Michelle-Pfeiffer Movie Reviews


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VHS movie reviews for "Michelle-Pfeiffer" sorted by average review score:

Meat Loaf - To Hell and Back
Released in VHS Tape by Paramount Home Video (07 August, 2001)
MPAA Rating: PG-13 (Parental Guidance Suggested)
Director: Jim McBride
Average review score:

Meat Loaf's life, it was sad, happy.
Meat Loaf's stuggling young life with an alcaholic father who abused him, and a dieing mother with cancer. His struggles with becoming famous when everyone was closing the door on him. (I hope they are kicking themselves now). Then his tragic downfall, loosing his voice, being taken by people he loved and trusted. Then his strenght to fight back years later to become the man he is today. A very moving movie. I watch it almost every day. I can't get enough of it. The actor W. Earl Brown does a very good job playing Meat. You almost forget that it's not Meat. This is a must have movie for any Meat lover. I have an autistic granddaughter who loves this movie. She is 4 years and will sit down a watch it over and over. Meat's biography has saved my live may times with my granddaughter, when she have a bad day and is grumpy I put it on and she comes running to see it. I give it ***** + stars.


Power Passion and Murder
Released in VHS Tape by Artemis Entertainmen (14 September, 1994)
MPAA Rating: R (Restricted)
Directors: Paul Bogart and Leon Ichaso
Average review score:

The Most Divine movie I've ever seen!
I loved Power Passion and murder! I could watch it over and over again. Michelle was absolutely divine. I actually thik it diserves more than 5 stars. Way more.

Tiffany Collinsville IL


Power Passion and Murder
Released in VHS Tape by Jtc, Inc. (30 June, 1993)
MPAA Rating: NR (Not Rated)
Starring: Michelle Pfeiffer
Average review score:

The Most Divine movie I've ever seen!
I loved Power Passion and murder! I could watch it over and over again. Michelle was absolutely divine. I actually thik it diserves more than 5 stars. Way more.

Tiffany Collinsville IL


Power, Passion and Murder
Released in VHS Tape by Parade (24 September, 1997)
MPAA Rating: NR (Not Rated)
Directors: Paul Bogart and Leon Ichaso
Average review score:

The Most Divine movie I've ever seen!
I loved Power Passion and murder! I could watch it over and over again. Michelle was absolutely divine. I actually thik it diserves more than 5 stars. Way more.

Tiffany Collinsville IL


Married to the Mob
Released in VHS Tape by Orion Studios (Old Label) (22 June, 1994)
MPAA Rating: R (Restricted)
Director: Jonathan Demme
Starring: Alec Baldwin and Michelle Pfeiffer
Jonathan Demme's last idiosyncratic film before he went all mainstream and "serious" with The Silence of the Lambs and Philadelphia is a wacky, energetic comedy that looks at mob life with affection, and established Michelle Pfeiffer as both a stunning leading lady and a consummate character actress. When Angela DeMarco (Pfeiffer), fed up with a house filled with furniture and appliances that "fell off a truck," asks her husband, hit man Frank "the Cucumber" (Alec Baldwin), for a divorce, he laughs at her and tells her she'll never escape the mob's clutches. Opportunity arises, though, in the form of Frank's untimely demise, after he's efficiently dispatched by mob head Tony "the Tiger" (Dean Stockwell, in an Oscar-nominated performance) for having an affair with Tony's mistress. Seizing her opportunity, Angela flees Long Island for the city, taking her son and donating all her possessions to Goodwill. Angela thinks she's finally free, but in reality not only does a lovesick Tony have his eye on her, but she's also being spied on by a government agent (Matthew Modine) who thinks she can lead him to the mob boss. Wild and all over the place, Married to the Mob is a genial mess, grounded by Pfeiffer's phenomenal performance, which perfectly mixes comedy and pathos. Her tentative first steps into mob-free life are both comic and touching to watch, whether she's shyly flirting with Modine or fending off the lecherous advances of Stockwell. Mercedes Ruehl, as Tony's big-haired, slightly crazy, put-upon wife, almost steals the show, especially in the film's shoot-'em-up finale, set in Miami and featuring the wonderful Trey Wilson as Modine's FBI boss. The movie is decidedly slack in places, and suffered some damage in the editing room (take a look at the copious outtakes in the film's end credits), but with its high spirits and delightful details, Married to the Mob will definitely make you an offer you can't refuse. --Mark Englehart
Average review score:

Demme's best film
MARRIED TO THER MOB is not only Jonathan Demme's best film but perhaps the single funniest comedy to emerge from Hollywood in the Eighties. Its depiction of the New York area mob enormously influenced David Chase's THE SOPRANOS on HBO, and hasn't received the recognition for this it deserves. The genius of the film is that all the film's characters (with the exceptions of Michelle Pfeiffer, Matthew Modine and Sister Carol) are all mosters of taste as well as morality, and yet none of them seem to realize this: they think everyone else likes the same furniture, and beahves in the same way, as they do. This has the effect of making their awful choices in home decor seem sublime ("I see a great house!" Alec Baldwin complains, when he looks around at the illgotten and hideous goods his mob work has won him), and their moral choices hilarious. Dean Stockwell, as the randy head of the mob family after Pfeiffer's heroine, and Mercedes Ruehl, as his dumb but jealously devoted wife, almost steal the show (there's a great moment--just two seconds, really--when Ruehl decides to surprise her husband while standing at Kennedy Airport under an advertsiing sign that says, "Miami is for Lovers": her goofy look of inspiration is priceless). But the film in the end belongs to Michelle Pfeiffer, as the hapless heroine, the widowed wife of a mob enforcer. This was the film that really made Pfeiffer a star. Years before she began to perfect the irritating mannerisms that marred her work in the Nineties, she manages to make her character's sufferings and her innate goodness seem immensely touching and also, almost bewilderingly, deeply funny. She has a great date at a salsa club with Matthew Modine's character that remains one of the greatest first dates in film history: watch especially for their little dance outside the Criminal Justice Building in the outtakes during the closing credits.

One of my all time favorites!
"Married to the Mob" is a very funny movie about an Italian Mob Wife who wants out. It is one of my ultimate favorite movies of all time because it is so funny, so well acted, and pure fun to watch. Michelle Pfieffer stars as Angela Demarco, the wife of Frankie "Cucumber" Demarco(played by Alec Baldwin) and mother to 7 year old Joey.
Frustrated by the lifestyle, she just wants to start over fresh and have a second chance for a good life. She asks for a divorce, which is ignored. Then Frankie and his mistress get iced by the big boss, Tony "The Tiger" Russo, played by Dean Stockwell, who roars as this cool mob boss. Angela is beside herself, and ready to move out and on with her life. She moves out of the neighborhood and into a tenament in a seedy looking neighborhood. She plans to get a job and raise her son on her own.
She is then being unknowingly surveillanced by the FBI, and Agent Mike Dowling(Matthew Modine) becomes interested in her.
Young Pfeiffer and Modine seem to have a little chemistry going in the movie. They are very cute together.
Once Frank is dead, Tony tries to seduce Angela. His wife, Connie, played by a hilarious Mercedes Ruehl who is just wonderful in this role, tries to stop it. Tony tries and fails several times.
Mike falls hard for Angela, but eventually she finds out that the FBI is behind it all. They want to use her to get Tony.
Chaos ensues with comedy following. All the actors in this movie work so well together, too. I liked every performance in the movie. Pfeiffer being the best. She plays the character with zest and the accent is perfect!
It is a movie I intend to purchase soon as I just don't tire of it's upbeat, funny, and romantic story.
Highly recommended!!!

Pfieffer shines!
This is a great film. FUN FUN FUN and Funny too. Pfieffer does such a great job in this role, as does Alec Baldwin and Mathew Modine. A terrifically fun film.


Love Field
Released in VHS Tape by Mgm/Ua Studios (21 August, 2001)
MPAA Rating: PG-13 (Parental Guidance Suggested)
Director: Jonathan Kaplan
Starring: Michelle Pfeiffer
Average review score:

LOVE FIELD
Michelle pfeiffer is a delight to see. from the hair to the accent!!!!! the black man was supposed to be played by denzel washington at that time, but it didn't materialized. But to be fair the black man was convincing. the story has many plots, but for me the best is her obsession with the kennedys during the first part of the movie. Just bad that toward the end the plot concentrated on the man and michelle's escape from the police and for me its not very interesting!!!!! But still the movie is engrossing, you just have to pay attention. After all you have Michelle Pfeiffer on the screen, you won't get bored!!!!

Excellent! A movie that will make the audience think.
I will always wonder why this movie did not get the attention it deserved. Perhaps people still shy away from the racial issue. Whatever the answer may be, it is a terrible pity, since it was probably Michelle Pfeiffers best performance ever.
Moreover this movie, centred around the growing affection between two people from different cultural and racial background brings the racial isssue closer to the public then any other movie I have ever seen.
Excellent acting, a good script and the controversial subject treated with a sublety that in no way distracts from its importance make this the top movie in it's genre

Why Michelle Pfeiffer is the best.
Hollywood wouldn't know a great character driven movie/script if it hit them with a MACK truck,this film should have received much more attention. Michelle Pfeiffer should have won the Oscar for her role and talent breathing life into the child like naive Texan, Lurene. The "very blond" hairdresser from Dallas deals with her reality by viewing her life through the eyes of Jackie Kennedy. Even down to owning the clothing patterns for Jackie's wardrobe and dealing with her own life's regrets through Jackie's eyes, it is destiny that she attend the President's funeral to give support to Jackie. On her journey she encounters a black man with his own regrets and problems, along with his young daughter Jonell, "Joan Ellen". As their paths meet, so do a variety of crisis that brings their point of views together. Racial observers looking at Lurene and Paul funny because of their acquaintace with each other, but the childlike Lurene doesn't understand why. This is definately a treat to watch, and as a native Dallas/Fort Worth Texan, I vow that Michelle nailed the character Lurene as very believeable, from the accent to her viewpoint as a Texan in the 60's...with a special touch of course. Treat yourself and watch this movie!


Love Field
Released in VHS Tape by Orion Home Video (26 May, 1998)
MPAA Rating: PG-13 (Parental Guidance Suggested)
Director: Jonathan Kaplan
Starring: Michelle Pfeiffer
Average review score:

LOVE FIELD
Michelle pfeiffer is a delight to see. from the hair to the accent!!!!! the black man was supposed to be played by denzel washington at that time, but it didn't materialized. But to be fair the black man was convincing. the story has many plots, but for me the best is her obsession with the kennedys during the first part of the movie. Just bad that toward the end the plot concentrated on the man and michelle's escape from the police and for me its not very interesting!!!!! But still the movie is engrossing, you just have to pay attention. After all you have Michelle Pfeiffer on the screen, you won't get bored!!!!

Excellent! A movie that will make the audience think.
I will always wonder why this movie did not get the attention it deserved. Perhaps people still shy away from the racial issue. Whatever the answer may be, it is a terrible pity, since it was probably Michelle Pfeiffers best performance ever.
Moreover this movie, centred around the growing affection between two people from different cultural and racial background brings the racial isssue closer to the public then any other movie I have ever seen.
Excellent acting, a good script and the controversial subject treated with a sublety that in no way distracts from its importance make this the top movie in it's genre

Why Michelle Pfeiffer is the best.
Hollywood wouldn't know a great character driven movie/script if it hit them with a MACK truck,this film should have received much more attention. Michelle Pfeiffer should have won the Oscar for her role and talent breathing life into the child like naive Texan, Lurene. The "very blond" hairdresser from Dallas deals with her reality by viewing her life through the eyes of Jackie Kennedy. Even down to owning the clothing patterns for Jackie's wardrobe and dealing with her own life's regrets through Jackie's eyes, it is destiny that she attend the President's funeral to give support to Jackie. On her journey she encounters a black man with his own regrets and problems, along with his young daughter Jonell, "Joan Ellen". As their paths meet, so do a variety of crisis that brings their point of views together. Racial observers looking at Lurene and Paul funny because of their acquaintace with each other, but the childlike Lurene doesn't understand why. This is definately a treat to watch, and as a native Dallas/Fort Worth Texan, I vow that Michelle nailed the character Lurene as very believeable, from the accent to her viewpoint as a Texan in the 60's...with a special touch of course. Treat yourself and watch this movie!


The Fabulous Baker Boys
Released in VHS Tape by Scde (17 July, 2001)
MPAA Rating: R (Restricted)
Director: Steven Kloves
Starring: Jeff Bridges, Michelle Pfeiffer, and Beau Bridges
An inspired casting gimmick, a wonderful mood, a grown-up love story--all this in The Fabulous Baker Boys, but the only thing anybody ever talks about is Michelle Pfeiffer on top of a piano. Granted, it's a showstopper: clad in a slinky dress, Pfeiffer rolls around on the Steinway while she purrs out a languid version of "Makin' Whoopee." Adding to the seductive vibe is the fact that she's not singing to the audience, but to the sullen piano player (Jeff Bridges) whose fancy she has captured. Bridges and his real-life brother, Beau, play two lounge entertainers whose act has grown stale; they're not above doing "Feelings" for the tourist crowd. They've hired songbird Pfeiffer (who does her own sexy singing) to spice up the routine, a strategy that pays off in spades. The three actors are terrific, with the fabulous Bridges boys playing neatly off their own sibling rhythms. Writer-director Steve Kloves captures the feel of second-rate Seattle clubs, and Dave Grusin's jazzy score keeps propelling the film forward. The story itself might have come from a 1940s romance, yet Kloves and his actors keep it unusually modern and thoughtful. And then there's Michelle Pfeiffer rolling around on top of a piano.... --Robert Horton
Average review score:

ONE TWO THREE TWO ONE
The FABULOUS BAKER BOYS is the kind of movie that you must see with a light heart. If not, its sad atmosphere will certainly give you the blues. Hope is not the main theme of this film starring Michelle Pfeiffer and the Bridges (blues-) brothers.

The movie focuses on the three main characters and their relationship. So you'll have a lot of talk and songs but no action at all. It's pretty rare nowadays to have on screen heroes thinking, feeling and becoming better without a single gunshot. Enjoy !

It is to be noticed that Michelle Pfeiffer sings in the FABULOUS BAKER BOYS and she's not bad at all. Furthermore, she is sexier than the average cocktail bar singer. Jeff and Beau are very good too.

Very agreeable bonus features with a commentary of the director of photography Michaël Ballhaus who used to work with german director Rainer Werner Fassbinder.

An above-average DVD.

Pfeiffer puts Fabulous into the Baker Boys
When I saw this movie over 10 years ago at the theater, Michelle Pfeiffer absolutely blew me away. I believe that I had heard some movie reviewer say something like Pfeiffer puts the Fabulous into the Baker Boys, and she positively does.

If you are remotely a Michelle Pfeiffer fan, then you should see this movie. She is absolutely incredible. The scene in the movie that is worth five stars by itself is where Suzie Diamond(Pfeiffer) is singing Makin' Whoopie on top of the piano. It is just way to hot for words.

Even though Pfeiffer steals every scene that she is in, Jeff and Beau Bridges do a great job as a pair of piano playing brothers, who have had a lounge act over 15 years.

The movie focuses more on the trials and tribulations of Jack(Jeff Bridges). He is at a crossroads in his life. Should he stay with his brother, Frank(Beau Bridges) in the comfortable lounge act that they have had, or should he pursue his passion for playing jazz? Frank had always been comfortable doing the same act, because he had a family to feed.

When the brothers feel like their act is getting into a rut, they decide that they need to hire a female singer. After going through the process of listening to all of these different women, they finally decide to go with Suzie Diamond(Michelle Pfeiffer). When she finally gets adjusted to the act, Suzie shines.

What Suzie does for Jack is to open the door for him to realize that he needs to take a chance with his life and follow his passion. In the meantime, Suzie becomes interested in Jack and even though Frank is telling Jack to stay away from Suzie personally, Jack simply cannot resist.

Jack eventually does make the hard transition of breaking with his brother. Jeff and Beau Bridges do an excellent job in some scenes that explore the dynamic of sibling relationships.

One of the best things about this movie is the soundtrack. Dave Grusin does a wonderful job with the score. In fact, I think that he should have won the Oscar for it. Michelle Pfeiffer's voice is absolutely incredible. On the soundtrack, she sings Makin' Whoopee and My Funny Valentine. No one will ever sing these songs as well as she does.

The Fabulous Baker Boys is a very adult film, so I would not recommend it for children at all. But, for the adult music lover, I would definitely see it.

Michelle Pfeiffer sings
Finally. A movie that actually has "class," which is a rarity in the 80's and 90's. Michelle Pfeiffer is in her prime as a torchlight singer in a beautiful red dress on top of a black Steinway piano. This alone should sell the movie if you're a guy who plays the piano (such as myself).

But if that alone doesn't turn you on, there is also the interesting dynamics going on between the two brothers struggling to maintain their dignity while at the same time trying to make ends meet as jazz pianists who together comprise the "Fabulous Baker Boys." They find Michelle Pfeiffer, and one of them falls in love with her.

Finally, this movie is a metaphor for mid-life crisis as the trio each in their own way confront the very real possibility that the best might be behind them, that their aspirations and achievements have flattened out and that they're over the hill. However, they do get their moment in the sun in this movie, and the ending for this movie is wonderfully ambiguous.


The Fabulous Baker Boys
Released in VHS Tape by Umvd (08 September, 1993)
MPAA Rating: R (Restricted)
Director: Steven Kloves
Starring: Jeff Bridges, Michelle Pfeiffer, and Beau Bridges
An inspired casting gimmick, a wonderful mood, a grown-up love story--all this in The Fabulous Baker Boys, but the only thing anybody ever talks about is Michelle Pfeiffer on top of a piano. Granted, it's a showstopper: clad in a slinky dress, Pfeiffer rolls around on the Steinway while she purrs out a languid version of "Makin' Whoopee." Adding to the seductive vibe is the fact that she's not singing to the audience, but to the sullen piano player (Jeff Bridges) whose fancy she has captured. Bridges and his real-life brother, Beau, play two lounge entertainers whose act has grown stale; they're not above doing "Feelings" for the tourist crowd. They've hired songbird Pfeiffer (who does her own sexy singing) to spice up the routine, a strategy that pays off in spades. The three actors are terrific, with the fabulous Bridges boys playing neatly off their own sibling rhythms. Writer-director Steve Kloves captures the feel of second-rate Seattle clubs, and Dave Grusin's jazzy score keeps propelling the film forward. The story itself might have come from a 1940s romance, yet Kloves and his actors keep it unusually modern and thoughtful. And then there's Michelle Pfeiffer rolling around on top of a piano.... --Robert Horton
Average review score:

ONE TWO THREE TWO ONE
The FABULOUS BAKER BOYS is the kind of movie that you must see with a light heart. If not, its sad atmosphere will certainly give you the blues. Hope is not the main theme of this film starring Michelle Pfeiffer and the Bridges (blues-) brothers.

The movie focuses on the three main characters and their relationship. So you'll have a lot of talk and songs but no action at all. It's pretty rare nowadays to have on screen heroes thinking, feeling and becoming better without a single gunshot. Enjoy !

It is to be noticed that Michelle Pfeiffer sings in the FABULOUS BAKER BOYS and she's not bad at all. Furthermore, she is sexier than the average cocktail bar singer. Jeff and Beau are very good too.

Very agreeable bonus features with a commentary of the director of photography Michaël Ballhaus who used to work with german director Rainer Werner Fassbinder.

An above-average DVD.

Pfeiffer puts Fabulous into the Baker Boys
When I saw this movie over 10 years ago at the theater, Michelle Pfeiffer absolutely blew me away. I believe that I had heard some movie reviewer say something like Pfeiffer puts the Fabulous into the Baker Boys, and she positively does.

If you are remotely a Michelle Pfeiffer fan, then you should see this movie. She is absolutely incredible. The scene in the movie that is worth five stars by itself is where Suzie Diamond(Pfeiffer) is singing Makin' Whoopie on top of the piano. It is just way to hot for words.

Even though Pfeiffer steals every scene that she is in, Jeff and Beau Bridges do a great job as a pair of piano playing brothers, who have had a lounge act over 15 years.

The movie focuses more on the trials and tribulations of Jack(Jeff Bridges). He is at a crossroads in his life. Should he stay with his brother, Frank(Beau Bridges) in the comfortable lounge act that they have had, or should he pursue his passion for playing jazz? Frank had always been comfortable doing the same act, because he had a family to feed.

When the brothers feel like their act is getting into a rut, they decide that they need to hire a female singer. After going through the process of listening to all of these different women, they finally decide to go with Suzie Diamond(Michelle Pfeiffer). When she finally gets adjusted to the act, Suzie shines.

What Suzie does for Jack is to open the door for him to realize that he needs to take a chance with his life and follow his passion. In the meantime, Suzie becomes interested in Jack and even though Frank is telling Jack to stay away from Suzie personally, Jack simply cannot resist.

Jack eventually does make the hard transition of breaking with his brother. Jeff and Beau Bridges do an excellent job in some scenes that explore the dynamic of sibling relationships.

One of the best things about this movie is the soundtrack. Dave Grusin does a wonderful job with the score. In fact, I think that he should have won the Oscar for it. Michelle Pfeiffer's voice is absolutely incredible. On the soundtrack, she sings Makin' Whoopee and My Funny Valentine. No one will ever sing these songs as well as she does.

The Fabulous Baker Boys is a very adult film, so I would not recommend it for children at all. But, for the adult music lover, I would definitely see it.

Michelle Pfeiffer sings
Finally. A movie that actually has "class," which is a rarity in the 80's and 90's. Michelle Pfeiffer is in her prime as a torchlight singer in a beautiful red dress on top of a black Steinway piano. This alone should sell the movie if you're a guy who plays the piano (such as myself).

But if that alone doesn't turn you on, there is also the interesting dynamics going on between the two brothers struggling to maintain their dignity while at the same time trying to make ends meet as jazz pianists who together comprise the "Fabulous Baker Boys." They find Michelle Pfeiffer, and one of them falls in love with her.

Finally, this movie is a metaphor for mid-life crisis as the trio each in their own way confront the very real possibility that the best might be behind them, that their aspirations and achievements have flattened out and that they're over the hill. However, they do get their moment in the sun in this movie, and the ending for this movie is wonderfully ambiguous.


The Fabulous Baker Boys (Widescreen Edition)
Released in VHS Tape by Artisan Entertainment (22 July, 1997)
MPAA Rating: R (Restricted)
Director: Steven Kloves
Starring: Jeff Bridges, Michelle Pfeiffer, and Beau Bridges
An inspired casting gimmick, a wonderful mood, a grown-up love story--all this in The Fabulous Baker Boys, but the only thing anybody ever talks about is Michelle Pfeiffer on top of a piano. Granted, it's a showstopper: clad in a slinky dress, Pfeiffer rolls around on the Steinway while she purrs out a languid version of "Makin' Whoopee." Adding to the seductive vibe is the fact that she's not singing to the audience, but to the sullen piano player (Jeff Bridges) whose fancy she has captured. Bridges and his real-life brother, Beau, play two lounge entertainers whose act has grown stale; they're not above doing "Feelings" for the tourist crowd. They've hired songbird Pfeiffer (who does her own sexy singing) to spice up the routine, a strategy that pays off in spades. The three actors are terrific, with the fabulous Bridges boys playing neatly off their own sibling rhythms. Writer-director Steve Kloves captures the feel of second-rate Seattle clubs, and Dave Grusin's jazzy score keeps propelling the film forward. The story itself might have come from a 1940s romance, yet Kloves and his actors keep it unusually modern and thoughtful. And then there's Michelle Pfeiffer rolling around on top of a piano.... --Robert Horton
Average review score:

ONE TWO THREE TWO ONE
The FABULOUS BAKER BOYS is the kind of movie that you must see with a light heart. If not, its sad atmosphere will certainly give you the blues. Hope is not the main theme of this film starring Michelle Pfeiffer and the Bridges (blues-) brothers.

The movie focuses on the three main characters and their relationship. So you'll have a lot of talk and songs but no action at all. It's pretty rare nowadays to have on screen heroes thinking, feeling and becoming better without a single gunshot. Enjoy !

It is to be noticed that Michelle Pfeiffer sings in the FABULOUS BAKER BOYS and she's not bad at all. Furthermore, she is sexier than the average cocktail bar singer. Jeff and Beau are very good too.

Very agreeable bonus features with a commentary of the director of photography Michaël Ballhaus who used to work with german director Rainer Werner Fassbinder.

An above-average DVD.

Pfeiffer puts Fabulous into the Baker Boys
When I saw this movie over 10 years ago at the theater, Michelle Pfeiffer absolutely blew me away. I believe that I had heard some movie reviewer say something like Pfeiffer puts the Fabulous into the Baker Boys, and she positively does.

If you are remotely a Michelle Pfeiffer fan, then you should see this movie. She is absolutely incredible. The scene in the movie that is worth five stars by itself is where Suzie Diamond(Pfeiffer) is singing Makin' Whoopie on top of the piano. It is just way to hot for words.

Even though Pfeiffer steals every scene that she is in, Jeff and Beau Bridges do a great job as a pair of piano playing brothers, who have had a lounge act over 15 years.

The movie focuses more on the trials and tribulations of Jack(Jeff Bridges). He is at a crossroads in his life. Should he stay with his brother, Frank(Beau Bridges) in the comfortable lounge act that they have had, or should he pursue his passion for playing jazz? Frank had always been comfortable doing the same act, because he had a family to feed.

When the brothers feel like their act is getting into a rut, they decide that they need to hire a female singer. After going through the process of listening to all of these different women, they finally decide to go with Suzie Diamond(Michelle Pfeiffer). When she finally gets adjusted to the act, Suzie shines.

What Suzie does for Jack is to open the door for him to realize that he needs to take a chance with his life and follow his passion. In the meantime, Suzie becomes interested in Jack and even though Frank is telling Jack to stay away from Suzie personally, Jack simply cannot resist.

Jack eventually does make the hard transition of breaking with his brother. Jeff and Beau Bridges do an excellent job in some scenes that explore the dynamic of sibling relationships.

One of the best things about this movie is the soundtrack. Dave Grusin does a wonderful job with the score. In fact, I think that he should have won the Oscar for it. Michelle Pfeiffer's voice is absolutely incredible. On the soundtrack, she sings Makin' Whoopee and My Funny Valentine. No one will ever sing these songs as well as she does.

The Fabulous Baker Boys is a very adult film, so I would not recommend it for children at all. But, for the adult music lover, I would definitely see it.

Michelle Pfeiffer sings
Finally. A movie that actually has "class," which is a rarity in the 80's and 90's. Michelle Pfeiffer is in her prime as a torchlight singer in a beautiful red dress on top of a black Steinway piano. This alone should sell the movie if you're a guy who plays the piano (such as myself).

But if that alone doesn't turn you on, there is also the interesting dynamics going on between the two brothers struggling to maintain their dignity while at the same time trying to make ends meet as jazz pianists who together comprise the "Fabulous Baker Boys." They find Michelle Pfeiffer, and one of them falls in love with her.

Finally, this movie is a metaphor for mid-life crisis as the trio each in their own way confront the very real possibility that the best might be behind them, that their aspirations and achievements have flattened out and that they're over the hill. However, they do get their moment in the sun in this movie, and the ending for this movie is wonderfully ambiguous.


Related Subjects: Michael-J.-Fox
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