»»Udo-Kier Movie Reviews««

it,s too funny video and perfect also.....!!! ;0)

i like this film and special if JIM CARRY work in it

Mighty Fine!

I don't know how I can match the other intelligent reviews for this movie but I'll try! This movie is so darn funny. Jim Carrey makes you laugh sooo hard it's almost annoying. Of course, I'm such a fan of Carrey that if he crapped in a box and called it a movie I'd love it!

jim carrey sux?

I dont think so buddy! sux is not the word for it, it stinks is!Ha-Ha!!

Finally a new DVD on Warhol

I was excited to see a new DVD was to be released about Andy Warhol a month ago. I bought this right away when it was finally released only to find out it is a documentary that was created in Canada that was broadcast on US television about 8 months ago. I had taped this when it aired so I was a bit disappointed to learn they are one in the same although it's nice to have it on DVD instead of tape. This is a great DVD and covers some new angles and material not found in 'Portrait of an Artist' or 'Superstar'. It's interesting to see some new interviews with members of the Warhola family. To see how they have aged since 'Portrait of an Artist' just proves it's about time something new was released. I highly recommend this DVD if you did not already watch it on television or if you are an avid fan of Andy like myself. Well worth the price of admission alone:-) Enjoy!

a campy sexcapade

This movie is a must see for any Dracula fan. It starts out with Dracula played by a young Udo Kier(Ace ventura,Blade)sitting in frount of a mirror. yes you read corectly a mirror! He is going to serch for a wergin(not vergin). He and his "side kick " meet a family with four daughters two of witch are quite easy. (needless to say they are not wergins!) With a communist farm hand who wants to kill all the rich people this movie is a fun addition to any cult movie party!! unrated..udo kier

A milestone in cinema, a gravestone for the human condition

Zentropa is simply the greatest film since "Citizen Kane." An American works as a sleeping-car conductor on a German railroad in late 1945. Viewers should note carefully the course of a dinner conversation early on in the film where neutrality is condemned by a priest: this is the theme of the film, with a profound relevance to today's political events. Try as he might, the American's attempts to be a understanding "nice guy" serve only to tighten the noose. Yet to be passionate and follow one's beliefs wherever they lead is shown to lead to disaster as well. We are doomed to go through the night of mass murder and war if we are to see the light of day.

The cinematography, utterly commensurate with the claustrophobic theme, brilliant in its conception, an encyclopedia of noire technique; most of the acting; and the conclusion, rivetingly harrowing as any in cinema--all come together in a magnificent work of art that belongs on the shelf of anyone who understands the power of cinema to speak to the heart and mind co-equally.

This is how movies are made...

"Zentropa" (or "Europa" as it is called in Europe) marks the end of Lars von Trier's (the director) Europe-trilogy, which started in 1986 with "The Element of Crime" followed by "Epedemic". "Zentropa" is a real film-noir in Hitchkock style. The movie, like the rest of the Europe-trilogy, was a co-production between Lars von Trier and Niels Vørsel; both great screenwriters.

The thing which is so special about "Zentropa" are: 1) It is made without ANY digital effects. 2) It is shoot in B/W. 3) All importent elements in the movie have colour (a thing Spielberg stole from Trier, when he made "Schientlers List"). 4) It has a great story. 5) It is a Trier film.

The cinematography is great, so is the acting; especially Max von S. is great. Also notice that Lars von Trier himself has a small role.

If you want to know more about this film, you should read the book "Lars von Triers elements". If you are just looking for some saturdaynight entertaintment...this is not what you want. However if you want so see a quality movie in world class, this is a modern classic... Don't miss it.

Follow the river...as days go by.

"You are not free not to choose". Kessler's efforts to remain in gray area makes him the only sinner in a railroad-hypnotic view of Germany right after WWII.

"DANISH SCUM!" -- ladies and gentlemen, Dr. Stig Helmer

Lars Von Trier, like David Lynch, is an accomplished film director who plays with television narrative -- and succeeds. Just as Twin Peaks stymied North American couch potatoes, The Kingdom is a wild combination of soap opera, supernatural horror, morbid humor and a quirky cast of characters (best character: Stig Helmer, the Swedish doctor who hates all things Danish). Collecting the first four (or is it five?) episodes and presenting it as an extended film allows even the most televisionphobic filmgoer to enjoy its offerings. I've read how The Kingdom II has showed in American arthouse theatres, but so far it hasn't reached Canada -- I'm anxious to see the next chapter(s) in the theatre or on video.

Where, oh where can I find "Riget II"?

"Riget" or "The Kingdom" is probably the most interesting movie I have ever seen. And I don't mean that in that "Ah, yes, you're new clay pot is, uh, interesting" kind of interesting. I mean it in the original form of the word meaning something to the effect of "This ain't like nothing I ever seen!" ER on Acid? Yeah, kinda. Søren Pilmark does kind of look like Anthony Edwards, especially if you add the "on acid." Like another reviewer, I wasn't thrilled with the Dishwasher Chorus duo, though I can see where their framing effect is helpful. Other than that this was dead on terrific. If you are trying to decide if you should buy a foriegn miniseries (as I was) then shrug and tell yourself It's only $ and go for it. I totally enjoyed this movie.

But don't be surprised if you find yourself wandering the web looking for the 1997 sequel. And just so you know, the official site for "Riget II" is in Danish. And the translation sites don't really help that much. Which is a real shame, cause the site looks like lots of fun, very reminiscent of the movie.

Wish I could give it a 6

Sit back and enjoy the ride. It's weird, sometimes silly, but thoroughly captivating.

I hate to bring up a boring old theme, but we in North America rarely come up with works of such subtlety. I have been watching 6 Feet Under and the comparison is stark. In Kingdom, the characters are flawed, interesting, and likeable. In 6 Feet Under, they are flawed, uninteresting, and unlikeable.

It is scary to think that an American re-make of this is in the works. But, you never know...remember Twin Peaks (almost 20 years ago now!)?

WHENCE SPRINGS HEROISM?

Is evil embedded in the human condition? Are some people born evil? Or is it always a matter of free will? And from whence springs selfless heroism?

Werner Herzog's INVINCIBLE is about Samson-like Zishe Breitbart (Jouka Ahola), a simple country blacksmith who is recruited to play the part of a strongman in fake clairvoyant Erik Jan Hanussen's (Tim Roth) popular Berlin nightclub act during the 1930s. Hitler's on the brink of power, and Hanussen caters to the Nazi's who frequent his performances. When Zishe -- on stage -- unexpectedly reveals himself to be a Polish Jew, he begins attracting a Jewish crowd that penetrates the Nazi audience. This affront to the Nazi's is great for the club's business but brings unexpected consequences to both Zishe and Hanussen. Detailing any more of the surprises in this hero's journey would dilute the movie experience. "Invincible," Herzog's first non-documentary in over a decade, displays his signature artistry, eccentricity and passion. And underlying everything is a powerful moral imperative about the contagion of resistance. I was riveted.

Herzog is "Invincible"

Ten years is worth the wait for a great masterpiece by Werner Herzog. "Invincible" is his first film in ten years, and Herzog does not disappoint. Like any of his former films, they are all epic and grand in scale. His vision is truly eye-catching. Encompassing all that, he creates a movie about the Holocaust in a way it has never been explored before. Every minute passes on and the audience does not know what to expect. The performances are superb from Tim Roth and Jouko Aloha. Aloha is not a great actor, but in this role he is. Tim Roth's performance is haunting and chilling. While Aloha is the antithesis of Roth's cahracter. It is extraordinary to see their chemistry on stage between a German and a Jewish. One who is physically weak, while the other is...the strongest man in the world. Besides the performance, Herzog just captivates you with its vision. I mean, analyze the picture in this page...pay attention to the shadow and its effect. Herzog is one of the greatest living directors and will hold that title in his coffin. This is certainly one or maybe the best picture of the year. Give him ten years and he can make you forget about the movies made during those time period. Or lets just say, those movies are "Invincible."

Where are the oscars?

Now someone tell me...Why does this film get lost between the cracks and movies like The Pianist and Schindler's List don't? For me this movie touched upon issues I have never seen in a movie about this era. Everyone should view this film. It is a beautiful well made fable with terrific acting, cinematography and a heartbreaking score by Hans Zimmer. One of Herzog's best and most accessible films.

GOOD FAMILY ACTION MOVIE

READING SOME OF THE REVIEWS- I THINK THEY MISSED THE FACT THAT.. PRINCE VALLANT FIRST APPEARED TO MANY READERS IN MANY SUNDAY PAPERS IN THE COMIC SECTION. THIS WOULD EXPLAIN SOME OF THE ANIMATED SCENES. ALL IN ALL, I WOULD SAY THAT IT WAS VERY WELL DONE AND DONE LIKE IT WAS IN THE COMICS.

Wait for the DVD

I loved this movie, not least because my dad used to read the comic strip to my brother and me when we were very young. It's a captivating fantasy, and the movie is light-hearted and beautifully done. Still, I'd suggest waiting for the DVD, mostly because $80 for VHS these days is absurd.

2 thumbs and 8 fingers up!

I absolutely LOVED it! I was never really into the comic strips, and i haven't read the book, but i can definately assure you that i will be now! i wanna find out what happens to Prince Valiant in his new adventures. ^_^

Techno-Vampo Cool

I've never read any of the "Blade" comics, so I'm reviewing this film with absolutely nothing in print to compare it to. This is a solid action film that raises the bar for other comic hero movies. Snipes is superb as "Blade" and Dorff handles the role of "Deacon Frost" exceptionally well. It's a very dark film that has a continuous techno vibe to it. The fight scenes in this film are excellent and, much like "Mortal Kombat," driven by techno music. Unlike "Mortal Kombat," this movie isn't campy. The writers and director seem to have taken "Blade" and given him an honest, well-meaning portrayal. As stated before, I don't know how the comic is, but "Blade" seems to have been taken a lot more seriously than most superhero movies. It's much more serious than the first "Batman" movie and and ten times as sophisticated as the sequels.
As an action film, this movie more than suffices. If you enjoy the violent action of "Daredevil," you'll definitely like this film. It isn't as fun as "Spiderman," but that's because this character is more about business and doesn't have time to wisecrack like the Webslinger.

"Blade" will hold it's own against any of the Marvel movie adaptations, but I'm afraid the character is sort of like "Daredevil" in that he isn't as well known as Spiderman or the Incredible Hulk and therefore suffers for this reason at the box office. Don't get me wrong, I know that "Blades I & II" did exceptionally well profit-wise, but the character will never garner profits such as "Spiderman" simply because he isn't as recognizable as the wall-crawler. As a matter of fact, there are probably more obscure X-men out there who are better known than "Blade."

In closing I can only say this: "Blade" is an excellent action flick that pleases the eye and ear. It's a dead(or undead, if you please) serious movie that moves at a quick pace and satifies not only comic and action fans, but vampire fans as well.

A New Breed of Vampire Flick

The familiar stereotypes of the vampire overlord, the female victim and the dedicated hunter are firmly in place, but with a modern, cyber twist. Based on the successful Marvel Comics series, 'Blade' is kung fu cool meets 'The Matrix' - the real world is a different place to what you thought.

Blade is a half-vampire who hunts the undead to avenge the death of his mother, who was bitten while pregnant, thus giving him "all of our strengths, non of our weaknesses". Referred to as "the daywalker" by the creatures he hunts, he is aided by Whistler, a semi-alcoholic, laconic sidekick who lost his family to vampires and Karen Jenson, a haematologist. Snipes plays Blade as a tortured, granite-faced warrior with a spirituality the audience is supposed to compare to that of Samurai. Complete with deadpan one-liners, he stalks and stakes with gusto, never quite revealing any wimpy emotion.

The uber-villian of the piece is the designer-shirted Deacon Frost, played with menacing cool by former brat-pack actor, Stephen Dorff. Frost has discovered an ancient ritual that will resurrect 'La Magra' - the Blood God, who is capable of triggering a "vampire apocalypse". This ritual also happens to require the blood of the daywalker, setting the scene for a climatic showdown between the hunter and the overlord.

Surrounded by a cadre of underlings, the most three dimensional of whom being Quinn, a playful heavy with puppy dog enthusiasm, Frost is far from the traditional vampire. In Blade's world, vampires are not creatures that skulk in cemeteries impersonating Bela Lugosi on a bad day - they are powerful figures in business and politics with vast financial resources. They have Swiss bank accounts, ultra-modern penthouse apartments and complete control over the authorities due to a back-alley treaty with the government.

Frost represents a threat to the established way of vampire life enforced by the House of Erebus - a ruling cabal of twelve elders who live by the maxim 'we do things quietly and the humans will leave us alone'. By conjuring La Magra, Frost hopes to enslave mankind.

'Blade' is a film that is very much a triumph of style over substance. The action sequences, especially the final confrontation between Blade and Frost, are spectacular, although the disintegration of vampire corpses does become a little wearisome.

The initial scenes in the vampire nightclub have a body count rivalling that of the goriest shoot-em up computer games. Everyone looks good, whether it's Frost's trendy haircut, or Blade's cyber-warrior cool, complete with tribal tattoos. The array of weaponry and gadgets is impressive, special mentions going to Blade's titanium katana and Karen's 'vampire mace' comprising of garlic and silver nitrate.

The plot is hardly Shakespearean, racing from one sword-twirling slaughter to another, but is redeemed by some eerie flashback moments. The sarcastic, sometimes snappy dialogue oozes street cred and provides a nice foil to the action sequences.

Characterisation is a problem, with most of the cast either cardboard cutout 'goodies' or 'baddies'. An exception to this is Blade. Although the villain has evil written through him like a stick of rock, the hero is not as lily white as the usual hunter - Blade has to constantly battle his vampire side.

Karen Jenson initially looks promising as a doctor with the potential to cure Blade's thirst, but quickly lapses into the victim role with occasional bursts of heroism. One obvious oversight in the film is the twelve 'pure bloods' of the House of Erebus - they are woefully underused.

Overall, 'Blade' is a frenetically paced cyber thriller for a new generation of vampire fans. Despite its faults, it is a welcome addition to a genre that was in danger of collapsing beneath the weight of cliché. Leave your brain in a jar by the door, enjoy the action and be prepared for a desire to don kevlar body armour and learn kung fu.

Helen C. Murphy. Resident Author. BloodLust-uk.com

The First Comic Book Adaptation to Get It Right

I know that some people will point to "Superman" and "Batman" as good comic book adaptations; that they are, but the subsequent attempts fell flat on their face. I believe that "Blade" paved the way for the current "comic book adaptation renaissance" that we're enjoying right now (apart from the Hulk, anyway.)

For starters, Blade stays far away from the entire "secret identity/pulling cats out of trees" cliches that are normally associated with superheroes. Blade is dirty, Blade is nasty, and Blade isn't afraid to kill; in short, the makes the movie much better suited for modern audiences.

Another thing I like about "Blade" is that it keeps the character's origin as a backstory; it's explained, yes, but does not make up the bulk of the action. This prevents long-time Marvel readers from being bored and gives more time to devote to the action.

I've dinged the DVD a star for a couple of reasons; first, the special effects aren't very good in some places (like when Frost regenerates his hand.) I know the movie was made on a shoe-string, so maybe I'm being a bit unfair, but I still feel that they could have done a little better. Also, you have to sit through commentary during the deleated scenes, which I would have preferred to have been a seperate option (at least they got rid of the original ending, though; that, in itself, would have made Blade a much worse movie.)

Great movie for vampire/horror/action movie fans.