Pat-Hingle Movie Reviews


excellent cast performs beautifully despite mediocre script
good performances despite some script flaws
True drama in every sense of the wordIt's not the type of movie I usually like. It's slow and talky with soap opera elements. However, perhaps it was because I saw this on video and the intimacy of the small screen was my own private viewing room, that I really got into it.
It was the excellent characterizations superbly acted by Jessica Lange, Michelle Pfieffer and Jason Robards that did it for me. The plot unfolded slowly and every scene revealed yet more about these characters. And even though it was set on a farm in Iowa with a very different life style than mine, I was able to get into their heads. I fell asleep thinking of the characters, not the actors who portrayed them, and was still haunted by them the next morning.
The movie is sad. There's sickness, betrayal, anger, weakness and unhappy resolution. True drama in every sense of the word. It works


Kids didn't like itCC is a nice movie about a cowboy that ends up stuck on an island. He shows the nice widow woman how to start a cattle ranch instead of tring to far or fish.
OLI is very boring. Not one of my three kids stayed for the end. And isn't that the true test of a movie. It isn't totally what mom or I like, it is also what they will like enough to sit and watch and enjoy.
Comedy for a change of pace.
Not suitable for Region 2Be warned that, in spite of the claim that the DVD is universal, it wouldn't play on my Region 2 machine.


Kids didn't like itCC is a nice movie about a cowboy that ends up stuck on an island. He shows the nice widow woman how to start a cattle ranch instead of tring to far or fish.
OLI is very boring. Not one of my three kids stayed for the end. And isn't that the true test of a movie. It isn't totally what mom or I like, it is also what they will like enough to sit and watch and enjoy.
Comedy for a change of pace.
Not suitable for Region 2Be warned that, in spite of the claim that the DVD is universal, it wouldn't play on my Region 2 machine.


Not better than Batman Return
Batman Forever?Barbara Ling's production design is very good, especially at Claw Island yet Gotham City is too bright and neon colored to give the sense and and look of darkness and awe that the original and second Gotham City had. John Dykstra's (Star Wars, Star Trek-The Motion Picture) visual effects are excellent, once again primarily at Claw Island. Dennis Virkler's (The Hunt For Red October, The Fugitive) film editing is also well-done. Oscar nominations for Best Cinematography, (Stephen Goldblatt-The Prince of Tides) Best Sound, (Donald O. Mitchell, Frank A. Montano, Michael Herbick,-Under Siege, The Fugitive, Clear and Present Danger and Peter Hliddal) and Best Sound Effects Editing (Bruce Stambler and John Leveque-Under Siege, The Fugitive, Clear and Present Danger, The Ghost and the Darkness). No wins for Batman Forever.
Despite some good action scenes (four slightly hokey yet nonetheless entertaining scenes- the opening, Batman driving up a skyscraper to escape Two-Face, the NygmaTech party crash, and the Wayne Manor break-in), great new vehicles including a redesigned Batmobile, the Bat Boat, the Bat Plane, and the Bat Sub, and plenty of new Bat hardware, the movie is hurt badly by a very disappointing climax at Claw Island. Though very lavish, the climax is dulled due to lack of fighting, not enough light and too much GREEN lighting (you still can't see well enough). A chilling yet funny ending at Arkham Asylum. Overall, not as well-done as the first two Batman films but is entertaining, lavish, and has a case of overload. I wished the next film would be more like the first two but...... P.S.- 3 1/2 stars for Batman Forever.
More Heroes please

Not better than Batman Return
Batman Forever?Barbara Ling's production design is very good, especially at Claw Island yet Gotham City is too bright and neon colored to give the sense and and look of darkness and awe that the original and second Gotham City had. John Dykstra's (Star Wars, Star Trek-The Motion Picture) visual effects are excellent, once again primarily at Claw Island. Dennis Virkler's (The Hunt For Red October, The Fugitive) film editing is also well-done. Oscar nominations for Best Cinematography, (Stephen Goldblatt-The Prince of Tides) Best Sound, (Donald O. Mitchell, Frank A. Montano, Michael Herbick,-Under Siege, The Fugitive, Clear and Present Danger and Peter Hliddal) and Best Sound Effects Editing (Bruce Stambler and John Leveque-Under Siege, The Fugitive, Clear and Present Danger, The Ghost and the Darkness). No wins for Batman Forever.
Despite some good action scenes (four slightly hokey yet nonetheless entertaining scenes- the opening, Batman driving up a skyscraper to escape Two-Face, the NygmaTech party crash, and the Wayne Manor break-in), great new vehicles including a redesigned Batmobile, the Bat Boat, the Bat Plane, and the Bat Sub, and plenty of new Bat hardware, the movie is hurt badly by a very disappointing climax at Claw Island. Though very lavish, the climax is dulled due to lack of fighting, not enough light and too much GREEN lighting (you still can't see well enough). A chilling yet funny ending at Arkham Asylum. Overall, not as well-done as the first two Batman films but is entertaining, lavish, and has a case of overload. I wished the next film would be more like the first two but...... P.S.- 3 1/2 stars for Batman Forever.
More Heroes please

Not better than Batman Return
Batman Forever?Barbara Ling's production design is very good, especially at Claw Island yet Gotham City is too bright and neon colored to give the sense and and look of darkness and awe that the original and second Gotham City had. John Dykstra's (Star Wars, Star Trek-The Motion Picture) visual effects are excellent, once again primarily at Claw Island. Dennis Virkler's (The Hunt For Red October, The Fugitive) film editing is also well-done. Oscar nominations for Best Cinematography, (Stephen Goldblatt-The Prince of Tides) Best Sound, (Donald O. Mitchell, Frank A. Montano, Michael Herbick,-Under Siege, The Fugitive, Clear and Present Danger and Peter Hliddal) and Best Sound Effects Editing (Bruce Stambler and John Leveque-Under Siege, The Fugitive, Clear and Present Danger, The Ghost and the Darkness). No wins for Batman Forever.
Despite some good action scenes (four slightly hokey yet nonetheless entertaining scenes- the opening, Batman driving up a skyscraper to escape Two-Face, the NygmaTech party crash, and the Wayne Manor break-in), great new vehicles including a redesigned Batmobile, the Bat Boat, the Bat Plane, and the Bat Sub, and plenty of new Bat hardware, the movie is hurt badly by a very disappointing climax at Claw Island. Though very lavish, the climax is dulled due to lack of fighting, not enough light and too much GREEN lighting (you still can't see well enough). A chilling yet funny ending at Arkham Asylum. Overall, not as well-done as the first two Batman films but is entertaining, lavish, and has a case of overload. I wished the next film would be more like the first two but...... P.S.- 3 1/2 stars for Batman Forever.
More Heroes please

Arnold as The Iceman??
Almost as good as "Batman"; only a few nits to pickMy criticisms are:
1. The clumsy innuendos slung about in a movie marketed towards kids. It's possible to write innuendo in such a way that only the clever adults in the audience will get it; many of the old movies did this well. These writers aren't crafty enough, though, and it's embarrassing.
2. Batman himself is not developed any further, and he should be. With both Freeze and Ivy, there's opportunity for some exploration of his pain, but the movie is also saddled with Robin and Batgirl, and so loses focus and gets crowded.
3. The final scene in Arkham Asylum, which countermanded all the work of the story leading up to it. I won't spoil it for those who haven't seen it, but it's completely untenable (even for a comic-book movie) and ruins whatever good work they tried to do with Mr. Freeze. Stop the movie before you get to it -- it'll be a better experience.
A positive: I enjoy the color and lighting of the Joel Schumacher films ("Batman Forever" and "Batman and Robin") more than the Tim Burton- directed ones (the first two), and with a comic-book movie, what is visual is of primary importance. I know this is partly taste - but I just find the scheme more satsifying, because it seems to more creatively use the pallette. Batman stuff is supposed to be dark, but bright hues (even neon) mixed in make for a more comic book-like feel to me.
Closest version to the Tv show

Arnold as The Iceman??
Almost as good as "Batman"; only a few nits to pickMy criticisms are:
1. The clumsy innuendos slung about in a movie marketed towards kids. It's possible to write innuendo in such a way that only the clever adults in the audience will get it; many of the old movies did this well. These writers aren't crafty enough, though, and it's embarrassing.
2. Batman himself is not developed any further, and he should be. With both Freeze and Ivy, there's opportunity for some exploration of his pain, but the movie is also saddled with Robin and Batgirl, and so loses focus and gets crowded.
3. The final scene in Arkham Asylum, which countermanded all the work of the story leading up to it. I won't spoil it for those who haven't seen it, but it's completely untenable (even for a comic-book movie) and ruins whatever good work they tried to do with Mr. Freeze. Stop the movie before you get to it -- it'll be a better experience.
A positive: I enjoy the color and lighting of the Joel Schumacher films ("Batman Forever" and "Batman and Robin") more than the Tim Burton- directed ones (the first two), and with a comic-book movie, what is visual is of primary importance. I know this is partly taste - but I just find the scheme more satsifying, because it seems to more creatively use the pallette. Batman stuff is supposed to be dark, but bright hues (even neon) mixed in make for a more comic book-like feel to me.
Closest version to the Tv show

Arnold as The Iceman??
Almost as good as "Batman"; only a few nits to pickMy criticisms are:
1. The clumsy innuendos slung about in a movie marketed towards kids. It's possible to write innuendo in such a way that only the clever adults in the audience will get it; many of the old movies did this well. These writers aren't crafty enough, though, and it's embarrassing.
2. Batman himself is not developed any further, and he should be. With both Freeze and Ivy, there's opportunity for some exploration of his pain, but the movie is also saddled with Robin and Batgirl, and so loses focus and gets crowded.
3. The final scene in Arkham Asylum, which countermanded all the work of the story leading up to it. I won't spoil it for those who haven't seen it, but it's completely untenable (even for a comic-book movie) and ruins whatever good work they tried to do with Mr. Freeze. Stop the movie before you get to it -- it'll be a better experience.
A positive: I enjoy the color and lighting of the Joel Schumacher films ("Batman Forever" and "Batman and Robin") more than the Tim Burton- directed ones (the first two), and with a comic-book movie, what is visual is of primary importance. I know this is partly taste - but I just find the scheme more satsifying, because it seems to more creatively use the pallette. Batman stuff is supposed to be dark, but bright hues (even neon) mixed in make for a more comic book-like feel to me.
Closest version to the Tv show

Arnold as The Iceman??
Almost as good as "Batman"; only a few nits to pickMy criticisms are:
1. The clumsy innuendos slung about in a movie marketed towards kids. It's possible to write innuendo in such a way that only the clever adults in the audience will get it; many of the old movies did this well. These writers aren't crafty enough, though, and it's embarrassing.
2. Batman himself is not developed any further, and he should be. With both Freeze and Ivy, there's opportunity for some exploration of his pain, but the movie is also saddled with Robin and Batgirl, and so loses focus and gets crowded.
3. The final scene in Arkham Asylum, which countermanded all the work of the story leading up to it. I won't spoil it for those who haven't seen it, but it's completely untenable (even for a comic-book movie) and ruins whatever good work they tried to do with Mr. Freeze. Stop the movie before you get to it -- it'll be a better experience.
A positive: I enjoy the color and lighting of the Joel Schumacher films ("Batman Forever" and "Batman and Robin") more than the Tim Burton- directed ones (the first two), and with a comic-book movie, what is visual is of primary importance. I know this is partly taste - but I just find the scheme more satsifying, because it seems to more creatively use the pallette. Batman stuff is supposed to be dark, but bright hues (even neon) mixed in make for a more comic book-like feel to me.
Closest version to the Tv show
The story is loosly based on Shakespeare's "King Lear," in only that the father in the modern version is an evil villain, while the two daughters are alleged martyrs. The issues involved in the film are important and though-provoking--incest, sexual abuse, breast cancer, Alzheimer's disease, dysfunctional families--too bad the writers handled these noteworthy subjects so messily. The calamities piled upon the characters happen in an episodic way, that makes the film feel like a miniseries without commercial breaks. With each new mini-drama, you feel as if you should watch this movie in installments. The script is also full of cliched dialogue, and characters without motivation.
Despite all these flaws, the film is still worth watching if just for the cast. Jessica Lange, Michelle Pfeiffer, and Jason Robards prove themselves brilliant performers in this film--each actor gives more than the shallow script deserves.
Lange plays Ginny Cook, the shy and docile oldest daughter, who accepts her lot in life without complaint, and manages to live a relatively happy life. Her character is the most appealing, and Lange gives nuances and shadings to the character that weren't written in. Ginny described herself in the film as a "ninny" and she is written as so--Lange gives her so much more, and it is amazing to watch her create a true three-dimensional character.
Jason Robards is Larry Cook, a dragon of a father. He like Lange is given an essentially cardboard character, and his performance gives Larry a sense of pity and pathos, that the script did not allow. The writer wanted him to be simply evil, and Robards chose, wisely, to instead, elevate Larry out from the cartoonishly evil lines he was given, and make him a complex human being.
Michelle Pfeiffer gives the most provoking performance of the three main stars, because hers seems to be an mixture of Robards and Lange's. Her role is also quite underwritten, but she manages to breath life (not just fire) into her character, the angry and resentful, Rose. The part is written as dour and bitter--completely unlikable, and even as the story moves on (slowly) and you realize the sacrifices Rose has made, she is still written in a completely shrewish way. Pfeiffer gives her vulnerability sorely needed, and manages to steal the film (not an easy thing to do, considering her costars).
Jennifer Jason Leigh has a smaller role as Caroline, the youngest daughter. Her role is underwritten on the lines of Robards' and Pfeiffer's characters, yet unlike the two, she fails to bring any depth to the essentially pouty and boring person she is portraying.
All in all, a good movie to watch to witness the beautiful chemistry between two of America's finest actresses.