Nora-Dunn Movie Reviews


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Passion Fish
Released in VHS Tape by Columbia/Tristar Studios (07 April, 1998)
MPAA Rating: R (Restricted)
Director: John Sayles
Starring: Mary McDonnell, Alfre Woodard, and Angela Bassett
An intelligent and potent drama about taking life's second chances when they come, Passion Fish finds director John Sayles (Matewan, Lone Star) once again providing a strong cast of actors with a smart, literate screenplay to produce an entertaining and thought-provoking film. Mary McDonnell (Dances with Wolves, Grand Canyon) plays a soap-opera actress paralyzed in a car accident, who returns to the small town on the Louisiana bayou where she grew up to hide. But the hiring of a physical therapist with a tortured past (Alfre Woodard), and the sometimes antagonistic bond formed between them, allows the woman to try and rehabilitate herself and seize the opportunities that life still has to offer. With some great traditional Cajun music and the picturesque bayou as a backdrop, Passion Fish is an engaging yarn not to be missed. --Robert Lane
Average review score:

Beautiful Bayou.
In this current era of moviemaking, it's rare than an idea as soft, as pure as Passion Fish, will be given an opportunity to be made. Thankfully John Sayles has the ability to circumvent the 'by-committee' filmmaking which would have ultimately turned this wonderful little film into God know's what.

Mary McDonnell will never be better-she is brilliant, than in her portrayal of May-Alice Culhane (for which she was Oscar-nominated), the once-on-top Soap Opera star to whom tragedy has taken the use of her legs, and forced a re-evaluation of her life.

Alfre Woodard, as the hired home-care worker/nurse Chantelle provides the perfect complement as both these women find more of themselves through each other, then they might ever have found otherwise. Again, Ms. Woodard has rarely disappointed.

The early montage of health-care applicants is clever and funny. And John Sayles always is able to find brilliance in his supporting cast: notably Vondie Curtis-Hall, Leo Burmester, and David Strathairn, as well as a small role early in the career of Angela Bassett.

Sayles' script was also nominated for an Academy Award.

Modern Classic
Films like Passion Fish remind me that film can be art. With intelligent writing and direction by John Sayles, Passion Fish explores the friendship and bond between an unlikely and reluctant duo: a soap opera actress paralyzed in a car accident (brilliantly performed by Oscar nominated MARY McDONNELL) and her hired nurse with demons of her own (the wonderful, and shamlessly Oscar overlooked ALFRE WOODARD). This movie beautifully explores how two very independent women deal with their dependence on each other. With a strong supporting cast headed by DAVID STRAITHARN, Passion Fish is an absolute gem. The "anal probe" monologue is worth the price of admission alone!

Sayles Greatest?
An almost perfect drama, by turns funny and heartbreaking. Sayles avoids his usual tendency to try and tell too many stories at once, instead keeping the action focused on the female leads (whose performances I cannot praise enough.) Sayles uses a technique of unfolding the narrative in a series of vignettes (most shorter than one minute) keeps the movie solidly on track, and maintains the interest of the viewer throughout.


Saturday Night Live: The Best of Dana Carvey
Released in VHS Tape by Vidmark/Trimark (15 February, 2000)
MPAA Rating: Unrated
The opening sequence of this video, a lively and hilarious parody of a contentious Ross Perot press conference, immediately makes one wonder whether the public, when recalling Perot's 1992 presidential campaign, remembers Perot himself or Dana Carvey's dead-on impression of the eccentric billionaire.From his position as a cast member on Saturday Night Live, Carvey's skill as an impressionist was a national sensation, and this video captures him at his best, doing his Perot, his President George Bush (with the trademark fractured syntax and oddly disconnected hand gestures), and a devastating Carsenio, a diabolical amalgam of Johnny Carson and Arsenio Hall. Besides the great impressions, The Best of Dana Carvey also offers sketches featuring the insufferably conceited weightlifters Hans and Franz, Wayne (Mike Myers) and Garth of "Wayne's World," and of course the Church Lady (who does her bizarre stiff-backed dance, rips into a mean drum solo, and of course makes her perennial sarcastic comment, "Isn't that special?"). Some sketches, such as one featuring the misbegotten character Massive Head Wound Harry, may make you wonder how it wound up on this tape, but for the most part this is very impressive collection of Carvey's best work. --Robert J. McNamara
Average review score:

Could it be.....Dana?!
Terrific! I loved all the scetches(ex.massive headwound Harry!) My favorites were Church Lady, Grumpy old man, Fresh-a-pepper, and improvising songwriter. I also enjoyed Hans & Franz, and the various free-style character improvisations from Dana. Is there anything this guy can't do? He can imitate real people, create characters of his own, play the piano and the guitar,and sing...wow! If you love talent, you'll love this DVD!

Valedictorian of the Class of SNL!
Dana Carvey is the most versatile member of any SNL Cast ever! His creations of "Church Lady", "Ross Perot", "George Bush", "Johnny Carson" and so many more side-splittingly funny characters is nothing short of comedic genius! Any fan of the show will put Dana Carvey on top of their favorites list. It's a shame that this ultra-talented comedian chose to move on, because I could have laughed at his characters for another 8 years and more! This DVD gives you an idea of what this funny, funny man can do to make anyone watching crack up completely!

Dana Carvey... Comic Genius
I am a big fan of SNL and have really enjoyed Dana's work in the past. I hesitated before I bought this dvd not sure if it would be another effort to cash in on a poorly put together dvd... However I was impressed with what I saw. The DVD contained some of my favourite of Dana's moments including some Waynes world skits, Church Chat, his hillarious impression of Dennis Miller, George Bush and my personal favourite the skit where he plays the psychic contestant on a gameshow... It made me sad watching it all knowing that Dana wasn't doing as much as he should be now! The best part though was in the special feature not listed here "Dana's original uncut audition for SNL" this rare never before seen piece is worth the price of admission alone! Check it out for fans of Saturday Night Live or just people who appreciate fine comedians.


Quo Vadis?
Released in VHS Tape by Warner Home Video (19 March, 1996)
MPAA Rating: Unrated
Director: Mervyn LeRoy
Starring: Robert Taylor and Deborah Kerr
"Welcome to Nero's House of Women" greets a concubine to a slave girl, Lygia (Deborah Kerr). Later this self-same greeter reveals that she, too, like Lygia, is really a fellow Christian neophyte. And it's that mixture of tawdry Hollywood sex and a strong Christian message that makes this film an enjoyable "gentiles and gladiators" flick. Marcus Vinicius returns home after conquering the Britons to find that Rome is infected with a crazy new sect called Christians and that his beloved emperor Nero (Peter Ustinov, roly-poly and wicked) has become increasingly wacky. Marcus tries his centurion wiles on Lygia, and she's smitten, but she's also a Christian convert and begs Marcus not to force her to choose between him and her god. The Christians have a tough go of it, with martyrdom in the Coliseum as punishment for belonging to the new religion in town. Though three hours long, director Mervyn LeRoy's film always has something going on. It could help you enjoyably kill any rainy Sunday afternoon. --Keith Simanton
Average review score:

The greatest Epic of them all.
This is just a wonderful movie. Well filmed and very well acted. For me the movie is worth its price for Peter Ustinov alone. He is simply wonderful. Evil, cowardly, and completely deadly, he steals the show as Nero. The entire movie is very well done, music, sets, acting, all come together in one of the best epics. It is interesting in that there is a great deal of comedy also, not to mention some delightful sarcasm. The story of the Roman General (Robert Taylor) and his love for a slave girl (Deborah Kerr) is the main theme, but it is closely tied in with the begining of Christianity. All of this takes place in Nero's Rome. I have the VHS, and Laser disc versions, I cannot wait for the DVD to be released. Do see this movie, you will not regret it.

The biggest of the spectacle movies!
Quo Vadis is a shining example of Hollywood at it's best, for a change! Big cast, big budget and a big plot set in Nero's Rome. Robert Taylor turns in one of his finest performances as Marcus Vinicus, an arrogant Roman commander who slowly finds his way of life and love being changed by a shy Christian girl, Deborah Kerr. Kerr is bewitching as the innocent in a debauched Rome and Peter Ustinov is chilling as the nutty but deadly Nero. All I can say is, if you buy this movie, you'll never regret it.

Spectacular Roman epic
I have to say that Quod Vadis is a film to make am impression lasting a lifetime. There was a remake in the eighties, but it never amounted to much and after seeing this grand production it is easy to understand why. The storyline is decidedly Christian, but in a wonderful way. By the end you feel uplifted at the thought of being Christian. We double checked many of the historical facts and yes many of the historical facts are indeed true. We watched it in two evening due to its length, and if there were a third part I would watch it tonight. There is not enough good I can say about this movie.


Quo Vadis?
Released in VHS Tape by Warner Studios (05 February, 2002)
MPAA Rating: Unrated
Director: Mervyn LeRoy
Starring: Robert Taylor and Deborah Kerr
"Welcome to Nero's House of Women" greets a concubine to a slave girl, Lygia (Deborah Kerr). Later this self-same greeter reveals that she, too, like Lygia, is really a fellow Christian neophyte. And it's that mixture of tawdry Hollywood sex and a strong Christian message that makes this film an enjoyable "gentiles and gladiators" flick. Marcus Vinicius returns home after conquering the Britons to find that Rome is infected with a crazy new sect called Christians and that his beloved emperor Nero (Peter Ustinov, roly-poly and wicked) has become increasingly wacky. Marcus tries his centurion wiles on Lygia, and she's smitten, but she's also a Christian convert and begs Marcus not to force her to choose between him and her god. The Christians have a tough go of it, with martyrdom in the Coliseum as punishment for belonging to the new religion in town. Though three hours long, director Mervyn LeRoy's film always has something going on. It could help you enjoyably kill any rainy Sunday afternoon. --Keith Simanton
Average review score:

The greatest Epic of them all.
This is just a wonderful movie. Well filmed and very well acted. For me the movie is worth its price for Peter Ustinov alone. He is simply wonderful. Evil, cowardly, and completely deadly, he steals the show as Nero. The entire movie is very well done, music, sets, acting, all come together in one of the best epics. It is interesting in that there is a great deal of comedy also, not to mention some delightful sarcasm. The story of the Roman General (Robert Taylor) and his love for a slave girl (Deborah Kerr) is the main theme, but it is closely tied in with the begining of Christianity. All of this takes place in Nero's Rome. I have the VHS, and Laser disc versions, I cannot wait for the DVD to be released. Do see this movie, you will not regret it.

The biggest of the spectacle movies!
Quo Vadis is a shining example of Hollywood at it's best, for a change! Big cast, big budget and a big plot set in Nero's Rome. Robert Taylor turns in one of his finest performances as Marcus Vinicus, an arrogant Roman commander who slowly finds his way of life and love being changed by a shy Christian girl, Deborah Kerr. Kerr is bewitching as the innocent in a debauched Rome and Peter Ustinov is chilling as the nutty but deadly Nero. All I can say is, if you buy this movie, you'll never regret it.

Spectacular Roman epic
I have to say that Quod Vadis is a film to make am impression lasting a lifetime. There was a remake in the eighties, but it never amounted to much and after seeing this grand production it is easy to understand why. The storyline is decidedly Christian, but in a wonderful way. By the end you feel uplifted at the thought of being Christian. We double checked many of the historical facts and yes many of the historical facts are indeed true. We watched it in two evening due to its length, and if there were a third part I would watch it tonight. There is not enough good I can say about this movie.


The Last Supper
Released in VHS Tape by Columbia/Tristar Studios (29 September, 1998)
MPAA Rating: R (Restricted)
Director: Stacy Title
Starring: Cameron Diaz and Ron Eldard
Painted in mile-wide strokes of black satirical comedy, The Last Supper turns intolerance into a parlor trick, then repeats it ad nauseam in case we missed the joke. Still, redundancy can be fun when applied to the premeditated murder of right-wing extremists by self-righteous left-wing zealots; director Stacy Title is an equal-opportunity offender, never taking sides. The grisly high jinks commence when a truck-driving, child-molesting, Hitler-loving ex-Marine (Bill Paxton, acing the role) is accidentally killed while dining with a clutch of snobby liberal grad students, played with uniform excellence by Cameron Diaz (showing early promise), Ron Eldard, Courtney B. Vance, Annabeth Gish, and coproducer Jonathan Penner. Having acquired a taste for blood, the wine-poisoning liberals stage "last suppers" with hand-picked targets (Charles Durning, Mark Harmon, Jason Alexander, and ultimately Ron Perlman), eventually attracting a suspicious sheriff (fine work by SNL alumnus Nora Dunn). It's got all the subtlety of a pile-driver, but The Last Supper craftily defends free speech by exposing its most vicious violations. --Jeff Shannon
Average review score:

What if...
I'm thinking, "What if I didn't waste time watching this trash, disguised as entertainment?" Would I have done something more productive? I think, yes. Even if I spent the entire time banging my head against the wall for the whole time, it would have been a far better endeavor than watching this trash.

While ultimately this film tries to make you think about tolerating the opinion of the next person, it conducts its' lesson by creating conservative stereotypes as manifested by left-wingers. So if the roles had been reversed, liberals would be screaming about this film years later. But since the Hollywood community is controlled by left-wingers, you don't hear a peep out of anyone in that industry about the horrible personalities created by this film.

The sad thing is that the characters created in this film are really how Hollywood sees conservatives. Left-wingers actually create these people and truly believe that this is the way conservatives think and act. Of course, conservatives don't think and act as depicted in this film but left-wingers don't understand this point. This is the main reason why liberalism is a dying idealogy in the U.S. It's an idealogy that just doesn't get it. It creates enemies that don't exist and in fighting these imaginary enemies, their real opponents walk away the victor.

This might have been a good film if the "conservatives" in the film were real. That their opinions were those of real conservatives. But the problem would have been that the liberal characters would have been seen in a far worse light than just murderers; they would have been seen as irrational lunatics that can't see reason. And that's not what the director was trying to show. The idea was to show liberals as being well-intentioned yet mistaken in their methods.

If they had done the film correctly, conservatives would be invited to supper, they would have explained real-world thinking to the liberals, and the liberals would have killed the conservatives simply because they could not grasp what mainstream America already embraces as its' philosophy. But, again, this would have taken the film in too far of a supportive perspective of conservatives and that's certainly not acceptable to the producers of this poorly conceived tripe.

Funny and tragic.
What do you get when you mix a house full of self-righteous left-wingers with a lone red neck trucker? You get the film "Last Supper."

Although there are some acting and scripting flaws, this movie is great. It makes you laugh, then it makes you gasp in horror...and best of all: it makes you think.

This film left me thinking, "Do I really care that much about other peoples' opinions?" I walked away from this flick with a new philosophy and way of looking at people who think differently than I: In America, we all have the right to be wrong.

No matter what your political affiliation, you'll probably enjoy this film. Don't be too sensitive or you'll be offended. Just watch, think and then think some more.

Secrets in the sauce
This movie is about a group of grad students who go off the deep end with their political views. They end up inviting to dinner various people who have completely opposite political views. The dinners end up being a trail for the lives of their dinner guests and the deciding factor: how well they represent themselves and how much they are liked by their hosts (well not always). As the drama builds in this film the reason for a verdict in the hosts favor becomes more and more bizarre. Contributing factors: The living life between each other and the tension between themselves and the one person who upsets them the most, a television man completely opposite of every political value they have they watch him obsessivly even screaming at the television as if he could hear them. This is one of cameron diaz's first movies although unknown by many, w/ the suprise ending its one of the best movies I've ever seen.


Air Bud - Golden Receiver
Released in VHS Tape by Buena Vista (14 January, 2003)
MPAA Rating: G (General Audience)
Director: Richard Martin
Starring: Kevin Zegers and Cynthia Stevenson
If a pig can herd sheep, then the field is wide open for animals with unusual talents, and not just on Letterman's Late Show, either. Buddy, the golden retriever who made an unexpected hit in the initial Air Bud (1997), shows just how far you can stretch one joke over the course of two movies. Which isn't as far as the makers hoped, unfortunately. While the first film--about a performing dog who runs away from an abusive clown, befriends a lonely boy, and becomes a basketball star--had its charms, this one pushes the gag to the limit. This time, Buddy the dog learns to play football, even as he foils a plan by an international group of thieves to steal animals and start their own zoo. This is one that will hold the kids' attention while the adults do something else, at ease in the knowledge that their children are watching an innocuously entertaining movie. --Marshall Fine
Average review score:

It's a GREAT family movie!!!
If you're looking for something the whole family can enjoy, Air Bud: Golden Receiver is IT! We enjoyed this one just as much as the first Air Bud and this video is at the top of my 3-year old's Christmas wish list. :o)

Five stars!
This is the sequel to the movie Air Bud. In this one, the talented dog Buddy who plays basketball falls in love with football. When his owner Josh Framm's (played by THE Kevin Zegers) mother starts dating, Josh goes out for the football team in order to avoid Patrick, his mother's boyfriend. Josh discovers Buddy's talent for football and Buddy is made as a part of the team. Josh's team makes it to the state finals but before the game Buddy is dognapped by an evil Russian duo who take him for their "main attraction" at their circus. Patrick brings Buddy back just in time and Josh learns that it's possible to love to fathers at the same time. This movie is funny, cool, and Kevin Zegers is one awesome actor (he's cute too! ). I strongly recommend this movie for anyone.

Another winner!
This is a great sequel to the original Airbud movie. A clean, safe, totally enjoyable movie for the whole family, including the youngest. Adults and kids alike have loved it and I'm sure we will be watching it over and over again. Highly recommended!


Working Girl
Released in VHS Tape by Twentieth Century Fox (02 April, 2002)
MPAA Rating: R (Restricted)
Director: Mike Nichols
Starring: Harrison Ford, Sigourney Weaver, and Melanie Griffith
Melanie Griffith had a fling with stardom in this Mike Nichols comedy about an executive secretary (Griffith) who can't get her deserved shot at upward mobility in the brokerage industry. Hardly taken seriously by male bosses, things aren't really any better for her once she starts working for a female exec (Sigourney Weaver, never more delightful), a narcissist with a boy-toy banker (Harrison Ford) and a tendency to steal the best ideas from her underlings. When Weaver's character is laid up with a broken leg, Griffith poses as a replacement wheeler-dealer, flirting with Ford and working on a new client who doesn't suspect the deception. Nichols brings a lot of snap and sass to Kevin Wade's smart script about chafing against class restrictions and perceptions. Sundry scenes are played quite charmingly, especially those of Griffith and Ford's mutual pickup in a bar and Joan Cusack's championing of Griffith's crusade. Nominated for Best Picture, Director, Actress (Griffith), and two Supporting Actress awards (Weaver, Cusack); Carly Simon's song "Let the River Run" won the Oscar. --Tom Keogh
Average review score:

AFI's Great Love Stories: #91 Working Girl
Now, first off, let me make it clear that I like this movie. Whenever it is on the tube, like it was tonight, I will make a point of watching the end of the film just to see the part where Melanie Griffith's Tess McGill realizes that she has just made her dream comes true and turns her head slowly to look at her office (see: Tear Jerker Scenes, below). Plus Carly Simon's "Let the Rivers Run" is one of her best songs and a great song to open and close this film. But one of the things I remember about this 1988 film is that Griffith received an Oscar nomination for Best Actress instead of Susan Sarandon for "Bull Durham." Griffith is good, but Sarandon was better. For that matter, "Working Girl" is good, but "Bull Durham" is better, which means it should have been on AFI's list. Granted most people would probably take Harrison Ford over Kevin Costner (although it was a closer call back in 1988), but Sigourney Weaver versus Tim Robbins is a real hard call for the third part of the love triangle.

This rags to riches story focuses on secretary McGill, who has her eyes set on moving on up in the world of big business. When she is hired by Katherine Parker (Weaver), Associate Partner for Mergers & Acquisitions at Petty Marsh (good name) she thinks the glass ceiling has opened up. But it turns out her friendly female boss has been stealing her ideas. When Katharine is away, Tess gives herself a make over and starts playing with the big boys, in particular Jack Trainer (Ford), a Partner with Dewey Stone. Of course they end up mixing love and business, but it turns out to be a small world because it seems Jack and Katharine have been dating. The fantastic Joan Cusak plays Cyn, Tess's best bud, while Alec Baldwin is Mick Dugan, who is definitely not the man of Tess's dreams. Keep your eyes open for Kevin Spacey as the lecherous Bob Speck, Olympia Dukakis as the Personnel Director, and David Duchovny as Cyn's Engagement Party Guest.

Tear Jerker Scenes: (1) "No, Miss McGill. That's your office. in there."

Most Romantic Line: Actually the most romantic part is when Jack packs Tess's lunch for her first day of work, but the big lines are: (1) "I have a head for business and a bod for sin. Is there anything wrong with that?" and (2) "You can bend the rules plenty once you get to the top, but not while you're trying to get there. And if you're someone like me, you can't get there without bending the rules." Well, the title is "WORKING Girl," people.

If you like "Working," then check out these other films on AFI's list: #74 "Woman of the Year" and #12 "My Fair Lady." Why? Because "Woman of the Year" is also about the travails of love in the work place and "My Fair Lady" is about transformation. Tess McGill gets bonus points for doing the Galatea bit without the help of Pygmalion.

A wonderful script and story
I would give it five stars if not for my bias against Melanie Griffith. Her constant throat-clearing and baby voice drives me to distraction. Harrison Ford, Sigourney Weaver and Joan Cusack are fantastic, however, and Carly Simon's "Let the River Run" deserved the Oscar.

A Very Ironically Poignant Film
This movie is for, "Anyone Who's Ever Won, Anyone Who's Ever Lost and For Anyone Who's still in there trying", This movie tells a story of a Secretary Named Tess(Melanie Griffith), who while working Secretarial jobs takes college classes to become an executive. her new boss(Sigourney Weaver) suddenly gets her leg broke, on a ski trip in which she thinks her boyfriend(you'll just have to watch!) is going to propose to her. While Tess is cleaning her house, as instructed, she find that her boss was trying to steal her idea. So Tess simply takes over her boss' office and sets out to make her idea work, with the help of an investment Banker(Harrison Ford)Dir. Mike Nichols does a wonderful job of showing how the human spirit can triumph over all.


Three Kings (Collector's Edition)
Released in VHS Tape by Warner Home Video (17 October, 2000)
MPAA Rating: R (Restricted)
Director: David O. Russell
Starring: George Clooney and Mark Wahlberg
A confident hybrid of M*A*S*H, Treasure of the Sierra Madre, and Dr. Strangelove, Three Kings is one of the most seriously funny war movies ever made. Improving the premise of Kelly's Heroes with scathing intelligence, it explores the odd connection between war and consumerism in the age of Humvees and cellular phones. Writer-director David O. Russell's third film (after Spanking the Monkey and Flirting with Disaster), it's a no-holds-barred portrait of personal conscience in the volatile arena of politics, played out by one of the most gifted filmmakers to emerge in the 1990s.

George Clooney, Mark Wahlberg, Ice Cube, and Spike Jonze (director of Being John Malkovich) play a quartet of U.S. soldiers who, disillusioned by Operation Desert Storm, decide to steal $23 million in gold hijacked from Kuwait by Saddam Hussein's army. Getting the bullion out of an Iraqi stronghold is easy; keeping it is a potentially lethal proposition. By the end of their mercenary mission, the Americans can no longer ignore wartime atrocities (and neither can we--the film is boldly unflinching), and conscience demands their aid to Kuwaiti rebels abandoned by President George Bush's fickle wartime policy. This is serious stuff indeed, but Russell infuses Three Kings with a keen sense of the absurd, and the entire film is an exercise in breathtaking visual ingenuity. Despite a conventional ending that's mildly disappointing for such a brashly original film, Three Kings conveys the brutal madness of war while making you laugh out loud at the insanity. --Jeff Shannon

Average review score:

Overdramatic, and not that good
"Three Kings" tries hard to be artistic. In fact...it tries too hard.

Its basically a modern day take on "Kelly's Heroes." The latter is one of my personally favorite war-film...so I am offended that people would compare this movie to that! "Kelly's Heroes" knew what it wanted to be and didn't try to break that: it was a comedy/caper film set in World War II about a tired squad moving out to find German gold and then go lead the good life. "Three Kings" tries to be a lot of things: political statement, anti-war film, dramatic character study...but the style is far too corny and overdramatic for it to really have any affect on me. In fact, I found myself bored, offended, or downright disgusted by this film at many times.

I will stick with my "Kelly's Heroes," thank you very much, when I want to be entertained or "touched" in any way.

Off-beat Three Kings is biting Gulf War satire.....
Three Kings, writer-director David O. Russell's darkly humorous and offbeat heist movie, does to Operation Desert Storm what Kelly's Heroes did to World War II.

Starring George Clooney, Mark Wahlberg, Ice Cube, and Spike Jonze, this 1999 film tells the story of four GIs who, at the end of the first Gulf War in 1991, cross the Kuwaiti border into Iraq in search of a stash of gold stolen from Kuwait City by the retreating Iraqi Army. On their way to Karbala, where the gold is stored in a hidden bunker, the motley group of Americans stumbles upon the Shi'ite revolt against Saddam...and what began as a treasure hunt becomes a rather sobering experience as the GIs watch Saddam's forces crush the short lived revolt.

Russell's film mixes dark humor, witty dialog, and social commentary with some extreme photographic tricks, making Three Kings one of the weirdest -- yet effective -- films to come out of Hollywood in recent years. The performances from the leads and such supporting actors as Nora Dunn (who plays a veteran cable news reporter), Jamie Kennedy and Mykelti Williamson are top-notch, and Russell keeps things going at a rapid pace.

Alex Diaz-Granados

Bold & Unflinching
A completely original war movie, "Three Kings" was one of the best movies of 1999 and possibly of the decade. Though not as commercially successful as it deserved to be, it received widespread critical acclaim for its director, David O. Russell, and excellent cast, including George Clooney, Mark Wahlberg, Ice Cube, and Spike Jonze ("Being John Malkovich").

A tale of greed and compassion set among the dust and desolation of Iraq during the Gulf War, "Three Kings" succeeds on many levels because it is unafraid to ask difficult questions about morality and humane actions in the midst of carnage.

Though revolving around war, the film is not without its dark humor. In fact, there are several laugh-out-loud moments in the midst of ominous dread (an exploding cow, a strategically placed map, Nora Dunn's hilarious journalist). Beautifully downplaying the ironic wit and enhancing the suspense, the cast is always believable and a pleasure to watch.

"Three Kings" is bold and unapologetic, and probably not for everyone. But it is a truly unique war story and an excellent source of food for thought.


Three Kings (Spanish Subtitled)
Released in VHS Tape by Warner Home Video (02 April, 2002)
MPAA Rating: R (Restricted)
Director: David O. Russell
Starring: George Clooney and Mark Wahlberg
A confident hybrid of M*A*S*H, Treasure of the Sierra Madre, and Dr. Strangelove, Three Kings is one of the most seriously funny war movies ever made. Improving the premise of Kelly's Heroes with scathing intelligence, it explores the odd connection between war and consumerism in the age of Humvees and cellular phones. Writer-director David O. Russell's third film (after Spanking the Monkey and Flirting with Disaster), it's a no-holds-barred portrait of personal conscience in the volatile arena of politics, played out by one of the most gifted filmmakers to emerge in the 1990s.

George Clooney, Mark Wahlberg, Ice Cube, and Spike Jonze (director of Being John Malkovich) play a quartet of U.S. soldiers who, disillusioned by Operation Desert Storm, decide to steal $23 million in gold hijacked from Kuwait by Saddam Hussein's army. Getting the bullion out of an Iraqi stronghold is easy; keeping it is a potentially lethal proposition. By the end of their mercenary mission, the Americans can no longer ignore wartime atrocities (and neither can we--the film is boldly unflinching), and conscience demands their aid to Kuwaiti rebels abandoned by President George Bush's fickle wartime policy. This is serious stuff indeed, but Russell infuses Three Kings with a keen sense of the absurd, and the entire film is an exercise in breathtaking visual ingenuity. Despite a conventional ending that's mildly disappointing for such a brashly original film, Three Kings conveys the brutal madness of war while making you laugh out loud at the insanity. --Jeff Shannon

Average review score:

Overdramatic, and not that good
"Three Kings" tries hard to be artistic. In fact...it tries too hard.

Its basically a modern day take on "Kelly's Heroes." The latter is one of my personally favorite war-film...so I am offended that people would compare this movie to that! "Kelly's Heroes" knew what it wanted to be and didn't try to break that: it was a comedy/caper film set in World War II about a tired squad moving out to find German gold and then go lead the good life. "Three Kings" tries to be a lot of things: political statement, anti-war film, dramatic character study...but the style is far too corny and overdramatic for it to really have any affect on me. In fact, I found myself bored, offended, or downright disgusted by this film at many times.

I will stick with my "Kelly's Heroes," thank you very much, when I want to be entertained or "touched" in any way.

Off-beat Three Kings is biting Gulf War satire.....
Three Kings, writer-director David O. Russell's darkly humorous and offbeat heist movie, does to Operation Desert Storm what Kelly's Heroes did to World War II.

Starring George Clooney, Mark Wahlberg, Ice Cube, and Spike Jonze, this 1999 film tells the story of four GIs who, at the end of the first Gulf War in 1991, cross the Kuwaiti border into Iraq in search of a stash of gold stolen from Kuwait City by the retreating Iraqi Army. On their way to Karbala, where the gold is stored in a hidden bunker, the motley group of Americans stumbles upon the Shi'ite revolt against Saddam...and what began as a treasure hunt becomes a rather sobering experience as the GIs watch Saddam's forces crush the short lived revolt.

Russell's film mixes dark humor, witty dialog, and social commentary with some extreme photographic tricks, making Three Kings one of the weirdest -- yet effective -- films to come out of Hollywood in recent years. The performances from the leads and such supporting actors as Nora Dunn (who plays a veteran cable news reporter), Jamie Kennedy and Mykelti Williamson are top-notch, and Russell keeps things going at a rapid pace.

Alex Diaz-Granados

Bold & Unflinching
A completely original war movie, "Three Kings" was one of the best movies of 1999 and possibly of the decade. Though not as commercially successful as it deserved to be, it received widespread critical acclaim for its director, David O. Russell, and excellent cast, including George Clooney, Mark Wahlberg, Ice Cube, and Spike Jonze ("Being John Malkovich").

A tale of greed and compassion set among the dust and desolation of Iraq during the Gulf War, "Three Kings" succeeds on many levels because it is unafraid to ask difficult questions about morality and humane actions in the midst of carnage.

Though revolving around war, the film is not without its dark humor. In fact, there are several laugh-out-loud moments in the midst of ominous dread (an exploding cow, a strategically placed map, Nora Dunn's hilarious journalist). Beautifully downplaying the ironic wit and enhancing the suspense, the cast is always believable and a pleasure to watch.

"Three Kings" is bold and unapologetic, and probably not for everyone. But it is a truly unique war story and an excellent source of food for thought.


Three Kings (Widescreen Collector's Edition)
Released in VHS Tape by Warner Home Video (17 October, 2000)
MPAA Rating: R (Restricted)
Director: David O. Russell
Starring: George Clooney and Mark Wahlberg
A confident hybrid of M*A*S*H, Treasure of the Sierra Madre, and Dr. Strangelove, Three Kings is one of the most seriously funny war movies ever made. Improving the premise of Kelly's Heroes with scathing intelligence, it explores the odd connection between war and consumerism in the age of Humvees and cellular phones. Writer-director David O. Russell's third film (after Spanking the Monkey and Flirting with Disaster), it's a no-holds-barred portrait of personal conscience in the volatile arena of politics, played out by one of the most gifted filmmakers to emerge in the 1990s.

George Clooney, Mark Wahlberg, Ice Cube, and Spike Jonze (director of Being John Malkovich) play a quartet of U.S. soldiers who, disillusioned by Operation Desert Storm, decide to steal $23 million in gold hijacked from Kuwait by Saddam Hussein's army. Getting the bullion out of an Iraqi stronghold is easy; keeping it is a potentially lethal proposition. By the end of their mercenary mission, the Americans can no longer ignore wartime atrocities (and neither can we--the film is boldly unflinching), and conscience demands their aid to Kuwaiti rebels abandoned by President George Bush's fickle wartime policy. This is serious stuff indeed, but Russell infuses Three Kings with a keen sense of the absurd, and the entire film is an exercise in breathtaking visual ingenuity. Despite a conventional ending that's mildly disappointing for such a brashly original film, Three Kings conveys the brutal madness of war while making you laugh out loud at the insanity. --Jeff Shannon

Average review score:

Overdramatic, and not that good
"Three Kings" tries hard to be artistic. In fact...it tries too hard.

Its basically a modern day take on "Kelly's Heroes." The latter is one of my personally favorite war-film...so I am offended that people would compare this movie to that! "Kelly's Heroes" knew what it wanted to be and didn't try to break that: it was a comedy/caper film set in World War II about a tired squad moving out to find German gold and then go lead the good life. "Three Kings" tries to be a lot of things: political statement, anti-war film, dramatic character study...but the style is far too corny and overdramatic for it to really have any affect on me. In fact, I found myself bored, offended, or downright disgusted by this film at many times.

I will stick with my "Kelly's Heroes," thank you very much, when I want to be entertained or "touched" in any way.

Off-beat Three Kings is biting Gulf War satire.....
Three Kings, writer-director David O. Russell's darkly humorous and offbeat heist movie, does to Operation Desert Storm what Kelly's Heroes did to World War II.

Starring George Clooney, Mark Wahlberg, Ice Cube, and Spike Jonze, this 1999 film tells the story of four GIs who, at the end of the first Gulf War in 1991, cross the Kuwaiti border into Iraq in search of a stash of gold stolen from Kuwait City by the retreating Iraqi Army. On their way to Karbala, where the gold is stored in a hidden bunker, the motley group of Americans stumbles upon the Shi'ite revolt against Saddam...and what began as a treasure hunt becomes a rather sobering experience as the GIs watch Saddam's forces crush the short lived revolt.

Russell's film mixes dark humor, witty dialog, and social commentary with some extreme photographic tricks, making Three Kings one of the weirdest -- yet effective -- films to come out of Hollywood in recent years. The performances from the leads and such supporting actors as Nora Dunn (who plays a veteran cable news reporter), Jamie Kennedy and Mykelti Williamson are top-notch, and Russell keeps things going at a rapid pace.

Alex Diaz-Granados

Bold & Unflinching
A completely original war movie, "Three Kings" was one of the best movies of 1999 and possibly of the decade. Though not as commercially successful as it deserved to be, it received widespread critical acclaim for its director, David O. Russell, and excellent cast, including George Clooney, Mark Wahlberg, Ice Cube, and Spike Jonze ("Being John Malkovich").

A tale of greed and compassion set among the dust and desolation of Iraq during the Gulf War, "Three Kings" succeeds on many levels because it is unafraid to ask difficult questions about morality and humane actions in the midst of carnage.

Though revolving around war, the film is not without its dark humor. In fact, there are several laugh-out-loud moments in the midst of ominous dread (an exploding cow, a strategically placed map, Nora Dunn's hilarious journalist). Beautifully downplaying the ironic wit and enhancing the suspense, the cast is always believable and a pleasure to watch.

"Three Kings" is bold and unapologetic, and probably not for everyone. But it is a truly unique war story and an excellent source of food for thought.


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