Pat-Hingle Movie Reviews


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VHS movie reviews for "Pat-Hingle" sorted by average review score:

Invitation to a Gunfighter
Released in VHS Tape by Mgm/Ua Studios (30 June, 1993)
MPAA Rating: NR (Not Rated)
Director: Richard Wilson
Average review score:

My dad's childhood
I bought this set as a father's day gift. We both go to toy shows and this set is a great collection of the toys of his childhood. Great detail is shown with each piece. A child of any age would enjoy these great replicas from the past.

More than a "Western"...
This skilfully crafted screenplay gives the viewer far more than gunplay, it is a biting social comentary as relavent today as it was when it was made. Brynner is at his best turning the hypocrissy, cowardice and dirty secrets of the small New Mexico town that hired him to kill it's only "reb" to it's destruction, and gives an uncomfortably open view of our society. Excellent dialogue and acting by George Seagal and Janice Rule, as well as the town "capons" lead by Pat Hingle.

Invitation to a Gunfighter
Yul Brynner will always be remembered for his great parts. However, this particular movie he plays exceptionally well portraying the greed and pathetic apathy of how some people viewed the dollar bill. I believe this reveals Yul to how he saw greed in the world.


Invitation To A Gunfighter
Released in VHS Tape by MGM/UA Video (03 October, 2000)
MPAA Rating: NR (Not Rated)
Director: Richard Wilson
Average review score:

My dad's childhood
I bought this set as a father's day gift. We both go to toy shows and this set is a great collection of the toys of his childhood. Great detail is shown with each piece. A child of any age would enjoy these great replicas from the past.

More than a "Western"...
This skilfully crafted screenplay gives the viewer far more than gunplay, it is a biting social comentary as relavent today as it was when it was made. Brynner is at his best turning the hypocrissy, cowardice and dirty secrets of the small New Mexico town that hired him to kill it's only "reb" to it's destruction, and gives an uncomfortably open view of our society. Excellent dialogue and acting by George Seagal and Janice Rule, as well as the town "capons" lead by Pat Hingle.

Invitation to a Gunfighter
Yul Brynner will always be remembered for his great parts. However, this particular movie he plays exceptionally well portraying the greed and pathetic apathy of how some people viewed the dollar bill. I believe this reveals Yul to how he saw greed in the world.


Citizen Cohn
Released in VHS Tape by Hbo Studios (02 September, 1997)
MPAA Rating: R (Restricted)
Director: Frank Pierson
Starring: James Woods and Joe Don Baker
James Woods seems to find his most adventurous roles in television movies, particularly this made-for-HBO biography of the late lawyer and powerbroker Roy Cohn. A hallucinatory, impressionistic look at his career and life, the film is comprised of flashbacks by Cohn, who is seen dying of AIDS in 1988 in his New York hospital bed. Woods sinks his teeth deeply into the role of the shark-like Cohn, capturing his arrogance and his insecurity, both at his own Jewishness and his deeply closeted homosexuality, even as he rides Sen. Joe McCarthy's anti-Communism campaign for all it's worth. Woods even manages to make the deeply detestable Cohn vulnerable, if not sympathetic. A strong supporting cast includes Joe Don Baker as an amused and calculating McCarthy, but the film lives and breathes in Woods's flamboyantly nuanced embodiment of the whiny, manipulative Cohn. --Marshall Fine
Average review score:

Decent, James Woods is awesome
The wonderful story of Roy Chon, friend and sometime lover of Hoover, died of AIDS. The movie was a little sketchy. It tried to seem dramatic and important but in the end the only thing this one has going for it is James Woods superior acting. Four stars just because Woods is in it.

McCarthy's right hand man
James Woods gives a riveting performance of Roy Cohn, the lawyer at the center of the US communist witch hunts of the early 1950s. The spoiled brat and closet gay on whom Joe McCarthy so naively relied is shown in a series of flashbacks from his hospital bed in the 1980s. The pace is fast with characters such as Bobby Kennedy, Walter Winchell and Ethel Rosenberg popping up here and there to shed light on Cohn's selfish character. Cohn's habit of helping himself at meals to other people's plates, notably Cardinal Spellman's, sums him up precisely. Naturally, there are moot points. There is, for example, no real evidence Cohn was David Schine's lover and Cohn's relationship with his father was more complex than the comtempt shown in the movie. No matter. Cohn's ability to ruin other people whilst serving his own career and bank balance is succinctly portrayed in an excellently written script.

A riveting movie
I don't know who they were giving oscars to in the year this movie came out but (as always) they fail to give them to the movie or the actors which deserve them and James Woods and the citisen Cohn sure deserved some oscar recognition for this masterpiece

For history buffs such as myself this movie is one of those you can watch again and again

5 stars out of 5


Citizen Cohn
Released in VHS Tape by Hbo Studios (04 April, 2000)
MPAA Rating: R (Restricted)
Director: Frank Pierson
Starring: James Woods and Joe Don Baker
James Woods seems to find his most adventurous roles in television movies, particularly this made-for-HBO biography of the late lawyer and powerbroker Roy Cohn. A hallucinatory, impressionistic look at his career and life, the film is comprised of flashbacks by Cohn, who is seen dying of AIDS in 1988 in his New York hospital bed. Woods sinks his teeth deeply into the role of the shark-like Cohn, capturing his arrogance and his insecurity, both at his own Jewishness and his deeply closeted homosexuality, even as he rides Sen. Joe McCarthy's anti-Communism campaign for all it's worth. Woods even manages to make the deeply detestable Cohn vulnerable, if not sympathetic. A strong supporting cast includes Joe Don Baker as an amused and calculating McCarthy, but the film lives and breathes in Woods's flamboyantly nuanced embodiment of the whiny, manipulative Cohn. --Marshall Fine
Average review score:

Decent, James Woods is awesome
The wonderful story of Roy Chon, friend and sometime lover of Hoover, died of AIDS. The movie was a little sketchy. It tried to seem dramatic and important but in the end the only thing this one has going for it is James Woods superior acting. Four stars just because Woods is in it.

McCarthy's right hand man
James Woods gives a riveting performance of Roy Cohn, the lawyer at the center of the US communist witch hunts of the early 1950s. The spoiled brat and closet gay on whom Joe McCarthy so naively relied is shown in a series of flashbacks from his hospital bed in the 1980s. The pace is fast with characters such as Bobby Kennedy, Walter Winchell and Ethel Rosenberg popping up here and there to shed light on Cohn's selfish character. Cohn's habit of helping himself at meals to other people's plates, notably Cardinal Spellman's, sums him up precisely. Naturally, there are moot points. There is, for example, no real evidence Cohn was David Schine's lover and Cohn's relationship with his father was more complex than the comtempt shown in the movie. No matter. Cohn's ability to ruin other people whilst serving his own career and bank balance is succinctly portrayed in an excellently written script.

A riveting movie
I don't know who they were giving oscars to in the year this movie came out but (as always) they fail to give them to the movie or the actors which deserve them and James Woods and the citisen Cohn sure deserved some oscar recognition for this masterpiece

For history buffs such as myself this movie is one of those you can watch again and again

5 stars out of 5


Brewster's Millions
Released in VHS Tape by Universal Studios (15 May, 2001)
MPAA Rating: PG (Parental Guidance Suggested)
Director: Walter Hill
Starring: Richard Pryor and John Candy
He's had some good performances in supporting parts, but Richard Pryor never starred in a film that captured his comic brilliance the way his concert films did--proving that magic isn't something you can bottle. This 1985 film is no exception, even though it was directed by Walter Hill three years after he turned Eddie Murphy into a movie star with 48 HRS. The seventh film reworking of a warhorse stage play, this movie stars Pryor and John Candy as a pair of minor-league baseball players whose best days are behind them. Then Pryor is informed that he's just inherited a fortune--$300 million. But it comes with a condition: he must spend $30 million in one month, with a number of rules about how much he can spend at one time and how many of any one thing he can buy. Both Pryor and Candy were at the top of their comedy game at this point in time but were utterly failed both by ham-handed direction and by a script that left them higher and drier than seems humanly possible, given the comic talents involved. --Marshall Fine
Average review score:

Extremely Funny Movie
I've never really been a huge fan of most of Richard Pryor's films, but I have to say that "Brewster's Millions" is a very funny movie.

The film revolves around Monty Brewster, a baseball player with dreams of making it to the major leagues. One day he discovers that an uncle he knew nothing about has left him an inheritance because Monty is his only living relative. Monty's uncle tells him, via video before he died, that he wants Monty to absolutely hate spending money. He wants to test him. So Monty has a decision to make. He can either spend $30 million in 30 days WITHOUT having any assets and ultimately inherit $300 million or he can take $1 million and be safe. Of course Monty chooses to go for the $300 million, and what happens next are some of the craziest, funniest, and kindness acts you'll ever see in a film. I won't give away the ending, but you'll be amazed at how hard it is to spend $30 millions and not have any assets to back it up.

John Candy does a good job playing Monty's best friend in the film. It's a shame that we lost him so many years ago. It's also a shame that Richard Pryor can no longer perform like he used to due to his illness.

I would highly suggest this film because it is not only funny, but it also wraps you up into the lives and some incredibly funny and fortunate people!

What would you do with $300,000,000?
Hmm...let's see...For starters, I would buy myself five or six mansions in different parts of the world, possibly start up a car collection, or perhaps take a few dozen trips around the world and deposit the rest in a bank account. The point is, "Brewster's Millions" is a delightful comedy that stars Richard Pryor as a down and out ex-professional baseball player who must spend thirty million dollars in thirty days. If he is successful, he'll inherit $300,000,000. Sounds easy, right? The catch is that Mr. Pryor must have no assets of any kind after the thirty days to obtain the money. John Candy co-stars as Pryor's buddy and is an "en route" benefactor to Pryor's real fortune. Stephen Collins also co-stars as an attorney who would like nothing more than to con Pryor out of his millions so he can obtain the fortune for his future firm Granville and Baxter. Pat Hingle does an outstanding job as the overseer of the conditions of Montgomery Brewster's (Pryor) great uncle's (Hume Cronyn) will. All this makes for a well-crafted, suspensful comedy. o do yourself a favor and pick up a copy of "Brewster's Millions" today. Chuck Fleming (Peter Jason), Action News!

They don't make them this funny any more
Richard Pryor, John Candy, what a movie! When this came out I died laughing, and now that I own it on DVD there is no difference! Trying to spend $30 million in one month seems hard for Richard Pryor (he needs to meet my wife!) but he has a blast trying. The movie stays a step ahead of what I am expecting and that's good, because I tire quickly of predictive movies. This one is a classic!


Brewster's Millions
Released in VHS Tape by Goodtimes Home Video (16 May, 1996)
MPAA Rating: PG (Parental Guidance Suggested)
Director: Walter Hill
Starring: Richard Pryor and John Candy
He's had some good performances in supporting parts, but Richard Pryor never starred in a film that captured his comic brilliance the way his concert films did--proving that magic isn't something you can bottle. This 1985 film is no exception, even though it was directed by Walter Hill three years after he turned Eddie Murphy into a movie star with 48 HRS. The seventh film reworking of a warhorse stage play, this movie stars Pryor and John Candy as a pair of minor-league baseball players whose best days are behind them. Then Pryor is informed that he's just inherited a fortune--$300 million. But it comes with a condition: he must spend $30 million in one month, with a number of rules about how much he can spend at one time and how many of any one thing he can buy. Both Pryor and Candy were at the top of their comedy game at this point in time but were utterly failed both by ham-handed direction and by a script that left them higher and drier than seems humanly possible, given the comic talents involved. --Marshall Fine
Average review score:

Extremely Funny Movie
I've never really been a huge fan of most of Richard Pryor's films, but I have to say that "Brewster's Millions" is a very funny movie.

The film revolves around Monty Brewster, a baseball player with dreams of making it to the major leagues. One day he discovers that an uncle he knew nothing about has left him an inheritance because Monty is his only living relative. Monty's uncle tells him, via video before he died, that he wants Monty to absolutely hate spending money. He wants to test him. So Monty has a decision to make. He can either spend $30 million in 30 days WITHOUT having any assets and ultimately inherit $300 million or he can take $1 million and be safe. Of course Monty chooses to go for the $300 million, and what happens next are some of the craziest, funniest, and kindness acts you'll ever see in a film. I won't give away the ending, but you'll be amazed at how hard it is to spend $30 millions and not have any assets to back it up.

John Candy does a good job playing Monty's best friend in the film. It's a shame that we lost him so many years ago. It's also a shame that Richard Pryor can no longer perform like he used to due to his illness.

I would highly suggest this film because it is not only funny, but it also wraps you up into the lives and some incredibly funny and fortunate people!

What would you do with $300,000,000?
Hmm...let's see...For starters, I would buy myself five or six mansions in different parts of the world, possibly start up a car collection, or perhaps take a few dozen trips around the world and deposit the rest in a bank account. The point is, "Brewster's Millions" is a delightful comedy that stars Richard Pryor as a down and out ex-professional baseball player who must spend thirty million dollars in thirty days. If he is successful, he'll inherit $300,000,000. Sounds easy, right? The catch is that Mr. Pryor must have no assets of any kind after the thirty days to obtain the money. John Candy co-stars as Pryor's buddy and is an "en route" benefactor to Pryor's real fortune. Stephen Collins also co-stars as an attorney who would like nothing more than to con Pryor out of his millions so he can obtain the fortune for his future firm Granville and Baxter. Pat Hingle does an outstanding job as the overseer of the conditions of Montgomery Brewster's (Pryor) great uncle's (Hume Cronyn) will. All this makes for a well-crafted, suspensful comedy. o do yourself a favor and pick up a copy of "Brewster's Millions" today. Chuck Fleming (Peter Jason), Action News!

They don't make them this funny any more
Richard Pryor, John Candy, what a movie! When this came out I died laughing, and now that I own it on DVD there is no difference! Trying to spend $30 million in one month seems hard for Richard Pryor (he needs to meet my wife!) but he has a blast trying. The movie stays a step ahead of what I am expecting and that's good, because I tire quickly of predictive movies. This one is a classic!


Bloody Mama (Amazon.com Exclusive)
Released in VHS Tape by MGM/UA Video (20 February, 2001)
MPAA Rating: R (Restricted)
Director: Roger Corman
Starring: Shelley Winters and Don Stroud
When Kate "Ma" Barker (Shelley Winters) robs a bank with her four beloved sons, she's got a great opening line: "We're gonna play Simon Says, and this," she says, pointing to her Tommy gun, "is Simon." You gotta love the ol' broad's moxie, and you gotta love this Roger Corman classic for serving it up so shamelessly. Capitalizing on the impact of Bonnie and Clyde while adding the more perversely exploitative elements of Corman's drive-in fare, this Depression-era shoot-'em-up is prime viewing for its early appearance by Robert De Niro (making his fifth film) and Corman stalwarts like Don Stroud, but it's Winters's over-the-top portrayal of Ma Barker (very loosely based on fact) that gives the movie its rather unseemly edge. Alternately sharing her bed with each of her sons (as if they were teddy bears made for her incestuous pleasure), and twisting morality to suit the needs of her homicidal brood, this gun-toting matriarch is a deviously amusing detour on Winters's weight-gaining road to The Poseidon Adventure.

The movie gains character from its rural Arkansas locations, but the redneck flavor is entirely theatrical, and while De Niro learns to shine for the camera, his performance as glue-sniffing, dope-shooting Lloyd Barker shows hints of future stardom. Corman gets good work from the entire cast, in fact, even if his formula calls for sex, violence, or vice every 10 minutes. And while it would be a mistake to elevate Bloody Mama above its trashy aspirations, it certainly earns its place among such '70s gangster fodder as Big Bad Mama and Boxcar Bertha. Made at a time when movies were enjoying their liberation from the confines of good taste, Bloody Mama is an enjoyable wallow in bad taste. --Jeff Shannon

Average review score:

Young Robert DeNiro gives great performance
Not only is this movie highly entertaining and well acted, but it features a teenage Robert DeNiro as the glue sniffing son of Shelly Winters. Great performances from all the cast. The story is exciting and succeeds in portraying an engaging psychological profile of this very bizarre family.


Sudden Impact
Released in VHS Tape by Warner Studios (16 May, 1990)
MPAA Rating: R (Restricted)
Director: Clint Eastwood
Starring: Clint Eastwood and Sondra Locke
The fourth Dirty Harry film is a complete embarrassment to memories of the stunning Don Siegel movie that started the franchise. Gratuitous and somehow sleazy, this cop flick finds Eastwood's Harry Callahan searching for a female serial killer (Sondra Locke) who happens to be a vengeful rape victim ridding the world of guys who can't take "no" for an answer. The whole silly Callahan myth--the way he'll just stand in the shadows with his big gun until the bad guys realize they're going to die--almost makes one wonder how Eastwood survived this junk to become an A-list director in his winter years. --Tom Keogh
Average review score:

Disappointing sequel, but watchable for one big reason
I recently watched DIRTY HARRY and it's a masterpiece. After having seen a list of all of the other Dirty Harry flicks I decided to go with what's probably the most famous sequel, SUDDEN IMPACT.

"Nice job, meathead."

SUDDEN IMPACT is a disappointing sequel to Don Siegel's legendary film. It puts "Dirty" Harry Callahan (Eastwood) chasing after a female rape victim whom he just happens to fall in love with while, at the same time, bumping into her continuosly and never guessing she's the woman who has been murdering the people who raped her.

This film is a disgrace to the original classic. It changes Callahan's image of a justice-bringing tough guy (and hero) to a lazy, cranky old man who runs with his dog (who then urinates everywhere it goes). It's really pretty bad - even Lalo Schifrin's usually great score is forgettable. Could have been better - much better.

Unless you're a real Eastwood fan, you won't really care for SUDDEN IMPACT, which is foolish but watchable for one big reason:

To hear Eastwood say the legendary line, "Make my day."

OVERALL: *** (3) out of ***** (5) [Almost Above Average)

Go Ahead. Make Your Day!
After the disappointment of The Enforcer (1976), it appeared as if the DIRTY HARRY films would remain a trilogy...until at long last came Sudden Impact (1983) in full force. After seven years, Eastwood was willing to give the series another shot. This time he insured that the film would not be a miss-fire by producing and directing the film himself.

Sudden Impact does not let down and is the best of the DIRTY HARRY sequels, partly due to its similarities to the first film. After an absense in The Enforcer, Lalo Schriffin returned to compose the memorable music and Bruce Surtees came back to do the amazing cinemaphotography. Then theres Eastwood as producer, director, and star. In Sudden Impact, he does his best portrayal as Inspector Harry Callahan, chewing up every scene he is in. This is the funniest and the most entertaining "Dirty" Harry of them all. The Callahan of the first film is a choir boy compared to this one. He's definitely not at all mellow and calm like he was in Magnum Force (1973). The script of The Enforcer began a trend in Eastwood's dialogue that was more grim-jawed than usual. In Sudden Impact, Eastwood's put-downs are hilarious.

As for the rest of the cast, Bradford Dillman returns as Captain Briggs (didn't he die in that car explosion in Magnum Force?) and Sondra Locke is the main antagonist, whom nearly half the film centers on. If the film has a flaw, it was that. However, Locke does not steal the film and sink it. Instead, the film is all Eastwood in some of his best scenes. Some of the most memorable moments of the DIRTY HARRY series are packed into this one film.

The plot concerns a rape victim (Locke) who seeks revenge against her attackers. Callahan follows the body count to a small urban town where most of the rapists reside. Once he gets there, its a no-holds-barred adventure/comedy/drama with Callahan battling what seems like the whole town, a town that could be seen as an old western town in any of Eastwood's westerns (Callahan is totally out of place and is not welcome by the local sheriff).

Sudden Impact should be seen by anyone who believes that sequels are inferior and pointless.

Good Plot is What Makes It Different
There is only one Dirty Harry movie for me, and that is the first one, the Don Siegel's version. The mixture of the first Dirty Harry is just too well (the charismatic Harry Callahan, the dangerous Scorpio, intense relationship between Scorpio and Callahan), that the other four only practically try to borrow Harry Callahan "tough-attitude" in a different background. I'm not saying this to say that the other sequels are bad, is just that i've seen those sequels more as a 'separate, different action' movie from the original Dirty Harry. Because i'm not expecting another Dirty Harry movie, but just merely a good action movie, then i'm not dissapointed nor feel betrayed when watching Sudden Impact. It has just the right thing that make this movie as a 'better movie' if compared to the previous Enforcer or Magnum Force...a good story, something that is rarely found in the present day action movie.

It told a story of a woman who avenge her sister by killing her sister's rapers...and here's where Harry Callahan steps in, not as Harry Callahan that we know in the good old 'Dirty Harry', but as a detective who have to face his inner morale question on the right of that woman to avenge her sister, and his obligation to arrest a murderer.

So to all of you who really want to see Dirty Harry, well go directly to the real thing..the first Dirty Harry. To all of you who want to see more action...well you have to see Magnum Force or The Enforcer....but for those who wish to see an action movie with a touch of good story, well here it is. Of course the action is there...and its a good one too (particularly the finalle shoot out in fun park near the beach)..there is also some mob issue that Callahan wanted to nailto add up more possibility for action sequence....and you can still have some good one liner's from Eastwood such as 'Go ahead make my day'..but all of those were not as 'heavy' as its two predecessor. But then again, the action and the story is balanced prety well, thus makes Sudden Impact is very enjoyable. Eastwood directing is moderate but sufficient...i'm in the opinion that this movie is far much better then Eastwood recent work, 'Blood Work'.

Recomended for those of you who like action movie with a better plot and deeper character, unrecomended for those of you who wish a 'total shoot out' .


Sudden Impact
Released in VHS Tape by Warner Studios (20 November, 2001)
MPAA Rating: R (Restricted)
Director: Clint Eastwood
Starring: Clint Eastwood and Sondra Locke
The fourth Dirty Harry film is a complete embarrassment to memories of the stunning Don Siegel movie that started the franchise. Gratuitous and somehow sleazy, this cop flick finds Eastwood's Harry Callahan searching for a female serial killer (Sondra Locke) who happens to be a vengeful rape victim ridding the world of guys who can't take "no" for an answer. The whole silly Callahan myth--the way he'll just stand in the shadows with his big gun until the bad guys realize they're going to die--almost makes one wonder how Eastwood survived this junk to become an A-list director in his winter years. --Tom Keogh
Average review score:

Disappointing sequel, but watchable for one big reason
I recently watched DIRTY HARRY and it's a masterpiece. After having seen a list of all of the other Dirty Harry flicks I decided to go with what's probably the most famous sequel, SUDDEN IMPACT.

"Nice job, meathead."

SUDDEN IMPACT is a disappointing sequel to Don Siegel's legendary film. It puts "Dirty" Harry Callahan (Eastwood) chasing after a female rape victim whom he just happens to fall in love with while, at the same time, bumping into her continuosly and never guessing she's the woman who has been murdering the people who raped her.

This film is a disgrace to the original classic. It changes Callahan's image of a justice-bringing tough guy (and hero) to a lazy, cranky old man who runs with his dog (who then urinates everywhere it goes). It's really pretty bad - even Lalo Schifrin's usually great score is forgettable. Could have been better - much better.

Unless you're a real Eastwood fan, you won't really care for SUDDEN IMPACT, which is foolish but watchable for one big reason:

To hear Eastwood say the legendary line, "Make my day."

OVERALL: *** (3) out of ***** (5) [Almost Above Average)

What penalty does a rapist deserve ?
Actual rating : 3.5 stars .

Background .
--------------

From the beginning of the Dirty Harry series it was clear that Harry Callahan is a different kind of a cop . He is known for his unorthodox methods in pursuing justice , and is the role model of a cop that is interested in making the villains pay by all means necessary . Naturally , these facts have made him notorious and a very controversial character in and out of the silver screen .

Harry Callahan represents the dissatisfaction of the common people from the law enforcements' limitations . This figure became so popular from day one owning to its ability to do or express what the crowds would have wanted to do on their own but could not and should not do : Give all the bad guys exactly what they deserve , regardless of due process , lawful rights , the proof burden and the red tape .

Eastwood as Harry has always managed to step between the lines and has been on the verge of really breaking the law many times mainly due to frequently dealing with criminals the law can't catch or touch . The harsh relation of Harry to legal responsibilities such as 'telling the rights' to the suspect or pronouncing 'drop your weapon!' before shooting the desperado embodies the bitterness of many from the legal restrictions and limitations mentioned above .


The plot .
---------

The movie starts with the usual Callahan stunts that come to remind the viewers who he is and what he stands for . Then the story develops into an investigation of a series of murders that Harry conducts pretty much on his own . Throughout the movie the resentment from his actions of every superior officer is emphasized to the absurd and the tendency of people to die around him is virtually comical . These recurring motives are the bases of the theatrical Harry series and are expected and even welcomed .

...

Significance .
--------------

In a much stronger manner , at least in my money , compared to its predecessors , the movie takes matters I pointed out before further and regards even the suitability and rightness of legal punishment for rape : The writers of the script imply that no punishment but death is what rapists deserve .

The strongest scene in the movie confronts one of the rapists with the victim that has come to get even . In a desperate attempt , while facing his doom , the rapist begs for his life and tries to convince the .../executioner that he does not deserve to die for his crime . Moreover , he says that he had been young , drunk and hadn't known what he was doing . At this point you stop to think real hard : What punishment does a crime like this call for ? To find out about the answer of the film you will have watch it .

This issue was then , as it is today , of grave implications to our society . With constant rise in the rate of rape cases and in the brutality and viciousness in which they are executed , the thoughts about this subject seem to favor much more serious punishments as means of revenge and intimidation than the ones the legal system carries out . This question is extremely controversial and divisive as is the question of the death penalty . I don't know the answers myself . All I know is that to rape a woman is like to murder her soul - and that it is unforgiven .

Final note .
-----------

This is a violent and dark film with an extra value to it . The producers should be commended for being brave enough to deal with this extremely hard and conflict-ridden subject . You will have to see it for yourself realize what final conclusion and moral they suggest .

Good Plot is What Makes It Different
There is only one Dirty Harry movie for me, and that is the first one, the Don Siegel's version. The mixture of the first Dirty Harry is just too well (the charismatic Harry Callahan, the dangerous Scorpio, intense relationship between Scorpio and Callahan), that the other four only practically try to borrow Harry Callahan "tough-attitude" in a different background. I'm not saying this to say that the other sequels are bad, is just that i've seen those sequels more as a 'separate, different action' movie from the original Dirty Harry. Because i'm not expecting another Dirty Harry movie, but just merely a good action movie, then i'm not dissapointed nor feel betrayed when watching Sudden Impact. It has just the right thing that make this movie as a 'better movie' if compared to the previous Enforcer or Magnum Force...a good story, something that is rarely found in the present day action movie.

It told a story of a woman who avenge her sister by killing her sister's rapers...and here's where Harry Callahan steps in, not as Harry Callahan that we know in the good old 'Dirty Harry', but as a detective who have to face his inner morale question on the right of that woman to avenge her sister, and his obligation to arrest a murderer.

So to all of you who really want to see Dirty Harry, well go directly to the real thing..the first Dirty Harry. To all of you who want to see more action...well you have to see Magnum Force or The Enforcer....but for those who wish to see an action movie with a touch of good story, well here it is. Of course the action is there...and its a good one too (particularly the finalle shoot out in fun park near the beach)..there is also some mob issue that Callahan wanted to nailto add up more possibility for action sequence....and you can still have some good one liner's from Eastwood such as 'Go ahead make my day'..but all of those were not as 'heavy' as its two predecessor. But then again, the action and the story is balanced prety well, thus makes Sudden Impact is very enjoyable. Eastwood directing is moderate but sufficient...i'm in the opinion that this movie is far much better then Eastwood recent work, 'Blood Work'.

Recomended for those of you who like action movie with a better plot and deeper character, unrecomended for those of you who wish a 'total shoot out' .


Sudden Impact
Released in VHS Tape by Warner Studios (30 August, 1999)
MPAA Rating: R (Restricted)
Director: Clint Eastwood
Starring: Clint Eastwood and Sondra Locke
The fourth Dirty Harry film is a complete embarrassment to memories of the stunning Don Siegel movie that started the franchise. Gratuitous and somehow sleazy, this cop flick finds Eastwood's Harry Callahan searching for a female serial killer (Sondra Locke) who happens to be a vengeful rape victim ridding the world of guys who can't take "no" for an answer. The whole silly Callahan myth--the way he'll just stand in the shadows with his big gun until the bad guys realize they're going to die--almost makes one wonder how Eastwood survived this junk to become an A-list director in his winter years. --Tom Keogh
Average review score:

Disappointing sequel, but watchable for one big reason
I recently watched DIRTY HARRY and it's a masterpiece. After having seen a list of all of the other Dirty Harry flicks I decided to go with what's probably the most famous sequel, SUDDEN IMPACT.

"Nice job, meathead."

SUDDEN IMPACT is a disappointing sequel to Don Siegel's legendary film. It puts "Dirty" Harry Callahan (Eastwood) chasing after a female rape victim whom he just happens to fall in love with while, at the same time, bumping into her continuosly and never guessing she's the woman who has been murdering the people who raped her.

This film is a disgrace to the original classic. It changes Callahan's image of a justice-bringing tough guy (and hero) to a lazy, cranky old man who runs with his dog (who then urinates everywhere it goes). It's really pretty bad - even Lalo Schifrin's usually great score is forgettable. Could have been better - much better.

Unless you're a real Eastwood fan, you won't really care for SUDDEN IMPACT, which is foolish but watchable for one big reason:

To hear Eastwood say the legendary line, "Make my day."

OVERALL: *** (3) out of ***** (5) [Almost Above Average)

Go Ahead. Make Your Day!
After the disappointment of The Enforcer (1976), it appeared as if the DIRTY HARRY films would remain a trilogy...until at long last came Sudden Impact (1983) in full force. After seven years, Eastwood was willing to give the series another shot. This time he insured that the film would not be a miss-fire by producing and directing the film himself.

Sudden Impact does not let down and is the best of the DIRTY HARRY sequels, partly due to its similarities to the first film. After an absense in The Enforcer, Lalo Schriffin returned to compose the memorable music and Bruce Surtees came back to do the amazing cinemaphotography. Then theres Eastwood as producer, director, and star. In Sudden Impact, he does his best portrayal as Inspector Harry Callahan, chewing up every scene he is in. This is the funniest and the most entertaining "Dirty" Harry of them all. The Callahan of the first film is a choir boy compared to this one. He's definitely not at all mellow and calm like he was in Magnum Force (1973). The script of The Enforcer began a trend in Eastwood's dialogue that was more grim-jawed than usual. In Sudden Impact, Eastwood's put-downs are hilarious.

As for the rest of the cast, Bradford Dillman returns as Captain Briggs (didn't he die in that car explosion in Magnum Force?) and Sondra Locke is the main antagonist, whom nearly half the film centers on. If the film has a flaw, it was that. However, Locke does not steal the film and sink it. Instead, the film is all Eastwood in some of his best scenes. Some of the most memorable moments of the DIRTY HARRY series are packed into this one film.

The plot concerns a rape victim (Locke) who seeks revenge against her attackers. Callahan follows the body count to a small urban town where most of the rapists reside. Once he gets there, its a no-holds-barred adventure/comedy/drama with Callahan battling what seems like the whole town, a town that could be seen as an old western town in any of Eastwood's westerns (Callahan is totally out of place and is not welcome by the local sheriff).

Sudden Impact should be seen by anyone who believes that sequels are inferior and pointless.

Good Plot is What Makes It Different
There is only one Dirty Harry movie for me, and that is the first one, the Don Siegel's version. The mixture of the first Dirty Harry is just too well (the charismatic Harry Callahan, the dangerous Scorpio, intense relationship between Scorpio and Callahan), that the other four only practically try to borrow Harry Callahan "tough-attitude" in a different background. I'm not saying this to say that the other sequels are bad, is just that i've seen those sequels more as a 'separate, different action' movie from the original Dirty Harry. Because i'm not expecting another Dirty Harry movie, but just merely a good action movie, then i'm not dissapointed nor feel betrayed when watching Sudden Impact. It has just the right thing that make this movie as a 'better movie' if compared to the previous Enforcer or Magnum Force...a good story, something that is rarely found in the present day action movie.

It told a story of a woman who avenge her sister by killing her sister's rapers...and here's where Harry Callahan steps in, not as Harry Callahan that we know in the good old 'Dirty Harry', but as a detective who have to face his inner morale question on the right of that woman to avenge her sister, and his obligation to arrest a murderer.

So to all of you who really want to see Dirty Harry, well go directly to the real thing..the first Dirty Harry. To all of you who want to see more action...well you have to see Magnum Force or The Enforcer....but for those who wish to see an action movie with a touch of good story, well here it is. Of course the action is there...and its a good one too (particularly the finalle shoot out in fun park near the beach)..there is also some mob issue that Callahan wanted to nailto add up more possibility for action sequence....and you can still have some good one liner's from Eastwood such as 'Go ahead make my day'..but all of those were not as 'heavy' as its two predecessor. But then again, the action and the story is balanced prety well, thus makes Sudden Impact is very enjoyable. Eastwood directing is moderate but sufficient...i'm in the opinion that this movie is far much better then Eastwood recent work, 'Blood Work'.

Recomended for those of you who like action movie with a better plot and deeper character, unrecomended for those of you who wish a 'total shoot out' .


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