Richard-T.-Jones Movie Reviews

Nothing ingenious in the plot, nothing you wouldn't have seen before (it is almost "Se7en"-esque, come to think of it) but the handling of the crime thriller theme is different. There is a clever "bi-coastal" angle to the murders under investigation (I won't spoil it with an explanation) and the police investigators do well to identify it.

BUT, it's the terrible screenplay that makes the movie's flow rather jerky. So much sudden stuff happened during the course of the detective sleuthing that I couldn't help not caring towards the second half. The finale is mildly predicatable, and the last straw that identifies the killer is so knuckle-headed that it takes away from the overall smart flavor of the film.

On the upside, the shooting of the killer in the denouement is pretty novel (just so you wait until the end.) Morgan Freeman maintains every bit of his general quiet-yet-powerful screen charisma, and Ashley Judd delivers a very convincing performance of a woman with spirit.

The movie has a good deal of suspense too, kept me riveted. But it surely shows what bad story telling can do to an otherwise great theme.

On a scale of Freeman-Judd pairings, this is much better than "Along came a spider" (if you've seen it) but a weaker sibling to "High Crimes".

Nothing you'd want to own but definitely a recommended rental!

Kiss the Girls is one of the best thrillers Ive ever seen. Ashley Judd's performance as Kate McTiernan is absolutly flawless in everyway. Morgan Freeman does a dazzling performance as detective Alex Cross. The director, Gary Felder, does a great job adapting the book onto the screen.

The DVDs picture is very clear and the sound is extremely crisp right down to the breaking twigs. The special features are not so good. All there is a theatrical trailer, I wish there were more. The lack of special features dont take away from the film though.

Kiss the Girls is about Alex Cross who is trying to find the kidnapper and murderer who calls himself Casanova. Cross is drawn into the case when his niece is kidnapped by Casanova. When a woman is killed Cross gets nervous that it might be Naomi. Its not. Kate is a doctor who gets kidnapped by Casanova but fights him and runs through the underground lair. She gets outside, runs to the edge of a stream that is far, far, far below her and Casanova catches up. She jumps.

Does she survive??? Will Cross ever get his niece back???? I wont tell because this film is full of thrills and chills that you wont want to know until you experience them. I love this film and I hope you will too. Thanks

Morgan Freeman plays a Crime Scene Physcologist who leaves his jurisdiction to head to the college town in North Carolina, where his neice has been abducted by a serial killer/abductor. The intense criminal mind of the abductor feels he must capture smart, beautiful women and hold them captive until they fall inlove with him. If they disobey he ties them to trees for the wild animals. Ashley Judd plays an extremely smart doctor who gets abducted and then ultimately escapes. She then helps Morgan Freeman head up the investigation into the world of one sick mind. It's a very intensive thriller that will have you hanging on the edge of your seat and you won't know the true identity of the killer until the end. Ashely Judd gives her usual outstanding performance, as does Morgan Freeman. I'm not usually a thriller movie buff, but this one might just make me change my mind.

Nothing ingenious in the plot, nothing you wouldn't have seen before (it is almost "Se7en"-esque, come to think of it) but the handling of the crime thriller theme is different. There is a clever "bi-coastal" angle to the murders under investigation (I won't spoil it with an explanation) and the police investigators do well to identify it.

BUT, it's the terrible screenplay that makes the movie's flow rather jerky. So much sudden stuff happened during the course of the detective sleuthing that I couldn't help not caring towards the second half. The finale is mildly predicatable, and the last straw that identifies the killer is so knuckle-headed that it takes away from the overall smart flavor of the film.

On the upside, the shooting of the killer in the denouement is pretty novel (just so you wait until the end.) Morgan Freeman maintains every bit of his general quiet-yet-powerful screen charisma, and Ashley Judd delivers a very convincing performance of a woman with spirit.

The movie has a good deal of suspense too, kept me riveted. But it surely shows what bad story telling can do to an otherwise great theme.

On a scale of Freeman-Judd pairings, this is much better than "Along came a spider" (if you've seen it) but a weaker sibling to "High Crimes".

Nothing you'd want to own but definitely a recommended rental!

Kiss the Girls is one of the best thrillers Ive ever seen. Ashley Judd's performance as Kate McTiernan is absolutly flawless in everyway. Morgan Freeman does a dazzling performance as detective Alex Cross. The director, Gary Felder, does a great job adapting the book onto the screen.

The DVDs picture is very clear and the sound is extremely crisp right down to the breaking twigs. The special features are not so good. All there is a theatrical trailer, I wish there were more. The lack of special features dont take away from the film though.

Kiss the Girls is about Alex Cross who is trying to find the kidnapper and murderer who calls himself Casanova. Cross is drawn into the case when his niece is kidnapped by Casanova. When a woman is killed Cross gets nervous that it might be Naomi. Its not. Kate is a doctor who gets kidnapped by Casanova but fights him and runs through the underground lair. She gets outside, runs to the edge of a stream that is far, far, far below her and Casanova catches up. She jumps.

Does she survive??? Will Cross ever get his niece back???? I wont tell because this film is full of thrills and chills that you wont want to know until you experience them. I love this film and I hope you will too. Thanks

Morgan Freeman plays a Crime Scene Physcologist who leaves his jurisdiction to head to the college town in North Carolina, where his neice has been abducted by a serial killer/abductor. The intense criminal mind of the abductor feels he must capture smart, beautiful women and hold them captive until they fall inlove with him. If they disobey he ties them to trees for the wild animals. Ashley Judd plays an extremely smart doctor who gets abducted and then ultimately escapes. She then helps Morgan Freeman head up the investigation into the world of one sick mind. It's a very intensive thriller that will have you hanging on the edge of your seat and you won't know the true identity of the killer until the end. Ashely Judd gives her usual outstanding performance, as does Morgan Freeman. I'm not usually a thriller movie buff, but this one might just make me change my mind.

This updated version of "Miracle on 34th Street" is a wonderful adaptation of the original Christmas classic. Mara Wilson is adorable as the little girl who doesn't believe in Santa, and Richard Attenborough plays a completely beliveable Kris Kringle who will have even the biggest "humbug" believing in Santa before the film is over. I watch this movie every year [at Christmas] and love it more with each and every viewing. If you love Christmas and all of those "warm, fuzzy" feelings that come with the season, then this movie can't miss.

I love that this remake didn't sell out very much, and put in too much modern stuff. It is very successful in keeping a "traditional" feel, with only a few exceptions. Mara Wilson is absolutely delightful and classic in her performance, and I really like Elizabeth Perkins' reproduction of the original role. And Dylan McDermott, whom I typically find very flat and dull, is sweet and charming as the sincere bachelor attorney with an eye for Perkins.

Richard Attenborough is amazing as Santa, at least as good as the formidable original. The scene in the original featuring Santa visiting with the Dutch war refugee girl is replaced in this remake with Santa visiting with a little deaf girl. The scene in the original is about as sweet as any scene in any movie ever, and the remake is even sweeter! The deaf girl's face, when Santa talks to her in sign language, is absolutely worth the price of this DVD.

The only real weakness for me was the John DeLancie and Jane Leeves part of the movie, as two "evil" agents for the "enemy" department store (where all the upper management wears all black). They reminded me of Joe Pesci and Daniel Stern from "Home Alone" -- sort of bumbling bad guys in a bad cartoon sort of way.

So all in all, I really think that this version is as good or better than the original, which is simply too dated in a few respects for me to be able to enjoy unconditionally. I think both of them are definitely worth owning.

You'll fall in love with the magic of Christmas all over again with "Miracle on 34th Street," the modern day remake of the 1947 classic film about a young girl who gets the ultimate Christmas wish when she meets the real Santa Claus. With an extremely likeable cast, a faithful adaptation of the original material, and holiday spirit and cheerful execution to boot, this is one holiday film you won't want to miss.

Set in our time, the film opens with the Cole's Thanksgiving Day Parade, as Dorey Walker (Elizabeth Perkins) comes upon a severely drunken actor who has been employed to play Santa Claus in the parade's send-off. Her problems are solved when she runs across the delightful Kris (Richard Attenborough), who bears a striking resemblance to the real deal. She convinces him to replace the now-inept actor, and the parade goes off with nary a fault.

Kris's authenticity touches many of those who come in contact with him, including Dorey's young daughter, Susan (Mara Wilson), who is a non-believer. Kris, along with family friend Bryan Bedford (Dylan McDermott), sets out to make a believer out of Susan, all the while charming the children who sit in his lap at the department store, and causing a buzz of good publicity for the department store.

All of this is done with a great deal of charm and holiday spirit. The movie is one of the better modern Christmas films I've had the pleasure of seeing. The fact that it is based on a classic is of no importance, because it keeps the spirit and wisdom of that previous film and instills into a setting we can better relate to.

It keeps in touch with the original's many touching moments. One that comes to mind is Kris's conversation with a deaf little girl, a truly touching moment that rides the movie's emotional carriage home. It's scenes like this that give the movie such an uplifting sense of direction and spirit, along with the central message, as Kris so magnificently puts it, that "if you can't accept anything on faith, then you're doomed to a life dominated by doubt."

The real delights come from the cast, a perfect addition to the movie's already wonderful story execution. Richard Attenborough is a marvelous actor, and bleeds of good cheer and high spirits; he is the ideal Santa Claus, and his performance is very touching. Equally touching is the acting of little Mara Wilson, who plays Susan with a wit beyond her years, but also provides her with the same childhood skepticism that captivating young minds are so capable of. McDermott and Perkins can't hold a candle to their two costars, but their acting is nonetheless superb, and very believable.

There's nothing to find fault with in this beautifully crafted holiday film, and however you look at it, "Miracle on 34th Street" measures up to the standards of the original. Destined to become a classic, it develops a warmth and charm found in so little modern movies, and its intentions are nothing less than grand.

This updated version of "Miracle on 34th Street" is a wonderful adaptation of the original Christmas classic. Mara Wilson is adorable as the little girl who doesn't believe in Santa, and Richard Attenborough plays a completely beliveable Kris Kringle who will have even the biggest "humbug" believing in Santa before the film is over. I watch this movie every year [at Christmas] and love it more with each and every viewing. If you love Christmas and all of those "warm, fuzzy" feelings that come with the season, then this movie can't miss.

I love that this remake didn't sell out very much, and put in too much modern stuff. It is very successful in keeping a "traditional" feel, with only a few exceptions. Mara Wilson is absolutely delightful and classic in her performance, and I really like Elizabeth Perkins' reproduction of the original role. And Dylan McDermott, whom I typically find very flat and dull, is sweet and charming as the sincere bachelor attorney with an eye for Perkins.

Richard Attenborough is amazing as Santa, at least as good as the formidable original. The scene in the original featuring Santa visiting with the Dutch war refugee girl is replaced in this remake with Santa visiting with a little deaf girl. The scene in the original is about as sweet as any scene in any movie ever, and the remake is even sweeter! The deaf girl's face, when Santa talks to her in sign language, is absolutely worth the price of this DVD.

The only real weakness for me was the John DeLancie and Jane Leeves part of the movie, as two "evil" agents for the "enemy" department store (where all the upper management wears all black). They reminded me of Joe Pesci and Daniel Stern from "Home Alone" -- sort of bumbling bad guys in a bad cartoon sort of way.

So all in all, I really think that this version is as good or better than the original, which is simply too dated in a few respects for me to be able to enjoy unconditionally. I think both of them are definitely worth owning.

You'll fall in love with the magic of Christmas all over again with "Miracle on 34th Street," the modern day remake of the 1947 classic film about a young girl who gets the ultimate Christmas wish when she meets the real Santa Claus. With an extremely likeable cast, a faithful adaptation of the original material, and holiday spirit and cheerful execution to boot, this is one holiday film you won't want to miss.

Set in our time, the film opens with the Cole's Thanksgiving Day Parade, as Dorey Walker (Elizabeth Perkins) comes upon a severely drunken actor who has been employed to play Santa Claus in the parade's send-off. Her problems are solved when she runs across the delightful Kris (Richard Attenborough), who bears a striking resemblance to the real deal. She convinces him to replace the now-inept actor, and the parade goes off with nary a fault.

Kris's authenticity touches many of those who come in contact with him, including Dorey's young daughter, Susan (Mara Wilson), who is a non-believer. Kris, along with family friend Bryan Bedford (Dylan McDermott), sets out to make a believer out of Susan, all the while charming the children who sit in his lap at the department store, and causing a buzz of good publicity for the department store.

All of this is done with a great deal of charm and holiday spirit. The movie is one of the better modern Christmas films I've had the pleasure of seeing. The fact that it is based on a classic is of no importance, because it keeps the spirit and wisdom of that previous film and instills into a setting we can better relate to.

It keeps in touch with the original's many touching moments. One that comes to mind is Kris's conversation with a deaf little girl, a truly touching moment that rides the movie's emotional carriage home. It's scenes like this that give the movie such an uplifting sense of direction and spirit, along with the central message, as Kris so magnificently puts it, that "if you can't accept anything on faith, then you're doomed to a life dominated by doubt."

The real delights come from the cast, a perfect addition to the movie's already wonderful story execution. Richard Attenborough is a marvelous actor, and bleeds of good cheer and high spirits; he is the ideal Santa Claus, and his performance is very touching. Equally touching is the acting of little Mara Wilson, who plays Susan with a wit beyond her years, but also provides her with the same childhood skepticism that captivating young minds are so capable of. McDermott and Perkins can't hold a candle to their two costars, but their acting is nonetheless superb, and very believable.

There's nothing to find fault with in this beautifully crafted holiday film, and however you look at it, "Miracle on 34th Street" measures up to the standards of the original. Destined to become a classic, it develops a warmth and charm found in so little modern movies, and its intentions are nothing less than grand.

This updated version of "Miracle on 34th Street" is a wonderful adaptation of the original Christmas classic. Mara Wilson is adorable as the little girl who doesn't believe in Santa, and Richard Attenborough plays a completely beliveable Kris Kringle who will have even the biggest "humbug" believing in Santa before the film is over. I watch this movie every year [at Christmas] and love it more with each and every viewing. If you love Christmas and all of those "warm, fuzzy" feelings that come with the season, then this movie can't miss.

I love that this remake didn't sell out very much, and put in too much modern stuff. It is very successful in keeping a "traditional" feel, with only a few exceptions. Mara Wilson is absolutely delightful and classic in her performance, and I really like Elizabeth Perkins' reproduction of the original role. And Dylan McDermott, whom I typically find very flat and dull, is sweet and charming as the sincere bachelor attorney with an eye for Perkins.

Richard Attenborough is amazing as Santa, at least as good as the formidable original. The scene in the original featuring Santa visiting with the Dutch war refugee girl is replaced in this remake with Santa visiting with a little deaf girl. The scene in the original is about as sweet as any scene in any movie ever, and the remake is even sweeter! The deaf girl's face, when Santa talks to her in sign language, is absolutely worth the price of this DVD.

The only real weakness for me was the John DeLancie and Jane Leeves part of the movie, as two "evil" agents for the "enemy" department store (where all the upper management wears all black). They reminded me of Joe Pesci and Daniel Stern from "Home Alone" -- sort of bumbling bad guys in a bad cartoon sort of way.

So all in all, I really think that this version is as good or better than the original, which is simply too dated in a few respects for me to be able to enjoy unconditionally. I think both of them are definitely worth owning.

You'll fall in love with the magic of Christmas all over again with "Miracle on 34th Street," the modern day remake of the 1947 classic film about a young girl who gets the ultimate Christmas wish when she meets the real Santa Claus. With an extremely likeable cast, a faithful adaptation of the original material, and holiday spirit and cheerful execution to boot, this is one holiday film you won't want to miss.

Set in our time, the film opens with the Cole's Thanksgiving Day Parade, as Dorey Walker (Elizabeth Perkins) comes upon a severely drunken actor who has been employed to play Santa Claus in the parade's send-off. Her problems are solved when she runs across the delightful Kris (Richard Attenborough), who bears a striking resemblance to the real deal. She convinces him to replace the now-inept actor, and the parade goes off with nary a fault.

Kris's authenticity touches many of those who come in contact with him, including Dorey's young daughter, Susan (Mara Wilson), who is a non-believer. Kris, along with family friend Bryan Bedford (Dylan McDermott), sets out to make a believer out of Susan, all the while charming the children who sit in his lap at the department store, and causing a buzz of good publicity for the department store.

All of this is done with a great deal of charm and holiday spirit. The movie is one of the better modern Christmas films I've had the pleasure of seeing. The fact that it is based on a classic is of no importance, because it keeps the spirit and wisdom of that previous film and instills into a setting we can better relate to.

It keeps in touch with the original's many touching moments. One that comes to mind is Kris's conversation with a deaf little girl, a truly touching moment that rides the movie's emotional carriage home. It's scenes like this that give the movie such an uplifting sense of direction and spirit, along with the central message, as Kris so magnificently puts it, that "if you can't accept anything on faith, then you're doomed to a life dominated by doubt."

The real delights come from the cast, a perfect addition to the movie's already wonderful story execution. Richard Attenborough is a marvelous actor, and bleeds of good cheer and high spirits; he is the ideal Santa Claus, and his performance is very touching. Equally touching is the acting of little Mara Wilson, who plays Susan with a wit beyond her years, but also provides her with the same childhood skepticism that captivating young minds are so capable of. McDermott and Perkins can't hold a candle to their two costars, but their acting is nonetheless superb, and very believable.

There's nothing to find fault with in this beautifully crafted holiday film, and however you look at it, "Miracle on 34th Street" measures up to the standards of the original. Destined to become a classic, it develops a warmth and charm found in so little modern movies, and its intentions are nothing less than grand.

This is not the worst gay-themed movie out there, but it IS among the most depressing. It's about two young guys reduced to hustling on Santa Monica Boulevard. Lukas Haas is reasonably convincing as the teenage cast-out looking for someone to care for irritating. In fact, he's supposed to be straight, and even has a girlfriend, but services middle-aged gay men for money. It's never explained why he doesn't just get a job (his character is a legal adult) and leave that life behind. If the movie did, then I must have dozed off before the story got to that. I really began to lose track after the fancy hotel scene. The locations are authentic, and there are a couple of mildly entertaining scenes here and there. But nearly every moment of this film is downbeat and never gave me any reason to care. The film's endless self-pity inspires depression, followed by boredom, sometimes followed by falling asleep. The only thing the film succeeds in is illistrating the point that prostitution is a dead-end life, but it's never enlightening or compelling in the process. Too bad.

Rookie writer-director Scott Silver blows a promising premise.

It's Christmas Eve, and John (David Arquette) -- a young but experienced Los Angeles street hustler -- is trying to teach the ropes to innocent Donner (Lukas Haas).

John has recently stolen money from a drug dealer, and Donner's naive attempts to help him out result in tragedy. The first part of this film is convincingly gritty and wry; Silver effectively captures the relentlessly ugly, smog-bound atmosphere that envelopes Los Angeles. But as John's problems mount up, the story takes a wrong turn into TV movie of the week-dom.

Silver compounds the problem with heavy-handed music -- a capella religious choruses, Silent Night at a crucial juncture --and his use of a wordless, homeless black man (Keith David), who appears intermittently like an angel of mercy.

Arquette is effective in a young Dennis Hopper sort of way -- appealing one minute, repulsively mannered the next -- but Haas' shy fawn in the urban jungle characterization doesn't wear well.

Several familiar faces crop up in small roles, including Nina Siemaszko, John C. McGinley and Elliott Gould, who's alarmingly effective as a particularly needy client. The fact that multiple characters are named "John" is a joke that wears thin well before the movie comes to an end.

Arquette at his dramatic best. Haas shines too in this bittersweet drama told on stark sets with painfully true dialogue.

I like Pauley Shore and I have absolutely no problem with raunchy and idiotic humor but for some reason I just didn't like this movie and it just didn't do anything for me but make me wonder why I watched it!

Pauley Shore has made some good movies but sadly Jury Duty isn't one of them, I would pass on this one and watch Biodome instead or In The Army Now they are far superior!

Sorry, just my personal opinion!

I've been waiting for this one for some while to be on DVD, the movie itself is a great and funny yet entertaining comedy starring Pauly Shore as a Freeloader who becomes a juror on the biggest trial in America and wants to have it as a vacation.
I've had this movie since 2001 when i first saw it in late 2000 when i loved it! It's got fine acting, a witty script and a decent plot. This is one of the greatest movies i've ever seen in my life, i CAN'T WAIT FOR THE DVD!!!!
Long live Jury Duty!!!!

This movie is two thumbs up. It's a great movie ot watch with a gorup of friends who enjoy a really good laugh. The characters in this movie are so specific and all have their own little quirks and ways of doing things. Pauly Shore has an oblivious yet somehow smart way of looking at life and hte situation that arises. The stupidly comic way of getting the others on his side pulls it otgether, along with all of the minor little things that stand out somehow (like hte song the man sings in front of the court house or Peanut's love of Jeopardy) make it all too funny. I've recommended this to all of my friends. Give it a try and watch it. Once you do, it won't be your last.

This is absolutely the worst movie I have ever seen. It is insultingly unfunny, and exploited every cliche the "raucous comedy" genre has to offer. Ha ha, a hand up a cow's ass... Ha ha, she cut his ear off! (get it, because she's a bad hair dresser?) Ha ha, it's gross that it's his sister... Damn, this movie sucked. See for yourself, I dare you.

Yet another 'family time' movie I was forced to endure, Say it isn't So made the movie, Where the Buffalo Roam look like a masterpiece. This was a horrid, frightful movie! First of all, I didn't laugh once, and I am easily amused. They tried to be funny and all, but I couldn't see what was so 'hilarious' about this unredeemable piece of crap. Once again, Chris Klein plays the sweet, naive guy he always seems to play. And once again, he falls for some equally dumb chick and their love is tested by some predicament (Leelee with her illness; Mena and the choir vs. playing lacross with his buddies). But eventually, they'll overcome all odds, but not before going through a bunch of ridiculous 'issues' and live happily ever after. This was just awful - it was an insult to trailer park people. I hated, hated, HATED this movie! Grrr!

I'm done now. Just don't see this movie. I almost blinded myself after watching this.

My gosh, what is wrong with the people giving this movie 1 star! It is a funny movie. The movie is about incest, but it is funny. It's weird, but the plot is kind of like marrying his sister.

Anyways, the movie is funny. That dude from American Pie is in it, and he gets into trouble. The cow, the plane, and even the entire movie had me laughing hysterically.

The movie is great. It's good comedy, I don't know why others say differnetly.

This is absolutely the worst movie I have ever seen. It is insultingly unfunny, and exploited every cliche the "raucous comedy" genre has to offer. Ha ha, a hand up a cow's ass... Ha ha, she cut his ear off! (get it, because she's a bad hair dresser?) Ha ha, it's gross that it's his sister... Damn, this movie sucked. See for yourself, I dare you.

Yet another 'family time' movie I was forced to endure, Say it isn't So made the movie, Where the Buffalo Roam look like a masterpiece. This was a horrid, frightful movie! First of all, I didn't laugh once, and I am easily amused. They tried to be funny and all, but I couldn't see what was so 'hilarious' about this unredeemable piece of crap. Once again, Chris Klein plays the sweet, naive guy he always seems to play. And once again, he falls for some equally dumb chick and their love is tested by some predicament (Leelee with her illness; Mena and the choir vs. playing lacross with his buddies). But eventually, they'll overcome all odds, but not before going through a bunch of ridiculous 'issues' and live happily ever after. This was just awful - it was an insult to trailer park people. I hated, hated, HATED this movie! Grrr!

I'm done now. Just don't see this movie. I almost blinded myself after watching this.

My gosh, what is wrong with the people giving this movie 1 star! It is a funny movie. The movie is about incest, but it is funny. It's weird, but the plot is kind of like marrying his sister.

Anyways, the movie is funny. That dude from American Pie is in it, and he gets into trouble. The cow, the plane, and even the entire movie had me laughing hysterically.

The movie is great. It's good comedy, I don't know why others say differnetly.

This is absolutely the worst movie I have ever seen. It is insultingly unfunny, and exploited every cliche the "raucous comedy" genre has to offer. Ha ha, a hand up a cow's ass... Ha ha, she cut his ear off! (get it, because she's a bad hair dresser?) Ha ha, it's gross that it's his sister... Damn, this movie sucked. See for yourself, I dare you.

Yet another 'family time' movie I was forced to endure, Say it isn't So made the movie, Where the Buffalo Roam look like a masterpiece. This was a horrid, frightful movie! First of all, I didn't laugh once, and I am easily amused. They tried to be funny and all, but I couldn't see what was so 'hilarious' about this unredeemable piece of crap. Once again, Chris Klein plays the sweet, naive guy he always seems to play. And once again, he falls for some equally dumb chick and their love is tested by some predicament (Leelee with her illness; Mena and the choir vs. playing lacross with his buddies). But eventually, they'll overcome all odds, but not before going through a bunch of ridiculous 'issues' and live happily ever after. This was just awful - it was an insult to trailer park people. I hated, hated, HATED this movie! Grrr!

I'm done now. Just don't see this movie. I almost blinded myself after watching this.

My gosh, what is wrong with the people giving this movie 1 star! It is a funny movie. The movie is about incest, but it is funny. It's weird, but the plot is kind of like marrying his sister.

Anyways, the movie is funny. That dude from American Pie is in it, and he gets into trouble. The cow, the plane, and even the entire movie had me laughing hysterically.

The movie is great. It's good comedy, I don't know why others say differnetly.