Patricia-Arquette Movie Reviews
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Can't go wrong with this one!
the best road movie ever
great road movie

Can't go wrong with this one!
the best road movie ever
great road movie

Best in the genre

Awesome
A heart-warming tale....I love this absorbing film with the old-fashioned story-telling and the way the movie un-folds. We watch the characters develop as they grow within themselves (the acting is absolutely superb by everyone). There is a lot to learn from this story - which is a heart-warming gentle story about love, passion, friendship and family. There are a lot of sad moments yet this film also makes you laugh out loud at times too. This film is quite powerful in a naive sort of way. The ending is satisfying and you feel like you have also grown-up with the characters - in this romantic adventure of human spirit. A family film mainly directed towards girls - it'll make you want to go and hug your loved ones when you've finished watching it! I even love the music to this film and wish they would release the entire motion picture soundtrack on CD. Fantastic! Go watch it (especially if you're young at heart).....this is a truely lovely story that deserves more credit than a TV film.
A definite classic!

Awesome
A heart-warming tale....I love this absorbing film with the old-fashioned story-telling and the way the movie un-folds. We watch the characters develop as they grow within themselves (the acting is absolutely superb by everyone). There is a lot to learn from this story - which is a heart-warming gentle story about love, passion, friendship and family. There are a lot of sad moments yet this film also makes you laugh out loud at times too. This film is quite powerful in a naive sort of way. The ending is satisfying and you feel like you have also grown-up with the characters - in this romantic adventure of human spirit. A family film mainly directed towards girls - it'll make you want to go and hug your loved ones when you've finished watching it! I even love the music to this film and wish they would release the entire motion picture soundtrack on CD. Fantastic! Go watch it (especially if you're young at heart).....this is a truely lovely story that deserves more credit than a TV film.
A definite classic!

The Indian RunnerViggo Mortenson breaks my heart every time I watch his character, Frankie Roberts, in his brother Joe's car--the night after his violent binge. Frankie's final monologue, a drunken, self-righteous ramble about elementary school math class and the tooth fairy (among other things), is extraordinarily strange and comprehensible. Throughout the film, Mortenson dares his brother and his wife to love him, as he spews abuse (and peas) in their faces. Not only do they continue to love this pitiful monster, but we do, too. In a perfect world, Mortenson and David Morse would have shared the Best Actor Oscar in 1991 (Anthony Hopkins can win any year he wants to) and Sean Penn would have won Best Director and Best Screenplay.
Jack Nitchze's soundtrack and the late-'60s--early '70s song selections perfectly complement the tone of this masterpiece. Midway through the film, Penn and his editor Jay Cassidy give us a scene that astonishes in its bold craftsmanship and beauty. This scene includes David Morse, Patricia Arquette, Viggo Mortenson, Charles Bronson, and some poor schmoe at his Hawaiian-style birthday party (L.M. Kit Carson, I think)--living out their lives in different parts of the Midwest over the course of one night while a singer croons over the soundtrack. One of them will soon kill himself; another goes on a crime spree; one loses his sportscar; another waits by the phone. This is maverick filmmaking, and it leaves you breathless! The scene is played without dialogue, but you still learn so much about the characters through their facial expressions and reactions.
If Sean Penn had never made another movie, he would deserve to be named among the top 10 directors of the '90s for the 127 minutes of no-compromise-storytelling he demonstrates in The Indian Runner. I will never miss another one of his films.
Sean Penn -- Method Director?Obviously, this is not a happy film but it is still surprisingly touching and that's largely because of the cast -- the majority of whom have never been better and for that, I give full credit to director Penn. While its obvious, at times, that he still has a bit to learn about pacing, it is also obvious that Penn knows how to get great performances out of his actors. Mortensen, playing a role that could have easily become a flat villian, is quite simply amazing. Even as it becomes clear that this is not someone you'd feel safe living next to, the viewer still can't help but feel an amazing empathy for this fractured human being. Penn, as director and writer, is actually willing to take the time to allow Mortensen to become a real, flawed human being. David Morse, always underrated, is much more low-key than Mortensen but no less compelling. He makes his love for his brother both believable and real and it adds a truly tragic air to his efforts to protect Mortensen. However, for me, the film's most shocking revelation is Charles Bronson, cast here as Mortensen and Morse's father. After several decades worth of films where Bronson was basically a blank slate, Bronson is a revelation here. As the father, Bronson becomes a tragic, haunting father and -- and here's the shocking part for those of us who have seen the Death Wish films -- is actually believably human and vulnerable. His final emotional scene is heart breaking -- largely because of Bronson's own performance.
As I said before, this is a flawed film -- mostly in terms of pace. Sometimes, Penn does seem to be insecure about his directorial and writing choices -- as if he's straining to make sure no one misses the point. But these flaws are honestly just nitpicking. I give this film five stars because it heralded the arrival of Sean Penn as an important director and it featured some of the best acting I have ever seen in my life.
The World in Black and White

Burton excels againJohnny Depp is obviously at ease with director Burton, even to the extent of playing off Wood's penchant for wearing angora blouses and skirts with panache. His earnestness lifts the movie from what could easily have been made something far more depressing given Ed Wood's spectacular failure with regards to his career. Martin Landau, in an Oscar-winning performance, is very impressive indeed as Bela Lugosi, playing his extreme patheticism and drug addiction in a brave and unflattering light. The rest of the cast are good also, including the novelty of seeing Sarah Jessica Parker as Wood's girlfriend. Clearly a versatile actress she should find no problem finding work once TV's Sex And The City has finished. Juliet Landau (Buffy The Vampire Slayer's Drusilla) puts in a good turn as one of Wood's leading actresses.
Whilst there are parts that drag, Burton's minute attention to detail (which never takes your attention away from the movie itself) makes it seem like you're watching a real 50's movie, especially given the mannered yet somehow realistic performances. It might not be Burton's most accessible or even most enjoyable picture, but it stands as something of a standout in the genre of the biopic. It's strange, magnificent, on a grand-scale, in short exactly what how you can imagine Wood wanting his life to be committed to film.
Offbeat film of an offbeat manEd Wood always knew he would be remembered, but probably not in the way he expected. In this film we see his misfortunes, trials and disappointments, and can't help laughing. Ed Wood tried to overcome adversity, and mostly failed. Some of the problems were not of his making, he needed money to finance his movies and was open to exploitation by those with their own vision. Or the people around him were clownish amateurs, not quite understanding what Wood wanted.
All in all, this is a great movie about the making of three very terrible movies.
Future events such as these will affect YOU in the future.10. Filmed in gorgeous Black and White
9. An Oscar-winning performance by Martin Landau
8. A "should have won an Oscar" performance by Johnny Depp
7. A gigantic fake rubber octopus
6. Mariachis
5. Johnny Depp wearing multiple dresses.
4. Black booties
3. Angora sweaters
2. It's the best film ever made about what movies can mean to us
1. There's not one bad line, or false note, or miscast performance. It's perfect!


Cooler than Cool!Clarence Worley (Christain Slater) a commic book clerk obsessed with Kung-Fu and John Woo films, meets a call girl Alabama (Patricia Arquete) at a movie theater, they fall in love and get married and confronts her pimp Drexl ( Gary Oldman)kills him and stills a suitecase full of cocain that belongs to the Italian mob lead by ( Christopher Walken) who shares a auwsome sceen with ( Dennis Hooper) who plays clarence's dad.
Clarence and Alabama go on a road trip to Los Angles and are relentlessly being followed by the mafia trying to reclaim their property and the cops who all get caught in the middle of a thousand smoking barrels of bullets.
There's plenty of fammiliar faces of actors in short roles, Samuel L. Jackson as a big time pimp, Bradd Pitt as a big time stoner James Gandolfini (before is stardom on the The Sopranos) as a sadistic hitman who gets into a fight with Alabama.
This has to be one of the most Tarrantino production ever made even thogh It came out a year before Pulp Fiction and a year after Resevoir Dogs.True Romance has more Hype to it and is enjoyable for beginging to end we will never see anything like this anymore.
1# Reservoir Dogs
2# True Romance
3# Pulp Fiction
Rock and Roll with the King
Still as fresh today as it was almost ten years ago

True Wild Ride
Rock and Roll with the King
A classic of the 90'sThe story starts off when Clarence (Christian Slater) and Alabama (Patricia Arquette) meet at a movie theater showing a kung-fu marathon. They spend the night together *nudge, nudge* wink, wink* and realize that they are in love with eachother and have been brought together by fate. Not a pair to let this moment pass, they get married less than 12 hours later. But, it's not quite happily ever after just yet. Alabama was a hooker (employeed for three days)and when Clarence goes to pick up some of her clothes, he gets into a fight with her pimp (Gary Oldman) and ends up killing him. He takes off (accidently leaving his drivers license behind) with a suitcase of Alabama's clothes. When he gets back to his wife - surprise! - it's not a suitcase full of clothes, it's a suitcase filled to the brim with cocaine. They decide to take advantage of the situation and drive out to LA to see Clarence's friend, Dick Richie (Micheal Rappaport)to see if he has any Hollywood connections who would buy half a million dollars worth of cocaine. Of course he does. But the plot gets more tangled as rightful owners of the cocaine (Tony Soprano, Christopher Walken, and others) want their drugs back and try to track them down & the cops are suddenly involved.
This movie is full of everything - romance, humor, action, drugs, rock-n-roll, sex. It doesn't get much better than this. Christian Slater is great & Patricia Arquette is the cutest thing ever. The movie is FULL of famous actors (those listed above plus Dennis Hopper, Val Kilmer - who plays the voice of Clarence's alter-Elvis-ego, Brad Pitt)
The unrated directors cut is great because there are scenes added to the movie that weren't in the orginal - more graphic violence, drug use, language, and sex.
You will not be disappointed by this movie. It's a must-see and a must-own!


Cooler than Cool!Clarence Worley (Christain Slater) a commic book clerk obsessed with Kung-Fu and John Woo films, meets a call girl Alabama (Patricia Arquete) at a movie theater, they fall in love and get married and confronts her pimp Drexl ( Gary Oldman)kills him and stills a suitecase full of cocain that belongs to the Italian mob lead by ( Christopher Walken) who shares a auwsome sceen with ( Dennis Hooper) who plays clarence's dad.
Clarence and Alabama go on a road trip to Los Angles and are relentlessly being followed by the mafia trying to reclaim their property and the cops who all get caught in the middle of a thousand smoking barrels of bullets.
There's plenty of fammiliar faces of actors in short roles, Samuel L. Jackson as a big time pimp, Bradd Pitt as a big time stoner James Gandolfini (before is stardom on the The Sopranos) as a sadistic hitman who gets into a fight with Alabama.
This has to be one of the most Tarrantino production ever made even thogh It came out a year before Pulp Fiction and a year after Resevoir Dogs.True Romance has more Hype to it and is enjoyable for beginging to end we will never see anything like this anymore.
1# Reservoir Dogs
2# True Romance
3# Pulp Fiction
Rock and Roll with the King
Still as fresh today as it was almost ten years ago