Stephen-Tobolowsky Movie Reviews


A Hoffman showcase
ALEXS CAPSULE MOVIE REVIEWSLowpoints: It is evident that it's the director's, Todd Luiso's, debut - the film seems to avoid subjects that get excessively intricate, and bombards the audience with pompous, supposedly meaningful subtlety - in other words, Love Liza is pretentious at times; the film supplies its audience with no resolution, though foreshadows one throughout, which might leave some agitated; Love Liza's perpetual pessimism might upset viewers.
Conclusion: Though ostentatious at certain points, Love Liza is a worthy little addition to any indie DVD collection. It will dazzle with its central performance, and astound with some incredibly nuanced scenes.
SEE THIS IF YOU LIKED: Magnolia, Punch Drunk Love, Wings of Desire, About Schmidt.
DON'T SEE THIS IF YOU LIKED: Maid in Manhattan, any Julia Roberts film.
A powerhouse performance by Hoffman

A Hoffman showcaseWith each cleverly-framed shot, director Todd Louiso effectively portrays the sense of isolation and solitude that the film's protagonist must be experiencing, and Hoffman's characterization of Wilson is absolutely devastating in its effectiveness.
However, on some level, Love Liza fails. Obviously meant as a character study, Love Liza loses a great deal of its effect in the fact that the supplementary characters don't really possess a lot of depth, nor do they help elucidate much depth in Wilson's character. The plot is rather thin at times, and doesn't really explain how Wilson gets hooked on huffing. Was this something he did before his wife's death, or something new he does to cope?
However, the movie is redeemed in part by the denoument, which ends in a way both predictable and unexpected, though I won't divulge any details.
All in all Love Liza, is an excellent showcase for Hoffman's talents, but it falls a little flat by underplaying its potential for emotional effect.
ALEXS CAPSULE MOVIE REVIEWSLowpoints: It is evident that it's the director's, Todd Luiso's, debut - the film seems to avoid subjects that get excessively intricate, and bombards the audience with pompous, supposedly meaningful subtlety - in other words, Love Liza is pretentious at times; the film supplies its audience with no resolution, though foreshadows one throughout, which might leave some agitated; Love Liza's perpetual pessimism might upset viewers.
Conclusion: Though ostentatious at certain points, Love Liza is a worthy little addition to any indie DVD collection. It will dazzle with its central performance, and astound with some incredibly nuanced scenes.
SEE THIS IF YOU LIKED: Magnolia, Punch Drunk Love, Wings of Desire, About Schmidt.
DON'T SEE THIS IF YOU LIKED: Maid in Manhattan, any Julia Roberts film.
A powerhouse performance by Hoffman

Not your typical stoner movie
best movie ever made
IT DOESNT GET ANY BETTER

Not your typical stoner movie
best movie ever made
IT DOESNT GET ANY BETTER

Mel going after Jack Burtons Wife.
Bird On A Wire ReviewThis movie is one of my family's favorites and they have rented it and watched it more than 8 times! I think that Bird on A Wire is very good Classic and even though it was made in 1990 it is still a huge hit for the young and old.
In fact if you can I would say first before buying it you should rent it at your local movie renting store and watching it before buying it so you can see just how funny, suspenseful and Story-packed this movie is.
I rate this movie FIVE STARS because of this great combination to make this movie the most undescribable and fun movie in years that I have seen as a 'Classic'.
The most misunderstood movie of the nineties

Typical Seagal
A good movieA movie for those who like Steven Seagal!!
One of my favorite Segal movies

Typical Seagal
A good movieA movie for those who like Steven Seagal!!
One of my favorite Segal movies

Typical Seagal
A good movieA movie for those who like Steven Seagal!!
One of my favorite Segal movies

Racism from all sides?The best way to view this movie is from the perspective of good versus evil. Good does win out and the evil klan is brought to justice. That does mean something. The production is good and the performances are too. Gene hackman gives an oscar caliber performance and willem defoe is convincing. Certainly an entertaining film but it doesn't reach it's potential as a great film.
...............socks
One of the greatest movies of all timeThis movie has been unfairly and recklessly attacked by overeager movie critics and experts on social affairs, all of whom feel guilty about praising such an important and powerful piece of film making (they don't DARE want to be called racist for praising the film!).
The most common criticism is that this movie doesn't have any strong Black characters. This is absolutely false. There are several strong Black characters in this movie. There is a scene where a Black preacher gives a strong condemnation about the killings of the young men. There are several scenes with a brave young Black child, deeply religious, who somehow manages to find courage amongst his tears and fright (in one exceptional scene, he doesn't run away during a Klan disruption of a church gathering, instead, he kneels and prays). And in the most controversial and powerful scene in the entire movie, a strong Black father (father of the previously mentioned young boy), fed up with the racists, goes out into the night with a shotgun shouting that he will not take this abuse anymore.
The other major criticism is that the movie focuses on White characters. This is not valid. I do certainly agree that many Hollywood movies tend to center the action around White actors, even if the story is about minorities (i.e., Come See the Paradise, Windtalkers, etc. etc.) However, this is one case where it was absolutely necessary for the story to be seen through the eyes of two White FBI agents. The two White agents (Gene Hackman in one of the greatest movie performances of all time) represent the opposite spectrum of the evil Southern racists. Just as the Southerners see the world in their segregated view, the two FBI agents see the world in their enlightened and open view, and in fact they stand for many White people that not only gave their lives for the cause of Civil Rights, but made their voices heard and actions seen so that segregation would one day end. The Civil Rights era is as much a story about White Americans as it is Black Americans, so I applaud the filmmakers for being courageous about this.
I recently watched the DVD version and it affected me as much as when I first saw it, and I make it a point to see several times a year. There are scenes that are so heartbreaking they will leave you in tears, and moments of beauty and power so self assured that you know you are watching a masterpiece that will one day stand the test of time. This movie is required viewing for all of the youth in America today, many of whom are clueless as to the Civil Rights period (and others simply do not care).
SCINTILLATING HISTORY LESSON (AND A GREAT SUSPENSE THRILLER)Despite its theme's sombre contours the film never gets all preachy about the subject. Gene Hackman is picture perfect although his vigilante FBI loose-cannon role occasionally gets a bit far-fetched. A salon scene between him and one of the rogue cops who moonlight as members of Ku-Klux-Klan will remain in your memory for a long time.
The racism theme may appear a bit dated to viewers of this generation, but it is integral to the theme (as it was to the actual civil war.) Plus, let's not forget that the movie was made in 1988, and watching it now I still couldn't help getting touched by the identifiable theme. Frankly, I don't really understand what racially oriented quibbles reviewers have with the movie -- this is not some drummed up theme, this is ACTUALLY what happened in Mississippi.
A taut, absorbing, and worthwhile film that you must watch if you haven't already.


Roomate from hell
Shocking!
A thriller the way they're supposed to be...
With each cleverly-framed shot, director Todd Louiso effectively portrays the sense of isolation and solitude that the film's protagonist must be experiencing, and Hoffman's characterization of Wilson is absolutely devastating in its effectiveness.
However, on some level, Love Liza fails. Obviously meant as a character study, Love Liza loses a great deal of its effect in the fact that the supplementary characters don't really possess a lot of depth, nor do they help elucidate much depth in Wilson's character. The plot is rather thin at times, and doesn't really explain how Wilson gets hooked on huffing. Was this something he did before his wife's death, or something new he does to cope?
However, the movie is redeemed in part by the denoument, which ends in a way both predictable and unexpected, though I won't divulge any details.
All in all Love Liza, is an excellent showcase for Hoffman's talents, but it falls a little flat by underplaying its potential for emotional effect.