ontkean
Average review score:

WOULD YOU LIKE SOME COFFEE?
This image of the Red Room, this world of Twin peaks is horrifying!! I must admit I cried for hours after the ending of this show. I was extremely depressed, I still get depressed about and the first time I watched it was in January 2000. I really love this tape. I love TWIN PEAKS. It needs more to it. I want Lynch to direct another TWIN PEAKS movie!! I want MORE!!! PEAKS IN MY MIND HASN'T DIED. FRANKLY, I see Peaks still around, in a spooky world!!!!

Not finished...
These final episodes are perfectly showcase all that made Twin Peaks an excellent show. They have every bit of the symbolism, surrealism, and humor that gave it it's fan base.

Unfortunatly it's very obvious that the last episode was intended to be a cliff-hanger and that they expected to make more. Be warned that while it is very interesting, many questions are left un-ansered(and never will be), many new questions are asked, and the audience never knows what the fate of several of the characters is.

Of course, if you are reading this I assume you have seen the other episodes already and you're probably going to see these regardless of what I say. Enjoy...

A Strong Finish to the Series
These are the final five episodes of the "Twin Peaks" series; they are somewhat of a redemption after some weak episodes immediately preceeding these. The plots are much stronger, especially those focusing on Agent Cooper. His attraction to Annie Blackburn is nicely played (with a strong romantic piece by Angelo Badalamenti). The Windom Earle plot becomes intriguing as it becomes bigger than Earle (who is overplayed by Kenneth Welsh) and delves into the supernatural (and, as mentioned in another review, becomes an inspiration for the X-Files).

The other plotlines are also strong. Especially intriguing is the Andrew Packard character, as he (along with Catherine and Pete) deals with the mysterious black box. Dan O'Herlihy has a great stage presence as Packard; I wish he could have been featured more in the series.

The build up to Episode 29 is nicely done -- Lynch's direction of the final episode has that first season feel to it (though a little darker). It would have been a great season-ending cliffhanger (I would have been interested to see if Major Briggs went to the rescue at the Black Lodge), but remains an odd end to the series.

For these espisodes, the only major complaint is that they deserve to be on DVD. For the future, I would love to see some sort of continuation of the story nearly ten years later. It would be fun to have a Lynch/Frost/Chris Carter collaboration on a movie combining "Twin Peaks" with the "X-Files." It probably won't happen, but this series deserves more.


Wild Flower
Released in VHS Tape by Republic Enter/World (06 August, 1993)
MPAA Rating: PG-13 (Parental Guidance Suggested)
Director: Diane Keaton
Director Diane Keaton brings a tender touch to Wildflower, a Lifetime cable-TV movie showcasing early-career excellence from Reese Witherspoon and Patricia Arquette. Witherspoon's big-screen debut in The Man in the Moon had premiered shortly before this movie's original broadcast in 1991, and a year earlier, Arquette had starred in a Keaton-directed CBS Schoolbreak Special, The Boy with the Crazy Brother. These rising talents are well served by Sara Flanigan's teleplay, closely adapted from her popular juvenile novel Alice. Set in the mid-1930s, the story follows two compassionate teens (Witherspoon, William McNamara) who discover and essentially adopt a partially deaf epileptic (Arquette) who'd been locked away by her psychotically abusive father. Beau Bridges and Susan Blakely provide different parental perspectives, and while Keaton doesn't always avoid Flanigan's tear-jerking sentiment, she handles it with delicate grace. Aiding her are a gifted cast and the fine cinematography of Janusz Kaminski, who would soon begin an enduring collaboration with Steven Spielberg. --Jeff Shannon
Average review score:

Awesome
I just recently watched this movie and I totaly loved it. I'm a big fan of reese witherspoon so I knew that I'd enjoy it but I loved her brother sammy and how he fell in love with this abused girl. It showed that Handicapped people are just as smart as anybody else. Everybody should see this film and learn the meaning of True Love and Friendship.

A heart-warming tale....
Well, I first saw this movie on TV when I was a little girl... it made such an impact on me that I checked the TV Guide for years to come waiting for it to be shown again. Finally, about 5 years later, it was and I managed to get it taped on VHS. This week, 10 years after I first saw it, I now have the DVD.
I love this absorbing film with the old-fashioned story-telling and the way the movie un-folds. We watch the characters develop as they grow within themselves (the acting is absolutely superb by everyone). There is a lot to learn from this story - which is a heart-warming gentle story about love, passion, friendship and family. There are a lot of sad moments yet this film also makes you laugh out loud at times too. This film is quite powerful in a naive sort of way. The ending is satisfying and you feel like you have also grown-up with the characters - in this romantic adventure of human spirit. A family film mainly directed towards girls - it'll make you want to go and hug your loved ones when you've finished watching it! I even love the music to this film and wish they would release the entire motion picture soundtrack on CD. Fantastic! Go watch it (especially if you're young at heart).....this is a truely lovely story that deserves more credit than a TV film.

A definite classic!
I recently found this movie once again in my video store. I had seen it at a young age when it first came out, and I recall it making as much of an impact on me then as it does now. The beauty of the love story and Alice's personal triumphs are so poignant, not to mention her interactions with Ellie and her father. The symbolism of the roses in relation to Alice was beautifully thought out. I laughed and cried throughout the whole movie. I was fortunate enough to obtain a copy of the book that this movie was based on from Amazon, and it was fantastic! If you loved the movie, get your hands on the book! Both are definite keepers!


Wildflower
Released in VHS Tape by Artisan (Fox Video) (21 January, 2003)
MPAA Rating: PG-13 (Parental Guidance Suggested)
Director: Diane Keaton
Director Diane Keaton brings a tender touch to Wildflower, a Lifetime cable-TV movie showcasing early-career excellence from Reese Witherspoon and Patricia Arquette. Witherspoon's big-screen debut in The Man in the Moon had premiered shortly before this movie's original broadcast in 1991, and a year earlier, Arquette had starred in a Keaton-directed CBS Schoolbreak Special, The Boy with the Crazy Brother. These rising talents are well served by Sara Flanigan's teleplay, closely adapted from her popular juvenile novel Alice. Set in the mid-1930s, the story follows two compassionate teens (Witherspoon, William McNamara) who discover and essentially adopt a partially deaf epileptic (Arquette) who'd been locked away by her psychotically abusive father. Beau Bridges and Susan Blakely provide different parental perspectives, and while Keaton doesn't always avoid Flanigan's tear-jerking sentiment, she handles it with delicate grace. Aiding her are a gifted cast and the fine cinematography of Janusz Kaminski, who would soon begin an enduring collaboration with Steven Spielberg. --Jeff Shannon
Average review score:

Awesome
I just recently watched this movie and I totaly loved it. I'm a big fan of reese witherspoon so I knew that I'd enjoy it but I loved her brother sammy and how he fell in love with this abused girl. It showed that Handicapped people are just as smart as anybody else. Everybody should see this film and learn the meaning of True Love and Friendship.

A heart-warming tale....
Well, I first saw this movie on TV when I was a little girl... it made such an impact on me that I checked the TV Guide for years to come waiting for it to be shown again. Finally, about 5 years later, it was and I managed to get it taped on VHS. This week, 10 years after I first saw it, I now have the DVD.
I love this absorbing film with the old-fashioned story-telling and the way the movie un-folds. We watch the characters develop as they grow within themselves (the acting is absolutely superb by everyone). There is a lot to learn from this story - which is a heart-warming gentle story about love, passion, friendship and family. There are a lot of sad moments yet this film also makes you laugh out loud at times too. This film is quite powerful in a naive sort of way. The ending is satisfying and you feel like you have also grown-up with the characters - in this romantic adventure of human spirit. A family film mainly directed towards girls - it'll make you want to go and hug your loved ones when you've finished watching it! I even love the music to this film and wish they would release the entire motion picture soundtrack on CD. Fantastic! Go watch it (especially if you're young at heart).....this is a truely lovely story that deserves more credit than a TV film.

A definite classic!
I recently found this movie once again in my video store. I had seen it at a young age when it first came out, and I recall it making as much of an impact on me then as it does now. The beauty of the love story and Alice's personal triumphs are so poignant, not to mention her interactions with Ellie and her father. The symbolism of the roses in relation to Alice was beautifully thought out. I laughed and cried throughout the whole movie. I was fortunate enough to obtain a copy of the book that this movie was based on from Amazon, and it was fantastic! If you loved the movie, get your hands on the book! Both are definite keepers!


Twin Peaks: Pilot
Released in VHS Tape by Warner Studios (12 August, 1997)
MPAA Rating: NR (Not Rated)
Directors: Todd Holland, Mark Frost, Stephen Gyllenhaal, Diane Keaton, Uli Edel, James Foley, Graeme Clifford, and David Lynch
Starring: Kyle MacLachlan and Michael Ontkean
For a couple of hours in 1990, David Lynch took over the network airwaves and subtly, subversively transformed American television forever. Amazingly, the TV series that followed this rich and strange feature-length pilot became an international phenomenon as people all over the world became obsessed by one question: Who killed Laura Palmer? Twin Peaks is the apotheosis of all things Lynch, and arguably his single greatest achievement. Set in the dark, damp, woodsy atmosphere of a small mountain town in the Pacific Northwest, Twin Peaks is a murder mystery, detective saga, soap opera, sitcom--the essence of television distilled into one mind-blowing serial. Lynch subverts TV conventions right and left, not the least by concentrating on the grief of Laura's friends and family, and orchestrating their tears into a symphony of mourning. Twin Peaks is about the endlessly seductive idea of "mystery," of the ways human beings find to deal with the unknown. It was never about solutions; after all, answers (which are invariably anticlimactic) only kill the Mystery! So, although it took another year or so before Lynch and his partner Mark Frost were eventually forced (by the network and public opinion) to reveal the identity of Laura Palmer's murderer, the tantalizing clues are the real heart of the enterprise, and they're all right here in the debut. And so are some excerpts from Agent Cooper's surrealistic dream sequence (which appeared in the third episode of the series), featuring the dancing, backward-talking little "Man from Another Place," as part of a special European-release finale (you wouldn't want to use the word "conclusion") for this video version. --Jim Emerson
Average review score:

best dramatic series ever
The first season of Twin Peaks is unparalleled television. The opening movie is flawless work by David Lynch, the sometimes spotty modern film master. The cast is universally perfect, with a vague air of '50s over the whole thing. The most underrated aspect is the brilliant music, which underscores each scene perfectly. The ending of the series and the prequel movies were both busts, but you'll never see finer filmmaking than the first series and the opener movie.

The Best 2 Hours of Film Anywhere!
Twin Peaks is the premier for the greatest TV series ever created. Brought in to investigate the murder of Twin Peaks Homecoming Queen Laura Palmer, Agent Dale Cooper "Kyle MacLachlan" becomes wrapped up in a town full of mystery, murder, damn good coffee and killer cherry pie.

SENSATIONAL--MINUS 20
I've been hearing for years about "Twin Peaks", whether by word of mouth or on the internet. It's popular to mention the numerous pop-culture moments this show created and the fact that so many shows try to imitate, and fail, this landmark show. So after reading recaps of the pilot and first couple episodes, I decided to buy the whole thing.

I took a risk and I'd do it again because this show is one of the greatest achievements of all TV time. The pilot is a perfect intro to the show, establishing the characters and plots, the main one and various subplots, that it's addictive. WHO KILLED LAURA PALMER!? The mix of light and dark, quirky humor, heavy drama, fantastic production values, and so much more! If you haven't seen any of the show, stay clear of the last 15-20 minutes. I heard about the special ending and found out that the original pilot ends at Sarah Palmer's scream after her dream. End it there, watch the rest of the series, then go back and watch the ending.

Other than that, sit back, relax, and ENJOY! And believe me, YOU WILL!


Twin Peaks: Pilot
Released in VHS Tape by Warner Studios (08 February, 1999)
MPAA Rating: NR (Not Rated)
Directors: Todd Holland, Mark Frost, Stephen Gyllenhaal, Diane Keaton, Uli Edel, James Foley, Graeme Clifford, and David Lynch
Starring: Kyle MacLachlan and Michael Ontkean
For a couple of hours in 1990, David Lynch took over the network airwaves and subtly, subversively transformed American television forever. Amazingly, the TV series that followed this rich and strange feature-length pilot became an international phenomenon as people all over the world became obsessed by one question: Who killed Laura Palmer? Twin Peaks is the apotheosis of all things Lynch, and arguably his single greatest achievement. Set in the dark, damp, woodsy atmosphere of a small mountain town in the Pacific Northwest, Twin Peaks is a murder mystery, detective saga, soap opera, sitcom--the essence of television distilled into one mind-blowing serial. Lynch subverts TV conventions right and left, not the least by concentrating on the grief of Laura's friends and family, and orchestrating their tears into a symphony of mourning. Twin Peaks is about the endlessly seductive idea of "mystery," of the ways human beings find to deal with the unknown. It was never about solutions; after all, answers (which are invariably anticlimactic) only kill the Mystery! So, although it took another year or so before Lynch and his partner Mark Frost were eventually forced (by the network and public opinion) to reveal the identity of Laura Palmer's murderer, the tantalizing clues are the real heart of the enterprise, and they're all right here in the debut. And so are some excerpts from Agent Cooper's surrealistic dream sequence (which appeared in the third episode of the series), featuring the dancing, backward-talking little "Man from Another Place," as part of a special European-release finale (you wouldn't want to use the word "conclusion") for this video version. --Jim Emerson
Average review score:

best dramatic series ever
The first season of Twin Peaks is unparalleled television. The opening movie is flawless work by David Lynch, the sometimes spotty modern film master. The cast is universally perfect, with a vague air of '50s over the whole thing. The most underrated aspect is the brilliant music, which underscores each scene perfectly. The ending of the series and the prequel movies were both busts, but you'll never see finer filmmaking than the first series and the opener movie.

The Best 2 Hours of Film Anywhere!
Twin Peaks is the premier for the greatest TV series ever created. Brought in to investigate the murder of Twin Peaks Homecoming Queen Laura Palmer, Agent Dale Cooper "Kyle MacLachlan" becomes wrapped up in a town full of mystery, murder, damn good coffee and killer cherry pie.

SENSATIONAL--MINUS 20
I've been hearing for years about "Twin Peaks", whether by word of mouth or on the internet. It's popular to mention the numerous pop-culture moments this show created and the fact that so many shows try to imitate, and fail, this landmark show. So after reading recaps of the pilot and first couple episodes, I decided to buy the whole thing.

I took a risk and I'd do it again because this show is one of the greatest achievements of all TV time. The pilot is a perfect intro to the show, establishing the characters and plots, the main one and various subplots, that it's addictive. WHO KILLED LAURA PALMER!? The mix of light and dark, quirky humor, heavy drama, fantastic production values, and so much more! If you haven't seen any of the show, stay clear of the last 15-20 minutes. I heard about the special ending and found out that the original pilot ends at Sarah Palmer's scream after her dream. End it there, watch the rest of the series, then go back and watch the ending.

Other than that, sit back, relax, and ENJOY! And believe me, YOU WILL!


Manhattan
Released in VHS Tape by Mgm/Ua Studios (20 July, 1994)
MPAA Rating: R (Restricted)
Director: Woody Allen
Starring: Woody Allen, Diane Keaton, and Mariel Hemingway
Manhattan, Woody Allen's follow-up to Oscar-winning Annie Hall, is a film of many distinctions: its glorious all-Gershwin score, its breathtakingly elegant black-and-white, widescreen cinematography by Gordon Willis (best-known for shooting the Godfather movies); its deeply shaded performances; its witty screenplay that marked a new level in Allen's artistic maturity; and its catalog of Things that Make Life Worth Living. But Manhattan is also distinguished in the realm of home video as the first motion picture to be released only in a letterboxed version. You wouldn't want to see it any other way. Allen's "Rhapsody in Gray" concerns, as his own character puts it, "people in Manhattan who are constantly creating these real, unnecessary, neurotic problems for themselves, because it keeps them from dealing with more unsolvable, terrifying problems about the universe." It's a romantic comedy about infidelity and betrayal, the rules of love and friendship, young girls (a radiant and sweet Mariel Hemingway) and older men (Allen), innocence, and sophistication. (a favorite phrase is used to describe a piece of sculpture at the Guggenheim: "It has a marvelous kind of negative capability.") The movie's themes can be summed up in two key lines: "I can't believe you met somebody you like better than me," and "It's very important to have some kind of personal integrity." OK, so they may not sound like such sparkling snatches of brilliant dialogue, but Manhattan puts those ideas across with such emotion that you feel an ache in your heart. --Jim Emerson
Average review score:

One of Allen's best
I found "Mahattan" to be one of Woody Allen's better films. Shot entirely in black and white, it has a more subdued feeling to it, and the comedy is less farcical than his other films. It follows Isaac Davis, a 40-something character not unlike Allen himself (none of his characters ever are), and chronicles his love affairs with an intellectual neurotic near his own age (Diane Keaton) and a precocious 17 year old (Mariel Hemingway). I like this movie, because it is a little heavier than most Allen fare, and besides beign a comedy, it actually has a meaningful modern love story. Definitely a must for any fa of the Wood man.

A valentine for the Big Apple
Manhattan is Woody Allen's most ambitious and most fully realized picture. Filmed in beautiful black and white and full of laughs. A romantic, sentimental, witty gorgeous portrait of New York City and the people it inhabits. Allen gives his most charming performance as Issac Davis, a forty some year old television writer who quits and focuses on a book he can not finish and is involved in a tryst with a teenage girl (played spectacularly by Hemingway and giving the film's best performance). He breaks it off with her, for her own good or so he says, and chases Mary (Keaton) a confused, elegant women who his best friend is having an affair with. With his wife writing a autobiography of their relationship and his temporary at best relationship with Mary failing he looks to what really matters to him and hopes that he hasn't lost all that was true. He finds the biggest lesson to learn is to "have faith in people."

Perfection
I have seen a dozen or so movies that come very close to capturing the true art of filmmaking, but this one nails it. Woody Allen's genius is all here, spread before us in a rich tapestry that validates in one perfect effort the suspicions that we have from watching his other films.

The story is set on a lush canvas of Gordon Willis cinematography and George Gershwin score, and you are carried sweetly into the sublime swirl of New York City from the first rhapsodic blend of music, monologue and images. For those who love New York (and those who may never see it) it should be known that the quintessence of the City is precisely captured here in sound, light, and character.

True to form, Allen strings his instrument with the requisite elements of life and relationships-- love, romance, friendship, betrayal, and essential insecurity-- and plucks them in perfect harmony. In subtle brilliance, he does not lead you directly in this film, but allows you to go looking on your own volition for his simmering meaning of love and life. The camera is a poignant voyeur as Allen's character searches earnestly (and obstinately) for answers to the wrong questions. He is confounded but for the allure of the pure and benevolent Mariel Hemingway, who plays the angelic savior of his soul.

In the end, the ultimate message that Woody's character learns in Manhattan is the same rich reward that we earn from our experience in watching this movie... that hope, patience, and faith are the virtues that always keep their promises.


America - A Tribute to Heroes (Telethon Broadcast)
Released in VHS Tape by Wea/Warner Bros. (04 December, 2001)
MPAA Rating: NR (Not Rated)
Directors: Beth McCarthy-Miller and Joel Gallen
Tribute albums and concerts come and go, but America: A Tribute to Heroes may well stand the test of time. Recorded just 10 days after the terrorist attacks of September 11, 2001, the two-hour telethon has an appropriately somber tone; it's also refreshingly unpretentious and ego-free, with no audience and no onscreen identification of the musical artists or the actors and others who speak between songs. There are some passionate and moving performances by Bruce Springsteen, Stevie Wonder, Limp Bizkit and friends, Neil Young (the much-praised "Imagine"), and several more, easily eclipsing the couple of outright turkeys (the overwrought theatrics of Enrique Iglesias and Mariah Carey). To watch the program now, as the horror may have started to fade, is to be reminded of the extraordinary emotions the tragic events of 9/11 aroused; and while pop music may be superfluous in the big picture, its power to inspire and perhaps even heal is something to behold. --Sam Graham
Average review score:

Instant Media Classic!
I saw this with a group of ten or so friends when it originally aired. We sat there in awe for two hours. I think it was the power of the people who spoke and of those who performed. The DVD was on my wish list nearly immediately after. Their selection of songs, was nearly impeccable. I didn't care for Iglesias mostly because it was more a love song, but maybe it was appropriate to others. The highlights for me were Neil Young doing "Imagine." That alone is worth the admission. Also the appearence of Dennis Franz and Jimmy Smits of "NYPD Blue" standing together like partners again, and talking, appropriately enough, about the cops who risked their lives, and died saving others. Limp Bizkit with Johnny Rzeznik (of Goo Goo Dolls) doing Pink Floyd's "Wish You Were Here" was equally awesome. Fred Durst looked to me like he was talking to us as he sang many of the lyrics. The Boss, Billy Joel, Eddie Vedder (with Neil Young on the organ), Sheryl Crow, Bon Jovi (a spectacular rendition of "Livin' on a Prayer") round out the cream of the crop musically. Superb speeches by Tom Hanks, George Clooney, Jim Carrey, Will Smith and Ali, and many more strike a chord both uplifting, and I think heart-breaking at times. It closes out with awesome speeches by Robert DeNiro (wow!) and Clint Eastwoood (wow! wow!) along with a performance of "God Bless America" by Celine Dion and a moving performance of "America the Beautiful" by Willie Nelson, with backup by everyone present. WOW! is the least I can think of to describe it as a whole. GOD BLESS the USA!

Hands down the best telethon concert ever
I bought "A Tribute to Heroes" on DVD and CD. I didn't have to stand in line for two hours, but I would have just to have this great concert.
I just rewatched it again, still the best concert I ever saw on TV. My only complaint is Enrique Iglesias, the first 30 seconds of his song was too mushy and out of character for the rest of the show -- loser. Regardless, I am still amazed at the high quality and diversity of the rest of the show, everything else was 110% talent. When the "worst" performance (other than Iglesias) is Paul Simon doing "Bridge Over Troubled Water" you know you have winner collection. Actually, Simon missed out on my ranking only because he was slightly off key - but who really cares? the emotion still came through - a winner.

Best songs, Springsteen "My City of Ruin" (fantastic!), Neil Young "Imagine" (best choice for a song), Faith Hill "There Will Come a Day" (check out the lyrics you Christians!), Goo Goo Dolls with others "Wish You Were Here" (a killer acoustic version of Pink Floyd with violin?!), Celine Dion (of course) and many more.

Most improved song on the second listen is Tom Petty "I Won't Back Down" -- I was disappointed the first time around because of a certain lack of "punch". I better appreciated the toned down approach on the second listen, although Petty also still gets my vote for "weirdest performance" with Sheryl Crow a close second place in that category. And of course you have great performances by Billy Joel, Dixie Chicks, Eddie Vedder, Dave Matthews, Sting and Wyclef Jean (who wins the Bob Marley sound-alike contest).

Well, what else can I say, I really liked this show. I'll just say it seemed honest, whatever that means. I liked the fact that I didn't know many of these artists and each performance was heartfelt. They say this year is one of the absolute worst ever for movies. Just when it seems like Hollywood "product" has once again triumphed over "quality" you get a concert like this one. Almost restores your faith in the lost art of "artistry" for the sake of art. At the very least it most certainly restored my faith in Americans.

Do you think we can change?
It's been over two years now since September 11, 2001, and perhaps there is need for a retrospective look at this unique DVD.

I only caught part of the original airing of "Tribute to Heroes" on TV.

Watching the whole thing for the first time on DVD was a moving experience, except when Enrique Iglesias showed up - I couldn't help but wonder whether he was wearing false eyelashes and whether they would fall off.

I was saddened to see the Dixie Chicks on this DVD, not that they didn't belong here. What made me sad was the memory of how strongly all Americans were united together at the time of the making of this Tribute. Not since December 7, 1941 had Americans felt so strongly about their country.

Tragically, this unity of spirit and purpose has proved to be all too brief, as just a year and a half later, the Bush administration used the faith and trust of the American people to plunge American troops into Iraq, against the wishes of the world, against any evidence that Iraq had a direct connection to 9-11, and having fooled everyone, including themselves, into thinking that the going would be quick, easy, and cheap.

As a result of their vocal oppositon to the Iraq war, the Dixie Chicks fell from grace, but have since rebounded again. Which is what makes me sad, to see them on this DVD, and to remember this moment in time when ALL Americans were united in a common purpose.

Finally, I just wanted to say that the part of the Tribute that I caught on TV was Fred Durst (from Limp Bizkit) and John Rzeznik (from Goo Goo Dolls) singing their version of "Wish You Were Here". This piece was my favorite from the DVD. If you are a Pink Floyd fan, you will know that the lyrics and musical arrangement (with strings and voice reverb) are significantly different, but still very recognizably Pink Floyd. The new lyrics are really, really beautiful and appropriate, not only for this Tribute to Heroes, but for what has happened since. As the words are a bit hard to find (compared to the original version), here they are:

So, so you think you can tell
Heaven from Hell,
Blue skies from pain.
Can you tell a green field
From a cold, steel rail?
A smile from a veil?
Do you think you can tell?

So, do you think we can change,
Everybody that hates,
Before it's too late.
So proud to be free,
But who can we blame?
Don't be ashamed,
Do you think we can change?

How I wish,
How I wish you were here,
We're a world of lost souls swimming in a fish bowl
Year after year.
Running over the same old ground,
What have we found?
The same old fears,
Wish you were here.

We don't need,
Need any more pain.
We just need to remain on the very same page,
So much to gain.
No more losing a friend,
We're losing ourselves.
We just need your help,
So glad you're here.

So glad you're here.


Dream Team
Released in VHS Tape by Universal Studios (15 November, 1993)
MPAA Rating: PG-13 (Parental Guidance Suggested)
Director: Howard Zieff
Starring: Michael Keaton and Christopher Lloyd
Average review score:

One of the funniest movies ever made
A side-splitting comedy about four mental patients: Michael Keaton as a habitual liar who has violent tendencies, Christopher Lloyd as an obsessive-compulsive who thinks he runs the hospital, Peter Boyle as a former advertising executive with a messiah complex who likes to take his clothes off, and Stephen Furst as catatonic couch potato. Against the wishes of the hospital administration, their compassionate doctor takes the four patients to New York City to watch a major league baseball game. When the van reaches the city, the doctor has to exit the van - with patients still inside - only to witness a murder committed by two corrupt cops. The doctor is attacked by the cops, leaving him hospitalized and unable to help his patients. The patients then find themselves framed for the murder. Now the patients have to not only act "sane" to prove their innocence, they also have to save the life of their doctor who is still a target of the two cops.

What makes this movie work is the relationship of the patients. It is so much fun watching Keaton, Lloyd, and Boyle bicker all the time about the littlest things. Boyle has a really funny scene in which he leaves the van while Lloyd tries to block him. Boyle then muscles his way past Lloyd, tells him that He shall have no false gods before Him, and finally he tells Lloyd to get out his way before calling him a seven-letter word. There might only be so much you can do with a catatonic character, but Furst is quite memorable. Even though the doctor must have the patience of a saint when dealing with them, he probably has a harder time suppressing a laugh. Quite simply, this is a movie that gets better every time you watch it.

A wonderful comedy.
This is the sort of movie you can see a hundred times without getting bored. Four 'lunatics' try to track down their psychiatrist after he has been mugged. Hampered by their own mental problems and a society which is less than understanding they manage to find him and protect him from two corrupt policemen. A good script is further enhanced by excellent team-work from the actors includig Michael Keaton, Christopher Loyd, Stephen Furst and Peter Boyle. At theend of the movie you truly begin to wonder who is really crazy: the four nutcases, or the society around them.

Hilarious!!!
Just got through watching it, and I'm still cracking up at those incredibly funny situations and classic one liners.The plot is about 4 "psychos"; Billy, a pathological liar with a violent streak, finds himself on loose in New York City with his fellow group therapy patients: Henry, a neat freak; Jack a former advertising executive who thinks he's Christ; and Albert a catatonic couch potato. Faced with the task of rescuing their missing doctor from a pair of crooked cops (who mess him up real bad), the group finds themselves sharing a series of hilarious misadventures in this farce hilarious comedy that is sure to have you on the floor. It's hysterical! One of the funniest movies I've ever seen!


Dream Team
Released in VHS Tape by Good Times Home Vide (22 February, 2000)
MPAA Rating: PG-13 (Parental Guidance Suggested)
Director: Howard Zieff
Starring: Michael Keaton and Christopher Lloyd
Average review score:

One of the funniest movies ever made
A side-splitting comedy about four mental patients: Michael Keaton as a habitual liar who has violent tendencies, Christopher Lloyd as an obsessive-compulsive who thinks he runs the hospital, Peter Boyle as a former advertising executive with a messiah complex who likes to take his clothes off, and Stephen Furst as catatonic couch potato. Against the wishes of the hospital administration, their compassionate doctor takes the four patients to New York City to watch a major league baseball game. When the van reaches the city, the doctor has to exit the van - with patients still inside - only to witness a murder committed by two corrupt cops. The doctor is attacked by the cops, leaving him hospitalized and unable to help his patients. The patients then find themselves framed for the murder. Now the patients have to not only act "sane" to prove their innocence, they also have to save the life of their doctor who is still a target of the two cops.

What makes this movie work is the relationship of the patients. It is so much fun watching Keaton, Lloyd, and Boyle bicker all the time about the littlest things. Boyle has a really funny scene in which he leaves the van while Lloyd tries to block him. Boyle then muscles his way past Lloyd, tells him that He shall have no false gods before Him, and finally he tells Lloyd to get out his way before calling him a seven-letter word. There might only be so much you can do with a catatonic character, but Furst is quite memorable. Even though the doctor must have the patience of a saint when dealing with them, he probably has a harder time suppressing a laugh. Quite simply, this is a movie that gets better every time you watch it.

A wonderful comedy.
This is the sort of movie you can see a hundred times without getting bored. Four 'lunatics' try to track down their psychiatrist after he has been mugged. Hampered by their own mental problems and a society which is less than understanding they manage to find him and protect him from two corrupt policemen. A good script is further enhanced by excellent team-work from the actors includig Michael Keaton, Christopher Loyd, Stephen Furst and Peter Boyle. At theend of the movie you truly begin to wonder who is really crazy: the four nutcases, or the society around them.

Hilarious!!!
Just got through watching it, and I'm still cracking up at those incredibly funny situations and classic one liners.The plot is about 4 "psychos"; Billy, a pathological liar with a violent streak, finds himself on loose in New York City with his fellow group therapy patients: Henry, a neat freak; Jack a former advertising executive who thinks he's Christ; and Albert a catatonic couch potato. Faced with the task of rescuing their missing doctor from a pair of crooked cops (who mess him up real bad), the group finds themselves sharing a series of hilarious misadventures in this farce hilarious comedy that is sure to have you on the floor. It's hysterical! One of the funniest movies I've ever seen!


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