Patricia-Arquette Movie Reviews


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VHS movie reviews for "Patricia-Arquette" sorted by average review score:

Trouble Bound
Released in VHS Tape by Pgd/Polygram Video (09 September, 1997)
MPAA Rating: R (Restricted)
Director: Jeffrey Reiner
Average review score:

Can't go wrong with this one!
I'd have to echo the previous reviewers and say this is an excellent road picture. WIth a great cast.

the best road movie ever
Patricia Arquette and Michael Madsen are amazingly wonderful in this film. And I don't understand why this film is not on sale anymore. Is there any way we could get it back. I'm dying to buy it. This is the best road movie I've ever seen in years !

great road movie
This is one rockin road pic, it just keeps getting stranger, I cuoldn't stop laughing. Rustam Branaman and Billy Bob thornton are great as bad guys.


Trouble Bound
Released in VHS Tape by Usa Films (09 September, 1997)
MPAA Rating: R (Restricted)
Director: Jeffrey Reiner
Average review score:

Can't go wrong with this one!
I'd have to echo the previous reviewers and say this is an excellent road picture. WIth a great cast.

the best road movie ever
Patricia Arquette and Michael Madsen are amazingly wonderful in this film. And I don't understand why this film is not on sale anymore. Is there any way we could get it back. I'm dying to buy it. This is the best road movie I've ever seen in years !

great road movie
This is one rockin road pic, it just keeps getting stranger, I cuoldn't stop laughing. Rustam Branaman and Billy Bob thornton are great as bad guys.


True Romance
Released in VHS Tape by Warner Home Video (20 November, 2001)
MPAA Rating: Unrated
Director: Tony Scott
Starring: Christian Slater and Patricia Arquette
Average review score:

Best in the genre
This movie is incredible! Christopher Walken's role is one of his best. Val Kilmer as Elvis - how cool is that! Well written and wonderfully portrayed - it is one of the best movies of the decade!


Wild Flower
Released in VHS Tape by Republic Enter/World (06 August, 1993)
MPAA Rating: PG-13 (Parental Guidance Suggested)
Director: Diane Keaton
Director Diane Keaton brings a tender touch to Wildflower, a Lifetime cable-TV movie showcasing early-career excellence from Reese Witherspoon and Patricia Arquette. Witherspoon's big-screen debut in The Man in the Moon had premiered shortly before this movie's original broadcast in 1991, and a year earlier, Arquette had starred in a Keaton-directed CBS Schoolbreak Special, The Boy with the Crazy Brother. These rising talents are well served by Sara Flanigan's teleplay, closely adapted from her popular juvenile novel Alice. Set in the mid-1930s, the story follows two compassionate teens (Witherspoon, William McNamara) who discover and essentially adopt a partially deaf epileptic (Arquette) who'd been locked away by her psychotically abusive father. Beau Bridges and Susan Blakely provide different parental perspectives, and while Keaton doesn't always avoid Flanigan's tear-jerking sentiment, she handles it with delicate grace. Aiding her are a gifted cast and the fine cinematography of Janusz Kaminski, who would soon begin an enduring collaboration with Steven Spielberg. --Jeff Shannon
Average review score:

Awesome
I just recently watched this movie and I totaly loved it. I'm a big fan of reese witherspoon so I knew that I'd enjoy it but I loved her brother sammy and how he fell in love with this abused girl. It showed that Handicapped people are just as smart as anybody else. Everybody should see this film and learn the meaning of True Love and Friendship.

A heart-warming tale....
Well, I first saw this movie on TV when I was a little girl... it made such an impact on me that I checked the TV Guide for years to come waiting for it to be shown again. Finally, about 5 years later, it was and I managed to get it taped on VHS. This week, 10 years after I first saw it, I now have the DVD.
I love this absorbing film with the old-fashioned story-telling and the way the movie un-folds. We watch the characters develop as they grow within themselves (the acting is absolutely superb by everyone). There is a lot to learn from this story - which is a heart-warming gentle story about love, passion, friendship and family. There are a lot of sad moments yet this film also makes you laugh out loud at times too. This film is quite powerful in a naive sort of way. The ending is satisfying and you feel like you have also grown-up with the characters - in this romantic adventure of human spirit. A family film mainly directed towards girls - it'll make you want to go and hug your loved ones when you've finished watching it! I even love the music to this film and wish they would release the entire motion picture soundtrack on CD. Fantastic! Go watch it (especially if you're young at heart).....this is a truely lovely story that deserves more credit than a TV film.

A definite classic!
I recently found this movie once again in my video store. I had seen it at a young age when it first came out, and I recall it making as much of an impact on me then as it does now. The beauty of the love story and Alice's personal triumphs are so poignant, not to mention her interactions with Ellie and her father. The symbolism of the roses in relation to Alice was beautifully thought out. I laughed and cried throughout the whole movie. I was fortunate enough to obtain a copy of the book that this movie was based on from Amazon, and it was fantastic! If you loved the movie, get your hands on the book! Both are definite keepers!


Wildflower
Released in VHS Tape by Artisan (Fox Video) (21 January, 2003)
MPAA Rating: PG-13 (Parental Guidance Suggested)
Director: Diane Keaton
Director Diane Keaton brings a tender touch to Wildflower, a Lifetime cable-TV movie showcasing early-career excellence from Reese Witherspoon and Patricia Arquette. Witherspoon's big-screen debut in The Man in the Moon had premiered shortly before this movie's original broadcast in 1991, and a year earlier, Arquette had starred in a Keaton-directed CBS Schoolbreak Special, The Boy with the Crazy Brother. These rising talents are well served by Sara Flanigan's teleplay, closely adapted from her popular juvenile novel Alice. Set in the mid-1930s, the story follows two compassionate teens (Witherspoon, William McNamara) who discover and essentially adopt a partially deaf epileptic (Arquette) who'd been locked away by her psychotically abusive father. Beau Bridges and Susan Blakely provide different parental perspectives, and while Keaton doesn't always avoid Flanigan's tear-jerking sentiment, she handles it with delicate grace. Aiding her are a gifted cast and the fine cinematography of Janusz Kaminski, who would soon begin an enduring collaboration with Steven Spielberg. --Jeff Shannon
Average review score:

Awesome
I just recently watched this movie and I totaly loved it. I'm a big fan of reese witherspoon so I knew that I'd enjoy it but I loved her brother sammy and how he fell in love with this abused girl. It showed that Handicapped people are just as smart as anybody else. Everybody should see this film and learn the meaning of True Love and Friendship.

A heart-warming tale....
Well, I first saw this movie on TV when I was a little girl... it made such an impact on me that I checked the TV Guide for years to come waiting for it to be shown again. Finally, about 5 years later, it was and I managed to get it taped on VHS. This week, 10 years after I first saw it, I now have the DVD.
I love this absorbing film with the old-fashioned story-telling and the way the movie un-folds. We watch the characters develop as they grow within themselves (the acting is absolutely superb by everyone). There is a lot to learn from this story - which is a heart-warming gentle story about love, passion, friendship and family. There are a lot of sad moments yet this film also makes you laugh out loud at times too. This film is quite powerful in a naive sort of way. The ending is satisfying and you feel like you have also grown-up with the characters - in this romantic adventure of human spirit. A family film mainly directed towards girls - it'll make you want to go and hug your loved ones when you've finished watching it! I even love the music to this film and wish they would release the entire motion picture soundtrack on CD. Fantastic! Go watch it (especially if you're young at heart).....this is a truely lovely story that deserves more credit than a TV film.

A definite classic!
I recently found this movie once again in my video store. I had seen it at a young age when it first came out, and I recall it making as much of an impact on me then as it does now. The beauty of the love story and Alice's personal triumphs are so poignant, not to mention her interactions with Ellie and her father. The symbolism of the roses in relation to Alice was beautifully thought out. I laughed and cried throughout the whole movie. I was fortunate enough to obtain a copy of the book that this movie was based on from Amazon, and it was fantastic! If you loved the movie, get your hands on the book! Both are definite keepers!


The Indian Runner
Released in VHS Tape by Mgm/Ua Studios (27 October, 1993)
MPAA Rating: R (Restricted)
Director: Sean Penn
Starring: David Morse and Viggo Mortensen
Sean Penn announced his retirement from acting, then wrote and directed this emotionally raw, somewhat sprawling film, suggested by Bruce Springsteen's song "Highway Patrolman." David Morse is the title character, an upstanding citizen and peace officer who tries to help his troubled--and troublesome--brother (Viggo Mortensen), recently returned from Vietnam. The brother and his girlfriend (Patricia Arquette) have bad news written all over them--but Morse does what he can to be protector, to no avail. Penn, whose model was John Cassavetes, favors long scenes that draw intense emotions from his cast, which includes Charles Bronson (in an unusually low-key role), Sandy Dennis, and Valeria Golino. But it's as depressing as Springsteen's song. --Marshall Fine
Average review score:

The Indian Runner
One of the finest fims of the 1990s, The Indian Runner serves as a powerful reminder of our powerlessness to change the people we love. Though the picture is unblinking in its showcase of human weakness, the film has an overwhelming compassion for the wounded souls it presents.

Viggo Mortenson breaks my heart every time I watch his character, Frankie Roberts, in his brother Joe's car--the night after his violent binge. Frankie's final monologue, a drunken, self-righteous ramble about elementary school math class and the tooth fairy (among other things), is extraordinarily strange and comprehensible. Throughout the film, Mortenson dares his brother and his wife to love him, as he spews abuse (and peas) in their faces. Not only do they continue to love this pitiful monster, but we do, too. In a perfect world, Mortenson and David Morse would have shared the Best Actor Oscar in 1991 (Anthony Hopkins can win any year he wants to) and Sean Penn would have won Best Director and Best Screenplay.

Jack Nitchze's soundtrack and the late-'60s--early '70s song selections perfectly complement the tone of this masterpiece. Midway through the film, Penn and his editor Jay Cassidy give us a scene that astonishes in its bold craftsmanship and beauty. This scene includes David Morse, Patricia Arquette, Viggo Mortenson, Charles Bronson, and some poor schmoe at his Hawaiian-style birthday party (L.M. Kit Carson, I think)--living out their lives in different parts of the Midwest over the course of one night while a singer croons over the soundtrack. One of them will soon kill himself; another goes on a crime spree; one loses his sportscar; another waits by the phone. This is maverick filmmaking, and it leaves you breathless! The scene is played without dialogue, but you still learn so much about the characters through their facial expressions and reactions.

If Sean Penn had never made another movie, he would deserve to be named among the top 10 directors of the '90s for the 127 minutes of no-compromise-storytelling he demonstrates in The Indian Runner. I will never miss another one of his films.

Sean Penn -- Method Director?
I once heard Sean Penn's film referred to as "Method movies," and I can't think of any better description. Though having only released (as of this writing) three films, Penn has created a style that is as distinct and indentifiable as his own idiosyncratic performances as an actor. Penn's films take place in a gray area that is rarely visited by Hollywood films today -- a rather grim place where the action moves slowly and where the images are rarely happy but somehow remain impossible to look away from. These aren't the type of films that make money or draw huge weekend crowds but they are the films that people will still be watching decades from now. The first of these films was the flawed but still compelling Indian Runner, which tells the tragic story of Viggo Mortensen, an unstable vet who returns home and, despite the best efforts of his peace-maker brother David Morse, continues to spin out of control.

Obviously, this is not a happy film but it is still surprisingly touching and that's largely because of the cast -- the majority of whom have never been better and for that, I give full credit to director Penn. While its obvious, at times, that he still has a bit to learn about pacing, it is also obvious that Penn knows how to get great performances out of his actors. Mortensen, playing a role that could have easily become a flat villian, is quite simply amazing. Even as it becomes clear that this is not someone you'd feel safe living next to, the viewer still can't help but feel an amazing empathy for this fractured human being. Penn, as director and writer, is actually willing to take the time to allow Mortensen to become a real, flawed human being. David Morse, always underrated, is much more low-key than Mortensen but no less compelling. He makes his love for his brother both believable and real and it adds a truly tragic air to his efforts to protect Mortensen. However, for me, the film's most shocking revelation is Charles Bronson, cast here as Mortensen and Morse's father. After several decades worth of films where Bronson was basically a blank slate, Bronson is a revelation here. As the father, Bronson becomes a tragic, haunting father and -- and here's the shocking part for those of us who have seen the Death Wish films -- is actually believably human and vulnerable. His final emotional scene is heart breaking -- largely because of Bronson's own performance.

As I said before, this is a flawed film -- mostly in terms of pace. Sometimes, Penn does seem to be insecure about his directorial and writing choices -- as if he's straining to make sure no one misses the point. But these flaws are honestly just nitpicking. I give this film five stars because it heralded the arrival of Sean Penn as an important director and it featured some of the best acting I have ever seen in my life.

The World in Black and White
Although made in 1991, The Indian Runner finally came out on DVD in April of 2003, and I have had to watch it numerous times. It is a fascinating character study of Frank. To Frank, life was not shades of grey, but black and white, and he simply would not bend in order to live in this world. Basically, you watch his downfall through the course of the movie. I could understand Frank's character, though, because he was an innocent. Even though he was capable of mayhem, he was also vulnerable and sympathetic due to his uncompromising approach to life. Viggo Mortensen does his best work here, having given Frank's character the utmost consideration. Sean Penn's poetry of the movie was outstanding, weaving the Indian Runner theme throughout the movie in a variety of ways. Although the movie is 12 years old, it is incredible. For a first directorial job, it is amazing. A belated congratulations to all involved with the film. The only thing I wish it had was more special features. It would have been nice to hear the director's and some characters' takes on their approaches and characterizations.


Ed Wood
Released in VHS Tape by Disney Studios (13 August, 2002)
MPAA Rating: R (Restricted)
Director: Tim Burton
Starring: Johnny Depp and Martin Landau
Edward D. Wood Jr. was an actor writer-director-producer, occasionally in drag, who combined meager bursts of talent with an undying optimism to create some of the most bizarrely memorable "B" movies to ever come out of Tinseltown. Though Wood died in obscurity as an alcoholic in 1978, his films have been considered cult classics for years. He is consistently voted the worst director who ever lived. You would think this an odd subject, but director Tim Burton harnesses the undying hopefulness that made Wood such a character. Shot in black and white, just like Wood's creations, this stylized, witty production captures the poetic absurdity of Wood's films and his unconventional life. Burton's recreation of Wood's wonderfully awful Plan 9 from Outer Space looks much better than the original low-budget quickie. Burton tackled an extremely strange subject matter for a biopic, but Wood is presented as naive almost to the point of delusion, so the story works. The pace sags in the middle, as the weirdness starts to wear thin, but Depp proves himself an adroit actor, even while wearing angora and a blonde wig. Wood's unconventional repertoire company is faithfully reproduced, including an Academy Award-winning Martin Landau as Bela Lugosi. Landau is pathetic, droll, and charismatic as the elderly junkie who made his last screen appearances in Wood's films. --Rochelle O'Gorman
Average review score:

Burton excels again
What better man to tackle a biopic of the legendary worst director of all time Ed Wood than Tim Burton? Master of the weird and wonderful (see Edward Scissorhands and Beetlejuice) Burton shows a remarkable amount of compassion, relating Burton's career up to the premiere of his fabled worst movie, Plan 9 From Outer Space. Tracking through his relationships with his girlfriends and aging actor Bela Lugosi, there are equal parts sympathy and wonder at Wood's bizarre life, films and the band of misfits that surround him.

Johnny Depp is obviously at ease with director Burton, even to the extent of playing off Wood's penchant for wearing angora blouses and skirts with panache. His earnestness lifts the movie from what could easily have been made something far more depressing given Ed Wood's spectacular failure with regards to his career. Martin Landau, in an Oscar-winning performance, is very impressive indeed as Bela Lugosi, playing his extreme patheticism and drug addiction in a brave and unflattering light. The rest of the cast are good also, including the novelty of seeing Sarah Jessica Parker as Wood's girlfriend. Clearly a versatile actress she should find no problem finding work once TV's Sex And The City has finished. Juliet Landau (Buffy The Vampire Slayer's Drusilla) puts in a good turn as one of Wood's leading actresses.

Whilst there are parts that drag, Burton's minute attention to detail (which never takes your attention away from the movie itself) makes it seem like you're watching a real 50's movie, especially given the mannered yet somehow realistic performances. It might not be Burton's most accessible or even most enjoyable picture, but it stands as something of a standout in the genre of the biopic. It's strange, magnificent, on a grand-scale, in short exactly what how you can imagine Wood wanting his life to be committed to film.

Offbeat film of an offbeat man
This is one of the best biopics I've seen. The true story of Ed Wood, Hollywood's worst director. Tim Burton captures the look and feel of the 1950's perfectly. Johnny Depp is excellent in his role as Wood. His optimism and chirpy good nature reminded me of Ned Flanders, another man who has total faith in the future. Martin Landau is superb as the once-great horror star Bela Lugosi.

Ed Wood always knew he would be remembered, but probably not in the way he expected. In this film we see his misfortunes, trials and disappointments, and can't help laughing. Ed Wood tried to overcome adversity, and mostly failed. Some of the problems were not of his making, he needed money to finance his movies and was open to exploitation by those with their own vision. Or the people around him were clownish amateurs, not quite understanding what Wood wanted.

All in all, this is a great movie about the making of three very terrible movies.

Future events such as these will affect YOU in the future.
This is my favorite movie for so many reasons, that I don't have the coherence of thought to express them all. So, here are my top ten reasons why you should buy Ed Wood (right now!):

10. Filmed in gorgeous Black and White
9. An Oscar-winning performance by Martin Landau
8. A "should have won an Oscar" performance by Johnny Depp
7. A gigantic fake rubber octopus
6. Mariachis
5. Johnny Depp wearing multiple dresses.
4. Black booties
3. Angora sweaters
2. It's the best film ever made about what movies can mean to us
1. There's not one bad line, or false note, or miscast performance. It's perfect!


True Romance
Released in VHS Tape by Warner Studios (01 October, 1996)
MPAA Rating: Unrated
Director: Tony Scott
Starring: Christian Slater and Patricia Arquette
It was directed with energetic skill by Top Gun Tony Scott, but this breathtaking 1993 thriller (think of it as an adolescent crime fantasy on steroids) has Quentin Tarantino written all over it. True Romance is really part of a loose trilogy that includes Reservoir Dogs and Pulp Fiction, with a crackling Tarantino screenplay that rides a fine line between raucous comedy and violent excess. Christian Slater plays Clarence, the comic-book lover who meets a beguiling prostitute named Alabama (Patricia Arquette), confronts her vicious pimp (Gary Oldman), and embarks on a cross-country odyssey with $5 million worth of Mafia cocaine. Mayhem ensues, culminating in a favorite Tarantino climax--the "Mexican standoff"--in which a roomful of guys are pointing guns at each other, waiting to see who shoots first. Brutal, profane, and totally outrageous, True Romance is not for everyone, but with a supporting cast that includes Dennis Hopper, Christopher Walken, Brad Pitt, and Val Kilmer (as the ghost of Elvis!), you can be sure this movie will never be boring. --Jeff Shannon
Average review score:

Cooler than Cool!
Another masterpiece from screenwriter Quentin Tarrantino ( Reservoir Dogs & Pulp Fiction) direcyed by Tony Scott ( The Last Boy Scout) True Rommance is a high-thrilled rommantic tale with a auwsome cast ever to be put together.

Clarence Worley (Christain Slater) a commic book clerk obsessed with Kung-Fu and John Woo films, meets a call girl Alabama (Patricia Arquete) at a movie theater, they fall in love and get married and confronts her pimp Drexl ( Gary Oldman)kills him and stills a suitecase full of cocain that belongs to the Italian mob lead by ( Christopher Walken) who shares a auwsome sceen with ( Dennis Hooper) who plays clarence's dad.

Clarence and Alabama go on a road trip to Los Angles and are relentlessly being followed by the mafia trying to reclaim their property and the cops who all get caught in the middle of a thousand smoking barrels of bullets.

There's plenty of fammiliar faces of actors in short roles, Samuel L. Jackson as a big time pimp, Bradd Pitt as a big time stoner James Gandolfini (before is stardom on the The Sopranos) as a sadistic hitman who gets into a fight with Alabama.

This has to be one of the most Tarrantino production ever made even thogh It came out a year before Pulp Fiction and a year after Resevoir Dogs.True Romance has more Hype to it and is enjoyable for beginging to end we will never see anything like this anymore.

1# Reservoir Dogs

2# True Romance

3# Pulp Fiction

Rock and Roll with the King
What can you say about a guy who has the King as a Guardian Angel? Either he is as star-crossed as the King was, or he is very lucky. Lots of action and hilarious dialogue. With all the cameos, you may even find your favorite actor in here.

Still as fresh today as it was almost ten years ago
Before Pulp Fiction made him a household name, Quentin Tarantino wrote this ultra violent crime fantasy which was directed by Tony Scott. Here we meet Clarence (Christian Slater) and Alabama (Patricia Arquette); two star crossed lovers who embark on a cross country road trip with a very large amount of stolen mafia cocaine. What results is the two running and gunning their way culminating in a Mexican standoff with cops, crooks, and the mob. Did I mention that Clarence also talks to the ghost of Elvis (Val Kilmer) whenever he goes to the bathroom? Tarantino's penchant for witty, pulpy dialog seems a bit underused here in comparison with his other projects (Reservoir Dogs, Pulp Fiction, Jackie Brown), but Scott's frantic bloody direction makes True Romance stand on it's own. The rest of the great cast includes Dennis Hopper, Gary Oldman, Brad Pitt, Christopher Walken, Michael Rapaport, Bronson Pinchot (who steals many a scene), Samuel L. Jackson, James Gandolfini, Chris Penn, and Tom Sizemore in supporting roles; most of which give memorable performances. Warner Bros. really put together a great DVD package here, and while the other special features are standard, the commentaries by Scott, Slater and Arquette, and especially Tarantino, are worth owning the film for alone.


True Romance
Released in VHS Tape by Warner Studios (01 October, 1996)
MPAA Rating: Unrated
Director: Tony Scott
Starring: Christian Slater and Patricia Arquette
It was directed with energetic skill by Top Gun Tony Scott, but this breathtaking 1993 thriller (think of it as an adolescent crime fantasy on steroids) has Quentin Tarantino written all over it. True Romance is really part of a loose trilogy that includes Reservoir Dogs and Pulp Fiction, with a crackling Tarantino screenplay that rides a fine line between raucous comedy and violent excess. Christian Slater plays Clarence, the comic-book lover who meets a beguiling prostitute named Alabama (Patricia Arquette), confronts her vicious pimp (Gary Oldman), and embarks on a cross-country odyssey with $5 million worth of Mafia cocaine. Mayhem ensues, culminating in a favorite Tarantino climax--the "Mexican standoff"--in which a roomful of guys are pointing guns at each other, waiting to see who shoots first. Brutal, profane, and totally outrageous, True Romance is not for everyone, but with a supporting cast that includes Dennis Hopper, Christopher Walken, Brad Pitt, and Val Kilmer (as the ghost of Elvis!), you can be sure this movie will never be boring. --Jeff Shannon
Average review score:

True Wild Ride
This film was just a wild ride from the word go. We're suspended in disbelief as we watch one set of insane circumstances beget another. No matter, Christian and Patricia engage us and assure us at each step... yes, it's believable my character would do this. And we nod, hypnotically, yes, you're right. A good film.

Rock and Roll with the King
What can you say about a guy who has the King as a Guardian Angel? Either he is as star-crossed as the King was, or he is very lucky. Lots of action and hilarious dialogue. With all the cameos, you may even find your favorite actor in here.

A classic of the 90's
Quentin Tarintino was a no-name when this movie hit the theaters. I don't remember hearing much press about it when it was released, but I rented it when it first hit the shelves and I was absolutely BLOWN AWAY. This is such a great movie.
The story starts off when Clarence (Christian Slater) and Alabama (Patricia Arquette) meet at a movie theater showing a kung-fu marathon. They spend the night together *nudge, nudge* wink, wink* and realize that they are in love with eachother and have been brought together by fate. Not a pair to let this moment pass, they get married less than 12 hours later. But, it's not quite happily ever after just yet. Alabama was a hooker (employeed for three days)and when Clarence goes to pick up some of her clothes, he gets into a fight with her pimp (Gary Oldman) and ends up killing him. He takes off (accidently leaving his drivers license behind) with a suitcase of Alabama's clothes. When he gets back to his wife - surprise! - it's not a suitcase full of clothes, it's a suitcase filled to the brim with cocaine. They decide to take advantage of the situation and drive out to LA to see Clarence's friend, Dick Richie (Micheal Rappaport)to see if he has any Hollywood connections who would buy half a million dollars worth of cocaine. Of course he does. But the plot gets more tangled as rightful owners of the cocaine (Tony Soprano, Christopher Walken, and others) want their drugs back and try to track them down & the cops are suddenly involved.

This movie is full of everything - romance, humor, action, drugs, rock-n-roll, sex. It doesn't get much better than this. Christian Slater is great & Patricia Arquette is the cutest thing ever. The movie is FULL of famous actors (those listed above plus Dennis Hopper, Val Kilmer - who plays the voice of Clarence's alter-Elvis-ego, Brad Pitt)
The unrated directors cut is great because there are scenes added to the movie that weren't in the orginal - more graphic violence, drug use, language, and sex.
You will not be disappointed by this movie. It's a must-see and a must-own!


True Romance
Released in VHS Tape by Warner Studios (01 October, 1996)
MPAA Rating: Unrated
Director: Tony Scott
Starring: Christian Slater and Patricia Arquette
It was directed with energetic skill by Top Gun Tony Scott, but this breathtaking 1993 thriller (think of it as an adolescent crime fantasy on steroids) has Quentin Tarantino written all over it. True Romance is really part of a loose trilogy that includes Reservoir Dogs and Pulp Fiction, with a crackling Tarantino screenplay that rides a fine line between raucous comedy and violent excess. Christian Slater plays Clarence, the comic-book lover who meets a beguiling prostitute named Alabama (Patricia Arquette), confronts her vicious pimp (Gary Oldman), and embarks on a cross-country odyssey with $5 million worth of Mafia cocaine. Mayhem ensues, culminating in a favorite Tarantino climax--the "Mexican standoff"--in which a roomful of guys are pointing guns at each other, waiting to see who shoots first. Brutal, profane, and totally outrageous, True Romance is not for everyone, but with a supporting cast that includes Dennis Hopper, Christopher Walken, Brad Pitt, and Val Kilmer (as the ghost of Elvis!), you can be sure this movie will never be boring. --Jeff Shannon
Average review score:

Cooler than Cool!
Another masterpiece from screenwriter Quentin Tarrantino ( Reservoir Dogs & Pulp Fiction) direcyed by Tony Scott ( The Last Boy Scout) True Rommance is a high-thrilled rommantic tale with a auwsome cast ever to be put together.

Clarence Worley (Christain Slater) a commic book clerk obsessed with Kung-Fu and John Woo films, meets a call girl Alabama (Patricia Arquete) at a movie theater, they fall in love and get married and confronts her pimp Drexl ( Gary Oldman)kills him and stills a suitecase full of cocain that belongs to the Italian mob lead by ( Christopher Walken) who shares a auwsome sceen with ( Dennis Hooper) who plays clarence's dad.

Clarence and Alabama go on a road trip to Los Angles and are relentlessly being followed by the mafia trying to reclaim their property and the cops who all get caught in the middle of a thousand smoking barrels of bullets.

There's plenty of fammiliar faces of actors in short roles, Samuel L. Jackson as a big time pimp, Bradd Pitt as a big time stoner James Gandolfini (before is stardom on the The Sopranos) as a sadistic hitman who gets into a fight with Alabama.

This has to be one of the most Tarrantino production ever made even thogh It came out a year before Pulp Fiction and a year after Resevoir Dogs.True Romance has more Hype to it and is enjoyable for beginging to end we will never see anything like this anymore.

1# Reservoir Dogs

2# True Romance

3# Pulp Fiction

Rock and Roll with the King
What can you say about a guy who has the King as a Guardian Angel? Either he is as star-crossed as the King was, or he is very lucky. Lots of action and hilarious dialogue. With all the cameos, you may even find your favorite actor in here.

Still as fresh today as it was almost ten years ago
Before Pulp Fiction made him a household name, Quentin Tarantino wrote this ultra violent crime fantasy which was directed by Tony Scott. Here we meet Clarence (Christian Slater) and Alabama (Patricia Arquette); two star crossed lovers who embark on a cross country road trip with a very large amount of stolen mafia cocaine. What results is the two running and gunning their way culminating in a Mexican standoff with cops, crooks, and the mob. Did I mention that Clarence also talks to the ghost of Elvis (Val Kilmer) whenever he goes to the bathroom? Tarantino's penchant for witty, pulpy dialog seems a bit underused here in comparison with his other projects (Reservoir Dogs, Pulp Fiction, Jackie Brown), but Scott's frantic bloody direction makes True Romance stand on it's own. The rest of the great cast includes Dennis Hopper, Gary Oldman, Brad Pitt, Christopher Walken, Michael Rapaport, Bronson Pinchot (who steals many a scene), Samuel L. Jackson, James Gandolfini, Chris Penn, and Tom Sizemore in supporting roles; most of which give memorable performances. Warner Bros. really put together a great DVD package here, and while the other special features are standard, the commentaries by Scott, Slater and Arquette, and especially Tarantino, are worth owning the film for alone.


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