Timothy-Hutton Movie Reviews

This 2001 TV movie is brilliant. Producers Michael Jaffe, Timothy Hutton, and Howard Braunstein did everything right - the cast, the dialogue, the sets, the wardrobe, and the music. Everything that Rex Stout put into the story can be seen in this video. You will feel as if J. Edgar Hoover's minions are watching you, and you'll want to call Archie for an appointment with Nero Wolfe to get them to lay off.

Watch it once and you'll be hooked on Rex Stout and hungry for more - videos (The Golden Spiders VHS is also available at Amazon) and the Rex Stout novels (Bantam Books-The Rex Stout Library are available at Amazon as well as several Audio Editions books on tape).

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Maury Chaykin is, as he was in the first adaptation, The Golden Spiders, perfect as the title character. He can do wrong on screen (one wonders what Rex Stout would make of this were the author alive today?). Timothy Hutton has really discovered what makes the character of Archie Goodwin tick and the chemistry between the two captures the essence of the relationship as seen in the novels. Wolfe and Archie are classic detective characters. Wolfe has his roots in the English "Drawing Room" mystery and Archie with antecendants in the American "Hard Boiled" school...but these characters, and their multi-layered interactions, grew far beyond that into something truly unique. And it's all up there on screen for us to enjoy time and again.

The telefilm also features one of Stout's most complex and intense plots as Wolfe is hired to tackle J. Edgar Hoover's FBI on behalf of a wealthy client. Can Wolfe's genius prove greater than his hubris?

Watch out for a classic scene between Inspector Lionel T. Cramer (well played by Bill Smitrovich) and Archie!

This wonderful film is about a genuine love story in which the Lovings a interracial couple from Virginia marry in segregation era America and feel the full impact of the old slavery laws come hurtling down on them. On their wedding night the Lovings are dragged from their beds and thrown unceremoniously into jail. Richard Loving is freed a day later because he is white but his wife has to languish in jail for another seven days before she is informed of what "crime" she has committed.

The Lovings are invited by the judge to accept jail or be banished from the state for 25 years. After choosing the latter the Lovings find it impossible to shake off the homesickeness for old friends and family and decide to secretly return home. The remainder of the film is dedicated to their participation in the Civil Rights movements, the birth of their children and the legal battle which ensues with the State of Virginia. The Lovings legal representation was rpovided free by the American Civil Liberties union after Milded Loving wrote to President John F Kennedy. This scene is particularly moving.

The leads are played by the beautifully sensual Lela Rochan ( Waiting to Exhale 1995) and the gorgeous Timothy Hutton (The General's Daughter (1999) This stunningly sexy couple who are instantly likeable and engaging , really bring the Lovings story to life. However this is a Hallmark film on a smallish budget so no one should expect riveting car cashes or lenghty court room speaches. The focus is always on the emotional chemistry between the couple and how their right to live without being harrassed by the state of Virginia or separated from their extended family is a matter of personal dignity and essential to the integrity of American society. Watch out for some original archival footage from Martin Luther Kings legendary "I have a Dream" speech.

Kline's stereotypical Frenchman (Luc) is as convincing (that accent!) as he is funny. His uber-casual, morally lax attitude is well complemented by Ryan's uptight, loquacious American/wannabe-Canadian (Kate). The movie rolls along at a merry pace - from Canada to Paris to Nice and Provence, all with distinctive, eclectic music. The locations are beautiful and serve nicely as foils for the wacky partnership of Luc and Kate, as do the songs (in French and English). Check out the end credits when Kevin Kline sings "La Mer."

The chemistry between Luc and Kate works like it does in screwball comedies - a lot of bickering sexual tension - but somehow the best and most revealing scenes are the ones where there is no dialogue (Luc and his vine, lost in Paris, train to Nice, Luc's family, dancing). The script is a little lacking, but Ryan and Kline are charming during these quiet moments.

As you can imagine, with all this dualism of French and English, there is a lot of national humor - but I think the best summary of the movie is when Kate, who has lost everything (money, love, passport), wisely realizes, "I am without country." Of course, she means this literally, but that wistfulness conveys more. The differences between nationalities become irrelevant when it's really about fulfillment and dreams, which aren't bound by country lines.

Kline's stereotypical Frenchman (Luc) is as convincing (that accent!) as he is funny. His uber-casual, morally lax attitude is well complemented by Ryan's uptight, loquacious American/wannabe-Canadian (Kate). The movie rolls along at a merry pace - from Canada to Paris to Nice and Provence, all with distinctive, eclectic music. The locations are beautiful and serve nicely as foils for the wacky partnership of Luc and Kate, as do the songs (in French and English). Check out the end credits when Kevin Kline sings "La Mer."

The chemistry between Luc and Kate works like it does in screwball comedies - a lot of bickering sexual tension - but somehow the best and most revealing scenes are the ones where there is no dialogue (Luc and his vine, lost in Paris, train to Nice, Luc's family, dancing). The script is a little lacking, but Ryan and Kline are charming during these quiet moments.

As you can imagine, with all this dualism of French and English, there is a lot of national humor - but I think the best summary of the movie is when Kate, who has lost everything (money, love, passport), wisely realizes, "I am without country." Of course, she means this literally, but that wistfulness conveys more. The differences between nationalities become irrelevant when it's really about fulfillment and dreams, which aren't bound by country lines.

Kline's stereotypical Frenchman (Luc) is as convincing (that accent!) as he is funny. His uber-casual, morally lax attitude is well complemented by Ryan's uptight, loquacious American/wannabe-Canadian (Kate). The movie rolls along at a merry pace - from Canada to Paris to Nice and Provence, all with distinctive, eclectic music. The locations are beautiful and serve nicely as foils for the wacky partnership of Luc and Kate, as do the songs (in French and English). Check out the end credits when Kevin Kline sings "La Mer."

The chemistry between Luc and Kate works like it does in screwball comedies - a lot of bickering sexual tension - but somehow the best and most revealing scenes are the ones where there is no dialogue (Luc and his vine, lost in Paris, train to Nice, Luc's family, dancing). The script is a little lacking, but Ryan and Kline are charming during these quiet moments.

As you can imagine, with all this dualism of French and English, there is a lot of national humor - but I think the best summary of the movie is when Kate, who has lost everything (money, love, passport), wisely realizes, "I am without country." Of course, she means this literally, but that wistfulness conveys more. The differences between nationalities become irrelevant when it's really about fulfillment and dreams, which aren't bound by country lines.

Kline's stereotypical Frenchman (Luc) is as convincing (that accent!) as he is funny. His uber-casual, morally lax attitude is well complemented by Ryan's uptight, loquacious American/wannabe-Canadian (Kate). The movie rolls along at a merry pace - from Canada to Paris to Nice and Provence, all with distinctive, eclectic music. The locations are beautiful and serve nicely as foils for the wacky partnership of Luc and Kate, as do the songs (in French and English). Check out the end credits when Kevin Kline sings "La Mer."

The chemistry between Luc and Kate works like it does in screwball comedies - a lot of bickering sexual tension - but somehow the best and most revealing scenes are the ones where there is no dialogue (Luc and his vine, lost in Paris, train to Nice, Luc's family, dancing). The script is a little lacking, but Ryan and Kline are charming during these quiet moments.

As you can imagine, with all this dualism of French and English, there is a lot of national humor - but I think the best summary of the movie is when Kate, who has lost everything (money, love, passport), wisely realizes, "I am without country." Of course, she means this literally, but that wistfulness conveys more. The differences between nationalities become irrelevant when it's really about fulfillment and dreams, which aren't bound by country lines.

We all know people (friends) like these characters. They ring true to our life experience. I think all guys struggle with the issues these guys are struggling with. (Maybe its true for women and the female characters as well?)

Do you look back to your past with longing for what could have been, or forge ahead into the future with whatever it brings?
Do you cling to the wild and independent spirit of your youth, or settle down into "commited" and maturing relationships?

Throw in a bar fight, some car crashes (all excused as raging male hormones), and you have a mix that could result in disaster (movie-wise), but director Ted Demme keeps it all together, and with just the right level of finese, comes up with a film that works, and works well!

Will (Timothy Hutton) is trying to figure out the path his life will take, should he get married or not. But he is intrigued by the little girl next door and starts to think that his future wife may be a bit ordinary. Add to the mix Uma Thurman's out of town character that is beautiful and witty and Will is getting more muddled all the time. The local boys plow snow, drink beer and have affairs with married women, date women for nine years without proposing and raise kid with not clue how to do it. All real life things that we see everyday with ordinary people.

A movie that should not be missed, that an be watched over and over and will make you laugh and ponder the relationships that people get into.