Michael-Madsen Movie Reviews
More Pages: Michael-Madsen Page 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15


the best movie ever!
one of the best!
This is a wonderful movie!!!

Pleasantly Surprised
Good mix of humour and mayhem.But the man she has tangled with back in China - a chief of detectives - is relentless in his pursuit of her, and her cover is quickly blown, because of interdepartmental links with the LA police department, and their tie in with a bounty hunter and his team.
This is a moderately gory, yet comedic film, with fairly obvious filches from: Leon, The Assassin, Blade Runner, etc. The acting is all decent enough and the general production values are as good as most of Jackie Chan's output. The assassinette's dialogue and delivery is a riot, but not risible.
'Get dressed, Edward... we have unexpected guests.' She says calmly, as her killers close in.
A very watchable film.
Much better than expected.

Money for Nothing
A Hidden Gem
John Cusack is great!

A Very Good 'Treat' for Virginia Madsen Fans!
Love Virginia Now!
A Very Good 'Treat' for Virginia Madsen Fans!

Can't go wrong with this one!
the best road movie ever
great road movie

Can't go wrong with this one!
the best road movie ever
great road movie

Can't go wrong with this one!
the best road movie ever
great road movie

Quentin Tarantino is a Genious.the time cutting, the violence turned into the funny parts because of samuel l jackson's commentaries, and you can watch it over, and over, and over again.
reservoir dogs. pure brilliance. old story, you've heard it a billion times. a heist goes wrong, who's the snitch, etc. but cast amazing actors for each lead role, and you already have a good movie. let tarantino make it? the shots are beautiful.
let's get to the point tho, im too tired to talk about his other flicks. kill bill is so amazingly great because it contains a bunch of props, and lines, from other movies (the black mask for example - from "black mask"). it suddenly turns into anime, which i love, all the waterfall blood in the movie brings you back to those cheap, wu tang,fearless dragon movies...which is cool as hell..and the whole soundtrack is just samples compilated by the Rza, from the Wu-Tang Clan (one of my favorite groups). i cant wait for volume 2. thats basically it.
thanks quentin. never stop.ever.please.
hell yeah!

Better than it should beGena Hayes, a single mother of a five year old son, watches in shock and grief as her young son's life is destroyed by a yakuza in a drugstore wearing a silver mask. She sees a blue tiger tatoo on the yakuza's chest and does some research, ultimately finding a tatoo artist who knows its signficance. When she has him ink a red tiger on her bare skin, following the legend of the meeting of the two tigers, it's purely for revenge.
So the revenge motif, long a staple of the thriller--American and otherwise--pins the story's plot to its characters. But here the writing and directing are both fresh and lean, so there is a minimum of unnecessary grunting, emoting, slipshod hammy dialogue, and pointless commanding and commandeering (i.e., You do this; Steal that truck...etc.)
Instead what we have is a sharper, crisper entry in the East meets West thriller department (the setting is Los Angeles' Little Tokyo) whose momentum is strong and confident enough to pull you to the finale which is a meting out of just desserts. More important than the inner working of the yakuza is Gena's own thinking on how to find the one who killed her child. (For a more in-depth, gritty, and intense portrayal of the yakuza, see a few films by Fukasaku like Battles Without Honor or Humanity, or Yakuza Graveyard--or by Beat Takeshi, like Sonatine).
Harry Dean Stanton here plays a reclusive tatoo artist and acquits himself well. Only one logical flaw comes to mind here. Is there only ONE man with a blue tiger tatoo?
You decide.
Well done
Great Action

Better than it should beGena Hayes, a single mother of a five year old son, watches in shock and grief as her young son's life is destroyed by a yakuza in a drugstore wearing a silver mask. She sees a blue tiger tatoo on the yakuza's chest and does some research, ultimately finding a tatoo artist who knows its signficance. When she has him ink a red tiger on her bare skin, following the legend of the meeting of the two tigers, it's purely for revenge.
So the revenge motif, long a staple of the thriller--American and otherwise--pins the story's plot to its characters. But here the writing and directing are both fresh and lean, so there is a minimum of unnecessary grunting, emoting, slipshod hammy dialogue, and pointless commanding and commandeering (i.e., You do this; Steal that truck...etc.)
Instead what we have is a sharper, crisper entry in the East meets West thriller department (the setting is Los Angeles' Little Tokyo) whose momentum is strong and confident enough to pull you to the finale which is a meting out of just desserts. More important than the inner working of the yakuza is Gena's own thinking on how to find the one who killed her child. (For a more in-depth, gritty, and intense portrayal of the yakuza, see a few films by Fukasaku like Battles Without Honor or Humanity, or Yakuza Graveyard--or by Beat Takeshi, like Sonatine).
Harry Dean Stanton here plays a reclusive tatoo artist and acquits himself well. Only one logical flaw comes to mind here. Is there only ONE man with a blue tiger tatoo?
You decide.
Well done
Great Action